SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons and Mme Simonet"/1) | (@(roleclean,performerclean) "Mons and Mme Simonet")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 452 matches on Performance Comments, 354 matches on Performance Title, 234 matches on Roles/Actors, 152 matches on Event Comments, and 48 matches on Author.
Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Performance Comment: Orfeo-Tenducci; Euridice-Sga Ferrarese; Cupid-Mlle Simonet .
Cast
Role: Cupid Actor: Mlle Simonet

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Evenement, as17870120, but _Gricourt, _Sala, Mme _Bithmer, _Giorgi; End Opera: Le Divertissement Asiatique-Goyon, Mlle Mozon, Laborie, Mme Perignon

Performances

Mainpiece Title: Lionel And Clarissa; Or, The School For Fathers

Afterpiece Title: Catherine and Petruchio

Song: In: Sweet Passion of Love-Mrs Mountain; End I afterpiece: Hark the Lark at Heaven's Gate (with accompaniments by Dr Arnold)-Johnstone, Blanchard, Bannister, Mrs Mountain

Music: Mainpiece: With a new Overture (for that night only)-Pleyel; End I: (for that night only) a duet on the violin and tenor-Mme Gautherot, Mountain; End: a concerto on the violin-Mme Gautherot

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Event Comment: 1st piece: A Comic Opera in 1 Act [and see 1 Apr.); the music by Cimarosa. 2nd piece: A new Grand Tragi-Comic Opera; the music by Gazzaniga, [with additions by) Federici, Sarti, Guglielmi; under the direction of Federici. In the course of the Opera a Grand Funeral Procession, according to the ancient customs of Spain, consisting of upwards of 100 persons. The music of both dances by Miller. With entire new Dresses, Scenery, and Decorations. [And see 4 Mar.) Loewenberg, 442: Leporello's "Catalogue Song" from Mozart's Don Giovanni was included in this version of the

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: DON GIOVANNI

Performance Comment: Principal Characters by Rovedino, Braghetti, Garelli, Torregiani, Morelli// Sga Colombati, Sga Pastorelli, Sga De Mira, Sga Negri (1st appearance upon this stage). [Cast from libretto (Da Ponte [17941): Don Giovanni-C. Rovedino; Don Ottavio-Braghetti; Biaggino-Garelli; Commendatore-H. [recte P.] Torregiani; Pasquariello-G. Morelli// Donna l\faturina-Sga Colombati; Donna Anna-Sga Pastorelli; Donna Ximena-Sga De Mira; Donna Elvira-Sga Negri.] hathi. hathi.
Cast
Role: Commendatore Actor: H.

Dance: End of 1st piece a new Ballet, composed by Noverre, L' Union des Bergeres [performers not listed, but see17940304 In 2nd piece Dances connected with the opera, composed by Noverre, by Aumer, Lahante, Gentili, Favre Guiardele, Mlle Hilligsberg, Mme Del Caro, Mlle Guiardele, Mme Hilligsberg

Opera: [It was sung by Pasquariello.]

Performances

Mainpiece Title: I Zingari In Fiera

Cast
Role: Pandolfo Actor: Morelli
Role: Lucrezia Actor: Mme Morichelli

Dance: End I: Divertisement, as17941220; End II: a new Ballet by Onorati L'Amant Retrouve-Gentili, Lahante, Aumer, Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Performances

Mainpiece Title: Alceste

Cast
Role: Evandro Actor: Brida
Role: Alceste Actor: Mme B. Banti

Dance: End Opera: L'Odio vinto dall' Eroismo-Gentili, Aumer, Lahante, Mme Bossi [DelCaro], Mme Hilligsberg [no other ballet listed]

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: a new Demy@Character Dance [Le Bouquet (see17960305 composed by Onorati, music by Mazzinghi]-Didelot, Mme Rose, Mlle Parisot, Mme Hilligsberg; End Opera: Les Trois Sultanes-[see17960310

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: Le Bouquet (performed for the first time on Tuesday last) in which a Pas Deux, a Pas Trois by Didelot-Didelot, Mme Hilligsberg, Mme Rose; End Opera: Les Trois Sultanes, as17960301

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Le Bouquet, as17960315End Opera: a new Ballet (taken from the Incas of Marmontel; composed by Onorati) Alonso e Cora-Didelot, Mme Rose, Mlle Parisot, Mme Hilligsberg

Performances

Mainpiece Title: Alceste

Cast
Role: Evandro Actor: Roselli
Role: Alceste Actor: Mme Banti

Dance: The Dances (1st time)-Didelot, Parisot, Mme Rose, and as usual Mme Hilligsberg; End Opera: L'Amour Vange, as17960604

Performances

Mainpiece Title: Antigona

Cast
Role: Antigona Actor: Mme Brigida Banti

Dance: End I: Little Peggy's Love, as17960421; in which the Pas de Trois as danced at the conclusion of L'Heureux Naufrage-Didelot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire, as17960709

Performances

Mainpiece Title: Zemira E Azor

Performance Comment: Principal Characters-Rovedino, Morelli, Viganoni, Mme Banti. [Libretto (H. Reynell, 1783) lists the cast: Sandro, Ali, Azor, Zemira, Fatima, Lesbia.]Libretto (H. Reynell, 1783) lists the cast: Sandro, Ali, Azor, Zemira, Fatima, Lesbia.]

