SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "Incledon is no longer under any engagement at Covent-garden Theatre; having shewn a good deal of restiveness at being obliged to sing in the after-piece of Joan of Arc, he applied to Mr Harris on Friday [16 Feb.] to deliver him up his articles, which was instantly complied with" (Times, 19 Feb.). [On 22 Feb. and 15 Mar. Incledon acted, by Command; but not again until 14 Apr.] Receipts: #256 18s. 6d. (239.10.6; 17.8.0)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Event Comment: By Command of Their Majesties. [In mainpiece the playbill assigns Balthazar to Gray, but "Incledon...condescended to take the part of Balthazar, which Townsend [who acted it on 6 Oct.] was too ill to perform, and sung 'Sigh no more, ladies' with much sweetness and effect. In the entertainment Johnstone introduced the song of 'Queen Bess" (Morning Herald, 16 Mar.).] Receipts: #372 1s. 6d. (362.8.6; 9.13.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Dance: As17971006

Song: In afterpiece: Queen Bess [not listed on playbill; see below]-Johnstone

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #230 10s. (227.3; 3.7)

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: Oscar and Malvina

Cast
Role: Male Bards Actor: Linton, Street, Sawyer, Smith
Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

Event Comment: [3rd piece in place of Harlequin's Return, advertised on playbill of 13 Apr. In it the playbill retains Mrs Mountain as Norah, but she "was taken ill & Mrs Iliff played Norah" (MS annotation on BM playbill, cg, Vol. X). Incledon renewed his engagement (see 14 Feb.), and acted on this night and regularly thereafter.] Receipts: #87 14s. 6d. (86.0.6; 1.14.0)
Event Comment: Benefit for Munden. 2nd piece: In one Act. [Taylor had previously sung in concerts at Vauxhall.] Times, 6 Apr.: Tickets to be had of Munden, No. 16, Clement's Inn. Receipts: #408 19s. 6d. (96.6.6; 9.2.6; tickets: 303.10.6)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Waterman

Afterpiece Title: Retaliation; or, The Citizen a Soldier

Song: In course: by permission of Dibdin, Old England's tree of Liberty-Taylor; a new Comic Song, Patents all the Rage-Munden

Event Comment: The Eccentric Lover [advertised on playbill of 1 May] is obliged to be postponed on account of Quick's indisposition. [But it was not again acted. 3rd piece in place of Rosina, advertised as above.] Receipts: #99 17s. 6d. (94.10.6; 5.7.0)

Performances

Dance: 3rd piece to conclude: as17980430

Event Comment: Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at Covent Garden in the year 1765, and confirmed by Act of Parliament, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See Genest, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18)

Performances

Mainpiece Title: Hooly And Fairly

Afterpiece Title: Oscar and Malvina

Cast
Role: Male Bards Actor: Linton, Street, Sawyer, Smith

Dance: 1st piece to conclude with: a Highland Reel, as17980428

Song: In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: Old Towler-Incledon; End 2nd piece: Admiral Benbow-Incledon

Music: In 3rd piece: The Union Pipes-Murphy

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Mainpiece: Not acted these 6 years. [Afterpiece in place of Botheration, advertised on playbill of 9 May.] Receipts: #97 10s. (87.10.6; 9.19.6)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Incledon; Col. Oldboy-Munden; Sir John Flowerdale-Murray; Jessamy-Betterton; Harman-Clarke; Jenkins-Townsend; Diana-Mrs Mountain; Lady Oldboy-Mrs Davenport; Jenny-Mrs Martyr; Clarissa (with new songs)-Mme Mara (1st appearance in that character).

Dance: As17980430

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Performance Comment: Irishman-Johnstone; Englishman-Murray; Mail Coach Guard-Townsend; Ostler-Powel; Serjeant-Farley; Old Soldier-Thompson; Son-Simmons; Scotchman-Wilde; Welchman-Rees; Hawker-Gray; 2nd Irishman-Dyke; 2nd Sailor-Abbot; 1st Sailor-Farley [i.e. doubled Serjeant]; Old Woman-Mrs Henley; Persons represented in the Allegorical Action: Genius of the Isle; Demon of Discord; Children of Britain; Peace, with her Attributes; Britannia-Miss Chapman.

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

Event Comment: By Desire of his Excellency the Turkish Ambassador [see 9 May]. Benefit for Mrs Mountain. 1st piece: In Act II a Grand Procession representing the ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. 2nd piece [1st time; CO 2, by Henry Heartwell]: The Overture and Music composed by Attwood. Monologue: The whole of the apparatus painted and designed by Cresswell. Morning Herald, 8 Oct. 1798: This Day is published Reformed in Time (1s.). Ibid, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-garden. Receipts: #370 18s. (90.17; 4.3; tickets: 275.18)

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: Young Bramin-Holman; Raymond-Toms; Albert-Claremont; Nordain-Thompson; Old Bramin-Murray (1st appearance in that character); Fatima (1st time)-Miss Mansel; Indamora-Mrs Pope (1st appearance in that character).

Afterpiece Title: Reformed in Time

Performance Comment: Principal Characters by Munden, Farley, Townsend, Philipps (1st appearance this season), Claremont, Incledon, Mrs Martyr, Miss Wheatley, Mrs Mountain. [Cast from text (Cadell and Davies, 1798): Old Insight-Munden; Puff-Farley; Faithless-Townsend; Colonel Fairfield-Philipps [in text: Clarke (see17981005)]; Friendly-Claremont; Sir George Insight-Incledon; Handy-Mrs Martyr; Lady Bell Insight-Miss Wheatley; Lady Charlotte Fairfield-Mrs Mountain [in text: Mrs Follett (see17981005)].in text: Mrs Follett (see17981005)].

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performance Comment: End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student.
Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1, acted on 30 May as The Sailor's Carousal]. 3rd piece: The Scenery and Machinery by Richards, Hodgins, Walmsley, Phillips, Lupino, and assistants. Times, 25 May: Tickets to be had of Wild, No. 28, Drury-lane. Receipts: #288 18s. (123.9.6; 11.9.6; tickets: 153.19.0)

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Munden (1st appearance in that character); Sultan-Murray (1st appearance in that character); Elvirus-Holman; Lord Flint-Davenport; Meanright-Clarke; Zadan-Powel; Haswell-Pope; Lady Tremor-Mrs Mattocks; Aurelia-Mrs Mountain; Arabella (the Female Prisoner)-Mrs Pope (1st appearance in that character); Original Epilogue-Mrs Mattocks.

Afterpiece Title: Starboard Watch

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Event Comment: 2nd piece: Not acted these 6 years. [Miss Griffiths is identified in European Magazine, June 1798, p. 397, and in playbill of 19 June.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Beggar's Opera

Performance Comment: Macheath-Kelly (By Permission of the Proprietors of the Theatre-Royal Drury-Lane); Peachum-Davenport; Lockit-R. Palmer; Mat o'th' Mint-Trueman; Wat Dreary-Chippendale; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Waldron Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Sukey Tawdry-Mrs Hale; Molly Brazen-Mrs Haskey; Polly-A Young Gentlewoman (1st appearance on any stage [Miss Griffiths]).Miss Griffiths]).
Cast
Role: Molly Brazen Actor: Mrs Haskey

Afterpiece Title: Blue Devils

Event Comment: Afterpiece [1st time; MF 2, by Henry Lee. Larpent MS 1221; not published in this form, but altered by the author in 3 acts, as Caleb Quotem and His Wife!; or, Paint, Poetry, and Putty (J. Roach, 1809)]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. "Suett was, as he always is on a first night, most shamefully imperfect" (Monthly Mirror, July 1798, p. 52). [For Lee's accusing Colman, in his The Review, of plagiarism, see Genest, VII, 387-90. And see 1 Sept. 1800.

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Performance Comment: Characters by Suett, Trueman, Caulfield, Wathen, Fawcett, Mrs Edward, Mrs Davenport, Mrs Hale, Mrs Norton, Miss Leserve, Mrs Gibbs. Cast from Songs (Cadell and Davies, 1798): Sir Nathan Nervous-Suett; Capt. Hardiman-Trueman; Brookly-Caulfield; Johnny-Wathen; Quotem-Fawcett; Augusta-Mrs Edward; Mrs Tidy-Mrs Davenport; Mrs Quotem-Mrs Hale; Betty-Mrs Norton; Dolly-Miss Leserve; Hannah-Mrs Gibbs.
Event Comment: 1st piece: In one Act. [2nd piece in place of The Spanish Barber, advertised on playbill of 16 July.

Performances

Mainpiece Title: Cross Purposes

Afterpiece Title: The Mountaineers

Afterpiece Title: My Grandmother

Event Comment: 2nd piece: Not acted these 2 years

Performances

Mainpiece Title: The Purse

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Fawcett (1st appearance in that character); Young Random-Barrymore; Scruple-Davies; Old Random-Aickin; Roundfee-Suett; Quirk-Wathen; Carney-Abbot; Peery-Usher; English Waiter-Lyons; French Waiter-Waldron Jun.; Passengers-Trueman, Ledger; Bailiff-Chippendale; Tiptoe-R. Palmer; Lady Dunder-Mrs Davenport (1st appearance in that character); Harriet-Miss Heard; Mrs Peery-Mrs Hale; Passengers-Mrs Jones, Mrs Gaudry, Mrs Haskey; Kitty-Mrs Gibbs.

Afterpiece Title: My Grandmother

Event Comment: "We suggest the necessity of curtailing the entertainments...The Purse ought to have been entirely omitted. There is a want of alertness between the acts which is much better managed at the Winter Theatres. Rosina did not begin till half past eleven o'clock. We advise the Female Performers not to disguise their faces with so much rouge. If it is in some measure necessary at the Winter Theatres, where the chief part of the audience are at a distance from the Stage, we conceive in this small House it is less necessary" (Times, 30 Aug.)

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merchant of Venice

Performance Comment: Shylock-C. Kemble (1st appearance in that character); Anthonio-Aickin; Gratiano-R. Palmer; Lorenzo (with a song)-Davies; Tubal-Waldron; Old Gobbo-Waldron Jun.; Launcelot-Suett; Duke-Davenport; Salanio-Caulfield; Solarino-Trueman; Leonardo-Lyons; Balthazar-Ledger; Bassanio-Barrymore; Jessica (with a song)-Mrs Bland; Nerissa-Mrs Harlowe; Portia-Miss DeCamp.

Afterpiece Title: Rosina

Performance Comment: Belville-Trueman; Capt. Belville-Davies; Rustic-Waldron Jun.; Irishmen-Caulfield, Abbot; William-Mrs Harlowe; Phoebe-Mrs Bland; Dorcas-Mrs Davenport; Rosina-Miss Griffiths (1st appearance in that character).
Event Comment: Afterpiece: 1st time compressed into 2 acts

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Tit for Tat

Event Comment: [Mainpiece in place of Ways and Means, advertised on playbill of 11 Sept.; The Deaf Lover, also advertised, was not acted on this night.

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Sultan

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. [Amarath the Fourth was "A musical tale," 1st acted at the Royalty, 27 Nov. 1797.] 3rd piece [1st time; P 1, author unknown]: Got up under the direction of Delpini. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent-garden.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf; or, Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun

Event Comment: Afterpiece: In Three Acts. "[Emery] does not disdain the mechanical usages of actors, but makes them secondary and subordinate to more important considerations" (Monthly Mirror, Oct. 1798, p. 233). Receipts: #225 17s. (220.6; 5.11)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Miser

Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Bon Ton

Event Comment: Mainpiece: Not acted these 10 years. Afterpiece: By permission of the Proprietor of the Theatre Royal Hay-Market. Receipts: #259 0s. 6d. (181.11.6; 76.18.0; 0.11.0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Agreeable Surprise

Event Comment: [Mrs Johnson was from the Park Theatre NewYork.] Afterpiece: Compressed into Two Acts. "Munden's Sir Francis Wronghead was a very pleasing display of comicality; but he should have contented himself with what was set down by the author, without introducing his own common place allusions to the fashions of the present day" (Morning Herald, 29 Sept.). Receipts: #200 17s. 6d. (195.19.6; 4.18.0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Maid of the Mill