SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5147 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Lothario-a Gentleman who never appeared on any stage; Calista-Mrs Giffard; Horatio-Delane; Sciolto-Bridges; Altamont-Havard; Rosano-Blakes; Lavinia-Mrs Ridout; Lucilla-Miss Minors.

Afterpiece Title: The Virgin Unmasked

Song: II, III: Lowe

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Performance Comment: Valet-Gentleman who never appeared on any stage; Kitty Pry-Miss Lincoln; with several favourite songs-Brett.

Song: Brett, the surprising voice of the famous African who sings several songs, with Mock Voices, particularly in Imitation of a young Child.; Juggling-Yates

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Alphonso-James; Pilgrim-Ryan; Curio-Anderson; Seberto-Storer; Old Pilgrim-Ridout; Lopez-Morgan; 2nd Outlaw-Smith; Porter-Rosco; Roderigo-Bridges; Mad Scholar-Giffard; Stuttering Cook-Cibber; Mad Englishman-Morris; Mad Welchman-Stoppelaer; Mad Priest-Bencraft; Mad Taylor-Collins; Master of Madhouse-Marten; Fool-Miss Ferguson; Alinda-Mrs Hale; Juletta-Mrs Bland; In IV Mad Bess in character-Beard.

Afterpiece Title: Miss in Her Teens

Performance Comment: As17480208, but Biddy-a Young Gentlewoman who never appear'd on any stage; Jasper-_; Sir Simon-_; Capt. Loveit-_; Puff-_.

Song: I: Go Rose-Miss Faulkner; II: Ellen a Roon-Mrs Storer; III: Se Spuntan Vezzoze-Miss Faulkner; V: Come Ever Smiling Liberty, 'Tis Liberty alone-Miss Faulkner

Dance: V: Minuet-Villeneuve, Miss E. Faulkner

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in Her Teens

Performance Comment: As17500319 but Fribble-Yates; Capt. Loveit-Palmer; Puff-a young Gentleman who never appeared; Miss Biddy-Miss Cole.

Dance: CComic Dance, as17500221; Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: [The Advertisement of 17 May for the Suspicious Husband repeated for the fourth time, now, however, specifying the Grand Scotch Dance and a concluding Country Dance to round off the evening's entertainment for the benefit of M Monet. Tickets at White's Chocolate House in St James's St., and at the stage door. Being positively the last time of the Company's performing this season. The announcement accompanied by the following statement]: Mr Monett, the innocent tho' unfortunate cause of disgusting the Public by his attempting to represent French Plays, most humbly implores their assistance, by the means of this Benefit Play, to extricate him out of his present most deplorable situation. Without such relief his Misfortunes must detain him a ruined Man in England; a severity which he is persuaded never was proposed as any part of the purpose of the most disoblig'd, or determined against his Undertaking. With this relief he hopes to be able to return to France, and promises never again to risque their favours. He most submissively hopes he shall not be the only the single instance that may seem to contradict the hitherto unimpeached Good Nature and Humanity, which is universally acknowledged the Characteristic of the English Nation (General Advertiser)

Performances

Performances

Mainpiece Title: The Orphan

Performance Comment: Polydore-a gentleman; Serina, Monimia-two gentlewomen who never appeared on any Stage.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Miss in Her Teens

Performance Comment: Biddy-a Young Gentlewoman who never appear'd upon any stage; Flash-Dyer; Puff-Dunstall; Tag-Mrs Vincent; Fribble-Shuter, with a song in character.

Entertainment: I: Cries of London-Shuter

Music: II: A Trio taken out of Florizel and Perdita,-Shuter, Mrs Lampe, Miss Young

Dance: IV: Italian Peasants, as17531120; End: Epilogue in Florizel and Perdita-Shuter, by Desire, in character of a Pedlar

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Smith; Burleigh-Sparks; Southampton-Dyer; Queen-Mrs Hamilton; Raleigh-Anderson; Nottingham-Mrs Vincent; Rutland-Gentlewoman , who never appeared on any stage; Occasional Prologue-.

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Zara

Performance Comment: As17551030, but Osman-Clarke; Zara-a Young Gentlewoman, who never appeared on any stage.

Afterpiece Title: The Lying Valet

Dance: As17551114

Event Comment: Afterpiece: A new farce by Doctor Heffinal [sic] for his benefit. O Sad! (Cross). Tickets at Forrest Coffee House, The Bedford, and Randall's, and author's lodgings at Mew's Coffee House. To the Printer of the Public Advertiser, 24 April: Sir, Let this suffice for a general answer to all unfriendly whispers or paragraphs against the new farce to be performed tonight at Drury Lane -its author never previously Caballed, never published his sentiments of any stage performance till after the run -then neither the writer nor manager could be injured -its principal characters are Lady Protea, a coquet alarmed at the apprehension of dying amid; Lord Epigram Strainwit, a pert coxcomical witling; Dr Matho, a Virtuoso, Antiquarian, and in love; Dreadnought Broadside, a sea-officer and strenuous Antigallican. I am &c. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Maiden Whim or The Critical Minute

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith 1st time; Myrlte-Ryan; Sir John-Anderson; Cimberton-Arthur; Humphrey-Wignel; Daniel-Collins; Tom (with a song in character)-Dyer; Sealand-Sparks; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Lucinda-Mrs Baker; Phillis-Mrs Green; Indiana-Mrs Hamilton; In Act II Song-Mrs Chambers.
Cast
Role: In Act II Song Actor: Mrs Chambers.

Afterpiece Title: Lethe

Performance Comment: As17570418 but Fine Gentleman-Haughton, who never appeared on that stage; Aesop-Wignell; Frenchman-Holtom; Drunken Man-Dunstall.

Dance: I: Dutch Peasant, as17570512; IV: Country Lass, as17570512; V: Lamplighters, as17570429

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17571013, but Macheath-Mattocks, who never appeared on that stage or any other these 6 years.

Afterpiece Title: The Cheats of Scapin

Dance: FFingalian Dance, as17571013

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rout

Performance Comment: Actors only in bill, but Feeble-Yates; Felix-Obrien; Sir William Wheedle-Palmer; Mrs Furbelow-Mrs Bennet; Rhodamintha-Miss Barton; Lady Never Settle-Miss Pritchard; Blunderbuss-Bransby; Balloon-Blakes; Friendly-Packer (Genest, IV, 542-43).

Performances

Mainpiece Title: Theodosius

Cast
Role: Aranthes Actor: Davis

Afterpiece Title: Lethe

Performance Comment: As17590425 but Old Man-Shuter; Lord Chalkstone-Shuter; Drunken Man-Cresswick; Frenchman (that night only)-a Gentleman who never performed of any stage.

Song: II: A Song-Roberts; III: A Piece on the Welch Harp-Evans

Dance: V: Fingalian Dance, as17581111

Performances

Mainpiece Title: The Minor

Performance Comment: As17601122, but Lucy-a Young gentlewoman who never appeared on any Stage.

Afterpiece Title: The Enchanter

Dance: II: The Fingalian Dance, as17610416

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-Mattocks; Argus-Collins; Hearty-Redman; Robin-Dunstall; Betty-Mrs Pitt; Arethusa-A Young Gentlewoman who never appeared on any stage Miss Miller.

Dance: TThe Pedlar Trick'd, as17611001

Performances

Mainpiece Title: Grand Concert Of Vocal And Instrumental Music

Performance Comment: Overture by Cocchi-; Song Che Legge Spietata-Zonca; Disperata in Van m'affano-Sartori; Concerto on Violin-Pinto; Padre conquesto Amplesso-Elizi; Nel pensare al gran cimento-Sga Mattei; Part II:Concerto on Bassoon-Baumgarten; Song Mi dona mi Vende-Sga Eberardi; Sperai Vicino al lido-Sga Curioni; Concerto on Violincello-Gordon; Song La Speme Amabile-Sga Mattei; La Bella mia Tiranna-Elizi; Part. III:Concerto on Oboe-Simpson; Song-Sga Sartori; Odo il suo no de quendiaccenti-Zonca; a New Duet Tuo voi che viva O Cara (Hasse) never performed in England-Sga Mattei, Elizi; Coronation Anthem-(Handel).

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-Ross; Priuli-Gibson; Renault-Hull; Bedamar-Anderson; Duke-Marten; Eliot-Perry; Spinoza-Wignel; Theodore-Mrs Young; Officer-Buck; Pierre-a Gentleman, never appearance any stage; Belvidera-Mrs Ward.

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal Parts-Beard, Tenducci, Mattocks, Gentleman who never appeared on any stage, Miss Miller, Miss Brent. [See17640510.]See17640510.]

Dance: I: Blind Man's Buff, as17641003; II: The Sicilian Peasants, as17641001

Event Comment: Benefit for Mrs Vincent and Mrs Pitt. Charges #64 10s. Deficit to the actresses #4 15s. each, covered by income from tickets: Mrs Vincent #88 16s. (Box 112; Pit 284; Gallery 182); Mrs Pitt #47 14s. (Box 24; Pit 194; Gallery 126) (Account Book). Receipts: #55

Performances

Mainpiece Title: Isabella

Afterpiece Title: Thomasand Sally

Performance Comment: As17700420 but Hornpipe-Miss Twist; Squire-a Gentleman who never appeared on any stage; Sally-Mrs Pinto.

Dance: End: The Old Ground Young, as17700501; with Allemande, as17700501

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17701013, but Manly-Hull; Lady Townly-A Young Lady [Miss D'Arcy] (who never appeared on any stage).Miss D'Arcy] (who never appeared on any stage).

Afterpiece Title: Midas

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Fleetwood (his first appearance in that character); Polydore-a Gentleman; Acasto-Perkins; Chaplain-Simmons; Ernesto-Smith; Servant-Watkins; Page-the celebrated Miss Rose, first time; Chamont-a Gentleman who never appeared on any stage; Florella-Mrs Simmons; Serina-Miss Fairlamb; Monimia-a young Lady, 2nd time on the stage; Epilogue (By Desire) to The Doctor Last in His Chariot-Miss Rose.

Afterpiece Title: The Ghost

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Performance Comment: Oroonoko-a Young Gentleman who never appeared any stage; Aboan-Bensley; Governor-Perry; Blandford-Hull; Daniel-Shuter; Capt. Driver-Dunstall; Lucy-Miss Helme; Widow Lackit-Mrs Pitt; Charlotte-Mrs DuBellamy; Imoinda-Miss Miller.

Afterpiece Title: The Deuce Is in Him

Dance: I: A New Comic Dance-Aldridge, Sga Manesiere; III: (By Particular Desire) The Old ground Young, as17710318 concluding with: Allemande, as17710318

Monologue: Interlude.End: Press Gang; True Blue. As 18 April, but Mrs Mattocks; Dance-Aldridge

Event Comment: Mainpiece: A Comedy [by Bickerstaffe, altered from Cibber's Non-Juror]never performed there. [The Young Lady indentified by Kemble note on playbill. The Westminster Magazine commented unfavorably on her action: "Charlotte requires many fine qualities to represent her, none of which Miss Wilde possessed."] Receipts: #112 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Kniveton; Darnley-Bensley; Sir John Lambert-Hull; Col. Lambert-Lewes; Seyward-Wroughton; Maw@Worm-Quick; Lady Lambert-Miss Sherman, first appearance; Old Lady Lambert-Mrs Green; Charlotte-a Young Lady[, who never appeared on any Stage [Miss Wilde]., who never appeared on any Stage [Miss Wilde].

Afterpiece Title: Midas

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen