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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons de Voltaire"/1) | (@(roleclean,performerclean) "Mons de Voltaire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1923 results for: Keyword - Mons de Voltaire

We found 1027 matches on Performance Title, 481 matches on Performance Comments, 362 matches on Author, 229 matches on Event Comments, and 0 matches on Roles/Actors.

926
02 April 1782 @ King's Theatre

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I La Rosiire de Salency, as17820319End of Act II Rinaldo and Armida, as17820223

927
06 April 1782 @ King's Theatre

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act II le Triomphe de l'Amour Conjugal, as17820110; End of Opera Rinaldo and Armida, as17820223

928
08 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Lincos Travels

Afterpiece Title: Bon Ton

Dance: End of 2nd piece the Minuet de la Cour, as17820104

929
12 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Variety

Afterpiece Title: The Lying Valet

Dance: End of Act I of afterpiece the Minuet de la Cour, as17820104

930
13 April 1782 @ King's Theatre

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I Divertisement Dance, as17820307End of Act II La Rosiere de Salency, as17820319End of Opera Rinaldo and Armida, as17820223

931
16 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I La Rosiere de Salency, as17820319End of Opera Adela of Pontbieu, as17820411

932
25 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Opera Medea and Jason, as17820411

933
27 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Opera Adela of Pontbieu, as17820411

934
30 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Adela of Pontbieu, as17820411, before which, the daughter of Mme Simonet, only 7 years old, will (for her 1st appearance this season) dance the Minuet de la Ville with her Father, and a Gavot Seule to the favourite tune of the Pas Seul danced by Mlle Theodore in Rinaldo and Armida; End of Opera Rinaldo and Armida, as17820223

935
15 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Robinson Crusoe

Dance: End of Act III of mainpiece the Minuet de la Cour, as17820104; End of mainpiece a Hornpipe, as17811015

Song: As17811105

936
27 May 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

937
29 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Englishman in Paris

Dance: End of mainpiece, as17820223; In afterpiece the Minuet de la Cour by Zuchelli and Miss Collett

Song: In Act I of mainpiece a song by Williames

938
17 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Whos the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

939
30 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

940
10 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Apelles and Campaspe, as17821102; End of Act II New Divertisement, as17821130, and added: a second Pas de Deux by Master Laborie and Miss Simonet (their 1st appearance)

941
11 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

942
19 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

943
11 January 1783 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

944
25 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

945
28 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Convito

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

946
18 February 1783 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

947
10 April 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

948
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

949
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

950
05 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill