SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons and Mme Vallouy"/1) | (@(roleclean,performerclean) "Mons and Mme Vallouy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 425 matches on Performance Comments, 283 matches on Performance Title, 146 matches on Event Comments, 67 matches on Roles/Actors, and 48 matches on Author.
Event Comment: By Particular Desire, and positively the last Night of Performing this Season

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

Performance Comment: ] and Mme Theodore; End of Opera Le Deserteur, as17840626.

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performance Comment: ] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312 .
Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performance Comment: , Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c .

Performances

Mainpiece Title: Didone Abbandonata

Cast
Role: Didone Actor: Mme Mara.

Dance: End of Act I Divertissement Villageois, as17860124, but omitted: Spozzi; End of Opera a new Ballet Historique, Acis and Galatea, by Vestris, Sga Carolina, D'Egville, Henry, Sga Crespi, Duquesney Jun., the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.]

Performance Comment: , the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.] hathi. hathi.
Event Comment: On account of Mme Mara and Bartolini being taken ill, Virginia [announced in Public Advertiser, 12 June] is unavoidably postponed

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Fete Marine, as17860516; End of Opera Ninette d la Cour, as17860601

Event Comment: A Serious Opera; the music by Tarchi. Mme Mara being indisposed, the new serious Opera, L'Amore Protetto dal Cielo; o sia, La Vestale, is unavoidably postponed; and Sga Benini will appear this evening for the first time in the character of Virginia. Receipts: #104 0s. 6d. [non-subscription]

Performances

Mainpiece Title: Virginia

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Cast
Role: Sandrino Actor: Fineschi

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Event Comment: The Nobility, Gentry and Public at large are respectfully informed that, in compliance with the wishes of many of the principal Subscribers an supporters of this undertaking, and it being found that, without offence to law, the entertainments advertised for the Hanover-square Rooms may be given at this Place. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. As the Proprietors would not presume, even to save themselves from utter ruin, to offend either the Authority of the King, or of the Laws, they forbear all idea of performing Operas until the hardship and justice of their case shall produce the proper influence upon his Majesty's benevolent mind; and, under the circumstances in which thy stand, with a Company of the most celebrated singers and dances in the world, in their respective departments, engaged at an expense of #18,000, they confide in the liberality to the Public that they will countenance and support such an Entertainment as they are legally warranted to give, until they shall recover their just right of performing Operas under his Majesty's license. "From dinner we all went to the Opera House in the Haymarket, where for the first time they performed for money [see 23 Feb., 10 and 22 Mar.]; the singers, to avoid the [licensing] Act, coming in their own dresses and confining themselves to the airs. It will be seen whether this restriction will be considered sufficient" (Windham Diary, 219). "The action of Orpheus and Eurydice has been seen before at both the rehearsals [see 10 and 22 Mar.], but the scenery could not be then sufficiently displayed. It was very correctly managed on Saturday night...The scene of the Elysian fields deserved the most admiration, where, by means of lights placed behind gauze, a filmy hue is thrown over the stage, and the figures assume the appearance of aerial beings" (Gazetteer, 28 Mar.)

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Performance Comment: PART I. Collection of Serious Music-by different composers, but particularly by Paisiello. PART II.; Collection of Comic Music-by different composers, but principally by Paisiello.; Vocal Parts-Albertarelli (1st appearance), Davide, Sga Cappelletti (1st appearance), Sga Sestini, Tajana, Mme Lops.

Dance: End I: Divertisement-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival; End II: Orpheus and Eurydice-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival

Performance Comment: Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival; End II: Orpheus and Eurydice-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival.

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Performance Comment: As17930215, but Principal Vocal Parts-Mrs _Crouch, Miss Dall; Oratorio to be opened by Mme Mara; to conclude with God save Great George our our King, To Arms, Britons strike home-Chorus ($Purcell).
Cast
Role: Leader of the Band Actor: G. Ashley

Song: End oratorio: Captivity [see17930220]-Incledon

Music: End Part II: the favourite concerto of Geminiani on the violin-G. Ashley

Performances

Mainpiece Title: The Travellers In Switzerland

Cast
Role: Landlord Actor: Linton

Afterpiece Title: THE FOLLIES OF A DAY

Cast
Role: Tom Thumb Actor: Miss Standen

Dance: Mainpiece: To conclude with The Savoyard by Byrn, Mlle St. Amand and Mme Rossi

Performance Comment: Amand and Mme Rossi .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (OCCASIONAL ORATORIO). Shall I in Mamre's fertile; For all these mercies (JOSHUA). Ye Men of Gaza (SAMSON). O filial Piety; No, cruel Father (SAUL). When his loud voice (JEPHTHA). Lord, what is man (SEMELE). Total Eclipse; O first created beam (SAMSON). O worse than death; Angels ever bright (THEODORA). Fixed in his Everlasting seat (SAMSON). PART II. Eleventh Grand Concerto. As when the Dove (ACIS AND GALATEA). Tyrants would (ATHALIA). O sleep (SEMELE). O had I Jubal's lyre (JOSHUA). It must be so; Pour forth no more; No more to Ammon's (JEPHTHA). Lord remember David (SOSARME). O God who in thy Heeav'nly band (JOSEPH). PART III. Ye sons of Israel (JOSHUA). Honor and Arms (SAMSON). See the conq'ring Hero comes (JUDAS MACCABAEUS). Why does the God of Israel sleep (SAMSON). What passion, accompanied on the violoncello by C. Ashley (DRYDEN'S ODE). Then round about the starry throne (SAMSON). Mad Bess by Mme Mara (Purcell). Gird on thy sword (SAUL). To conclude with God save Great George our King and Rule Britannia .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Lewis (1st appearance in that character); Frederick-Farren; The Duke-Middleton; Petruchio-Macready; Peter-Blanchard; Anthony-Cubitt; Surgeon-Powel; Antonio-Quick//[First] Constantia-Miss Chapman; Mother-in-Law-Mrs Chambers; Landlady-Mrs Leicester; Second Constantia-Mrs Pope .
Cast
Role: Landlady Actor: Mrs Leicester

