SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Romp

Performance Comment: Watty Cockney-Blanchard; Capt. Sightly-Marshall; Old Cockney-Thompson; Barnacle-Cubitt; Penelope-Miss Stuart; Miss La Blonde-Miss Leserve; Priscilla Tomboy-Mrs Davis (from the Theatre Royal, Manchester; 1st appearance in London). 1st appearance in London).
Cast
Role: Priscilla Tomboy Actor: Mrs Davis

Performances

Mainpiece Title: Dido Queen Of Carthage

Performance Comment: AEneas-Mrs Crouch; Iarbas-Kelly; Almidah-Sedgwick; Abdallah-Dignum; Dido-Mme Mara; Anna-Miss Barclay (1st appearance on any stage [see17920224]); Chorus-Alfred, Aylmer, Boyce, Brown, Cooke, Danby, Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillimore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs Gawdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, with the Assistance of additional Voices.

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Othello

Afterpiece Title: The Irishman in London

Performance Comment: As17920917, but Louisa-Mrs Davis in place of Mrs Mattocks.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Quick; Shelty-Wilson; Serjeant Jack-Darley; Sandy-Johnstone; Charley-Blanchard; Captain Dash-Davies; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Miss Broadhurst; Moggy-Mrs Davis.
Cast
Role: Moggy Actor: Mrs Davis.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Holman; Myrtle-Farren; Sealand-Aickin; Sir John Bevil-Hull; Cimberton-Quick; Humphrey-Thompson; Daniel-Blanchard; Tom-Lewis; Phillis-Mrs Mattocks; Lucinda-Mrs Davis; Mrs Sealand-Mrs Webb; Indiana-Mrs Esten.
Cast
Role: Lucinda Actor: Mrs Davis

Afterpiece Title: Two Strings to Your Bow

Song: II: a song-Incledon

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17920921, but Sir Francis Wronghead (1st time)-Munden; Miss Jenny-Mrs Davis.
Cast
Role: Miss Jenny Actor: Mrs Davis.

Afterpiece Title: Hartford Bridge

Dance: As17921116

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequins Museum

Performance Comment: As17921227, but Ladies at the Ship Launch [etc.]-Miss Francis, Miss _Barnett; +God save the King-Marshall, Gray, Linton, Street, Spofforth, Kenrick, Little, Miss Broadhurst, Mrs Harlowe, Mrs Blanchard, Mrs Davis, Miss Barnett, Miss Stuart, Mrs Cross; Baker-_; Fishwoman-_; Shipwrights-_; God preserve his Majesty-_.

Dance: As17921226

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden (1st appearance in that character); Young Marlow-Macready; Hastings-Davies; Sir Charles Marlow-Powel; Diggory-Cubitt; Slang-Rock; Landlord-Thompson; Tony Lumpkin-Quick; Mrs Hardcastle-Mrs Webb; Miss Neville-Mrs Davis; Miss Hardcastle-Mrs Mattocks.
Cast
Role: Miss Neville Actor: Mrs Davis

Afterpiece Title: Harlequins Museum

Dance: As17921226

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: As17930418, but Rosa-Mrs Esten in place of Mrs Davis; Miss Stuart. Miss Stuart.

Afterpiece Title: Hartford Bridge

Dance: As17930418

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: As17930408, but Clara [song omitted]-Mrs Davis; Lady Flippant Savage-Mrs Mattocks; Cheaterly-_; Col. Staff-_.
Cast
Role: song omitted] Actor: Mrs Davis

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: Love in a Camp

Song: In course: a favorite Sea Song-Incledon

Music: 4th piece: The Harp-Weippert

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Apprentice

Performance Comment: Wingate-Hollingsworth; Dick-Bannister Jun.; Gargle-Wewitzer; Simon-Suett; Irishman-Caulfield; Scotchman-Davis; Catchpole-Maddocks; President-Trueman; Spouters-Grimaldi, Evans, Simpson; Porter-Webb; Watchman-Wentworth; Charlotte-Miss Mellon.
Cast
Role: Scotchman Actor: Davis

Song: IV: a song-Dignum

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: A Trip to the Nore

Cast
Role: O'Thunder Actor: Davis

Afterpiece Title: The Deaf Lover

Performance Comment: Captain Meadows-Russell; Young Wrongward-Caulfield; Old Wrongward-Hollingsworth; John-Maddocks; Canteen-Trueman; Sternhold-Davis; Servants-Grimaldi, Webb, Evans; Sophia-Miss Heard; Betsy Blossom-Mrs Bland.
Cast
Role: Sternhold Actor: Davis

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Kemble; Angelo-Palmer; Escalus-Aickin; Claudio-Wroughton; Lucio-Bannister Jun.; Gentlemen-Dignum, Trueman; Provost-Caulfield; Friar Peter-Packer; Elbow-Hollingsworth; Froth-Russell; Clown-Suett; Abhorson-Davis; Barnardine-Dowton; Thomas-Maddocks; Isabella-Mrs Siddons; Mariana-Mrs Powell; Francisca-Miss Tidswell; Mrs Over@done-Mrs Maddocks.
Cast
Role: Abhorson Actor: Davis

Afterpiece Title: The Wedding Day

Afterpiece Title: A Trip to the Nore

Cast
Role: O'Thunder Actor: Davis

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Prize

Afterpiece Title: A Trip to the Nore

Performance Comment: As17971113, but O'Thunder-Wathen in place of Davis.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte or The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin and Quixotte

Performance Comment: As17971228, but Principal Pantomime Characters-Quin, _Davis.

Song: As17971118

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Performance Comment: Characters by Palmer, Russell, Holland, Wewitzer, Wathen, Dignum, Hollingsworth, Dowton, R. Palmer, Maddocks, Mrs Walcot, Miss Tidswell, Mrs Bland.Cast from text (George Cawthorn, 1798): Tonnage-Palmer; Diaphanous-Russell; Spondee-Holland; Hugh Goblin-Wewitzer; Crank-Wathen; Limp-Dignum; Crasis-Hollingsworth; Shin-Dowton; Gibbous-R. Palmer; Landlork-Maddocks; Nell Trot-Mrs Walcot; Luce-Miss Tidswell; Miss Mary-Mrs Bland.

Afterpiece Title: The Castle Spectre

Performance Comment: As17980219, but Percy-Russell in place of Kemble; Muley-Caulfield of Davis.
Cast
Role: Muley Actor: Caulfield of Davis.
Role: O'Thunder Actor: Davis

Afterpiece Title: A Nosegay of Weeds or Old Servants in New Places

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 14. Pepys, Diary: My wife and I to White Hall; and there, by means of Mr Cooling, did get into the play, the only one we have seen this winter: it was The Five Hours' Adventure: but I sat so far I could not hear well, nor was there any pretty woman that I did see, but my wife, who sat in my Lady Fox's pew with her. The house very full; and late before done, so that it was past eleven before we got home

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Performances

Mainpiece Title: Herod And Mariamne

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Performances

Mainpiece Title: Concert

Performance Comment: Hymn to the Sun-. Set by Dr Purcel, and Sung before their Majesties on New-Years-Day, 1694.
Event Comment: London Post, 4-6 Dec. 1699: At the Request of several Persons of Quality, on Thursday next, being the 7th Inst. at the Theatre in Dorset Garden, the Famous Kentishmen, Wm. and Rich. Joy, design to show to the Town before they leave it, the same Tryals of Strength both of them, that Wm. had the Honour of showing before His Majesty, and their Royal Highnesses, with several other Persons of Quality; for which, he receiv'd a considerable Gratuity....Beginning exactly at 2, and Ending at 4. The Boxes 4s. the Pit 2s. 6d. 1st Gallery 2s. Upper Gall. 1s

Performances

Mainpiece Title: Entertainments

Event Comment: Betterton's Company. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, Ah Belinda I am pressed, in this play, appeared in Orpheus Britannica, 1698, the music by Henry Purcell, who had died some years before its appearance in this collection. A Comparison Between the Two Stages (1702), pp. 26-27, referring to the rivalry between lif and dl in reviving Shakespeare and Jonson: The Battel continued a long time doubtful, and Victory hovering over both Camps, Batterton Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with Measure for Measure

Performances

Mainpiece Title: Measure For Measure Or Beauty The Best Advocate