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

Event Comment: Gentlemen are particularly entreated to observe that in consequence of the displeasure expressed by the Subscribers, as well as the Public, at the frequent interruption of the business of the Representation, by the pressure of people on the Stage, the Company will hereafter be admitted behind the Scenes, before and after the Opera, and during the intervals between the Opera and Ballets only; but while the Curtain is up, Gentlemen are earnestly entreated to withdraw from the Stage; otherwise the request of the Nobility and Gentry, in conformity also to the public opinion, of shutting entirely the doors between the audience part of the Theatre and the Stage, must at last be compiled with. Those persons entitled to Admissions previous to the year 1789, who may not have an opportunity of sending their Securities to be registered before the opening of the Theatre, are requested to produce them at the Door, as they pass. The Public are entreated to observe that Ladies dressed in Bonnets, and Gentlemen in Boots, cannot be admitted into the Pit of the Opera. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]. The Nobility are entreated to give direction to their Servants to set down and take up at the Theatre with the Horse's head toward Pall Mall. On account of the abuses practised in the names of the Subscribers, it is become necessary to require the production of the Subscription Ticket at the Doors and the Boxes. At the Chair-door in Market-Lane, Subscribers only will be admitted. "Braham sustained his part so well that we trust he will give us an example that shall induce us to chace from an English stage the degrading and distusting form of a Castrato" (Morning Chronicle, 28 Nov.). [The playbill omits Rovedino, but his performance is reviewed in True Briton, 28 Nov. The only other male part in the opera is that of Sandro. And see 14 Feb. 1797.

Performances

Mainpiece Title: Zemire Et Azor

Performance Comment: Azor-Braham (1st appearance at this Theatre); Sandro-Rovedino; Ali-Morelli; Zemire-Mme Banti.
Cast
Role: Sandro Actor: Rovedino
Role: Zemire Actor: Mme Banti.

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Performances

Mainpiece Title: L'amor Fra Le Vendemmie

Dance: End I: Peggy's Love-Gentili, Mlle Parisot, Mme Hilligsberg, Mme Rose, Didelot; End Opera: Flore et Zephire- as17961126

Event Comment: 1st ballet [1st time; composed by Gallet, with music by Bossi and Mazzinghi. Marcadet was from the Opera, St. Petersburg.

Performances

Mainpiece Title: Evelina

Cast
Role: Evelina Actor: Mme B. Banti.

Dance: End I: Les Delassements Militaires-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet (1st appearance)

Ballet: End Opera: L'Amour et Psiche. As17961213, but Tisiphone (1st time)-Marcadet

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Retour [; ou, Le Vainqueur Genereux (1st time; composed by Gallet; with music by Bossi)]-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Gentili; End Opera: Apollon Berger, as17961227

Event Comment: 2nd ballet: 1st time; composed by Gallet, and Music by Cesare Bossi

Performances

Mainpiece Title: L'albero Di Diana

Dance: End I: Apollon Berger, as17961227; End Opera: Le Trompeur Trompe-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Gentili

Performances

Mainpiece Title: Merope

Dance: End I: Peggy's Love-, as17961220; End Opera: Acis et Galatie-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Gentili

Event Comment: Afterpiece: In 3 Acts [and in place of Crotchet Lodge, advertised on playbill of 20 Nov.]. Receipts: #220 19s. (216.14.6; 4.4.6)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Filch Actor: Simmons
Role: Polly Actor: Mme Mara

Afterpiece Title: The Miser

Dance: As17971025

Song: In: Old Towler-Incledon; a new Duetto, composed by Mme Mara,-Incledon, Mme Mara

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

Performances

Mainpiece Title: Semiramide

Cast
Role: Semiramide Actor: Mme Banti
Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End I: Hylas et Temire, as18000201; End Opera: Le Mariage Mexicain-Deshayes, Laborie, Didelot, Mme Hilligsberg, Mme Laborie, Mlle J. Hilligsberg, Mlle Parisot

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of Il Due Fratelli Rivali

Dance: End: a new Divertisement Bayadaire-Didelot, Deshayes, Laborie, Mme Hilligsberg, Mme Laborie, Mlle Parisot; End 2nd piece: a new ballet, Rinaldo e Leonora-; accompanied a part of the Dancing on the harp and piano forte-Mlle Parisot with a rondo composed by Latour (BUC, 602). For other perfomers see18000624

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Laura et Lenza, as18000513; End Opera: Rinaldo e Leonora-Deshayes, Laborie, Didelot, Mme Hilligsberg, Mme Laborie, Mlle Parisot

Event Comment: Benefit Hodgson and Bowen

Performances

Mainpiece Title: The Virtuoso

Music: An Entertainment of Musick, never performed in Publick before, by the famous -Mons Li Rich, lately arrived from the Court of Poland: being the only and last Time of performing the said Entertainment, or any other, by reason of his sudden return to the said Kingdom