SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mons and Mme Vallouy"/1) | (@(roleclean,performerclean) "Mons and Mme Vallouy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 425 matches on Performance Comments, 283 matches on Performance Title, 146 matches on Event Comments, 67 matches on Roles/Actors, and 48 matches on Author.
Event Comment: At Fielding-Hippisley Booth at the George Inn in West Smithfield. A new Dramatick Entertainment. Done from the French of Moliere, and intermix'd with Variety of Songs to old Ballad Tunes and Country Dances. All the Characters to be entirely new Dressed. [Advertised 22, 23, 24, 25, 26, 28, 29, 30, 31 Aug.; 1, 2, 4, 5, 6, 7 Sept.

Performances

Mainpiece Title: The Envious Statesman Or The Fall Of Essex With The Humours Of The Forcd Physician

Dance: Mons D'Ferrou Ville , lately arrived from Paris, Miss Brett, Miss Mears

Music: A Band , including Burk Thumoth

Entertainment: Before the Opera: Postures-Phillips

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Fall of Phaeton

Dance: Mons Muilment, laterly arrived from Paris, the first time of his performance in England

Performances

Mainpiece Title: Don Sebastian King Of Portugal

Performance Comment: Don Sebastian-Ryan; Muley Moluch-Sparks; Benducar-Bridgwater; Mufti-Arthur; Mustapha-Dunstall; Antonio-Anderson; Alvarez-Ridout; Zeydan-Bencraft; Johayma-Mrs Bambridge; Morayma-Mrs Hale; Almeyda-Miss Bellamy; Dorax-Quin.
Cast
Role: Antonio Actor: Anderson

Dance: Mons Billiony , Sga Desdechina first appearance on an English Stage

Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

Event Comment: Benefit for Kelly. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. [Mme Mara had sung in concert at the Pantheon in 1784; in opera at the king's in 1786; and in the dl oratorios in 1787 and 1788.] Public Advertiser, 27 Mar.: Tickets to be had of Kelly, No. 48, Rathbone Place. Receipts: #351 5s. 6d. (177.12.0; 9.13.6; 0.5.0; tickets: 163.15.0) (charge: #111 3s.)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces (for that night only)-Mrs Crouch (1st appearance in that character); Artaxerxes-Dignum; Rimenes-Fawcett; Artabanes-Kelly (1st appearance in that character); Semira-Mrs Forster; Mandane (for that night only)-Mme Mara (1st appearance on any [non-musical] English stage). English stage).
Cast
Role: Mandane Actor: Mme Mara

Afterpiece Title: Whos the Dupe

Cast
Role: Sandford Actor: R. Palmer
Event Comment: Mainpiece: Not acted these 8 years [acted 1 May 1792, Mme Mara had appeared in the oratorios at this theatre in the present season, as well as in 1792-93 and 1793-94]. Receipts: #216 11s. 6d. (210.8.0; 6.3.6)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Incledon; Artaxerxes-Gray; Artabanes-Bowden; Rimenes-Townsend; Semira-Mrs Mountain; Mandane-Mme Mara (1st appearance on this stage [i.e. in other than oratorios]).i.e. in other than oratorios]).
Cast
Role: Mandane Actor: Mme Mara

Afterpiece Title: The Doldrum

Cast
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel
Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Performance Comment: Principal Vocal Performers-Master Elliot, Braham, Sale, Bartleman, Mme Mara, Miss Poole, Sga Galli (Who is in her Seventy-Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741).

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: "We consider Madame Mara, to use vulgar phrase, as upon he last legs...[Her] Polly is downright burlesque; her figure, countenance, and time of life are directly repugnant to our ideas of the character; and her foreign accent and gesticulation complete the absurdity" (Monthly Mirror, Nov. 1797, p. 299). "Mme Mara is merely a singer; her voice is by no means calculated to give effect to the dialogue of the part; and her performance, although she appears to have paid considerable attention to the degree of action necessary for the part, is greatly deficient in point of feeling...Her deficiency in person and performance, however, is amply compensated for in her ability as a singer" (Morning Herald, 26 Oct.) Receipts: #329 16s. (324.6; 5.10)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-Incledon; Peachum-Munden; Lockit-Davenport; Mat o' the Mint-Linton; Harry Paddington-Claremont; Jailor-Ledger; Filch-Simmons; Ben Budge-Rees; Lucy-Mrs Martyr; Mrs Peachum-Mrs Davenport; Jenny Diver-Mrs Castelle; Polly-Mme Mara (1st appearance in a Comic Opera).
Cast
Role: Filch Actor: Simmons
Role: Polly Actor: Mme Mara

Afterpiece Title: The Honest Thieves

Cast
Role: Abel Actor: Simmons

Dance: III: a Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: Henry Viii With The Death Of Anna Bullen

Afterpiece Title: The Cheats of Scapin

Song: Mme Debon, Master Fremble, Miss Crozier

Dance: Mme Debon, Master Fremble, Miss Crozier

Performances

Mainpiece Title: Lavare

Afterpiece Title: Les Precieuse Redicul

Dance: Mme Roland, Miss Poitier

Performances

Mainpiece Title: Lavare

Afterpiece Title: Arlequin Fourbe Anglois ou le Traiteur Mal Traitte

Performance Comment: Harlequin-Mrs Bright; Clerimont-Jackson; Belamy-Edwards; Dumelange-Costo; Princemaille-Williams; Alain-Ives; Julie-Miss Rawlinson; Mme du Melange-Miss Talbot.
Cast
Role: Mme du Melange Actor: Miss Talbot.

Dance: Mme Roland, Miss Poitier

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a Divertissement (composed by D'Aubcrval; the music by Barthelemon) by Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet; with a Cossack by Vestris [Jun.] and Mme Theodore; End of Opera Le Reveil du Bonheur, as17840203

Performance Comment: ], Mme Rossi, Mme Theodore, Mme Simonet; with a Cossack by Vestris [Jun.] and Mme Theodore; End of Opera Le Reveil du Bonheur, as17840203.

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

Performance Comment: ], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon .
Event Comment: "[Allegranti] in an evil hour came again to England, and reappeared in Cimarosa's Matrimonio Segreto. Never was there a more pitiable attempt: she had scarcely a thread of voice remaining, nor the power to sing a note in tune: her figure and acting were equally altered for the worse, and after a few nights she was obliged to retire, and quit the stage altogether...But she was at least remembered to have had a voice, and was looked upon only with compassion" (Mount-Edgcumbe, 39-40). "The opera of last night was also enriched by the first appearance, on any stage, of a young lady, a daughter of Signor Rovedino...She was received with the warmest applause" (Morning Chronicle, 10 Apr.)

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Mme Allegranti (1st appearance in England [since 13 May 1783]). See17990413 [Cast adjusted from libretto (E. Jackson [1798]): Il Conte Robinson-Morelli; Geronimo-Rovedino; Paolino-Benelli; Carolina-Mme Allegranti; Elisetta-Sga Pastorelli; Fidalma-Sga Rovedino.]
Cast
Role: Carolina Actor: Mme Allegranti

Dance: As17990330

Event Comment: Places for the Boxes to be taken of Brandon, at the stage-door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30: To begin at 6:30 [same throughout oratorio season]. Charge [for rental of theater]: #50

Performances

Mainpiece Title: The Coronation Anthem God Save The King

Afterpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Harrison, Pearson (Principal Alto at the Concert of Ancient Music), Griffiths, Champness, Sale (Principal Basses at the Concert of Ancient Music), Miss Cantelo, Sga Storace; Among the Instrumental Performers-Richards (Leader of the Band), Ashley, Ashley's Sons, Sperati, Patria, Sarjant, Gariboldi, Boyce, Knyvett (Organ).

Music: End Part I Oratorio: concerto on the violin [by Viotti (World, 28 Feb.)]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom)

Performance Comment: )]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom). 2nd public performance in this Kingdom).
Cast
Role: ] Actor: Mme Gautherot
Event Comment: At the Theatre, the Bottom of Lemon St., Goodman's Fields. [The terminology is repeated in the bills until 16 Feb. 1747. The concert formula is continued as before.] Afterpiece: By Particular desire. First time at this stage. [On Wednesday The Beggar's Opera and The Anatomist were announced for today.

