SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Performance Comment: The Emperor Domitian-Palmer; Lamia-Aickin; Aretinus-Caulfield; Rusticus-Maddocks; Sura-Webb; Parthenius-C. Kemble?; Cornellius-Trueman; Paris, the Roman Actor-Kemble; Aesopus-Whitfield; Latinus-Packer; Domitia-Mrs Powell; Julia-Miss DeCamp; Domitilla-Miss Heard; Galeria-Miss Miller.
Cast
Role: the Roman Actor Actor: Kemble

Afterpiece Title: Celadon and Florimel or The Happy Counterplot

Performance Comment: Characters-Palmer, Wroughton, C. Kemble (?); Miss Farren, Mrs Goodall, Miss DeCamp, Mrs Kemble, Mrs Cuyler, Miss Granger, Miss Mellon. [Cast from Genest, VII, 243: Palamede-Palmer; Rhodophil-Wroughton; Celadon-C. Kemble; Melantha-Miss Farren; Doralice-Mrs Goodall; Florimel-Miss DeCamp; Flavia-Mrs Kemble; Olinda-Mrs Cuyler?; Sabina-Miss Granger?; Philotis-Miss Mellon. [Genest does not assign Olinda or Sabina; they are my conjecture. The names of the parts are in the Larpent MS.]Genest does not assign Olinda or Sabina; they are my conjecture. The names of the parts are in the Larpent MS.]

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Event Comment: Benefit for Macready and Hull. 1st piece: Not acted these 14 years, and compressed into 3 Acts. Receipts: #313 16s. (81.19; 3.9; tickets: 228.8, of which Macready sold 139.15, and Hull 88.13)

Performances

Mainpiece Title: The Earl Of Warwick And Margaret Of Anjou

Performance Comment: Earl of Warwick-Holman (1st appearance in that character); Earl of Suffolk-Hull; Earl of Pembroke-Richardson; Officer-Thompson; King Edward-Macready; Lady Elizabeth Grey (1st time)-Miss Mansel; Lady Clifford (1st time)-Mrs Townsend; Margaret of Anjou-Mrs Pope.

Afterpiece Title: Sprigs of Laurel

Cast
Role: Major Tactic Actor: Richardson

Song: In Course Evening: The Waiter-Fawcett; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Mad Bess (in character)-Mrs Clendining; The Sportman's snug little Cot, Admiral Benbow-Incledon

Event Comment: Benefit for Haymes. 1st piece: Not acted these 2 years [not acted since 24 Apr. 1793]. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Receipts: #236 2s. 6d. (66.17.6; 11.10.6; tickets: 157.14.6)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Mollo Actor: Thompson
Role: Principal Vocal Characters Actor: _Fawcett.

Afterpiece Title: Rosina

Dance: End 2nd piece: Highland Festivity, as17951125

Song: In 2nd piece: songs as in 3rd piece, 12 Apr. We've bade the restless seas adieu-; O why to be happy, as17960314+With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-

Event Comment: 1st piece: Not acted these 5 years [not acted, in summer season, since 28 Aug. 1789; see 8 Feb. 1794]

Performances

Mainpiece Title: The Quaker

Afterpiece Title: The Son in Law

Afterpiece Title: The Children in the Wood

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Dec. 1786]. With new Dresses, Decorations, &c. [Miss Allingham is identified in playbill of 24 Nov.] Receipts: #200 5s. 6d. (196.2.0; 4.3.6)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Wicklow Mountains

Event Comment: Mainpiece: As altered from Beaumont and Fletcher. Not acted these 18 years [acted 3 Oct. 1780. For Miss Allingham see 13, 18, 27 Oct.]. Receipts: #152 (143.8.6; 8.11.6)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Elliston (1st appearance in that character); King-Murray; Pharamond-Middleton; Dion-Hull; Thesaline-Claremont; Clermont-Thompson; Countryman-Knight; Leader of the Mob-Davenport; Woodman-Wilde; Arethusa-Miss Wallis; Megra-Miss Morris; Galatea-Mrs Platt; Lady-Miss Logan; Bellario-Miss Allingham (4th appearance on any stage).

Afterpiece Title: Cymon

Event Comment: Afterpiece: Not acted these 20 years [acted 21 Apr. 1787]. Receipts: #184 14s. (179.14; 5.0)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Guardian

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Robinson Crusoe

Performance Comment: As17961226, but in Act I: Friday-Wathen; from Act II: Principal Warriors Savages and Dancers-_Gentili.
Event Comment: Mainpiece: Not acted these 3 years [acted 3 Jan. 1795]. Receipts: #192 0s. 6d. (186.0.0; 6.0.6)

Performances

Mainpiece Title: The Beaux Stratagem

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: Whos the Dupe

Afterpiece Title: Robinson Crusoe

Performance Comment: As17961226, but Act I: Chorus of Sailors-_; Act II: Pero-_; Lay Brother-_; Friars-_.

Ballet: End: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Honey Moon

Performance Comment: Characters by Kelly, Suett, Palmer, Barrymore, Dignum, Bannister Jun., Wathen, Cooke, Evans, Fisher, Webb, Miss Pope, Miss Leak, Miss Arne, Miss DeCamp, Mrs Bland. Cast from Songs (C. Lowndes, 1797): Sir George Orbit-Kelly; Sir William Wellbred-Suett; Captain Clifton-Palmer; Captain Belmont-Barrymore; Major Lessington-Dignum; Worry-Bannister Jun.; Tim-Wathen; Huntsman-Cooke; Lady Wellbred-Miss Pope; Emmeline-Miss Leak; Dorinda-Miss Arne; Floretta-Miss DeCamp; Dina-Mrs Bland; unassigned-Evans, Fisher, Webb; Chorus of Villagers-Welsh, Maddocks, Gregson, Phillimore, Wentworth, Atkins, Meyers, Caulfield Jun., Denman, Fisher, Tett, Earle, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Ms Butler, Ms Roffey, Ms Granger, Ms Jackson, Ms Maddocks, Ms Menage, Ms Wentworth, Ms Benson.

Afterpiece Title: Robinson Crusoe

Performance Comment: As17970105, but in Act I: Friday-Wathen; Act II: Pantaloon-_; Miller-_; Father Paul-_; Principal Witches-_; Principal Warriors Savages and Dancers-_Gentili.
Event Comment: Mainpiece: Not acted these 20 years [not acted since 29 Apr. 1774]. "In the scene where Varanes kills himself, Kemble...was peculiarly striking. His manner of sheathing the sword in his body, after he has exclaimed, 'I feel the art'ry where the life-blood lies! It heaves against the point!-Now-Oh ye gods!' astonished us; and we turned, with horror, from the sight" (Monthly Visitor, Feb. 1797, p. 161). "I asked [Mrs Siddons] in which part she would most wish me to see her? She named Portia in the Merchant of Venice; but I begged to be excused...Mrs Siddons's warmest devotes do not hold her above a demigoddess in comedy. I have chosen Athenais;...her scorn is admirable" (Walpole [15 Jan. 1788], XIV, 42). Receipts: #231 9s. (175.2; 54.14; 1.13)

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: Robinson Crusoe

Song: Mainpiece: Vocal Parts-Dignum, Sedgwick, Cooke, Wentworth, Maddocks, Welsh, Grimaldi, Evans, J. Fisher, Gregson, Tett, Mrs Butler, Mrs Maddocks, Mrs Granger, Mrs Roffey, Mrs Gawdry, Mrs Benson, Mrs Menage

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Robinson Crusoe

Performance Comment: As17970113, but in Act I: Friday-Wathen; Act II: Principal Warriors Savages and Dancers-_Gentili.
Event Comment: True Briton, 20 Feb.: On Saturday Mme Banti "received that day an account of the death of her mother." She sang throughout Act I, but "was unable to appear in the second, and the audience concurred in the suppression, for the evening, of the Second Act.

Performances

Mainpiece Title: Evelina

Dance: As17970211

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; C 5, by Richard Cumberland. Text 1st published in his Posthumous Dramatic Works, Vol. II (G. and W. Nicol, 1813); it assigns no parts, but adds George Ivey and David Duncan, acted by Caulfield and Packer. Genest erroneously assigns Sir Adam to Wewitzer and Beau Tiffany to R. Palmer. Prologue and Epilogue by the author (True Briton, 9 May). Songs by Michael Kelly, in Act I harmonized by Sir William Parsons.] True Briton, 25 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #581 15s. (294.18.6; 72.7.0; 3.17.6; tickets: 210.12.0) (charge: #213 6s. 8d.)

Performances

Mainpiece Title: The Last Of The Family

Performance Comment: Principal Characters by Dowton, Wewitzer, Bannister Jun., C. Kemble, R. Palmer, Suett, Caulfield, Packer, Miss Pope, Mrs Jordan, Miss Tidswell. [Cast from Monthly Visitor, May 1797, p. 450, and suggested by Genest, VII, 293: Sir John Manfred-Dowton; Sir Adam ap Origen-Bannister Jun.; Squire Abel-Wewitzer; Peregrine-C. Kemble; Beau Tiffany-Suett; Ned Flexible-R. Palmer; Lady Manfred-Miss Pope; Letitia Manfred-Mrs Jordan; Lucy-Miss Tidswell; unassigned-Caulfield, Packer; [but see below. Address [as Prologue]-Bannister Jun. (in the character of Sheva) [in The Jew]; Epilogue-Mrs Jordan.

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Children in the Wood

Song: In I: The Song [Blest were the hours], Song incidental to the Epilogue-Mrs Jordan

Event Comment: Benefit for Fawcett. 1st piece: Not acted some years [acted 30 Oct. 1790]. 2nd piece [1st time: ENT 1]. 3rd piece: By Permission of George Colman, Esq., and for that Night only. Tickets and Places to be had of Fawcett at his house, No. 10, Golden Square, and of Brandon, at the Theatre. "To the Public, May 16, 1797. In consequence of repeated Forgeries of Tickets on Benefit Nights, particularly those of Miss Wallis, Mr Incledon, Mr Holman, and Mrs Mattocks, it has been found necessary to offer a large Reward for the Discovery of the Person or Persons concerned in this unjust and cruel Practice. Mr Fawcett, therefore, thinks it his Duty to warn his Friends and the Public from purchasing Tickets for his Night of Strangers, especially those Persons who sell them in the Avenues of the Theatre, as all such will be stopt at the Doors, and if forged the Persons offering them for Admittance will be drawn into a disagreeable dilemma" (printed slip attached to Kemble playbill). Receipts: #462 5s. (189.12; 8.13; tickets: 264.0)

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Sir Pertinax Macsycophant-Fawcett (1st appearance in that character); Egerton-Holman; Sidney-Murray; Melville-Hull; Lord Lumbercourt-Thompson; Counsellor Plausible-Waddy; Serjeant Eitherside-Macready; Sam-Ledger; John-Wilde; Tomkins-Abbot; Betty Hint-Mrs Martyr; Constantia-Miss Mansel (Their 1st appearance in those characters); Lady Macsycophant-Mrs Platt; Nanny-Mrs Norton; Lady Rodolpha Lumbercourt-Mrs Mattocks (1st appearance in that character).

Afterpiece Title: An Entremets

Performance Comment: Sally in our Alley-Incledon; The Story of Lord Hoppergollop's Cook and Gardener's Ghost-Munden; A favorite Irish Song-Johnstone; The Barber's Petition, with a song in character, Wigs, including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett.

Afterpiece Title: Peeping Tom

Event Comment: Benefit for Bannister. 4th piece: Not acted these 7 years [acted 29 Mar. 1792]. Morning Herald, 12 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-Cross. Receipts: #259 6s. (60.16.0; 51.17.6; 4.6.0; tickets: 142.6.6) (charge: #211 7s. 6d.)

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Minor

Event Comment: Benefit for Munden. Afterpiece: Not acted these 10 years [acted 23 July 1788]. True Briton, 4 Aug.: Tickets to be had of Munden, No. 16, Clement's Inn

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Beggar on Horseback

Song: In course: Four and Twenty Fidlers all on a Row-Munden; The Groupe of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue Benjamin Bolus; or, The Newcastle Apothecary-Munden; In the course of the evening: Imitations (including several new ones)-Caulfield

Event Comment: Afterpiece [acted in place of England's Glory, advertised on playbill of 6 Nov.]: In one Act. Receipts: #322 9s. (320.0; 2.7)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Ghost

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche, as17971104

Event Comment: [Mrs Siddons's 1st appearance as Julia was at Bath, 6 Jan. 1780.] Afterpiece: Not acted these 6 years [acted 27 May 1795]. Receipts: #235 4s. (183.15.0; 50.13.6; 0.15.6)

Performances

Mainpiece Title: The Rivals

Performance Comment: Sir Anthony Absolute-King; Captain Absolute-Palmer; Faulkland-Kemble; Acres-Bannister Jun.; Sir Lucius O'Trigger-Russell; Fag-Trueman; David-Hollingsworth; Coachman-Maddocks; Servants-Evans, Webb, Fisher; Mrs Malaprop-Miss Pope; Lydia Languish-Mrs Jordan; Julia-Mrs Siddons (1st appearance in that character [in London]); Lucy-Miss Heard; Maid-Mrs Jones.

Afterpiece Title: Comus

Event Comment: Mainpiece: Not acted these 5 years [acted 17 Oct. 1793]. REcReceipts: #146 18s. 6d. (141.7.6; 5.11.0)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Murray (1st appearance in that character); Sir Brilliant Fashion-Betterton; William-Clarke; Sideboard-Farley; John-Abbot; Sir Bashful Constant-Quick; Mrs Lovemore-Mrs Coates; Lady Constant-Miss Chapman; Muslin-Mrs Mattocks; Mignionet-Miss Leserve; Furnish-Mrs Watts; Widow Belmour-Mrs Abington.

Afterpiece Title: The Round Tower

Event Comment: A Serious Opera, with Chorusses. The favourite Trio will be sung in the 2nd Act instead of 1st Act

Performances

Mainpiece Title: Evelina

Performance Comment: Principal Characters by Rovedino, Viganoni, Mme Banti. Cast adjusted from libretto (DaPonte, 1797): Arviro-Rovedino; Irvino-Viganoni; Vellino-Bonfanti; Modred-Braghetti; Messala-DeGiovanni; Evelina-Mme Banti.

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Jan. 1786. Mrs Johnstone, who is identified in Thespian Dictionary, 1805, was from the Birmingham theatre]. Receipts: #222 6s. (200.13; 21.13)