SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece the playbill assigns Madge to Mrs Wells, but "We cannot quit this article without noticing the Margery [sic] of Mrs Davis, who gave all the innocent simplicity of the character without 'o'er stepping the modesty of nature'" (Thespian Magazine, Mar. 1793, p. 220. And see 28 Dec. 1792.] Receipts: #237 6s

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Blanchard; Sir William Meadows-Powel; Eustace-Davies; Carter-Rees; Cook-Rock; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Powell; Madge-Mrs Davis; Lucinda-Miss Broadhurst; Maid-Miss Stuart; Rosetta-Mrs Clendining (1st appearance in that character).
Cast
Role: Madge Actor: Mrs Davis

Afterpiece Title: Harlequins Museum

Event Comment: Pepys, Diary: I hearing what play it was that is to be acted before the King tonight, I would not stay

Performances

Mainpiece Title: An Unidentified Play

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Performance Comment: Edition of 1665 has a Prologue-Montezuma; Epilogue-Montezuma but no actors' names; However, Anne Marshall played a role (see Pepys, 1 Feb. 1663@4). However, Anne Marshall played a role (see Pepys, 1 Feb. 1663@4).
Event Comment: The King's Company, presumably. For a version of this play, see R. G. Howarth, "A Manuscript of James Shirley's Court Secret," Review of English Studies, VII (1931), 302-13. The manuscript is in the Worcester College Library (Plays 9. 21). Pepys, Diary: My wife going to-day to dine with Mrs Pierce, and thence with her and Mrs Clerke to see a new play, The Court Secret. [The play had not been acted before the Restoration.

Performances

Mainpiece Title: The Court Secret

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom Or The Defeated Widow

Event Comment: The King's Company. The date of the first production is not known. As the licensing date for this play was 30 April 1678, it probably was acted before Easter, but it may have had its first production immediately after Easter, Sunday 31 March 1678

Performances

Mainpiece Title: Trick For Trick Or The Debauchd Hypocrite

Event Comment: The United Company. The players received the customary fee of #20. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 179. Newdigate newsletters, 3 Feb. 1682@3: Yesterday the Governors? of ye Temple Invited the Greate Lds: of [...] together with the Ld. Keeper to dinner where afterwards they were entertayned with variety of songs & a play was Acted before them Called the Chances by the Kings players (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Chances

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Event Comment: Rich's Company. The date of the first performance of Part II is not known, but the fact that it was entered in the Term Catalogues, May 1697, suggests that it was probably acted before Easter

Performances

Mainpiece Title: Aesop Part Ii

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances

Event Comment: Rich's Company. The date of the premiere is not known, but as the play was advertised in the Post Man, 25-27 May 1699, it may have been acted before Easter (9 April 1699), certainly by the end of April. Dedication, to the Countess of Burlington: I...beg your Ladyship's Protection for a Play which stands rank'd amongst the Unfortunate....[A song, Loving and beloved again, with music by Samuel Ackroyde, is in Mercurius Musicus, 1699.

Performances

Mainpiece Title: Loves A Lottery And A Woman The Prize With A New Masque Calld Love And Riches Reconcild

Performance Comment: Edition of 1699: The Prologue, Writ by a Person of Quality. No actors' names.
Event Comment: Benefit Underhill. As it was Acted before her Majesty at St. James's. [See 28 Feb.

Performances

Mainpiece Title: Sir Solomon Single

Event Comment: Benefit the Author [Nicholas Rowe]. At the Desire of several Persons of Quality. [Announced as the last new farce, it had been originally scheduled for the week of 6-11 Nov. (Diverting Post, 4 Nov.), but postponed. It probably was acted before 25 Nov., for the Diverting Post of that date published the Prologue.] Thomas Davies: Did not the tragic Rowe write The Biter, a comedy; and was he not the only person of the audience that laughed during the acting of it [Dramatic Miscellanies, I, 94]

Performances

Mainpiece Title: The Biter

Event Comment: Translated from the Latin, as it was acted before King James the First by the Students at Cambridge

Performances

Mainpiece Title: Ignoramus Or The English Lawyer

Song: As17200611

Dance: As17200714

Event Comment: Conductor-Dr Arne. The Theatre thoroughly aired a week before the performance. Music of the Interlude composed by Arne. [Advertized as "Mr Foote's Theatre in the Haymarket."] At the Instance of several persons of Quality, by permission of the Noblemen and Gentlemen of the Catch Society at the Thatched House, St James's St. Pit and Boxes 5s. First gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Books of all Catches and Glees and Capochio and Dorinna to be had at the Theatre for 1s

Performances

Mainpiece Title: Concert Of Catches And Glees

Afterpiece Title: Capochio and Dorinna

Music: After Interlude: Concerto on Violin-Barthelemon. *u¶Ãhay Between the acts: an Interlude. Parts-Mas. Brown, Miss Weller

Performance Comment: *u¶Ãhay Between the acts: an Interlude. Parts-Mas. Brown, Miss Weller.
Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Fainall-Reddish; Mirabel-Jefferson; Petulant-Baddeley; Sir Wilful-Yates; Witwou'd-King; Waitwell-Parsons; Lady Wishfort-Mrs Hopkins; Mrs Marwood-Miss Sherry; Mrs Fainall-Mrs Greville; Foible-Mrs Davies; Mincing-Miss Platt; Millamant-Mrs Abington; in Act III, a Cantata-Mrs Scott.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant Or The Beggars Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performance Comment: Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage.
Event Comment: This Farce was written by Mr Coleman. The Novelty of the Subject, together with its being extremely well perform'd; gave the Audience such entire Satisfaction that I never heard Such Bursts of Applause; crying out Bravo! Bravo! &c. &c. (Hopkins). [Identical in Hopkins Diary.] Farce very greatly receiv'd (Cross Diary)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Havard; Dervise-Bransby; Hali-Fox; Prince of Tanais-Ackman; Omar-Lee; Axalla-Packer; Bajazet-Holland; Moneses-Jackson; Selima-Mrs Davies; Arpasia-Mrs Pritchard; With the Usual Prologue-; In Act IV, the original Song of O! Gentle Sleep-Miss Young.

Afterpiece Title: The Deuce Is in Him

Event Comment: By Authority. Not acted these 40 years. Benefit Lalauze. By Particular Desire, two rows of the Pit will be rail'd in with the Boxes

Performances

Mainpiece Title: The Lovers Of Their Country Or Themistocles And Aristides

Performance Comment: A Set of Gentlemen and Ladies who never appeared on any stage; With an Occasional Prologue-; Epilogue-; several English Songs-.

Afterpiece Title: The Country Farmer Deceivd or Harlequin Statue

Dance: After the Play: Louvre, Minuet-Lalauze, Miss Lalauze

Entertainment: new Interlude:% The Old Women Weather Wise

Event Comment: Afterpiece: By particular Desire. Juliet by Mrs Morland from the Norwich Theater a thin small figure too long a waist--wants power has a small impediment in her Speech she may be useful but never Capital--Pretty well receiv'd (Hopkins Diary). Mrs Morland the late Miss Westray (O. Smith) (Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Cautherly; Juliet-a young gentlewoman, first appearance [Mrs Morland]; Capulet-Moody; Mercutio-Dodd; Tybalt-J. Aickin; Apothecary-Castle; Peter-J. Burton; Nurse-Mrs Cross; Lady Capulet-Mrs Johnston; Friar Lawrence-Love; Benvolio-Packer; Prince-Keen; Paris-Fawcett; [With the Funeral Procession-; the Vocal Parts-Bannister, Dibdin, Champnes, Davies, Mrs Scott, Miss Radley, Mrs Dorman; [In Act I, a Masquerade and Dance-.

Afterpiece Title: Harlequins Invasion

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.

Afterpiece Title: The Musical Lady

Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@O@Mint-Kear; Beggar-Waldron; Player-Wheeler; Ben Budge-Ackman; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Miss Weller; Lucy-Mrs Bradley, first appearance on any stage; In Act III, a Hornpipe-Walker; To Conclude with a Country Dance-.

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble (with song in character)-Dodd; Capt. Loveit-J. Aickin; Flash-Palmer; Puff-Moody; Jasper-Ackman; Miss Biddy-Mrs Davies; first time, Tag-Mrs Love.

Dance: II: A Comic Dance-Daigville, Sga Vidini