SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Oroonoko

Performance Comment: Aboan-Orlando (never appeared any stage before); Oroonoko-Paget; Imoinda-Miss Haughton.

Afterpiece Title: The Virgin Unmasked

Dance: As17441210

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Schoolboy

Performance Comment: See17441005, but Schoolboy-Master Shuter (who never appeared upon the stage before); No other character listed. No other character listed.

Song: ( B By desire )Mad Bess-Beard; The Charms of Polly Willis-Mrs Clive

Dance: Cooke, Sga Campioni

Event Comment: Benefit Johnson, a Distiller, and Adams. 6 p.m. Which will be perform'd by a set of Gentlemen and Ladies who never performed on any stage before. [Usual formula of the concert.] Prices 2s. 6d., 1s. 6d., 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Happy or The Miller Bit

Song: I: Johnson; IV: A new Song in Praise of the Duke of Cumberland-Mr Johnson

Dance: III: Hornpipe-Adams; V: A dance representing Trade in General-Adams

Music: II: German Flute-a Gentleman

Event Comment: To the Author of the General Advertiser, Sir: Nothing but the Necessity of my Affairs could urge me to an address of this nature but having met with several unexpected and unavoidable misfortunes I beg leave to inform the Publick, through your means, that in order to extricate myself from my present difficulties, I have, by the indulgence of the Manager, obtain'd a Benefit before my Usual Time, which is to be the Careless Husband and the Devil to Pay on Saturday the 1st of March. As I have now put my Affairs into such a situation, that I think I shall never give the like trouble again, but at the proper time, I hope this notice will not be thought impertinent, or lessen those favours I have so often experienced, and which I am desirous of taking every opportunity to acknowledge, I am, Sir, &c W. Mills.--From dl Playhouse 8 Feb

Performances

Event Comment: Benefit Essex. By Command of their Royal Highnesses the Prince and Princess of Wales. Afterpiece: An Entertainment of Dancing (never performed before)

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Loves of Mars and Venus

Dance: II: Pigmalion-Cooke, Signora Campioni; III: The Revellers-Essex, Miss Vandersluys, Sodi

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17460320 but Macheath-Nicholls (who never performed on any stage before).
Cast
Role: Molly Brazen Actor: Mrs Vaughan.

Afterpiece Title: The Virgin Unmaskd

Dance: DDrunken Tyrolese-Sodi

Event Comment: At the New Wells, London Spaw, Clerkenwell. A Concert, etc. [Customary concert notice repeated in all announcements of plays at this house.] A new Pastoral never perform'd before. [Author unknown; not printed.] Benefit Miss Lincoln. Boxes 2s. 6d. Pit or Gallery 1s. 6d. 5 p.m

Performances

Mainpiece Title: Strephon And Delia

Afterpiece Title: As You Like It or Harlequins Whim

Music: HHercules and Omphale-

Event Comment: Altered from Dryden by Colley Cibber....a Man who was in the Upper Gallery...threw an apple from thence, with an intent, as is suppos'd to hit some person who was looking through the Curtain, but struck a Lady of Quality in the face, who sat in the stage box; upon which the manager order'd the Constable attending the House to make inquiry after the person who did it, and he was immediately apprehended, on the information of several people who sat near him, and was, by the Lady's desire carried before a Justice, who would have committed him for the assault; but on his begging Pardon, and promising never to offend in the like manner, she was pleas'd to forgive him, and he was discharg'd.--As it was a Publick Affront some Gentlemen would have had him brought on the stage to make a Public acknowledgment of his folly;--and tis hop'd that will be the punishment hereafter, for those who offend in the like manner.--General Advertiser, 3 Nov

Performances

Mainpiece Title: The Comical Lovers

Performance Comment: Melantha (with songs proper to the character, especially an Italian Mimick Song)-Mrs Clive; Palamede-Mills; Rhodophil-Delane; Celadon-Giffard; Phormio-Simpson; Stratton-Bransby; Jasper-Usher; Doralice-Mrs Mills; Flavia-Mrs Mozeen; Beliza-Miss Minors; Philotis-Mrs Cross; Olinda-Mrs Bennet; Sabina-Miss Cole; Melissa-Mrs Bridges; Florimel-Mrs Woffington.

Afterpiece Title: The Double Disappointment

Song: III: Lowe

Event Comment: Benefit for the author of the Dramatic Entertainment. [Afterpiece written by Joseph Dorman.] Never before performed. [See 18 Nov. 1740.] Tickets to be had of the Author at Pons Coffee House in Cecil Court, St. Martin's Lane. Tickets deliver'd out for Monday the 22nd Instant will be taken. Ladies send servants by three

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Macklin; Frederick-Blakes; Clermont-Mills; Ramilie-Neale; James-Winstone; Decoy-Ray; Furnish-Raftor; List-Leigh; Mariana-Mrs Woffington; Harriet-Mrs Ridout; Mrs Wisely-Mrs Cross; Wheedle-Mrs Bennet; Lappet-Mrs Clive (in which character she will sing the Life of a Belle).

Afterpiece Title: Sir Roger de Coverly or the Merry Christmas

Song: III: Lowe

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: By Desire. Don John de Nasaquitine, sworn brother and champion to the man that was to have jumped into the bottle...hereby invites all such as were then disappointed to repair to the theatre on Monday the 30th, and that shall be exhibited to them which never was before, nor ever will be hereafter seen. All such as shall swear upon the Book of Wisdom that they paid for seeing the Bottle man, will be admitted gratis; the rest at Gotham prices (General Advertiser). Receipts: #50 (Cross); #70 11s. 6d. (Powel)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Miller of Mansfield

Dance: II: New Scotch Dance, as17490118

Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: Afterpiece: A Pantomime Entertainment never performed before. Ladies are desired to send Servants by Three O'clock. Receipts: #213 15s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fair

Performance Comment: Principal characters-Lun, LaLauze, Bencraft, Mrs Dunstall, Miss Haughton; The Dances-Mons Jossett his 1st appearance on the English Stage, Mons Jardin, Miss Hilliard.
Event Comment: Both ye Houses play'd on ye same day, Romeo & Juliet, Mr Barry & Mrs Cibber at Covent Garden against Mr Garrick & Miss Bellamy at Drury Lane--Miss Bellamy never appear'd upon this stage before, & was greatly receiv'd--both houses too added a Scene of Juliet's funeral (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Old Womans Oratory

Performance Comment: See17520211, but will be introduc'd several new Tunes on the Jew's Harp never performed before-; A Solo in a new Taste-Signor Piantafugo; Salt@Box-; and the Performances of Signior Bombasto; Sg Bombazino as usual; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; A New Prologue-a Gentleman; Epilogue-Hallet.
Event Comment: Tomorrow, Don Sebastian, to which will be added Harlequin Ranger, with a scene never perform'd before. Receipts: #170 (Cross)

Performances

Afterpiece Title: The Devil to Pay

Dance: As17521208

Event Comment: Benefit for Pritchard (treasurer). Farce went well Jane Shore was to have been Play, but chang'd on Sunday--Bellamy ill (Cross). Tickets of Pritchard, in Great Queen St. Lincoln's Inn-Fields, and at the Stage Door. Tickets deliver'd for Jane Shore will be taken. Afterpiece: Alter'd from Otway, with several additions never perform'd before. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: An Alteration of Scapin

Dance: II: A Dutch Dance, as17521125; IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: On Monday next an Italian Comic Opera , never performed before, call'd L'Amore Constante

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: By Particular Desire. On Saturday next a new tragedy, never performed before, call'd Constantine

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Cast
Role: Diana Actor: Miss Davis
Event Comment: Wrote by one Mr Crisp. A Gentlewoman, who never appear'd upon ye Stage before did Marcia (Mrs Graham) & had deservidly great applause, the whole play went off, with General Approbation. Mr Carey had his fiddle broke by an apple playing the first Music--the Prologue & Epilogue much lik'd--both wrote by Garrick (Cross). Gentlewoman-Mrs Graham, afterwards Mrs Yates (Winston MS 8). Tuner Letter the 2nd pub. at 6d.--29 pages

Performances

Mainpiece Title: Virginia

Event Comment: Afterpiece [Charpentier]: A burlesque never performed before. The Company to perform on Tuesdays and Thursdays

Performances

Mainpiece Title: Mrs Midnights New Carnival Concert

Dance: Dancing, as17540718 End Concert: La Pantomime du Charpentier- replacing Le Nie Jaloux

Event Comment: At the Great Theatrical Booth, Bowling Green. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at 12 Noon. Comedy never performed before

Performances

Mainpiece Title: The Miser Outwitted Or Phelim In The Suds

Dance: A Grand Dance in the British Manner-

Event Comment: Benefit for Sparks. Afterpiece: A farce never perform'd before. [Possibly Thomas Sheridan's The Brave Irishman, but see Ten English Farces, Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 221 ff.] Last time of the company's performing till the holidays

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Murphy first time; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Tom (with a song in character)-Dyer; Phillis-Mrs Woffington; Cimberton-Arthur; Mrs Sealand-Mrs Griffiths; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Indiana-Mrs Bellamy.

Afterpiece Title: The Irishman in London

Song: Lowe

Dance: As17541203

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Player-Cibber; Polly-Young Gentlewoman Miss Cary (Winston MS 8) who never appeared on the Stage before.

Afterpiece Title: The Lying Valet

Dance: II: Pierots Dance-; III: A Hornpipe-

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest