SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons Voltaire"/1) | (@(roleclean,performerclean) "Mons Voltaire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 203 matches on Author, 71 matches on Event Comments, 60 matches on Performance Comments, 50 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: As17930306but Concerto on the violin-Mons Aldey [recte Alday] (1st performance in this Kingdom); Guarda nel mio taddio, Non piu andrai-Morelli.

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Sga Storace. [Partial cast from Larpent MS 769, which has full cast for 1787: Bastiano Ammazzagatte-Morelli; +Gelinda-Sga Storace; Mons. Perruque, $Don Berlicco, Mlle Neri, Mlle Pate.] Mons. Perruque, $Don Berlicco, Mlle Neri, Mlle Pate.]

Dance: As17970124

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Rovedino, Viganoni, Mrs Bland, who, in absence of the 1st Comic Woman, and with the permission of the Proprietors of Drury-lane Theatre, has most readily and cheerfully undertaken the part, relying confidently upon the known indulgence of a British Audience. [Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

Event Comment: [Sometime during last week'] the Tragedy of Junius Brutus, written by Voltaire, was acted in French by the young Gentlemen educated at the Academy in Soho Square. -Daily Advertiser, 8 Nov

Performances

Mainpiece Title: Junius Brutus

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Benefit for Mrs Cibber. Play By Command of Prince & Princess of Wales. Play taken from the French of M de Voltaire. Never acted there before.' Pit and boxes to be laid together, where the Ladies and Gentlemen will be admitted as at the Oratorios. And for the better accommodation of the Ladies the Stage will be form'd into an amphitheatre (with particular care to keep it warm) where servants will be allowed to keep places, as also in the Pit. Ladies send servants by three o'clock

Performances

Mainpiece Title: Zara

Dance: As17500926

Event Comment: Mainpiece: Taken from the French of Mr Voltaire

Performances

Mainpiece Title: Zara

Afterpiece Title: The Mock Doctor

Dance: GGrand Dutch Dance-Cooke, Miss Hillyard

Event Comment: Mainpiece :By Particular Desire. The Orphan of China published. Price 1s. 6d. Dedicated to Garrick. Translated from the French of Voltaire. Acted at Paris with great applause. Published This Day Reflections on Theatrical Expression in Tragedy, with a proper introduction and appendix. For the character of the above see The Monthly Review for July (Public Advertiser). [This must be the second edition of Roger Pickering's pamphlet. See 13 March 1755.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and Miller of Mansfield

Event Comment: On Monday Next Douglas a Tragedy. [The Public Advertiser includes a full column extract from David Hume's Letter to Rev John? Home concerning Douglas: "I have the Ambition to be the first who shall in public express his Admiration of your Noble tragedy of Douglas; one of the most interesting and pathetic Pieces, that was ever exhibited upon any theatre. Should I give it preference to the Merope of Maffei, and to that of Voltaire which it resembles in its subject; should I affirm that it contained more Fire and Spirit than the former and more Tenderness and Simplicity that the latter; I might be accused of partiality....But the unfeighned tears which flowed from every eye, in the numerous representations which were made of it on this theatre; the unparalleled command which you appeared to have over every affection of the human breast; these are incontestable proofs that you possess the true Theatric Genius of Shakespear and Otway, refined from the unhappy Brabarism of the one, and Licentiousness of the other." The reference was to earlier performances in Edinburg.

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Sorcerer

Event Comment: BB. Johnson's Head Bill 11s. (Treasurer's Book). Drank tea with my Landlady and went with her husband and two gentlemen to see the new Play...as I did not care to refuse. Could not get into the Pit, at which I was not displeased. I fancy this comedy will take, tho it had nothing else to support it but the character of Freeport, which is played by Yates...We had a Prologue written by the author of the play and spoken by King; and an Interlude by way of Epilogue written by Garrick and spoken by King and Mrs Abington. A concerto on the Harpsichord by Burney Jr and dance. The play is taken from L'Ecosseisse of Voltaire (Neville MS Diary). Receipts: #193 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

