SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 1st piece: Not acted these 2 years [not acted since 15 June 1791]. With the original Music, Dresses, Scenery, Machinery and Decorations. Receipts: #107 18s. (93/17/6; 14/0/6)

Performances

Mainpiece Title: The Death Of Captain Cook

Performance Comment: Cast not listed. [Thespian Magazine, June 1794, p. 227, refers to the performances of Byrn, Cranfield and Follett, among others. They acted Pareea, Captain Cook and Koah respectively (see playbill of 6 Nov. 1790).] hathi.

Afterpiece Title: THE SCHOOL FOR ARROGANCE

Afterpiece Title: NETLEY ABBEY

Event Comment: Afterpiece: Not acted these 4 years [acted 27 May 1794]. With the original Music, Dresses, Scenery, Machinery and Decorations. Receipts: #203 15s. (200.0; 3.15)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Death of Captain Cook

Performance Comment: [Pareea, Captain Cook and Koah were probably acted by Byrn, Cranfield and Follett respectively. See17940515.]
Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Performance Comment: Lusignan-Murray; Osman-Hargrave; Nerestan-Middleton (Act I only), Davenport (remainder of play); Orasmin-Macready; Chatillon-Hull; Melidor-Thompson; Selima-Miss Chapman; Zara-Mrs Pope.

Afterpiece Title: Harlequin and Oberon or The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.
Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Performance Comment: See16601011 Othello-Burt?; Iago-Clun?; A Prologue to introduce the first Woman that came to act on the Stage, in the tragedy called The Moor of Venice-.
Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: Post Boy, 13-15 Sept.: On Tuesday, the 7th [sic] instant, in Drury-Lane, when the Players were just going to act, but were, by Order from their Superiors, stopp'd from farther Proceeding; so that they were, to their great Mortification, forced to dismiss their publick Auditors. [See also Female Tatler, 12 Sept.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: . Advertised but probably not acted; The announced cast: Kite-Pack; Ballance-Keene; Plume-Powell; Brazen-Bickerstaffe; Worthy-Booth; Pearmain-Norris; Appletree-Carnaby; Bullock-Leigh; Silvia-Mrs Moor; Melinda-Mrs Bradshaw; Rose-Mrs Bicknell.
Event Comment: A new Tragedy. [By Anthony Brown.] A Compleat List (1747), pp. 182-83: With no Success, which the Friends of the Author imputed in a great Measure to Mr Quin's refusing to act a Part in it; whereupon, to shew their Resentment, he did not appear on the Stage for some Nights without being hissed or houted at

Performances

Mainpiece Title: The Fatal Retirement

Performance Comment: Parts-Milward, Mill, Wright, Berry, Ridout, Mrs Giffard, Mrs Butler, Mrs Mills; but edition of 1739 lists (As it was Intended to have been Acted): Artamon-Mills; Lanertes-Milward; Ceron-Berry; Pravamor-Wright; Arcano-Ridout; Semandra-Mrs Giffard; Leonora-Mrs Mills; Sabia-Mrs Butler; Prologue-Wright; Epilogue-Mrs Clive.
Event Comment: Benefit Mr Connor, who kept the Key and Garter Tavern in Pall-Mall. Written by the late Mr Addison, and Set to Musick by Mr Arne. Reduced to Two Acts. 6:30 p.m

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Event Comment: Mainpiece: Reviv'd. Not acted these 10 years (see 14 May 1744]. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Palmer; Fainall-Havard; Witwood-Woodward; Sir Wilful-Yates; Petulant-Shuter; Waitwell-Layfield; Mrs Marwood-Mrs Clive; Lady Wishfort-Mrs James; Mrs Fainall-Mrs Willoughby; Foible-Mrs Green; Mincing-Miss Minors; Millamant-Mrs Pritchard; In Act IV, a Comic Dance-McNeil, Mad Cupis Camargo.

Afterpiece Title: Lethe

Performance Comment: As17500918, but no characters listed.

Dance: II: Country Amusements, as17501102; End: Running Footman's Dance, as17501020

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Havard; Leonato-Berry; Don John-Winstone; Claudio-Palmer; Antonio-Simpson; Friar-Burton; Borachio-Blakes; Dogberry-Taswell; Balthazar (with a proper song)-Beard; Verges-Shuter; Conrade-Mozeen; Town Clerk-R. Vaughan; Sexton-Ray; Hero-Mrs Willoughby; Margaret-Mrs Havard; Ursula-Miss Minors; Beatrice-Mrs Pritchard; In Act II, a Masquerade Dance-; To Conclude with a Country Dance-the characters of the play.

Afterpiece Title: The Lottery

Event Comment: Benefit for Dunstall and Usher. Mainpiece: Acted but once these 10 years. [See 13 April 1748, and 4 Feb. 1746.

Performances

Mainpiece Title: Fair Quaker Of Deal Orthe Humours Of The Navy

Performance Comment: Worthy-Ryan; Rovewell-Gibson; Sir Charles-Ridout; Easy-Richard; Cribbage-Anderson; Purser-Redman; Jilt@up-Mrs Bambridge; Advocate-Miss Ferguson; Bar Maid-Miss Morrison; Commodore Flip-Dunstall; Boatswain-Marten; Jack Rattling-Collins; Tom Bowling-Bencraft; Spritsail-Bennet; Coxen-Paddick; Swabber-Holtham; Mizen-Dyer; Arabella-Mrs Dunstall; Belinda-Miss Haughton; Jenny Private-Miss Pitt; Fair Quaker-Mrs Barrington; In II Singing the Famous Sea Song of Ninety@Two-; In Act III, Hornpipe-Phillips.

Afterpiece Title: The Contrivances

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon, 1st appearance on the English Stage these 5 years; Beggar-Castle; Lockit-Bransby; Player-Mozeen; Lucy-Mrs Clive; Mrs Peachum-Mrs Parsons, 1st appearance; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; Peachum-Moody; Mat@o@Mint-Blakes; Filch-Parsons, 1st time; In Act III,Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: [Farce is two acts from the opera of the same name. Books of the opera to be had at the Theatre. See 28 Nov. 1764.

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Miss Slack, Miss Young, Mrs Clive, Miss Wright; Act I, of the Entertainment, a Dance call'd the Faggot Binders-Aldridge, Miss Baker.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: Act I: A Comic Dance, The Wake, as17680929

Event Comment: Benefit for Miss Pope. Part of Pit laid into Boxes. Mainpiece: Not acted in 10 years. [But see 24 April 1760.

Performances

Mainpiece Title: The Tender Husband Or The Accomplished Fools

Performance Comment: Capt. Clerimont-Reddish; Humphrey Gubbin-Dodd; Sir Harry-King; Tipkin-Parsons; Clerimont, Sen-Packer; Pounce-Baddeley; Mrs Clerimont-Miss Younge; Mrs Tipkin-Mrs Love; Fainlove-Mrs Jeffries; Jenny-Miss Platt; Biddy Tipkin-Miss Pope; In Act IV: a Song-Master Brown.

Afterpiece Title: A Trip to Scotland

Dance: IV: The Rabbit Sellers, as17691228

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 3 years. [See 2 May 1767.] Charges #64 5s. Deficit to the DuBellamy's #2 4s. covered by #142 7s. from tickets (Box 314; Pit 393; Gallery 49) (Account Book). Receipts: #62 1s

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Gibson; Hearty-Reinhold, first time; Springlove-Hull; Clack-Shuter; Randal-Dunstall; Oliver-Dyer; Hilliard-DuBellamy; Vincent-Mattocks; Patrico-Morris; Amie-Miss Valois, first time; Meriel-Mrs Baker; Rachel-Mrs Pinto; In Act II: The Original Crutch Dance-.

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Old Ground Young, as17700501; with an Allemande, as17700501

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Parsons; Hilliard-Bannister; Vincent-Davies; Beggars-Wright, Waldron, Kear, Booth, Messink, Mrs Bradshaw, Mrs Love; Meriel-Miss Rogers; Rachel-Miss Radley; In Act I, a Crutch Dance-.

Dance: End: A Comic Dance-two children, scholars of Daigville

Event Comment: Afterpiece: Not acted these 2 years. [See 27 April 1770.] Paid Younger #2 2s. for license for Fairy Prince. Paid for 2 fifes 4s. Advanc'd Mr Bulkley as per Note #130 (Account Book). Receipts: #198 13s. (Account Book)

Performances

Mainpiece Title: Timanthes

Performance Comment: Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Morris; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; In Act III: a Procession-; the vocal parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox.

Afterpiece Title: The Apprentice

Monologue: Entertainment True Blue. As 9 Nov

Event Comment: Mainpiece: Not acted these 3 years. [See 7 Oct. 1768.] Mr Clinch made his first appearance in the part of Alexander tolerable figure & Voice a Little too much upon the Brogue, he is very wild & Aukward-but was receiv'd with Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Dr Arne as per order #31 8s.; Mr Stacie for drawing leases, #3 3s. Tallow chandler's first bill #29 13s. 3d.; Mr Jefferson on note, #200 (Treasurer's Book). [Reviewer for Town and Country Magazine more favorable to Clinck's performance than is Hopkins.] Receipts: #149 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Performance Comment: Alexander-A Young Gentleman [Clinch] first appearance in this character; Hephestion-Packer; Lysimachus-Hurst; Polperchon-Bransby; Thessalus-J. Aickin; Slave-Griffiths; Aristander-Wright; Perdiccas-Ackman; Eumenes-Keen; Clytus-Aickin[, first time; Cassander-Palmer; Statira-Miss Mansell; Roxana-Miss Young[, first time; Sysgambis-Mrs Johnston; Parisatis-Miss Ambrose; [In Act II, The Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Mayor of Garratt

