SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5147 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Gibson, ed., Blundell's Diary, p. 143: This being Bartholemew Fair I went to Smithfield and saw a Fars acted which was called Argulus and Parthenia and a Poppy Play called Earl of Essex

Performances

Mainpiece Title: Argulus And Parthenia

Afterpiece Title: The Earl of Essex

Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

Event Comment: non.] to Mr Garrick, 4 Dec.: Sir, I saw you last night act Fondlewife, and could not help thinking it a good deal overacted, especially in that sort of feeble trot you seemed to affect so much. A part overacted makes the actor look foolish.-Boaden, Private Correspondence of Garrick, I, 27

Performances

Mainpiece Title: The Old Batchelor

Song: III: Song-Lowe

Dance: II: Grand Comic Dance, as17421117; IV: Les Moisoneurs de la Styrie, as17421201

Event Comment: PPublic Advertiser: As I saw in the papers that the tragedy of Phaedra is shortly to be acted at Covent Garden, I thought that the following lines, written upon Mrs Woffington's performance of the character in Ireland would not be unacceptable to you, or to your readers. They fell casually into my hands. If you think them worth inserting, they are at your service [a poem of 104 lines follows]: @Oft has the poet sweetly sung in vain@When tasteless actors chaunt the heavenly strain... Woffington seems reserved to play the part magnificently. The analysis, tho' fettered to the couplet, is more specific as to her gestures and expression, and tone, than most such commentaries

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin Skeleton

Performance Comment: Chasseur Royal-Lowe; Aerial Spirits-Mr and Mrs Granier; Jupiter in the character of Harlequin-Miles; Doctor-Bencraft; Colombine-Mrs Dunstall; Merlin-Howard; Mercury-Baker; Anatomist-Stoppelaer; Pierot-LaLauze.
Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Afterpiece Title: The Witches

Song: III: A Cantata-Miss Young

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Cast
Role: Rovewell Actor: Davis

Dance: TThe Female Archer, as17661215

Event Comment: NNeville MS Diary: At 8 in the evening went into the Pit at dl saw the last two acts of Cymbeline--Imogen by a Miss Young being her second appearance on any stage. Her person is good, her action proper and her voice excellent, but her face is ordinary

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequins Invasion

Dance: III: The Wake, as17680929

Event Comment: "Particular Commendation is to be given to the death of Arthur; it is very bold, and well disposed of. The jump is the highest we ever saw" (Public Advertiser, 15 Dec). Afterpiece: Not acted these 8 years. Receipts: #257 4s. (230/7; 26/7; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: King John

Afterpiece Title: The Lottery

Dance: End of mainpiece, as17831204

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17881117, but Juliet-Mrs Siddons (1st appearance in that character [in London]).in London]).

Afterpiece Title: The Toy Shop

Performance Comment: Master of the Toy Shop-Kemble; The other Characters-Suett, R. Palmer, Chaplin, Fawcett, Phillimore, Alfred, Miss Tidswell, Miss Barnes, Mrs Wilson.

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Performance Comment: End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-.

Performances

Mainpiece Title: The Indian Merchant Or The Happy Pair Interspersd With The Comical Humours Of The intriguing Chambermaid sir John Oldcastle And The drunken Colonel

Performance Comment: A Comedy of two Acts. Merchant-Dove; Oldcastle-Smith; Colonel-Phillips; Rakert-Yeates; Valentine-Wallis; Pride-Powell; Puff-Davis; Security-Johnson; Trick-Evenel; Constable-Wood; Slap-Archer; Mrs Highman-Mrs Tucker; Charlotte-Miss Ferguson; Lady Pride-Mrs Habito; Lady Ruff-Mrs Simmons; Lettice-Mrs Phillips, from Theatre Royal in Drury Lane.
Cast
Role: Puff Actor: Davis

Afterpiece Title: The Miser Bit or Harlequin Reveller

Song: I: Bumper Squire Jones-Phillips

Dance: LLa Mason and Sabotiers-Phillips, Mrs Dove

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17541130, but Dolly Trull-Miss Davis; Hornpipe in Act III-_.

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith, 1st time; Hephestion-Dyer; Lysimachus-Hull; Cassander-Clarke; Polyperchon-Perry; Perdiccas-Davis; Clytus-Gibson; Statira-Mrs Mattocks, 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Vincent; Roxana (with Epilogue in Character 1st time)-Mrs Bellamy; In Act II, The Triumphal Entry of Alexander into Babylon-.
Cast
Role: Perdiccas Actor: Davis

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: The Female Archer, as17661215

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Powell, 1st time; Capulet-Gibson; Friar Lawrence-Hull; Mercutio-Woodward; Benvolio-Davis; Paris-Perry; Lady Capulet-Mrs Barrington; Nurse-Mrs Pitt; Juliet-Mrs Bellamy; In Act I a Minuet-Fishar, Mrs Bulkley; Masquerade Dance- proper to the play; the Funeral procession of Juliet-; a Solemn Dirge, the Vocal parts-Mattocks, DuBellamy, Mrs Thompson, Mrs Baker, Legg, Dibdin, Ryley, Mrs Lampe, Mrs Jones.
Cast
Role: Benvolio Actor: Davis
Role: In Act I a Minuet Actor: Fishar, Mrs Bulkley