Afterpiece Title: TRISTRAM SHANDY

Performance Comment: Uncle Toby-Fawcett; Mr Shandy-Hull; Obadiah-Blanchard; Dr Slop-Rees; Corporal Trim-Munden//Widow Wadman-Mrs Fawcett; Susannah-Mrs Mattocks .
Cast
Role: Mr Shandy Actor: Hull

Afterpiece Title: A DIVERTISEMENT

Performance Comment: Speaking Characters by Johnstone, Powel, Blanchard, Incledon, Richardson, Bernard//Mrs Martyr, Miss Hopkins, Mr Rees. [Cast adjusted from playbill of 19 Sept. 1791: Capt. Frederick-Johnstone; Sir Fidget Fearful-Powel; Gregory-Blanchard; Thicket-Incledon; Clueline-Richardson; Flambeau-Bernard//Peggy-Mrs Martyr; Sophia-Miss Hopkins; Whim-Mr Rees.] With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus . With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus .

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi .

Song: In Act II of 1st piece a song by Mrs Mountain

Performances

Mainpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi .

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Performance Comment: What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character .

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Dance: Mainpiece to conclude with: The Savoyard-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Performances

Mainpiece Title: The Rage

Cast
Role: Groom Actor: Simmons

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Bernard, Powel, Townsend, Richardson, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 12 Apr. 1794: Capt. Frederick-Johnstone; Thicket-Incledon; Flambeau-Bernard; Sir Fidget Fearful-Powel; Gregory-Townsend; Clueline-Richardson; Peggy-Mrs Martyr; Sophia-Mrs Clendining; Whim-Mr Rees.] With Dialogue to intrdduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Bernard; [Peggy Perkins, Let Bards elate-Townsend; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; The Greenwick Pensioner ['Twas in the good ship Rover]-Richardson; [Comic Song, How much I love thee-Powel; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to lubbers, [and The Portrait, Come, Painter, with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true be say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: a Ballet-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Performances

Mainpiece Title: None

Performance Comment: [The Subscribers and the Public are most respectfully informed that on account of the sudden indisposition of Mme Morichelli the representation of the Opera La Scola dei Maritati] is deferred to Saturday next [but it was not again performed until 21 Feb.].

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: Crotchet Lodge

Cast
Role: Landlady Actor: Mrs Henley

Dance: End: The Bouquet-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop (1st time)-Bowden; Medley-Townsend; Bob (1st time)-Haymes; Filbert-Cross; Ralph-Linton; Welford-Incledon; Dolly-Mrs Martyr; Miss Di Clacket (1st time)-Mrs Davenport; Polly-Miss Standen; Emily (with an additional song; for that night only)-Miss Poole.
Cast
Role: Polly Actor: Miss Standen

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Performance Comment: in which: O why to be happy (composed by Shield)-Incledon, Bowden, Linton; Blow high blow low (composed by Dibdin)-Bowden; The Little Sailor Boy-Fawcett; Our Laws Constitiution and King (composed by Shield)-Bowden, Incledon; The Land of Potatoes-Johnstone; The Death of Admiral Benbow-Incledon; Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton; To conclude with Rule Britannia-.

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Last's Examination before the College of Physicians

Afterpiece Title: The Poor Sailor; or, Little Ben and Little Bob

Performance Comment: Lieut. Battledor (the Poor Sailor)-Incledon; Compass-Harley; Bumbo-Bernard; Freakish-Townsend; O'Daub-Rock; Lieutenant of a Press Gang-Williamson; Capt. Battledor-Munden; Little Bob-Master Standen a Child only six years old; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Cornelys; Eliza alias Little Ben (for that night only)-Miss Poole.

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I: Black Eyed Susan-Incledon

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).
Cast
Role: Servants Actor: Abbot, Blurton, Simmons

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: Opera: With Chorusses under the Direction of Kelly. Ballet: Paul et Virginie [advertised in Morning Chronicle, 1 Jan.] is still unavoidably postponed on account of the indisposition of Mme Hilligsberg. The Subscribers are most respectfully entreated to be careful to whom they give their Tickets, as many improper persons have lately presented themsleves for admission into the Theatre with those Tickets; and the Subscribers are requested to observe that, in future, persons of this description will be conducted directly to the indentical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. The Public are entreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots, will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Semiramide; Or, La Vendetta Di Nino

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: Dances-

Event Comment: Ifigenia in Tauride [advertised in Morning Chronicle, 11 Apr.] is unavoidably deferred on account of the sudden illness of Mme Banti

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Divertissement-[, as17960310 End Opera: Alonso e Cora- [see17960405

Event Comment: Opera: The Music by Paisiello. L'Amour et Psiche [advertised in True Briton, 6 Jan.] is unavoidably postponed on account of the indisposition of Mme Hilligsberg. The Frequenters of the Gallery are respectfully informed that the Coffee-Room underneath, having since last year been very considerably enlarged, and entirely new ornamented by Mr Liparotti, will be opened for the present Season on this Evening, and the Company will please to observe that at the end of it, next to Market-lane, an additional Staircase has been erected for their greater accomodation in going to and coming from that side of the Gallery

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126