SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons Ransom"/1) | (@(roleclean,performerclean) "Mons Ransom")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 63 matches on Event Comments, 60 matches on Performance Comments, 52 matches on Performance Title, 48 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Laura et Lenza, as18000513; Minuet de la Cour-Mons and Mme Didelot; End 2nd piece: Telemaque-Mme Rose Didelot will take original part

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick; on Phaeton in the Suds: With Harlequin a Pick Pocket

Performance Comment: Machine-Roberts; Fustian-Lacy; Sneerwell-Machen; Clymene (Oyster Wench)-Mrs Charke; Jupiter-Freeman; Neptune-Wallis; Phoebus-Topham [Toping in edition, of 1736]; Old Phaeton-Smith; Young Phaeton-Boothby; Aurora-Mrs Egerton; Aurora's Maid-Miss Jones; Terra-Miss Burgess; Genius of Gin-Miss Ferguson Jr; Harlequin-Rosamond, from DL; Justice-Jones; His Clerk (Pierrot)-Castiglione; Managers-Freeman, Turner; Stars-Master Sherwin, Miss Ferguson Jr; Colombine-Madame la Charmante, piping-hot from Paris [Mlle Beaumaunt in edition]; Countrymen-Smith, Collerd, Mons D'Herbage, Mons De la Soup Maigre [Lowder in edition]; Rakes-Boothby, Wallis, Phenix, Pullen; Chairmen-Smith, Collard; Pistol-Lowder; Tragedy King-Pullen; Schoolmistress-Mrs Egerton; Tragedy Queen-Miss Jones; edition adds: Watchmen-Smith, Lowder, Collerd, Chapman .

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fair

Performance Comment: Principal characters-Lun, LaLauze, Bencraft, Mrs Dunstall, Miss Haughton; The Dances-Mons Jossett his 1st appearance on the English Stage, Mons Jardin, Miss Hilliard.

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performance Comment: Luckless-Mullart; Witmore-Lacy; Marplay-Reynolds; Sparkish-Stopler; Don Tragedio-Marshall; Sir Farcical Comick-Davenport; Sig Opera-Stopler; Dr Orator-Jones; Mons Pantomime-Knott; Charon-Ayres; Bookweight-Jones; Scarecrow-Marshall; Harriet-Miss Palms; Goddess of Nonsense-Mrs Mullart; Somebody-Harris; Nobody-Wells; Poet-Hallam; Bookseller-Dove; Mrs Novel-Mrs Martin; Lady Kingcall-Mrs Clark; Punch-Reynolds; Joan-Hicks; but edition of 1730 lists: Luckless-Mullart; Witmore-Lacy; Marplay-Reynolds; Sparkish-Stopler; Bookweight-Jones; Scarecrow-Marshal; Dash-Hallam; Quibble-Dove; Blotpage-Wells Jr; Jack-Achurch; Jack Pudding-Reynolds; Bantomite-Marshall; Mrs Moneywood-Mrs Mullart; Harriet-Miss Palms; in Puppet Show: Player-Dove; Constable-Wells; Murdertext-Hallam; Goddess of Nonsense-Mrs Mullart; Charon-Ayres; Curry (Bookseller)-Dove; Poet-W. Hallam; Signior Opera-Stopler; Don Tragedio-Marshal; Sir Farcical Comick-Davenport; Dr Orator-Jones; Mons Pantomime-Knott; Mrs Novel-Mrs Martin; Robgrave-Harris; Saylor-Achurch; Somebody-Harris Jr; Nobody-Wells Jr; Punch-Reynolds; Joan-Hicks; Lady Kingcall-Miss Clarke; Mrs Cheatem-Mrs Wind; Mrs Glassring-Mrs Blunt; Prologue-Jones.
Cast
Role: Mons Pantomime Actor: Knott
Role: Mons Pantomime Actor: Knott

Performances

Mainpiece Title: Fair Rosamond

Afterpiece Title: The Impostor; or, The Biter Bit: With the Comical Humours of Vizard the Biter, Mixum the Vintner, and his Drawer Balderdash

Dance: I: Two Punches by Tench and Janno. II: The Constant Lovers. End of Droll: Le Badinage Cbampetre. Tumbling by Mynheer Vanderhoff, Mons de Voltore, Mons de Broc, Mons Janno

Performance Comment: II: The Constant Lovers. End of Droll: Le Badinage Cbampetre. Tumbling by Mynheer Vanderhoff, Mons de Voltore, Mons de Broc, Mons Janno .

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Colombine Courtezan

Afterpiece Title: Taste a la Mode

Performance Comment: Mlle La Modestie-Harlequin Phillips; Mons Flip-Flap-Towers; Somerset-Roberts; Mons Roundall-Hough .
Cast
Role: Mons Flip Actor: Flap-Towers
Role: Mons Roundall Actor: Hough

Dance: II: Double Jealousy, as17360327but Mrs Villeneuve replaces Miss Brett

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: A New Comic Opera; compsoed by Pietro Guglielmi; under the direction of Mazzinghi. Pit Half a Guinea. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 precisely [see 14 Feb. 1792]. The Nobility and Gentry are intreated to give particular Orders to their Coachmen to set down and take up with their Horses' Heads towards Hyde Park. The Door in Blenheim Mews will be shut during the Performance and opened only for the Company to go in Chairs. Subscriptions are received at Messrs Ransom, Morland and Hammersly's, No. 57, Pall-mall. And the Nobility and Gentry are earnestly requested to send a complete List of the Subscribers to their respective Boxes as soon as possible, since (by express Orders) no Person, on any account, can be admitted without producing a proper Ticket

