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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons de Moliere"/1) | (@(roleclean,performerclean) "Mons de Moliere")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1911 results for: Keyword - Mons de Moliere
We found 1027 matches on Performance Title, 481 matches on Performance Comments, 372 matches on Event Comments, 206 matches on Author, and 0 matches on Roles/Actors.

1401
20 February 1733 @ Drury Lane Theatre

Event Comment: Benefit the Author. Egmont, Diary, I, 333: to the new play called The Miser, which is well translated from Moliere by Mr Fielding, and well acted

Performances

Mainpiece Title: The Miser

1402
10 March 1733 @ Drury Lane Theatre

Event Comment: Benefit Miller. At the particular Desire of several Persons of Quality. Afterpiece: Taken from Moliere. Part of the Seats on the Stage (for the better Accommodation of the Ladies) will be form'd into Boxes

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Mock Doctor

Dance: Denoyer, Mrs Booth; Drunken Peasant-LeBrun

1403
20 March 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Done from Moliere. 5s., 3s., 2s., 6:30 p.m

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: Love Runs All Dangers

Cast
Role: Harlequin Actor: Mons Lefronde, the first time of his appearing on any stage in England

Dance: End Mainpiece: Dutch Skipper-T. Jones, R. Jones; Concluding with a Hornpipe-Jones

1404
19 April 1733 @ Drury Lane Theatre

Event Comment: Benefit Miss Holliday. By Command of His Royal Highness [who was present]. Mainpiece: Written by Mr Wycherley. Afterpiece: Taken from Moliere

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Imaginary Cuckolds

1405
09 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Wright and E. Roberts. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Mock Doctor

Dance: I: Drunken Peasant-LeBrun; III: Scots Dance-Haughton, Mrs Walter; IV: Dutchwoman-Miss Robinson; End of Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

Song: II: Singing in English-E. Roberts; V: Singing in Italian-E. Roberts

Music: In III: Concerto on Little Flute-John Bastion

1406
14 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Davenport and Mrs Shireburn. Mainpiece: Alter'd from Moliere by Mr Betterton. [Tickets at Davenport's in Brownlow Street.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: The Mock Countess

Dance: II: Irish Trot-a Youth of Ten, scholar to Davenport; III: Dutchman and his Wife-Davenport, Miss Price; IV: Long Whitson Holiday-Davenport, Miss Price; V: Les Bergeries-Essex, Haughton, Miss Robinson

1407
18 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Allen, the Numberer [Rich's Register adds: the late Mr Wilks' Nephew.] Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Intermix'd with Songs; taken from Moliere

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Imaginary Cuckolds

Dance: I: Drunken Peasant-LeBrun; II: Dutchwoman-Miss Robinson; III: Harlequin-Miss Brett; IV: English Maggot-Haughton, Mrs Walter; V: The Flight-Essex, Miss Robinson

1408
23 August 1733 @ Bartholomew Fair

Event Comment: At Fielding-Hippisley Booth, in the George-Inn-Yard. Mainpiece: A Dramatic Entertainment. Afterpiece: A Ballad Opera. Done from the French of Moliere. Intermix'd With Variety of Songs set to old Ballad Tunes, and Country Dances. 1 to 11 p.m

Performances

Mainpiece Title: Love And Jealousy; Or, The Downfall Of Alexander The Great

Afterpiece Title: A Cure for Covetousness; or, The Cheats of Scapin

Dance: FFooting Dance-LeBrun, Mrs Ogden; Fisher Tench, Mlle D'Lorme

1409
10 October 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Taken from the French of Moliere. The principal Characters (in the Play) new drest

Performances

Mainpiece Title: Henry Iv, Part 1

Afterpiece Title: The Mock Doctor

1410
25 October 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Mock Doctor

Dance: A new Grand Ballad called Les Amants Constants by Essex, Miss Robinson, Houghton, F. Tench, Janno, Holt, Miss Mann, Miss Oates, Miss Brett

Song: I: Quanto Dolce by Miss Arne. In III: Per le porte del tormento by Miss Arne and Master Arne

1411
09 November 1733 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from Moliere by the late Mr Betterton. Afterpiece: As 8 Nov. [HAY also announces it intends to perform a new masque, Love and Glory, in honor of the approaching Royal Nuptials, but, the time being short, the theatre will first bring on an Impromptu Revel Masque]

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries, as17331108

1412
14 November 1733 @ Goodman's Fields

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by Beaumont and Fletcher. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Mock Doctor

Dance: Drunken Peasant by Janno. Whim by F. Tench and Miss Mann. Punches by F. Tench and Janno. Watteau by Miss Robinson

1413
12 December 1733 @ Haymarket Theatre

Event Comment: Taken from Plautus and Moliere by the late Mr Dryden. Daily Advertiser, 12 Dec: We hear the Company ... are now rehearsing the three celebrated Plays of Ben Johnson, viz. the Fox, the Alchymist, and the Silent Woman

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Music: Select Pieces

Dance: Scaramouch by Janno. Tambourine by Miss Robinson. Harlequin by Nivelon

1414
13 December 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Mock Doctor

Dance: I: Whim by F. Tench and Miss Mann. II: Scaramouch by Janno. III: Tambourine by Miss Robinson. IV: La Bagatell by Essex and Miss La Tour. V: Harlequin by Nivelon

1415
03 January 1734 @ Drury Lane Theatre

Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Sham Pilgrims

1416
04 January 1734 @ Drury Lane Theatre

Event Comment: Mainpiece: Taken from the French of Moliere. [Daily Journal omits The Devil to Pay.]

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Devil to Pay

Afterpiece Title: The Harlot's Progress

1417
09 January 1734 @ Haymarket Theatre

Event Comment: By Desire. Mainpiece: Taken from Plautus and Moliere, by the late Mr Dryden

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Flora

Music: Select Pieces

Dance: V: Grand Dance in Mom us, as17331231

1418
11 January 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Written by the late Mr Farquhar. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

1419
23 January 1734 @ Drury Lane Theatre

Event Comment: Mainpiece: Taken from the French of Moliere by Sir John Vanbrugh

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Intrigu1ng Chambermaid

Afterpiece Title: The Harlot's Progress

Music: With the new Overture composed for the Puppet-Shew in The Author's Farce

1420
16 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

1421
20 February 1734 @ Haymarket Theatre

Event Comment: Taken from the French of Moliere

Performances

Mainpiece Title: The Mother-in-law

Music: A new Overture, and an entire new Sett of Act Tunes, composed for the Comedy by Mr Seedo

Dance: Irish Trot by a Youth but nine Years old. Hussar by Nivelon and Miss Robinson. Revellers by Essex, Miss Latour, Janno, Holt, Miss Mann, Miss Brett (with new Habits)

1422
21 February 1734 @ Haymarket Theatre

Event Comment: Benefit the Author. Taken from the French of Moliere

Performances

Mainpiece Title: The Mother-in-law

Dance: As17340220

1423
22 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere. Afterpiece: A new Tragedy of half an Act [By Henry Carey]. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chronohotonthologos

Dance: As17340221 Also A new Overture. With Songs (in the Italian Stile) a propos [to the Afterpiece]

1424
23 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chrononohotonthologos

Dance: As17340222

1425
05 March 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chrononhotonthologos

Music: A new Overture, and an entire new Sett of Act Tunes, by Seedo. A new Overture for the Afterpiece

Dance: Irish Trot by a Youth but Nine Years old. Hussar by Nivelon and Miss Robinson. Revellers, as17340220

Song: Afterpiece: Songs (in the Italian Stile) by Charke