Performances

Mainpiece Title: The London Merchant Or The True And Ancient History Of George Barnwell

Afterpiece Title: The Anatomist or The Sham Doctor

Performance Comment: Mons. le Medicin-Shuter; Crispin-L. Hallam; Beatrice-Mrs Hallam; Old Gerrard-Cartwright; Young Gerrard-Lee; Martin-Pinner; Simon-Dove; Doctor's Wife-Mrs Beckham; Angelica-Mrs Mills [Daily Advertiser].Daily Advertiser].

Dance: Mr Miles, Mrs Miles, Master Morgan, Miss Baker

Event Comment: Mon: 29 Sept. Mr Rich open'd wth ye Nonjuror. Mr Smith not coming to town, Mr Palmer, from Drury Lane, play'd Frankly wth great Applause (Cross). Jno. Rich paid to Charlotte Lane for the Theatre for Mr Sparks in Dr Wolfe for a superfine full trim'd black cloth coat and breeches, 14s. Sewing silk & twist 4s. 6d. Buckram stays 2s. 6d. Frilly sleeve lining, pockets, & interlining Cuffs 2s. 6d. Hair Cloth, wadding & Poll Davy 5s. Dimety lining, leather pockets, & silk garters 6s. 6d. 4 doz 2 Coat Death's Head Buttons at 14d.-4s. 11d. 12 breast ditto at 7d.-7s. 7d. 5 yds fine black shaloon at 2s. 2d.-10s. 10d. Making a Camblet Surtout Coat, 7s. 6d. Sewing silk, twist, buckram & stays, 4s. Velvet to line the collar, 1s. 17 Coat, 1 breast black basket buttons, 1s. 8d. (MS list Folger Library, Davies, Life of Garrick, Extra Illustrated, II, 322)

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Lowe; Arcas-Anderson; Corydon-Bennet; Mopsus-Dunstall; Cymon-Collins; Phillida-Miss Young.
Cast
Role: Arcas Actor: Anderson

Performances

Mainpiece Title: Issipile

Related Works
Related Work: Issipile Author(s): Antonio Andrei
Related Work: Issipile Author(s): Pietro Sandoni

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Semiramis, as17840520, but added: Oroe-Henry; omitted: Vestris [Jun.], Mme Theodore

Performance Comment: ], Mme Theodore .
Event Comment: Mme Mara is prevented by a Severe Hoarseness from appearing this Evening; but will perform in Love in a Village [advertised on playbill of 8 Nov.] on Wednesday next. [2nd piece in place of Catherine and Petruchio, advertised as above.] Receipts: #193 6s. 6d. (185.6.6; 8.0.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Simple Actor: Simmons

Afterpiece Title: Englands Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Event Comment: Mme Allegranti continuing so seriously indisposed, as in opinion of Sir George Baker, to render her immediate appearance [in Il Matrimonio Segreto, advertised in Morning Chronicle, 5 Apr.] extremely dangerous [see 9 Apr.]

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

Performances

Mainpiece Title: La Vestale

Dance: Apollon e Daphne, as17751031; Minuet de la Cour-the two Vallouys; End II: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

Performances

Mainpiece Title: Caio Mario

Dance: I: La Fete du Village, as17760224; II: Diane et Endymion, as17760312 End Opera: Ballet-; with a Chaconne-; and a Minuet de la Cour-the two Vallouys

Performances

Mainpiece Title: Il Bacio

Related Works
Related Work: Il Bacio Author(s): Carlo Vandini

Dance: I: Diane et Endymion, as17760312 End II: Minuet a la Cour-the two Vallouys

Ballet: End Opera: Astolphe. As17760312[dancers only.

Performances

Mainpiece Title: Lisola Damore

Dance: After Overture: Le Minuet a la Cour-the two Vallouys; End I: Diane et Endymion, as17760312 End Opera: La Fete du Village, as17760224

Performances

Mainpiece Title: Antigono

Dance: I: Minuet a la Cour-the two Vallouys; II: Pigmalion-Fierville, Helm, Mlle Sophie, Mlle Baccelli; End Opera: La Fete du Village, as17760224