SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons and Mme Vallouy"/1) | (@(roleclean,performerclean) "Mons and Mme Vallouy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 425 matches on Performance Comments, 283 matches on Performance Title, 146 matches on Event Comments, 67 matches on Roles/Actors, and 48 matches on Author.
Event Comment: Benefit for the Singers and Dancers. The Orchestra under the Direction of Barthelemon

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters by Viganoni, Morigi, Bartolini, Micheli; Sga Pollone, Sga Gherardi, Sga Carnevale, Sga Sestini. [Libretto (T. Cadell, 1777) lists the parts: Il Cavalicre Armidoro, Il Carchese della Conchiglia, Tagliaferro, Mengotto; La Marchcsa Lucinda, Paoluccia, Cecchina, Sandrina.] hathi.

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

Performances

Mainpiece Title: Silla

Dance: End of Act II The Pastimes of Terpsycore, as17831227; End of Opera Friendship leads to Lore, as17831206, but omitted: Lepicq, Mme Rossi

Performances

Mainpiece Title: Silla

Dance: End of Act II The Pastimes of Terpsycore, as17831227, End of Opera Friendship leads to Love, as17831230, with a Pas Seul by Mme Rossi

Performances

Mainpiece Title: La Schiava

Dance: End of Act I Divertissement, as17840214; End of Opera Le Cocq du Village, as17840226, but added: the much-admired Marlbro' Dance by Slingsby and Mme Rossi

Event Comment: Benefit for Harris, ballet master and principal dancer. Public Advertiser, 15 May: Tickets to be had of Harris at his house, No. 43, Wells-street, Cavendish-Square. Receipts: #179 4s. 6d. (42/14/6; tickets: 136/10/0) (charge: #105)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Related Work: National Prejudice Author(s): C. Simmons

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520

Performances

Mainpiece Title: Le Gemelle

Dance: End of Act I New Divertissement, as17840424, but omitted: Mme Rossi; End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter, as17850111, but omitted: Lepicq, Mme Rossi, Nivelon, Mlle Dorival

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Il Convito degli Dei, as17850205; End of Opera an entirely new Divertisement (composed by Lepicq) Le Jugement de Paris by Lepicq, Mme Rossi, Nivelon, Mlle Dorival, Frederic, Sga Angiolini. [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).]

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel

Performances

Mainpiece Title: The Rival Clowns

Performance Comment: Characters by Rossi, Baptist, Mme Dagville, Delpini .

Afterpiece Title: The Deserter

Cast
Role: The Deserter Actor: Mme Dagville
Related Works
Related Work: The Deserter Author(s): Pierre Monsigny

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

Performances

Mainpiece Title: Nitteti

Performance Comment: Principal Characters by Crescentini, Bartolini, Cremonini, Franchi; King's Sga Catenacci, Sga Ferrarese. [Cast from libretto J. Jarvis, 1785): Sammete-Crescenrini; Amenosi-Bartolini; Bubaste-Cremonini; Amasi-Franchi; Nitteti-Sga Catenacci; Beroe-Sga Ferrarese.] hathi. hathi.
Cast
Role: : Sammete Actor: Crescenrini
Related Works
Related Work: Nitteti Author(s): Antonio Andrei

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Performances

Mainpiece Title: Nitteti

Cast
Role: : Sammete Actor: Crescenrini
Related Works
Related Work: Nitteti Author(s): Antonio Andrei

Dance: End of Act I Divertissement, as17850224; End of Opera an entirely new Ballet (composed by Lepicq; the music by Gluck); Convitato di Pietra by Lepicq, Mme Rossi, Sg and Sga Angiolini, Frederic, Nivelon, Mlle Dorival, in which a Pas de Trots; the Orchestra accompanied on the harp by Cardon

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel

Performances

Mainpiece Title: Artaserse

Related Works
Related Work: Artaserse Author(s): Ferdinando Bertoni

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

Event Comment: The Fiftieth and Last Night of the Subscription

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Dance des Sabots, as17850609 End of Opera The Deserter, as17850111, but added: Mme Bithmer

Performances

Mainpiece Title: Orfeo

Dance: As17850512, but Duquesney and Miss Harvey in place of Lepicq and Mme Rossi

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I New Divertissement, as17850618 but omitted: Lepicq, Mme Rossi; End of Opera Robin Gray, as17850414, with a Pas de Deux, as17850115, and the Caledonian Reels, as17850421, but Nivelon in place of Lepicq