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: a new Ballet Demi-Caractere, composed by D'Auberval, La Fontaine d'Amour-

Ballet: End II: a new Pantomimic, Anacreontic Ballet, composed by D'Auberval, L'Amant Deguise. Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage

Event Comment: A Comic Opera; the music chiefly composed by Paisiello. Under the direction of Storace. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. The subscriptions are received at Messrs Ransoms, Morland and Hammersley's only, upon whose receipt the tickets will be immediately made out, and delivered at the office of Jewell, treasurer. And the subscribers at the head of Boxes are intreated to observe that if the subscription money is not paid into the hands of the Bankers, before the opening of the Theatre, his Box will be considered as relinquished. N.B. The seats of the Pit and the Boxes will be entirely new furnished on the Opera Nights; and Gentlemen are most respectively [sic] informed that they cannot be admitted, either into the Boxes or the Pit on those Nights, unless they are in Afternoon dress. The Nobility are intreated to give directions to their servants to set down and take up the at Theatre with the horses' heads towards Pall Mall. The door in Market-lane for Chairs only

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At King's The Heir At Law

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Injur'd Love; Or, The Lady's Satisfaction

Performance Comment: Edition ca. 1711 lists: Ogle (alias Fidelia)-Mrs Oldfield; Frolick (alias Lucie)-Mrs Bicknel; Rashlove-Wilks; Captain Cruize-Cibber; Thrivemore-Mills; Surefriend-Elrington; Sir Bookish Outside-Bullock; Sir Saveall Scrape-Norris; Young Scrape-Dogget; Snuffle-Johnson; Tipple-Penkethman; Mons de la Tirouette-Burkhead; Widow Rich (alias Amabella)-Mrs Bradshaw; Lady Outside-Mrs Knight; Charmilla-Mrs Santlow; Wrinkle-Mrs Willis; Pomade-Mrs Saunders; Prologue-; Epilogue-Dogget, Penkethman.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Magician

Performance Comment: Valet de Chambre-Mons Tirrevette, and all the other Parts as usual.

Song: The Boy

Performances

Mainpiece Title: Jane Shore: Containing The Death Of King Edward Iv, The Penance Of Jane Shore, And Her Miserable Fall Under Richard The Protector

Afterpiece Title: With The Comical Humours of Anthony Noodle, His Man Weazle, and Captain Blunderbuss

Afterpiece Title: The Wheel of Life; or, Harlequin's Death

Performance Comment: Harlequin-Mons LeCoudriere , lately arriv'd from Paris.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Jealous Taylor

Performance Comment: Tom-Mullart; Charles-Lacy; Nicodemus Stitch-Ayres; Shears-Reynolds; Snip-Cross; Shopboard-Dove; Patrick O'Thimble-Hallam; Evan ap Remmant-Jones; Mynheer Van Bodkin-Hicks; Sawney Mac Staytape-Wathen; Mons le Foppery-Davenport; Mrs Stitch-Mrs Lacy; Harriot-Miss Price; Betty-Mrs Nokes.
Cast
Role: Mons le Foppery Actor: Davenport

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wanton Jesuit; or, Innocence Seduced

Performance Comment: Father Girrard-Pullen; Father Sabatier-Giles; Father Cadiere-Jones; Abbe Cadiere-Cross; Father Aubany-Warwell; Mons Chaudon-Cole; Robin-Radnor; Lady d'Aubert-Mrs Ray; Lady Beauslire-Mrs Clark; La Guiol-Miss Morse; L'Almande-Miss Dancey; La Batterele-Miss Radnor; La Robauld-Mrs Dove; La Laguiere-Miss Jones; Miss Cadiere-Mrs Pullen; but edition of 1731 lists: La Batterelle-Mrs Bignal; La Graveiere-Mrs Radnor.
Cast
Role: Mons Chaudon Actor: Cole

Dance: HHornpipe-Jones' Scholar

Event Comment: Benefit Mrs Stevens. Second Piece: a New Pantonimical Something. Third Piece: The Practice of a new Serious Scene to be Introduc'd. Shewing the various and hazardous Adventures he met with to get his Wife Joan; particularly, his last memorable Battle and Victory over a great and monstrous Pig, by which she was to be devour'd chain'd to a Rock. 7 p.m

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Monstrum Horrendum; or, The Practice of a Modern Comic Entertainment

Performance Comment: Harlequin-Mons Quelqu'n, being the first Time of his Appearing and the last he will appear on any Stage; Colombine-Miss Price.

Afterpiece Title: Punchanello's Encounter with the Pig

Dance: DDutch Skipper-Davenport, Miss Price

Performances

Mainpiece Title: Dione

Afterpiece Title: Love Runs All Dangers

Performance Comment: Harlequin-Mons Lefronde, the first time of his appearing on any stage in England; Colombine-Miss Palmes; Country Squire (Guardian to Colombine)-Mynit; His Son-Hicks.

Dance: Between the Acts: Dancing-Jones Sr, Jones Jr; Concluding With a Grand Dance-