SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: Mainpiece: Not acted these 12 years

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakley-Pope; Major Oakley-Aickin; Charles-Clarke; Russet-Davenport; Sir Harry Beagle-Fawcett; Lord Trinket-Palmer; Captain O'Cutter-Johnstone; Paris-Caulfield; William-Ledger; John-Abbot; Tom-Chippendale; Lady Freelove's Servant-Lyons; Lady Freelove-Mrs Harlowe; Harriet-Miss Heard; Toilet-Miss Leserve; Chambermaid-Mrs Jones; Mrs Oakley-Mrs Mattocks (1st appearance on this stage, and in that character).

Afterpiece Title: Fortune's Frolick

Entertainment: Monologue End: Epilogue pourtraying Characteristick Jealousies of the Spaniard the Italian the Dutchman the Frenchman and the Englishman [by Garrick]-Mrs Mattocks [see cg, 1 May 1798]

Event Comment: 2nd piece: Not acted these 2 years

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Jew

Performance Comment: Sheva-Fawcett (1st appearance in that character); Sir Stephen Bertram-Aickin; Charles Ratcliffe-Barrymore; Jabal-Suett; Saunders-Trueman; Waiter-Lyons; Frederick-C. Kemble; Mrs Ratcliffe-Mrs Davenport; Dorcas-Mrs Harlowe; Mrs Goodison-Mrs Hale; Eliza-Mrs Gibbs (1st appearance in that character).

Afterpiece Title: Fortune's Frolick

Event Comment: 1st piece: Not acted these 4 years

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Afterpiece Title: Fortune's Frolick

Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Performance Comment: Characters by Aickin, C. Kemble, Barrymore, Clarke, Palmer, Wathen, Davies, Caulfield, Trueman, Davenport, Abbot, Chippendale, Lyons, Suett, Miss DeCamp, Mrs Bland, Miss Palmer. [Cast from test (Geo. Cawthorn, 1799), and European Magazine, Sept. 1799, p. 187: Count de Ladesma-Aickin; Ferdinand-C. Kemble; Roderic de Froila-Barrymore; Guzman-Clarke; Garcias-Palmer; Lerida-Wathen; Lanusa-Davies; Bertran-Caulfield; Antonio-Trueman; Percy-Davenport; Ripperda-Abbot; Leonardo-Chippendale; Servant-Lyons; Popoli-Suett; Eugenia-Miss DeCamp; Rosa-Mrs Bland; 1st Woman of the Harem-Miss Palmer; Vocal Parts-Trueman, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick, Ms Bland, Ms Griffiths, Ms Edward, Ms Hale, Ms Menage, Ms Gawdry, Ms Benson, Ms Butler, Ms Leserve, Ms Norton, Ms Masters; Prologue-Trueman. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Purse

Event Comment: [In mainpiece the playbill assigns Margarita to Mrs Powell, and Clara to Miss Heard, but Mrs Powell "being suddenly indisposed, Miss Heard was her substitute" (Morning Chronicle, 30 Sept.). It is not stated who acted Clara.] Receipts: #245 2s. (150.3.6; 92.18.6; 2.0.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Duke-Clarke; Don Juan-Packer; Sanchio-Holland; Alonzo-Surmont; Michael Perez-Bannister Jun.; Leon-Kemble; Cacafogo-Dowton; Lorenzo-Trueman; Margarita-Miss Heard; Altea-Miss Tidswell; Clara-; Estifania-Miss Mellon (1st appearance in that character); Old Woman-Mr Suett; Maid-Mr Grimaldi.

Afterpiece Title: The Prize

Event Comment: Afterpiece: In Two Acts. Receipts: #245 16s. (241.4.6; 4.11.6)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Maid of the Mill

Event Comment: 2nd piece: not acted these 2 years. Receipts: #262 11s. 6d. (256.12.6; 5.19.0)

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Dramatist

Afterpiece Title: The Irishman in London

Event Comment: Mainpiece: 36th Time [i.e. in continuation of the reckoning for the previous season]. The Scenery, Dresses, and Decorations new Painted and Augmented. The Music composed by Mazzinghi and Reeve. [The playbill assigns, in Europeans, Captain Sidney to Incledon, but he was ill (see 16 Oct., 7 Nov.). He did not act again until 14 Nov.] Receipts: #252 12s. 6d. (249.13.0; 2.19.6)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Jew and the Doctor

Entertainment: Procession End II: A Return from a Tiger Hunt- [to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the +Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #161 7s. (158.19.6; 2.7.6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Performance Comment: Principal Characters by Lewis, Pope, Munden, Fawcett, Farley, Davenport, Simmons, Thompson, Wilde, Atkins, Blurton, Klanert, Lee, Curties, Mrs Davenport, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1799): Captain Lavish-Lewis; Sir Hervey Sutherland-Pope; Worry-Munden; Mist-Fawcett; Alltrade-Farley; Geoffrey-Davenport; Stopgap-Simmons; Frank-Klanert; Mrs Dazzle-Mrs Davenport; Betty-Miss Leserve; Juliana-Mrs Pope; unassigned-Thompson, Wilde, Atkins, Blurton, Lee, Curties; Prologue-Betterton; Epilogue-Fawcett. [These were spoken, as here assigned, at the 1st 19 performances only (see17991128).]These were spoken, as here assigned, at the 1st 19 performances only (see17991128).]

Afterpiece Title: The Miser

Event Comment: 2nd piece: In one act. 3rd piece: In which a Representation of the Battle of the Glorious First of August [see 25 Oct. 1798]. Receipts: #277 6s. 6d. (267.16.6; 9.10.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Ghost

Afterpiece Title: The Mouth of the Nile

Event Comment: [DeCamp was from the Edinburgh theatre. He had previously acted children's parts at dl.] Receipts: #176 3s. (98.19.6; 74.1.6; 3.2.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: My Grandmother

Event Comment: The Publick is most respectfully informed that, in consequence of the sudden Indisposition of a Principal Performer, Hamlet cannot be acted. [But on playbill of 2 Dec. The Gamester is advertised for this evening.] Receipts: #151 2s. (85.10.6; 62.17.6; 2.14.0)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Shipwreck

Event Comment: Mainpiece: 32nd Night [i.e, in continuation of the reckoning for the previous season]. The Scenery, Dresses and Decorations entirely New. The Musick, Airs and Chorusses incidental to the Piece composed by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood, Demaria, Banks, Blackmore, &c. The Machinery, Decorations and Dresses under the Direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book lists the attendance as follows:@1st Account Spectators Receipts@Boxes Pit 1st Gallery Upper Gallery@1162 348!12@706 123!11@583 58!6@312 15!12@Total 2763 546!1@2nd Account Spectators Receipts@300 45!0@13 1!6@23 1!3@14 0!7@Total 350 47!16@. Total of spectators 3113. Receipts: #595 5s. (546.1; 47.16; 1.8)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates

Performance Comment: , Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates.
Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: The Volcano; or, The Rival Harlequins

Performance Comment: Harlequin Whitesword-Bologna Jun.; Harlequin Blacksword-King; Clown-Bologna; Infernal Spirit-Delpini; Colombine's Father-Whitmore Jun.; Old Beau-Hawtin; Hermit-Lewiss; Colombine-Mrs Parker; The Other Pantomime Characters-Wilde, Blurton, Platt, Abbot, T. Cranfield, Powers, Vials, Howell, L. Bologna, Klanert, Atkins, Mills, Wilkins, Webb, Letteney, Griffiths, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs D'Egville, Miss Cox, Miss Coombs; Vocal Characters Cratero (Daemon of the Mountain)-Denman; Ballad Singers-Emery, Simmons; Irish Ship@builder-Macartney; Principal Daemon-Linton; 2nd Daemon-Street; Chorus of Infernal Spirits-Gardner, Thomas, Oddwell, Smith, J. Linton, Kenrick, Sawyer, Tett; Floridel (Spirit of the Air)-Miss Wheatley; Attendants on Floridel-Ms Sims, Ms Iliff, Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Sydney, Ms Blurton, Mrs Castelle.
Event Comment: Mainpiece: Not acted these 2 years. Receipts: #350 7s. (339.18; 10.9)

Performances

Mainpiece Title: King Henry The Fourth [part I]

Event Comment: [Mainpiece in place of The Secret, advertised on playbill of 31 Dec. 1799.] In IV a Masquerade Scenev. Afterpiece: Not acted these 3 years. The Scenery, Dresses and Decorations entirely New. The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by the late Mr Storace. [In mainpiece the playbill retains Barrymore as Doricourt, but "On account of the illness of Barrymore, the part of Doricourt was sustained, at a short notice, by Archer." In afterpiece Barrymore is assigned to Kera Khan, but "C. Kemble, in consequence of Barrymore's indisposition, undertook the part of Kera Khan, at a few hours' notice. Suett displayed his wonted humour in his old character of Varbel, His drollery forms a pleasing contrast to the apathy of Kelly" (Dramatic Censor, I, 32).] Receipts: #205 11s. 6d. (105.12.6; 98.15.0; 1.4.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Archer; Count Floreski-Kelly; Baron Lovinski-Raymond; Varbel-Suett; Adolphus-Maddocks; Gustavus-Surmont; Pages-Master Chatterley, Master Heather; Princess Lodoiska-Miss DeCamp; Captives-Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Gawdry, Ms Butler, Ms Chippendale, Ms Saunders, Ms Jacobs; Tartars Kera Khan-C. Kemble; Ithorak-Clarke; Khor-Sedgwick; Japhis-Cory; Tamuri-Whitmell; Camazin-Grimaldi; The Horde-Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer.
Event Comment: [In mainpiece the playbill retains Pope as Charles Stanley, but "The part of Charles Stanley this night devolved upon Claremont. It were to be wised that this gentleman would suffer the austerity of his features to relax, when he acts the lover. A continual frown ill accords with the soft workings of the tender passion" (Dramatic Censor, I, 78).] Receipts: #207 15s. (197.5; 10.10)

Performances

Mainpiece Title: A Cure For The Heart Ache

Event Comment: Mainpiece [1st time; MD 5, by Richard Cumberland. Author of Prologue unknown]: A Romance of the Fourteenth Century, Formed upon the Plan of an unpublished Drama [Johanna von Montfaucon], written and transmitted by Augustus von Kotzebue, The Overture, Songs, Chorusses, Marches and Finale, with appropriate Symphonies between the Acts, by Busby. The Scenery, Dresses, Machinery & Decorations entirely New. The Scenery by Richards, Phillips, Lupino, Hollogan, &c. The arrangement of the Marches, Chorusses & Military Movements incidental to the Piece, under the direction of Farley. The Dresses by Dick and Mrs Egan. The Words of the Songs to be had in the Theatre. "The appropriate beauty of the scenery, in which the rules of perspective are critically observed, the splendour of the decorations and the richness of the dresses, have been rarely equalled" (Universal Magazine, Jan. 1800, p. 75). Receipts: #318 6d. (316.2; 2.4)

Performances

Mainpiece Title: Joanna

Performance Comment: Principal Characters by Pope, Holman, Waddy, Davenport, Munden, H. Johnston, Claremont, Klanert, Murray, Emery, Thompson, Gardner, King, Abbot, Rees, Curties, Mrs H. Johnston, Mrs Whitmore, Miss Gilbert, Mrs Pope. Vocal Parts-Incledon, Townsend, Linton, Street, Hill, Miss Waters, Miss Wheatley, Miss Sims, Mrs Iliff, Mrs Castelle; [Cast from text (Lackington, Allen & Co., 1800), and Dramatic Censor, I, 102: Albert-Pope; Lazarra-Holman; Wensel-Waddy; Old Peasant-Davenport; Wolf-Munden; Philip-H. Johnston; Mountaineer-Claremont; Soldiers-Klanert, Thompson, Atkins; Hermit-Murray; Guntram-Emery; Shepherd-Gardner; Ulrick-King; Reinhard-Abbot; Romuald-Rees; Lazarra's Servant-Curties; Darbony-Incledon; Page-Miss Waters; Eloisa-Mrs H. Johnston; Old Woman Peasant-Mrs Whitemore; Joanna-Mrs Pope; Girl-Miss Cox; unassigned-Miss Gilbert; Prologue-Murray. [This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Performance Comment: Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox.
Event Comment: By Command of Their Majesties. "Towards the conclusion [of afterpiece, Miss DeCamp] fell with Kelly, while in the act of running down the stage; her head striking with so much violence against the boards that she fainted away [having received a severe contusion that necessitated surgery]" (Morning Herald, 8 Feb.). It is to be hoped that the events of Thursday Evening will prove a wholesome warning to the servants of the Theatre, and enforce the necessity of sweeping the stage with greater care. The disaster, it seems, originated in the peel of an orange, which the Copper Captain [in mainpiece] throws away" (Dramatic Censor, I, 210). Receipts: #591 19s. (525.13.6; 63.5.6; 3.0.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: [In mainpiece the playbill retains Mrs Bland, but "An apology was made on behalf of Mrs Bland, who was prevented from appearing in public this evening by a recent loss in her family. We understand one of her children was unfortunately burnt to death, by its clothes taking fire...Mrs Roffey undertook her plaintive air in the Fourth Act, and was favourably received" (Dramatic Censor, I, 311).] Receipts: #244 18s. 6d. (181.13.0; 62.3.6; 1.2.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Of Age To-morrow

Music: Vocal Parts, as17991127, but Mrs _Bland, Mrs Roffey; +To welcome mirth and harmless glee-Mrs Roffey, Miss Leak; I have a silent sorrow here-Mrs Roffey

Dance: As17991127

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Blue-Beard

Performance Comment: As17991014, but Selim-Kelly; Beda-Miss Leak; added: Mlle Parisot (By permission of the Proprietor of the Opera House, who will perform for this night only in the Ballet in the First Act); Female Slaves-Miss _Daniels.

Performances

Mainpiece Title: Alexander's Feast 0; The Messiah; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: Part III. A Grand Miscellaneous Act. The Water Music-; O beauteous Queen-Dignum; My faith and truth-Miss Tennant, Master Elliot (Samson); Welcome welcome mighty King-Chorus (Saul); Pleasure my former ways-Incledon (Time and Truth); God preserve the Emperor-Chorus (Haydn); Mad Bess-Mrs Second (Purcell); Fixed in his everlasting seat-Grand Chorus (Samson).

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17991216, but Yarico-Miss Murray (1st appearance in that character); Planters-_; Sailors-_.

Afterpiece Title: The Child of Nature

Performance Comment: Principal Characters-Munden, Murray, Betterton, Whitfield, Thompson, Atkins, Whitmore, Miss Murray, Mrs Mattocks; [For assignment of parts see18000523.] Original Epilogue-Mrs Mattocks.

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend