Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Sloper, Abbot, Akrey [Account-Book adds Rolles] will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Yates's last appearance on the stage in London; he subsequently acted in Edinburgh in March, 1785. Afterpiece in place of The Country Mad-Cap, announced on playbill of 30 May.] Receipts: #255 3s. 6d. (20/5/0; 0/15/6; tickets: 234/3/0)

Event Comment: The last Time of the Company's performing this Season. [On this night Wewitzer acted both at CG and the HAY.] Receipts: #135 3s. 6d. (132/14/6; 2/9/0). Account-Book, 7 June: Paid Harris for One Year's Superintendence #500, Garton [treasurer] in full of his Salary #238, Miss Younge in lieu of Cloaths this Season #200; 30 June: Paid Lewis in full for Salary as Acting Manager #200. Between 7 and 30 June various sums, a few of which are here specified, were entered in the Account-Book as being paid to the following tradesmen and others: perukemaker, fireworks maker, blacksmith [#277 6s.], basketmaker, scalemaker, haberdasher, sadler, bill-sticker, turner, harpsichord-tuner, silk-dyer, printer, sawyer, plumber, linen-draper, woollen-draper, brazier, coal merchant [#189 8s.], timber merchant [#500 8s.], stonemason, hosier, music copier, shoemaker, painter, tinman, oil merchant [#452 2s.], gunsmith, worsted laceman, book-binder, glazier, copper laceman [#127 15s.], silk mercer, tallow chandler, stationer, engine-maker, gold-beater, furrier, watch-maker, bookseller, victualler, rope-maker, embroiderer, bricklayer [#226 14s.], wax chandler [#501 2s.], upholsterer [#729]. Many of these disbursements had to do with the extensive rebuilding of the theatre

Event Comment: Mainpiece: Not acted these 5 years. [Bonnor and Miss Scrase were from the Bath theatre; Mrs Chalmers from the York theatre.] Receipts: #201 18s. (200/5; 1/13)

Event Comment: Mainpiece: Not acted these 2 years. [3rd piece in place of Rose and Colin, announced on playbill of 14 Oct.] Receipts: #198 12s. (193/0/6; 5/11/6)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #198 13s. 6d. (146/18/0; 49/4/0; 0/9/0; tickets not come in: 2/2/6)

Event Comment: Mainpiece: Not acted these 5 years. [Mrs Siddons's 1st appearance as Isabella was at Bath, 11 Dec. 1779.] Receipts: #281 2s. 6d. (264/6/0; 16/7/6; 0/9/0)

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Event Comment: "With respect to Mrs Siddons, in [Act v of Douglas], there was no question about her superiority [to Mrs Crawford]; and her passions were displayed in the tones of harmony; her great rival seemed to me the first of a school, in latter periods much admired, which deemed discordance the natural ally of anguish, and tortured the ear to overpower the heart" (Boaden, Siddons, 11,76). Receipts: #289 9s. (284/0/6; 5/8/6)

Event Comment: Mainpiece: Not acted these 14 years. Receipts: #118 18s. 6d. (86/14/0; 28/19/6; 0/5/0; tickets not come in: 3/0/0)

Event Comment: Mainpiece: Not acted these 4 years. Received Stopages [sic; of salaries] to the 15th Inclusive #35 17s. 4d. Receipts: #303 8s. 6d. (289/8/0; 12/15/6; 0/10/0; tickets not come in: 0/15/0)

Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Event Comment: "The Performance was very much applauded. In the shewy Scenes of the Third and Fourth Acts Henderson and Mrs Crawford got a Plaudit for several Speeches together, after every Speech" (Public Advertiser, 3 Dec.). Receipts: #241 8s. (236/18/6; 4/9/6)

Event Comment: Mainpiece: Not acted these 4 years. Receipts: #85 11s. (57/14/0; 26/17/0; 0/17/6; ticket not come in: 0/2/6)

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #176 3s. (167/9; 8/14)

Event Comment: In Act II of mainpice a Masquerade Scene incident to the Play. Receipts: #149 14s. (146/16; 2/18)

Event Comment: Mainpiece: Not acted these 6 years. Receipts: #152 12s. (149/12; 3/0)

Event Comment: Mainpicce: Not acted these 3 years. "[As Cleopatra] the Form of Miss Younge is sufficiently lovely���?�but her Countenance, without speaking of it all prophanely, is surely not sufficiently venereal" (Public Advertiser, 25 Feb.). Receipts: #195 1s. (190/12; 4/9)

Event Comment: A Comic Opera in 2 acts; the Music by Piccinni, under the Direction of Anfossi

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Siddons's 1st appearance as the Countess of Salisbury was at Bath, 25 Nov. 1778.] "So thoroughly wretched, so utterly destitute of all Requisites is this Tragedy ... that it excites with Wonder not a little Indignation that the unexampled Genius of such an actress [as Mrs Siddons] should be wasted on Dullness if possible yet more unexampled" {Public Advertiser, 8 Mar.). Receipts: #275 0s. 6d. (256/7/0; 16/19/6; 1/9/0; ticket not come in: 0/5/0)

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece: Taken from Soliman the Magnificent of Marmontel. Receipts: #276 17s. 6d. (271/13/6; 5/4/0)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 12 years. Receipts: #207 12s. 6d. (60/2/0; 20/10/6; 0/17/0; tickets: 126/3/0) (charge: #106 10s. 10d.)

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)