Event Comment: Benefit for Mrs Yates. Mainpiece: A Tragedy (Written by Voltaire) and translated by [Dr Thomas Francklin] the Author of The Earl of Warwick. Pit and Boxes will be laid together. Ladies are desired to send their servants by 4 o'clock. Mrs Yates will be particularly oblig'd to those Ladies, and Gentlemen, who have seats in the Pit, if they will be co kind as to come as early as possible to prevent confusion in getting their places. [Genest V, 242, conjectures the following assignment of parts: Orestes-Smith; Aegisthus-Bensley; Pammenes-Clarke; Pylades-Perry; Electra-Mrs Yates; Clytemnestra-Mrs Ward; Iphisa-Mrs Bulkley.] Charges #65 7s. 6d. Balance to Mrs Yates #39 1s. plus #180 10s. from 722 Box tickets (Account Book). Total House value #284 18s. 6d. Receipts: #104 8s. 6d. (Account Book)

Performances

Mainpiece Title: Orestes

Related Works
Related Work: Orestes Author(s): Voltaire

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Event Comment: Mainpiece [1st time; C 5, by Charles Macklin, a re-writing of his The True-Born Scotsman, based partly on Nanine, by Voltaire, 1st acted at the Smock Alley Theatre, Dublin, 10 July 1764. Author of prologue unknown. Epilogue by Frederick Pilon (Public Advertiser, 28 May 1781). Text 1st published (unauthorized), Dublin, 1785]: The Characters new dressed. Receipts: #173 14s. 6d. (172.12.0; 1.2.6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Mrs Siddons. Mainpiece: Translated from Voltaire. Not acted these 20 years [acted l6 Nov. 1779]. Afterpiece: Not acted these 18 years [not acted since 19 Apr. 1774]. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. [Mrs Siddons's 1st appearance as Palmyra was at Manchester, 1 Apr. 1778. Adress by Samuel Rogers (European Magazine, May 1795, p. 344). Epilogue by David Garrick.] Receipts: #569 8s. 6d. (293.14.6; 59.10.6; 8.0.0; tickets:208.3.6) (charge:#204 1s.)

Performances

Mainpiece Title: Mahomet The Impostor

Afterpiece Title: Edgar and Emmeline

Entertainment: Monologues. End: an Occasional Address-Mrs Siddons; Afterpiece to conclude with: the original Epilogue-Mrs Siddons

Event Comment: By His Majesty's Command. In which will be seen two New Scenes, one representing a most Magnificent Palace, containing above a Thousand Yards of Painting. The other a Room adorn'd with Tapestry, representing the famous Battles of Alexander by Mons leBrun; both (in their kind) exceeding any Scenes that has been seen in England. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Cleartes

Event Comment: Benefit Mrs Mons

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with Solos on Violin-Castrucci

Event Comment: Not Acted these Six Years. Taken from the Cid of Mons Corneille. All the Habits being entirely New. With new Scenes and other Decorations

Performances

Mainpiece Title: Ximena Or The Heroick Daughter

Event Comment: Taken from the Cid of Mons Corneille

Performances

Mainpiece Title: Ximena

Event Comment: Benefit the French Comedians [Bullock paid #40]. Written by Mons le Noble

Performances

Mainpiece Title: Les Deux Arlequins

Entertainment:

Event Comment: Benefit J. and Ch. Rich. By His Royal Highness's Command. Written by Mons le Noble. Receipts: #86 6s. 6d

Performances

Mainpiece Title: Les Deux Arlequins

Dance: Drunken Dance-; Proper Entertainments-

Event Comment: Benefit Ch. Bullock. Mainpiece; Written by Mr Moliere. Afterpiece: Written by Mons Doisson

Performances

Mainpiece Title: George Dandin Or The Wanton Wife

Afterpiece Title: Le Baron de La Crasse

Dance: As17181031

Event Comment: Benefit Signora Mons. At 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

Event Comment: Benefit Mlle desChaliez. Written by the Famous Mons Molliere

Performances

Mainpiece Title: Le Malade Imaginaire

Dance: As17200509

Entertainment: Tumbling-

Event Comment: Mainpiece: Comedie de Mons de Moliere

Performances

Mainpiece Title: De Lecole Des Femmes

Afterpiece Title: Arlequin Esprit Folet

Event Comment: Benefit Mons Clauigney, who acts the Part of the Burgaway Gentilhomme, and his Wife the little Actress

Performances

Mainpiece Title: De Le Colle Des Femmes

Afterpiece Title: Arlequin Protee