SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons de Voltaire"/1) | (@(roleclean,performerclean) "Mons de Voltaire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1027 matches on Performance Title, 481 matches on Performance Comments, 362 matches on Author, 229 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mons and Mme Simonet. Public Advertiser, 28 Mar.: Tickets to be had of Simonet, at Leary's, near the White Bear, Piccadilly

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Les Amans Heureux, as17770104; End II: Divertisement-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: New Ballet (composed by Simonet)-Simonet, Mlle Baccelli, Mlle DeCamp, Sg and Sga Zuchelli; in which, particularly a grand Chaconne in two Parts, habille en homme-Mme Simonet

Event Comment: Benefit for Mons and Mme Simonet. Tickets to be had of Mons and Mme Simonet at Leary's, No. 232, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: L'Amour dans la Vendange, as17780519; End II: The Masquerade Ballet-; in which a Minuet-Mme Simonet en homme, or in man's dress,, Mlle Baccelli; End Opera: La Serenade Interrompuee, as17780224; in which the Minuet Dauphin-Mme Simonet in man's dress, Mlle Banti

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.
Cast
Role: Mons Bluard Actor: Baddeley

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Camp

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons Bluard-Baddeley; William-Davies; Serjeant Drill (1st time)-Gaudry; Nancy-Miss Field (1st appearance in that character); Nell-Mrs Wrighten; other Characters-Burton, Wrighten, Waldron, Wright, Holcroft, Fawcett, Philimore, Norris, Mrs Cuyler, Miss Collett, Mrs Colles.
Cast
Role: Mons Bluard Actor: Baddeley

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Blissett; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Violon-Dorion; John Bull-Webb; Prompter-Bannister Jun.
Cast
Role: Mons Cabry Actor: Wewitzer

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Usher; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Dorion; John Bull-Webb; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Prompter-Bannister Jun .
Cast
Role: Mons Cabry Actor: Wewitzer

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: A New Occasional Prelude

Performance Comment: Characters by Quick, Edwin, Booth, Thompson, Jones, Wewitzer, Mahon, Mills, Aickin; Mrs Webb, Mrs Wilson. [Cast from CG Public Advertiser, 24 Sept.: Ap Morgan-Quick; Squib-Edwin; Scissorwit-Booth; Prompter-Thompson; Mons Rigadoon-Wewitzer; O'Shaughnessy-Mahon; McDowgal-Mills; Critic-Aickin; Mrs Melpomene Sanguine-Mrs Webb; Miss Thalia Ap Morgan-Mrs Wilson. Jones is unassigned.] hathi. hathi.
Cast
Role: Mons Rigadoon Actor: Wewitzer

Afterpiece Title: The Busy Body

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Williamson; Beggar-Blissett; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Gaudrey; John Bull-Gardner; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wcwitzer; Prompter-Bannister Jun .
Cast
Role: Mons Cabry Actor: Wcwitzer

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Performances

Mainpiece Title: Wonder

Afterpiece Title: The Camp

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Waldron; O'Daub-Moody; Mons Bluard-Baddeley; William-Barrymore; Serjeant Drill-Wilson; Nancy-Mrs Wells; Nell-Mrs Wrighten. The other Characters by Burton, Fawcett, Wrighten, Wright, Chaplin, Kenny, Phillimore, Alfred, &c.; Miss M. Stageldoir, Miss Palmer, Mrs Wilson . Miss M. Stageldoir, Miss Palmer, Mrs Wilson .
Cast
Role: Mons Bluard Actor: Baddeley

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Borselli, Costa, Torregiani, Sga Borselli, Sga Del'Acqua, Sga Sestini. [Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]

Dance: End I: Divertisement, as17900515; End Opera: The Generous Slave-Blake [see17900513], Duquesney, Labourie, Mlle de'Caro, Mlle Dorival, Mlle Hilligsberg

Performances

Mainpiece Title: La Bella Pescatrice

Ballet: End I: Telemachus in the Island of Calypso. As17910322

Monologue: End Opera: The Deserter (with augmentations, composed by D'Auberval). Skirmish-D'Auberval; Deserter-D'Egville; Simkin-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Menage; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer

Performance Comment: Skirmish-D'Auberval; Deserter-D'Egville; Simkin-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Menage; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer.
Cast
Role: Invalid Actor: Mons Fialon

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: As17930306but Concerto on the violin-Mons Aldey [recte Alday] (1st performance in this Kingdom); Guarda nel mio taddio, Non piu andrai-Morelli.

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Sga Storace. [Partial cast from Larpent MS 769, which has full cast for 1787: Bastiano Ammazzagatte-Morelli; +Gelinda-Sga Storace; Mons. Perruque, $Don Berlicco, Mlle Neri, Mlle Pate.] Mons. Perruque, $Don Berlicco, Mlle Neri, Mlle Pate.]

Dance: As17970124

Performances

Mainpiece Title: The Intrigues At Versailles Or A Jilt In All Humours

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: Perseus and Andromeda or The Cheats of Harlequin

Event Comment: [Sometime during last week'] the Tragedy of Junius Brutus, written by Voltaire, was acted in French by the young Gentlemen educated at the Academy in Soho Square. -Daily Advertiser, 8 Nov

Performances

Mainpiece Title: Junius Brutus

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Mainpiece: Taken from the French of Mr Voltaire

Performances

Mainpiece Title: Zara

Afterpiece Title: The Mock Doctor

Dance: GGrand Dutch Dance-Cooke, Miss Hillyard

Event Comment: Mainpiece :By Particular Desire. The Orphan of China published. Price 1s. 6d. Dedicated to Garrick. Translated from the French of Voltaire. Acted at Paris with great applause. Published This Day Reflections on Theatrical Expression in Tragedy, with a proper introduction and appendix. For the character of the above see The Monthly Review for July (Public Advertiser). [This must be the second edition of Roger Pickering's pamphlet. See 13 March 1755.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and Miller of Mansfield

Event Comment: On Monday Next Douglas a Tragedy. [The Public Advertiser includes a full column extract from David Hume's Letter to Rev John? Home concerning Douglas: "I have the Ambition to be the first who shall in public express his Admiration of your Noble tragedy of Douglas; one of the most interesting and pathetic Pieces, that was ever exhibited upon any theatre. Should I give it preference to the Merope of Maffei, and to that of Voltaire which it resembles in its subject; should I affirm that it contained more Fire and Spirit than the former and more Tenderness and Simplicity that the latter; I might be accused of partiality....But the unfeighned tears which flowed from every eye, in the numerous representations which were made of it on this theatre; the unparalleled command which you appeared to have over every affection of the human breast; these are incontestable proofs that you possess the true Theatric Genius of Shakespear and Otway, refined from the unhappy Brabarism of the one, and Licentiousness of the other." The reference was to earlier performances in Edinburg.

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Sorcerer

Event Comment: BB. Johnson's Head Bill 11s. (Treasurer's Book). Drank tea with my Landlady and went with her husband and two gentlemen to see the new Play...as I did not care to refuse. Could not get into the Pit, at which I was not displeased. I fancy this comedy will take, tho it had nothing else to support it but the character of Freeport, which is played by Yates...We had a Prologue written by the author of the play and spoken by King; and an Interlude by way of Epilogue written by Garrick and spoken by King and Mrs Abington. A concerto on the Harpsichord by Burney Jr and dance. The play is taken from L'Ecosseisse of Voltaire (Neville MS Diary). Receipts: #193 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

Event Comment: Benefit for Mrs Yates. Mainpiece: A Tragedy (Written by Voltaire) and translated by [Dr Thomas Francklin] the Author of The Earl of Warwick. Pit and Boxes will be laid together. Ladies are desired to send their servants by 4 o'clock. Mrs Yates will be particularly oblig'd to those Ladies, and Gentlemen, who have seats in the Pit, if they will be co kind as to come as early as possible to prevent confusion in getting their places. [Genest V, 242, conjectures the following assignment of parts: Orestes-Smith; Aegisthus-Bensley; Pammenes-Clarke; Pylades-Perry; Electra-Mrs Yates; Clytemnestra-Mrs Ward; Iphisa-Mrs Bulkley.] Charges #65 7s. 6d. Balance to Mrs Yates #39 1s. plus #180 10s. from 722 Box tickets (Account Book). Total House value #284 18s. 6d. Receipts: #104 8s. 6d. (Account Book)

Performances

Mainpiece Title: Orestes

Related Works
Related Work: Orestes Author(s): Voltaire

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Event Comment: Mainpiece [1st time; C 5, by Charles Macklin, a re-writing of his The True-Born Scotsman, based partly on Nanine, by Voltaire, 1st acted at the Smock Alley Theatre, Dublin, 10 July 1764. Author of prologue unknown. Epilogue by Frederick Pilon (Public Advertiser, 28 May 1781). Text 1st published (unauthorized), Dublin, 1785]: The Characters new dressed. Receipts: #173 14s. 6d. (172.12.0; 1.2.6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer