SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Serious Opera in 3 acts (1st time [in London; 1st performed at Turin, 1762]); the Music entirely new, composed by Bertoni; with Grand Chorusses. [The playbill also lists, at the end of Act II, the New Dance, as 7 May, but "As for the dances, Le Picq being confined to his bed, we were deprived of that part of the entertainment which we had been given to expect" (Morning Herald, 27 May).]

Performances

Mainpiece Title: Ifigenia In Aulide

Performance Comment: Principal Characters by Pacchierotti, Ansani, Manzoletto, Micheli; Sga Lorenzini, Sga Prudom. [Cast from libretto (H. Reynell, 1782): Achille-Pacchierotti; Agamennone-Ansani; Ulisse-Manzoletto; Arcade-Micheli; Elisena-Sga Lorenzini; Ifigenia-Sga Prudom.] hathi. hathi.

Dance: End of Act I Divertisement Dana, as17811117, but omitted: Gardel, Mlle Baccelli; End of Opera Mirsa, as17820516

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mrs Wells; Peachum-Mrs Lefevre; Lockit-Mrs Webb; Mat o' th' Mint -?; Ben Budge-Mrs Inchbald; Crook-finger'd Jack-Miss Painter; Waiter-Miss Hale; Jemmy Twitcher-Miss Francis; Nimming Ned-Mrs W. Palmer; Filch-Miss Morris; Lucy-Mr Edwin; Mrs Peachum-Mr Wilson; Jenny Diver-Mr Wood; Mrs Coaxer-Mr Stevens; Mrs Slammekin-Mr Swords; Sukey Tawdry-Mr Webb; Dolly Trull-Mr R. Palmer; Molly Brazen-Mr Kenny; Mrs Vixen-Mr Massey; Betty Doxy-Mr Painter; Diana Trapes-Mr Wewitzer; Polly-Mr Bannister. hathi.
Cast
Role: Molly Brazen Actor: Mr Kenny

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the Character of Chimney-sweeps)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Medea (in the Character of Mother Shipton)-Mme Dagueville .

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; T 3, as altered by George Colman, the elder]: Written by Lillo, Author of George Barnwell. Not acted these 50 years [acted 4 Sept. 1755. Prologue by the alterer (Colman, Prose, III, 233)]. The Words of the Song in the Tragedy will be given at the Doors of the Theatre. Public Advertiser, 28 June 1783: This Afternoon will be published Fatal Curiosity (1s)

Performances

Mainpiece Title: Fatal Curiosity

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Bensley; Miss Sherry, Miss Hooke, Mrs Bulkley. [Cast from text (T. Cadell, 1783): Young W'ilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Miss Sherry; Maria-Miss Hooke; Chariot-Mrs Bulkley.] New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Agreeable Surprise

Song: In Act I of mainpiece a song in character by Miss Hooke. [This was sung, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece: Not acted these 4 years [acted 26 Apr. 1779]-Receipts: #164 8s. 6d. (121/16/0; 42/2/6; 0/10/0)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Capricious Lovers

Dance: End of Act I of afterpiece The Irish Fair by Blurton, Miss M. Stageldoir

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Cupid (with a song in character)-Miss Field; Sotherton-Norris; Chamberlain-Burton; Jemmy Twinkle-Lamash; Fillagree-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Simson; Miss Flack-Miss Wright; Miss Griskin-Mrs Brereton .

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: Mainpiece: Not acted these 4 years [acted 19 Apr. 1779]. Receipts: #97 11s. 6d. (67/7/0; 29/17/0; 0/7/6)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Too Civil by Half

Dance: End of Act IV of mainpiece The Devonshire Minuet, as17821003

Event Comment: Benefit for Waldron. Public Advertiser, 9 May: Tickets to be had of Waldron, No. 19, Martlet-court, Bow-street, Covent Garden. Mainpiece [1st time in London; C 5, by Francis Godolphin Waldron, 1st acted at Richmond, Aug. 1782, as The Belle's Stratagem; or, The Female Fortune-Hunters, and again at the HAY in 1794 as Heigho for a Husband! Prologue by the author (MacMillan, Larpent Catalogue, 100). Author of Epilogue unknown. MS: Larpent 599; not published]. Afterpiece: Not acted these 8 years. The Indisposition which prevented King from performing last Friday continuing, Palmer has very kindly undertaken and studied the Character King intended to have appeared in this Evening. Receipts: #126 15s. 6d. (34/5/0; 21/18/6; 2/15/0; tickets: 67/17/0) (charge: #106 9s. 8d.)

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Performance Comment: Principal Characters by Palmer, Brereton, Aickin, Moody, Baddeley, Wrighten, Suett, Chapman, Wright, Alfred, Parsons; Mrs Bulkley, Mrs Wrighten, Mrs Hopkins, Miss Tidswell, Miss Farren. [Cast from European Magazine, May 1783, p. 387: Frank Millclack-Palmer; Young Rackrent-Brereton; General Fairlove-Aickin; O'Sock-Moody; Timothy-Baddeley; Manager-Wrighten; Strolling Players-Suett, Chapman, Wright, Alfred; Old Rackrent-Parsons; Charlotte Fairlove-Mrs Bulkley; Dorothy-Mrs Wrighten; Mrs Millclack-Mrs Hopkins; Chambermaid-Miss Tidwell; Maria-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren . Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren .

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Event Comment: Afterpiece: Not acted these 10 years [not acted since 26 Feb. 1772]. Receipts: #126 3s. (80/5/0; 45/0/6; 0/17/6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Barrymore; Thomas-Williames; Dorcas-Mrs Wrighten; Sally-Miss George (Their 1st appearance in those characters) .

Dance: End of Act II of mainpiece, as17831018; Afterpiece to conclude with a Treble Hornpipe by Williamson, Mills, Miss Stageldoir

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

Event Comment: "Being possessed of an excellent understanding, and under the general impression of elegant manners, there appears to be no study [in Mrs Abington], no imitation--all is the result of the moment--natural, well-bred, and easy" (Public Advertiser, 25 Nov. 1784). Mainpiece: Altered from Cibber's Non-Jour, and the Tartuffe of Moliere. Not acted these 12 years [acted 12 Oct. 1773]

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Musical Lady

Dance: End of Act II of mainpiece The Rival Nympbs by Harris, Byrne, Ratchford, Mrs Goodwin, Miss Matthews

Event Comment: Benefit for Mrs Wrighten. Public Advertiser, 29 Mar.: Tickets to be had of Mrs Wrighten, Kennington-lane, near Vauxhall. Afterpiece: Not acted these 20 years [acted 13 Apr. 1773]. Receipts: #277 18s. (70/15; 8/18; 0/8; tickets: 197/17) (charge: (#106 16s. 1d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Intriguing Chambermaid

Song: End of Act II of mainpiece a Hunting Cantata; In afterpiece A Soldier for Me, both by Mrs Wrighten

Event Comment: Benefit for Edwin. Public Advertiser, 29 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Altered from Beaumont and Fletcher [i.e. from Fletcher alone]. Afterpiece: Not acted these 6 years [acted 28 May 1782]

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the World's a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

Performance Comment: ; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton .
Event Comment: Mainpiece: Not acted these 10 years [acted 10 Nov. 1779]. [Miss Brunton was from the Bath theatre. Prologue by Arthur Murphy (Works, 1786, VII, 60).] Receipts: #337 18s. (335/7/6; 2/10/6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

Performance Comment: The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.] hathi.
Event Comment: Mainpiece: Not acted these 12 years [acted 16 Dec. 1774]. [Mrs Jordan was from the York theatre.] Receipts: #195 14s. (155/1; 39/13; 1/0)

Performances

Mainpiece Title: The Country Girl

Dance: End of Act II of mainpiece The Provencalle by Williamson and Miss Stageldoir; In afterpiece, by Hamoir, Mrs Sutton and others

Event Comment: Mainpiece: Not acted these 3 years [acted 8 May 1784. Mrs Abington's 1st appearance as Lady Sadlife was at DL, 16 Jan. 1770]. Receipts: #193 9s. (189/15; 3/14)

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Atall-Lewis; Careless-Wroughton; Clerimont-Farren; Finder-Wewitzer; Sir Harry Atall-Thompson; Mr Wilful-Fearon; Bolus-Booth; Rheubarb-Jones; Supple-Stevens; Sir Solomon Sadlife-Quick; Lady Dainty-Mrs Bates; Clarinda-Mrs Inchbald; Wishwell-Mrs Wilson; Sylvia-Mrs Lewis; Sittup-Miss Stuart; Lady Sadlife-Mrs Abington (1st appearance in that character [at this theatre]) .at this theatre]) .

Afterpiece Title: The Sultan

Dance: End of Act IV of mainpiece The Merry Sailors, as17850919; End of mainpiece The Piping Pedlar, as17851112; In afterpiece, as17851123

Event Comment: Mainpiece: Not acted these 3 years [acted 20 Mar. 1784]. Receipts: #218 2s. (214/13; 3/9)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Omai

Song: In Act III of mainpiece an Epithalamium. The Vocal Parts by Mrs Kennedy and Mrs Martyr

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Performance Comment: Principal Characters by Babbini, Morigi, Schinotti; Sga Sestini, Miss Wheeler, Sga Ferrarese del Bene. [Cast from Larpent MS 720: Giorgino-Babbini; Il Marchese Tulipano-Morigi; Il Barone-Schinotti; La Baronessa-Sga Sestini; La Contessa-Miss Wheeler; Vespina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Event Comment: Mainpiece: Not acted these 3 years [thus on playbill of 9 Mar., but acted 1 Oct. 1784]. Receipts: #216 15s. 6d. (212/8/6; 4/7/0)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Holman (1st appearance in that character); Myrtle-Wroughton; Sealand-Aickin; Sir John Bevil-Fearon; Cimberton-Quick; Humphry-Thompson; Daniel-Wewitzer; Tom-Lewis; Indiana-Mrs Warren (1st appearance in that character); Lucinda-Mrs Inchbald; Mrs Sealand-Mrs Pitt; Isabella-Miss Platt; Phillis-Mrs Abington (1st appearance in that character at this theatre) .

Afterpiece Title: The Sultan

Dance: Afterpiece to conclude as17851123

Song: In Act II of mainpiece a song by Mrs Kennedy [Public Advertiser: Brett]

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Performance Comment: Characters by Holman, Davies, Fearon, Farren; Miss Stuart, Miss Brunton. [Cast from European Magazine, Mar. 1786, p. 209: Werter-Holman; Sebastian-Davies; Leuthrop-Fearon; Albert-Farren; Laura-Miss Stuart; Charlotte-Miss Brunton.] Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Romp

Song: End of Act II of mainpiece Nancy of the Dale (composed by Linley [Sen.]); In Act III a song; End of Act IV The Bucks of the Field (composed by Danby), all three by Dignum

Performance Comment: ]); In Act III a song; End of Act IV The Bucks of the Field (composed by Danby), all three by Dignum .
Event Comment: Benefit for Brett. Morning Chronicle, 26 Apr.: Tickets to be had of Brett, No. 73, Long Acre. 2nd piece: Not acted these 3 years [not acted since 22 May 1781]. Receipts: #271 2s. (79/11; 4/0; tickets: 187/11) (charge: #105)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: True Blue; or, The Parting Lovers

Performance Comment: True Blue-Davies; Careful-Booth; Lieutenant-Brett; Nancy-Miss Brett (1st appearance in that character) .

Afterpiece Title: The Contrivances

Dance: In 2nd piece Dance incident to the piece by Blurton

Song: End of Act II of 1st piece The Tobacco Box by Mr and Miss Brett

Event Comment: Benefit for Phillimore, Miss Barnes & Miss Tidswell. Mainpiece: Not acted these 8 years [acted 20 May 1783]. [Kean was from the hay.] Receipts: #283 11s. 6d. (15.12.0; 15.3.6; 0.16.0; tickets: 252.0.0) (charge: #106 1s. 8d.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Minor

Song: Between acts: Miss Barnes

Entertainment: Monologue. As17890527

Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)
Event Comment: Benefit for Holman. Mainpiece: Not acted these 2 years. In Act IV a Grand Banquet. Morning Chronicle, 14 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #316 11s. 6d. (202/15/0; 8/3/0; tickets: 105/13/6)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Holman; Lysimachus-Farren; Hephestion-Davies; Cassander-Cubitt; Clytus-Harley (1st appearance in that character)//Statira-Mrs Twistleton (1st appearance in that character); Parisatis-Miss Chapman; Sysigambis-Mrs Platt; Roxana-Mrs Pope .

Afterpiece Title: THE POOR SOLDIER

Song: In Act II of mainpiece the Grand Triumphal Entry of Alexander into Babylon. Vocal Parts by Johnstone, Incledon, Cubitt, Rock//Mrs Mountain, Miss Stuart, Miss Leserve, Miss Barnett, Mrs Lloyd, Mrs Martyr. In the course of the Evening Black-Eyed Susan by Incledon