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Powell; Capulet-Gibson; Friar Lawrence-Hull; Mercutio-Woodward; Tibalt-Gardner; Benvolio-Davis; Peter-Morgan; Paris-Perry; Escalus-Morris; Friar John-Wignell; Lady Capulet-Mrs Barrington; Nurse-Mrs Pitt; Juliet-Mrs Bellamy; In Act I: A Minuet-Fishar, Sga Manesiere; a Masquerade Dance-proper to the play; with the Funeral procession of Juliet-; Solemn Dirge the vocal parts-Mattocks, DuBellamy, Baker, Mahon, Barnshaw, Legg, Fox, Mrs Thompson, Mrs Baker, Mrs Lampe, Mrs Jones.
Cast
Role: Benvolio Actor: Davis

Afterpiece Title: The Royal Chace

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: AA Compleat List (1747), pp. 182-83: [After some resentment at Quin's refusing a part in Fatal Retirement, 12 Nov.]. When coming on one Night to play the Part of Pierre...and he was treated in the same Manner, he came forward, and speaking to the Audience said, 'That he had met with Insults of that kind for several Nights past, and that he judged they came from the Friends of the Author of a Play lately acted at that House, called Fatal Retirement; that the Author of it desired him to read it before it was acted, which he did, at his Requests, and likewise, at his Request, gave him his sincere Opinion of it, which was, that it was the very worst Play he had read in his Life; and therefore he had refused to act a Part in it, &c.' After his Speech was ended, he found a thundering Applause from the Audience, and went thro' the whole Play without any farther Disturbance. But we ought not entirely to form out Judgment of its being the very worst Play, from what this Gentleman was pleased to say of it, in the Heat of his Resentment for being ill-treated; nor wonder that an Audience should applaud a Sentence which condemned an Author, at a Time when it was the Fashion to condemn them all, right or wrong, without being heard; and when Parties were made to go to new Plays to make Uproars, which they called by the odious Name of The Funn of the first Night. For the Afterpiece, A Compleat List, p. 183: And on the very Night I am speaking of it, at the End of the Play, was acted for the first [second] Time a new Farce, called, An Hospital for Fools, of which one single Word was not heard that the Actors spoke, the Noise of these First-Night Gentlemen was so great; however, the Actors went thro' it, and the Spectatbrs might see their Mouths wag, and that was all

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: An Hospital for Fools being generally Insisted on by last Nights Audience

Song:

Dance: As17391116

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Loves Mistress

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's House, where we saw The Villane again; and the more I see it, the more I am offended at my first undervaluing the play, it being very good and pleasant, and yet a true and allowable tragedy. The house was full of citizens, and so the less pleasant, but that I was willing to make an end of my gaddings, and to set to my business for all the year again to-morrow. Here we saw the old Roxalana [Mrs Davenport] in the chief box, in a velvet gown, as the fashion is, and very handsome, at which I was glad

Performances

Mainpiece Title: The Villain

Event Comment: The King's Company. Pepys, Diary: With my wife by water to the Royall Theatre; and there saw The Committee, a merry but indifferent play, only Lacey's part, an Irish footman, is beyond imagination. Here I saw my Lord Falconbridge, and his Lady, my Lady Mary Cromwell, who looks as well as I have known her and as well clad; but when the House began to fill she put on her vizard, and so kept it on all the play; which of late is become a great fashion among the ladies, which hides their whole face

Performances

Mainpiece Title: The Committee

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and saw Macbeth, which, though I saw it lately, aet appears a most excellent play in all respects, but especially in divertisement, though it be a deep tragedy; which is a strange perfection in a tragedy, it being most proper here, and suitable. So home, it being the last play now I am to see till a fortnight hence, I being from the last night entered into my vowes for the year coming on

Performances

Mainpiece Title: Macbeth

Event Comment: The King's Company. Pepys, Diary: We three [Mrs Pepys, Mercer, and Pepys] to the King's house, and saw the latter end of the Surprisall, wherein was no great matter,I thought, by what I saw there

Performances

Mainpiece Title: The Surprisal

Event Comment: The Duke's Company. This play in on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. It is possible that this is a delayed third performance and that the conjectured one for 7 Oct. did not occur. Pepys, Diary: My wife and I and Willet to the Duke of York's house, where, after long stay, the King and Duke of York come, and there saw The Coffee House, the most ridiculous, inspid play that ever I saw in my life, and glad we were that Betterton had no part in it

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

Event Comment: The Duke's Company. Pepys, Diary: I after dinner to the Duke of York's playhouse, and there saw Sir Martin Mar-all; which I have seen so often, and yet am mightily pleased with it, and think it mighty witty, and the fullest of proper matter for mirth that ever was writ; and I do clearly see that they do improve in their acting of it. Here a mighty company of citizens, prentices, and others; and it makes me observe, that when I begun first to be able to bestow a play on myself, I do not remember that I saw so many by half of the ordinary prentices and mean people in the pit at 2s. 6d. a-piece as now; I going for several years no higher than the 12d. and then the 18d. places, though I strained hard to go in them when I did: so much the vanity and prodigality of the age is to be observed in this particular

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The King's Company. Pepys, Diary: And so she [Mrs Pepys] and I alone to the King's house, and there I saw this new play my wife saw yesterday, and do not like it, it being very smutty, and nothing so good as The Maiden Queen, or The Indian Emperour, of his making, that I was troubled at it; and my wife tells me wholly (which he confesses a little in the epilogue) taken out of the Illustre Bassa

Performances

Mainpiece Title: An Evenings Love