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Rose

Performance Comment: Parts by Vernon, Bannister, Dodd, Dibdin, Kear, Fawcett, Wright, Ackman, Miss Weller, Mrs Davies, Mrs Love, Miss Platt, Miss Hopkins, Miss Collett, Mrs Smith. With a Dance in Act I, incidental to the piece-Atkins, Sga Giorgi; Lord Gainlove-Vernon; Jack Rattle-Dodd; Sir Humphrey Carbuncle-Bannister; Buckskin-Dibdin; Town Crier-Kear; Mr Violet-Wright; Letland-Ackman; Servant(?)-Fawcett; Billy Viodet-Miss Collett; Millclack-Miss Weller; Miss Clara Violet-Mrs Davies; Mrs Violet-Mrs Love; Lady Willmore-Miss Platt; Kitty Willmore-Miss Hopkins; Miss Serina Violet-Mrs Smith (Genest, V, 342, MacMillan, and Edition of 1773.).
Event Comment: Benefit for Mrs Abington. Mainpiece: Not acted these 3 years. [See 12 April 1771.] Afterpiece: Taken from Sir John Vanbrugh. Boxes and Pit are laid together. Paid Mr Loutherbourg on acct (per Mr Johnston) #41 13s. 4d.; The Author of the Fair Quaker (vide 23 Nov. last) #78 8s. (Treasurer's Book). Receipts: #276 15s. 6d. Charges: #65. Profit to Mrs Abingston: #211 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Witwou'd-King; Fainall-Reddish; Mirabell-Jefferson; Petulanx-Baddeley; Waitwell-Parsons; Lady Wishfort-Mrs Hopkins; Mrs Fainall-Mrs Jefferson; Foible-Mr Davies; Millamant-Mrs Abington; Marwood-Miss Younge, first time; Sir Wilful Witwou'd-Yates, first appearance this stage in 7 years; In Act III, a Cantata-Mrs Scott.

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

Event Comment: Benefit for Moody. Afterpiece: Not acted these 12 years. [See 16 May 1763.] Receipts: #236 6s. 6d. Charges: #66 4s. 6d. Profits to Moody: #170 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Performance Comment: Teague (With Songs)-Moody; Col. Careless-Jefferson; Col. Blunt-J. Aickin; Abel-Burton; Committeemen-Waldron; Bailiff-Griffiths; Bookseller-Carpenter; Day's Servant-Everard; Jack-Master Blanchard; Mrs Day-Mrs Bradshaw; Lt Story-Fawcett; Mr Day-Baddeley; Obadiah-Parsons; Arabella-Miss Jarratt; Ruth-Miss Pope; Porter-Wrighten; Coachman-Keen; In Act IV, Rhetorical Description of a Man of War and Sea Fight-Moody.

Afterpiece Title: Phebe or The Beggars Wedding

Event Comment: Mainpiece: Not acted these 4 years. [See 22 April 1772.

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Performance Comment: Sir Gilbert Wrangle-Macklin; Frankly-Lewis; Granger-Mahon; Witling-Lee Lewes; Cook-Dunstall; Lady Wrangle-Mrs Green, first time; Sophronia-Mrs Lessingham; Maid-Miss Ambrose; Charlotte-Miss Macklin; in Act IV, a Minuet-Dagueville, Miss Macklin.

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit for Berrisford, Carlton, Jun, Kaygill, and Edleston. Tickets deliver'd by Burroughs will be taken. Mainpiece: Not acted these 3 years. [See 10 Oct. 1772.] Receipts: #29 9s. Charges: #84. Deficit to Berrisford, Carlton, Jun, Kaygill, and Edleston: #54 11s. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Brereton; Mercutio-Dodd; Juliet-Miss Hopkins, first time; Tybalt-Farren; Prince-Norris; Paris-Lamash; Apothecary-Waldron; Balthazar-Everard; Friar Lawrence-Packer; Benvolio-Davies; Capulet-Hurst; Peter-Burton; Nurse-Mrs Cross; Lady Capulet-Mrs Johnston; With the Funeral Procession-; the vocal parts-Legg, Kear, Fawcett, Cubitt, Garland, Mrs Scott, Miss Sharpe, Miss Jarratt, Mrs Love; in Act I a Masquerade, Dance-.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Performances

Mainpiece Title: La Fraschetana

Performance Comment: Principal Characters by Trebbi, Gherardi, Sampieri, Micheli, Sga Lorenzini, Sga Sestini. [Cast from libretto (E. Cox, 1781): Nardone-Trebbi; Don Fabrizio-Gherardi; Il Cavaliere Giocondo-Sampieri (in libretto, Manzoletto [see17810501]); Pagnotta-Micheli; Donna Stella-Sga Lorenzini; Lisetta-Sga Prudom (in libretto, unassigned [see17810512]); Violante-Sga Sestini.

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini