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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7562 results for: Keyword - Moll Davis</i>] (whom I never saw act before) <span class=
We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1951
22 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Capt. Machcath-Brett (1st appearance in that character); Peachum-Wilson; Lockit-Booth; Mat o' the Mint-Mahon; Jemmy Twitcher-Webb; Wat Dreary-Jones; Crook finger'd Jack-Doyle; Ben Budge-Ledger; Harry Paddington-Darley; Jailer-Stevens; Drawer-Helme; Filch-Mrs Wilson; Lucy-Mrs Kennedy; Mrs Peachum-Mrs Davenett Diana Trapes-Mrs Pitt; Jenny Diver-Mrs Morton; Mrs Slammekin-Miss Platt Mrs Vixen-Mrs Lewis; Dolly Trull-Miss Morris; Sukey Tawdry-Miss Cleland Mrs Coaxer-Mrs Whitfield; Molly Brazen-Miss Stuart; Betty Doxey-Miss Francis; Polly-Miss Harper. hathi.
Cast
Role: Molly Brazen Actor: Miss Stuart

Afterpiece Title: Retaliation

Dance: In Act III of mainpiece a Hornpipe by Miss Matthews

1952
23 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Flitch of Bacon

Song: In Act II of mainpiece a song by Brett

1953
02 November 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Performances

Mainpiece Title: Il Convito

Performance Comment: Principal Characters by Viganoni, Morigi, Bartolini (1st appearance in this country), Schinotti (1st appearance in this country); Sga Gherardi (1st appearance in this country), Sga Pollone, Sga Allegranti. [Cast from libretto (H. Reynell, 1782): I1 Cavalier del Lampo-Viganoni; Don Massimo-Morigi; I1 Conte Polidoro-Bartolini; Checco-Schinotti; Giacomina-Sga Gherardi; Lisctta-Sga Pollone; Alfonsina-Sga Allegranti.] hathi. hathi.

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

1954
05 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Too Civil by Half

Performance Comment: Principal Characters by Palmer, Baddeley, Wrightcn, Waldron, Burton, Chapman, Parsons; Mrs Hopkins, Miss Collett, Miss Phillips. [Cast from text Q. Stockdale, 1783), and Morning Post, 6 Nov.: Captain Freeman-Palmer; Butler-Baddeley; Bustle-Wrighten; Pestle-Waldron; Mortar-Burton; Lieutenant Bumper-Chapman; Sir Toby Treacle-Parsons; Lady Treacle-Mrs Hopkins; Bridget-Miss Collett; Nancy-Miss Phillips.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 3 and 19 May 1783.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 3 and 19 May 1783.] hathi.

Dance: End of Act I of mainpiece, as17820917; End of mainpiece, as17821005

Song: As17820928

1955
09 November 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17821102, but omitted: Zuchelli, Sga Sala, and added: Passacaille by Lepicq; End of Opera Apelles and Campaspe, as17821102

1956
14 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Performance Comment: Principal Characters by Pacchierotti, Scovelli (1st appearance), King's Bartolini, Schinotti; Sga Gherardi, Sga Morigi (1st appearance). [Cast from libretto (R. Ayre, 1782): Arsace-Pacchierotti; Medonte-Scovelli; Evandro-Bartolini; Talete-Schinotti; Zelinda-Sga Gherardi; Selene-Sga Morigi.] hathi. hathi.

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

1957
19 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821114, but added: Pas Seul by Mlle Theodore; End of Opera Apelles and Campaspe, as17821102

1958
30 November 1782 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Lord Mayors Day

Dance: End of Act II of mainpiece, as17821009

1959
30 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

1960
05 December 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece, as17820917

1961
09 December 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Robinson Crusoe

Dance: End of Act iv of mainpiece, as17820917; In afterpiece, as17820921

1962
10 December 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Too Civil by Half

Song: In Act III of mainpiece song [see17820926] by Barrymore

1963
12 December 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

1964
17 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

1965
19 December 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Too Civil by Half

Song: In Act II of mainpiece song by Miss Phillips

1966
28 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, with Passacaille, as17821109

1967
31 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; End of Opera Il Ratio delle Sabine, as17821212

1968
03 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Triumph of Mirth

Dance: End of Act II of mainpiece, as17820917

1969
18 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Triumph of Mirth

Dance: End of Act I of mainpiece, as17820917

1970
10 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Whos THE DUPE

Dance: End of Act I of afterpiece The Devonshire Minuet, as17821003

1971
27 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Divorce

Dance: End of Act I of mainpiece, as17821005

1972
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

1973
15 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: Whos the Dupe

Dance: As17821005

Song: In Act in of mainpiece an Epithalamium, with singing by Miss Wright and Miss Simson

1974
07 April 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

1975
10 April 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi