SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5147 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is known by one of the rare playbills extant from this period. It is in HMC, Verney MSS., 7th Report, p. 509, and reproduced opposite page 240 in Lawrence, Elizabethan Playhouse, 2d Series: Never Acted but once. At the Theatre Royal, in Drury-Lane, this present Wensday being the Nineth day of November, will be presented, A New Play called, Henry the Second King of England. No money to be return'd after the curtain is drawn. By their Majesties Servants. Vivant Rex & Regina. Lady Margaret Russell to Katherine Russell, 10 Nov. 1692: You will be surprised that Lady Cavendish has been hindered by a little sore throat from going yesterday to a new play of King Henry and Rosamond, which is much commended (HMC, 12th Report, Appendix, Part V, Rutland MSS., p. 124)

Performances

Mainpiece Title: Henry The Second

Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock marriage

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters Or The Violence Of Love

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 27-30 June 1696, suggests that it was first acted not later than early June 1696 and probably not later than late May 1696. A dialogue, Fly, fly from my sight, between a Eunuch Boyr and a Virgin, set by Daniel Purcell and sung by Bowen and Mrs Cross, is in Deliciae Musicae, The Second Book of the Second Volume, 1696. This was also printed separately, without a date, by Thomas Cross, with the statement that the dialogue was written by Thomas D'Urfey. Gildon, English Dramatick Poets, ca. 1698, p. 111: For the Distress of Morena never fail'd to bring Tears into the Eyes of the Audience

Performances

Mainpiece Title: Ibrahim The Thirteenth Emperour Of The Turks

Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis Or The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Event Comment: For the Benefit of the Author, Mr Chaves. Never acted but twice

Performances

Mainpiece Title: The Cares Of Love

Song: Mrs Hodgson

Dance: The little Girl, Mrs Elford's scholar

Event Comment: Benefit the English Harlequin. By a New Company of English Comedians, who never yet appear'd upon that Stage. [Second Piece: "a New Farce (of one Act)." Apparently not published. Third Piece: "a New Entertainment in Grotesque Characters."

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Chimney Sweepers Opera

Afterpiece Title: Harlequin Conqueror

Event Comment: This performance, though announced, may not have been given. The next advertisement of it on 2 Feb. 1730 has the heading: Never Acted but Once

Performances

Mainpiece Title: Fatal Love

Event Comment: Daily Journal, 27 Jan.: We hear that the Beggar's Opera is soon to be acted at [DL]; the Part of Lucy ... by Mrs Clive . . . Polly by Mr Cibber's Wife, who is to have all the first Parts, having, during the Run of Zara, shewn her natural Genius, by never any one Night varying in either Tone of Voice or Action from the Way she was taught. [See Prompter, 27 Jan., for an essay on the corruption of the stage by pantomime.]

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restord

Event Comment: The hay advertised for 30 May and later two plays which never got staged: Macheath turn'd Pyrate; or, Polly in India. An Opera. Very much taken, if not improv'd from the famous Sequel of the late celebrated Mr Gay. With a New Prologue, proper to the Occasion. And after the Run of that, the Town will be entertain'd with a new Farce of two Acts, call'd The King and Titi; or, The Medlars. Taken from the History of Prince Titi, Originally written in French, and lately translated into English

Performances

Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: The Dragon of Wantley

Event Comment: Afterpiece: Never acted there [but see 16 May 1738]

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Dragon of Wantley

Event Comment: Benefit Garrick. By Command of Prince and Princess of Wales. [Winston MS. from Dyer MS.: A prodigious audience] Farce never acted there. Seven rows of the Pit will be rail'd into the Boxes. Stage to be form'd into side boxes where servants may keep places. Tickets of Mr Valliant, Bookseller, Strand; or at Garrick's, Bow St., Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lying Valet

Song: IV: Beard

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Performances

Mainpiece Title: Love The Cause And Cure Of Grief Or The Innocent Murderer

Performance Comment: Prologue-Delane; Epilogue-Mrs Giffard; Weldon-Delane; Briar-Giffard; Young Freeman-Havard; Freeman-Bridges; Judge-Winstone; Servant-Woodburn; Charlotte-Mrs Giffard; Mrs Freeman-Mrs Roberts; Mrs Briar-Mrs Bennet [1st edition, but listed in order of actors given in London Daily Post and General Advertiser].1st edition, but listed in order of actors given in London Daily Post and General Advertiser].

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece never acted there. [Originally produced at dl, 27 April 1714.] The Tragedy of Regulus, written by the Author of King Charles the First [Wm. Havard] is now in rehearsal at Drury Lane and will be perform'd there in a short time

Performances

Mainpiece Title: The Wonder Or A Woman Keeps A Secret

Afterpiece Title: The Virgin Unmasked

Song: II: Song-Morland

Event Comment: Benefit W. Giffard. Mainpiece: Never acted there. From a New Edition, with many additions and Alterations by the Author. Tickets deliver'd for Saturday the 08th will be taken this day

Performances

Mainpiece Title: Alzira Or Spanish Insult Repented

Afterpiece Title: The Anatomist

Dance: III: Mlle Auguste

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Benefit Garrick. Boxes and Pit laid together at 5s. Victor to Garrick: My closest attention was never more commanded than by you last night in Othello....I was most inclined to fear for you in your address to the Senate, but there, even there, you excelled your present rival (Quin) whose merit lies chiefly in declamation-I found you had very judiciously applied your study to the great and striking passages in the character--the trance had a fine effect, your manner of falling into it, and recovery from it, was amazingly beautiful...it would be ridiculous to doubt of your ability to act this part in the utmost perfection; but to arrive at that point there are some things to be done.--Genest, IV, 147

Performances

Mainpiece Title: Othello

Dance: II: Muilment

Song: III: A Cantata-Lowe

Event Comment: LLate Wells in Goodman's Fields. Never acted but once

Performances

Mainpiece Title: The Modern Wife

Event Comment: Afterpiece: A Farce, never acted there but twice

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Humours of Purgatory

Dance: As17451028

Song: Barlow

Event Comment: Mainpiece: A Comedy reviv'd. Never acted there

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Afterpiece Title: Duke and No Duke

Song: TThe Flocks shall leave the Mountains a Trio from Acis and Galatea by Handel-Beard, Reinhold, Mrs Lampe

Dance: LLes Allemandes, as17451109

Event Comment: Benefit Mrs Clive. Mainpiece written by Beaumont and Fletcher, never acted there. Servants allow'd to keep places on the stage which will be form'd into front and side boxes, and so commodiously enclos'd as to prevent the Ladies from taking cold. Ladies send servants by three. Tickets of Mrs Clive at her House in Great Queen Street, Lincoln's Inn Fields, and of Hobson at the stage door

Performances

Mainpiece Title: The Wild Goose Chase

Performance Comment: Mirabel-Mills; Pinac-Yates; Belleur-Neale; De Gard-Delane; Lugier-Blakes; Lillia/Bianca-Mrs Clive (in which character will be introduc'd proper songs, the music new compos'd by Arne); Nantole-Winstone; LeCastre-Taswell; Factor-Bridges; Priest-Usher; Diego-Raftor; Pedro-Marr; Oriana-Mrs Mills; Mariana-Miss Minors; Petella-Miss Cole; Rosalure-Mrs Giffard.
Cast
Role: Factor Actor: Bridges

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Event Comment: Benefit Yates. Main Piece never acted there. [By William Walker; see 1 Nov. 1703.

Performances

Mainpiece Title: Marry Or Do Worse Or No Wit Like A Womans

Afterpiece Title: The School Boy

Song: I,IV: Lowe

Dance: II: Muilment; III: The Mechels; V: Salomon, Sga Padouana, Salomon's Son

Event Comment: Written by Shakespear. Never acted there. [See 24 April 1747.] Receipts: #180 (Cross); #181 6s. 6d. (Powel)

Performances

Mainpiece Title: King Henry V

Event Comment: Written by Massenger, never acted there. Receipts: #120 (Cross); #93 14s. 6d. (Powel)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: Wellborn-Sowdon; Lord Lovell-Havard; Allworth-King 1st time of appearing in any character; Greedy-Woodward; Marall-Neale; Sir Giles-Bridges; Order-Winstone; Furnace-Blakes; Amble-Vaughan; Tapwell-Taswell; Watchall-Bransby; Welldo-Simpson; Froth-Mrs Bridges; Margaret-Mrs Green; Lady Allworth-Mrs Pritchard.

Dance: II: Savoyards, as17480920; V: Dance of Gondoliers-Cooke

Music: III: Concerto on Flute, as17480917

Event Comment: At the New Theatre, Bowling Green, Southwark. A Concert, etc. Benefit for Mrs Morgan. Never acted there. Being positively the last Night of Acting in the Borough (Daily Advertiser)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The King and Miller of Mansfield

Music: solo on the violin called Ellen@a@Roon-Santhilla first Time of performing in Public

Song: V: Roratorio@or a Medley of the Cries of Dublin-Morgan

Dance: A Hornpipe-a Gentleman for his diversion