Performances

Mainpiece Title: Giannina E Bernardone

Cast
Role: Bernardone Actor: Andrea Morigi
Role: Don Orlando Actor: Gattolini

Dance: End I: Divertissement, as17861223, but _Gricourt, Goyon, Mme _Bithmer; End Opera: +Le Berger Inconstant, as17870106

Event Comment: The oratorio conductors do not receive the applause Stanley used to receive "owing to their being concealed by the boys, who are placed on high benches between the audience and the conductor, whose respects, though duly paid, have been scarely visible to the greater part of the house" (Public Advertiser, 28 Mar.)

Performances

Mainpiece Title: Judas Maccabaeus; Redemption 0

Song: End II: an Italian Air-Mme Mara

Performances

Mainpiece Title: Redemption 0

Song: In Part III: I know that my Redeemer liveth-Mme Mara

Performances

Mainpiece Title: La Vestale

Cast
Role: Emilia Actor: Mme Mara

Dance: End I: Divertissement, as17870428; End Opera: Le Cossac Jaloux-Mme Perignon, Goyon, Laborie, Henry, Mlle R. Simonet

Performances

Mainpiece Title: Judas Maccabaeus; Redemption 0

Performance Comment: Vocal Parts and Violin As17880208.

Music: As17880307

Song: In Part III: The Soldier tired of War's Alarms-Mme Mara

Performances

Mainpiece Title: The Messiah; Redemption 0

Performance Comment: Vocal Parts and Violin As17880208.

Song: End Part I: a very capital Song-Mme Mara

Music: As17880307

Performances

Mainpiece Title: A Grand Selection 0 [of Sacred Music From The Works Of handel, Chiefly Performed At westminster-abbey At The handel Commemoration, 26 May 1784]; Messiah

Performance Comment: Principal Vocal and Instrumental Performers As17890227.

Afterpiece Title: The Coronation Anthem, God save the King

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Occasional Oratorio); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus; O had I Jubal's Lyre-Miss Mahon; Ye Sons of Israel-Chorus (Joshua); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Angels ever bright and fair-Sga Storace (Theodora); He gave them Hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned=-Pearson, Chorus (Esther); He was Eyes unto the Blind-Miss Cantelo (Siroe); Second Hautboy Concerto-; Praise the Lord-Miss Mahon (Esther); Gird on thy Sword-Chorus (Saul); O come let us worship-Harrison (Coronation? Anthems); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harrison; The Horse and his Rider-Sga Storace, Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-(Saul); Funeral Anthem-; What Passion cannot Music raise or quell-Miss Cantelo (Dryden's Ode); Glory to God-Harrison, Chorus (Joshua); Where'er you walk-Sga Storace (Semele); Gloria Partri-full chorus (Jubilate).
Cast
Role: Overture and Dead March Actor:

Music: End II: concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: A Prelude

Related Works
Related Work: A New Prelude and Prologue Author(s): Richard Cumberland
Related Work: A New Occasional Prelude Author(s): Richard Cumberland

Afterpiece Title: Redemption 0; Triumph of Truth 0

Performance Comment: Selected from the Great and Favourite Works of Handel that were performed at his Commemoration in Westminster Abbey and at the Pantheon on 26 and 27 May 1784. For a detailed account of what was sung, see17890318 Principal Vocal Parts and Violin As17890227.

Music: End I oratorio: serenata solo on harp, as17890306End II: a new Grand Concerto on the harp-Mme Krumpholtz; Conclude: God save Great George our King-

Event Comment: Among the Instrumental Performers are G. Ashley (leader of the Band), Sperati, Sarjant, Patria, Reinagle, C. Ashley, Boyce, Mahon, Mountain, Holmes, Lyon, Schram, Kaye, the Leanders, &c. Double Drums by J. Ashley. The Organ on Fridays by Knyvett, and on Wednesdays by Greatorex. The whole conducted by Harrison and Ashley. The Band will consist of 150 Performers. Places for the Boxes to be taken of Brandon, at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. No Money to be returned. Places may be taken in the Theatrical Orchestra at 5s. each [i.e. at the oratorios the instrumentalists sat on the stage]. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the names of the performers to their respective songs, to be had at the Theatre. And to prevent imposition in the Streets, the Managers have directed that they should be sold in the Theatre, at 6d. each

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)