SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Acted but once there. [Although it was advertised for 9 Nov., at foot of 8 Nov. bill.

Performances

Mainpiece Title: The Man's The Master

Performance Comment: As17751103, but Don Fernando-Wilson , first time; A Song-introduced into Mrs Mattocks ' Part; Isabella-Miss Leeson; a Dance-the charactersintroduced into Act III.

Afterpiece Title: The Padlock

Dance: End: The Pilgrim, as17750927

Event Comment: Mainpiece: Not acted these 60 years [1st acted at dl, 9 Jan. 1730]. 2nd piece [1st time; M. INT I, probably by William Harricks. Larpent MS 506; not published]

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Performance Comment: Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley.
Event Comment: Benefit for Baddeley. Mainpiece: Not acted these 30 years [not acted since 22 July 1718]. Afterpiece [1st time; C 2, ascribed to Jesse Foot. MS: Larpent 650; not published; synopsis of plot in Gazetteer, 20 Apr. Author of Prologue unknown]. Public Advertiser, 16 Apr.: Tickets to be had of Baddeley, No. 2, Little-Russel-street, Covent Garden. Receipts: #216 18s. (73/10; 35/11; 3/10; tickets: 104/7) (charge: #106 8s. 4d.)

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Performance Comment: End of Act II Baddeley in the Character of Moses [in The School for Scandal] will present the Audience with a Specimen of Jewish Education .

Afterpiece Title: The Quacks; or, The Credulous Man

Performance Comment: Principal Characters by Parsons, Farren, Bannister Jun., Waldron, R. Palmer, Burton, Phillimore, Baddeley; Mrs Booth, Mrs Love, Mrs Brereton. [Cast from Gazetteer, 20 Apr.: Sir Toby Meagrim-Parsons; Temple-Farren; Sharper-Bannister Jun.; John-Waldron; Christopher Camp-R. Palmer; Dr Humberg-Burton; Martel-Phillimore; Dr Seraglio-Baddeley; Lady Meagrim-Mrs Booth [Gazetteer: Mrs Hopkins]; Betty-Mrs Love; Miss Kitty-Mrs Brereton.] Prologue in the Character of an Undertaker spoken by Bannister Jun . Prologue in the Character of an Undertaker spoken by Bannister Jun .

Dance: End of mainpiece, as17840311athi

Event Comment: Benefit for Fosbrook, box-book and housekeeper. Mainpiece: Not acted these 10 years. Receipts: #185 19s. 6d. (17/19/0; 5/12/6; 0/6/0; tickets: 162/2/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: Jupiter-Kemble (1st appearance in that character); Mercury (1st time)-Barrymore; Amphitryon-Aickin; Gripus-Parsons; Phoebus-Wrighten; Polydas-Wright; Tranio-Fawcett; Sosia-Palmer (1st appearance in that character); Phaedra-Miss Pope; Bromia-Mrs Hopkins; Night-Miss Tidswell; Alcmena-Miss Farren (1st appearance in that character) .

Afterpiece Title: Who's the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Performance Comment: End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs .

Song: In mainpiece an Interlude of

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Performances

Mainpiece Title: Robin Hood

Performance Comment: Principal Characters by Johnstone, Davies, Quick, Edwin, Wilson, Brett, Cubitt, Darley, Mrs Kennedy [1st Act only]; Miss Wheeler, Mrs Martyr, Mrs Wilson, Mrs Bannister. [Cast from textQ. Almon, 1784): Edwin-Johnstone; Robin Hood-Davies; Little John-Quick; Ruttekin-Edwin; Baron Fitzherbert-Wilson; Scarlet-Brett; Bowman-Cubitt; Outlaws-Darley, Doyle, Baker, &c.; Allen a Dale-Mrs Kennedy; Stella-Miss Wheeler; Clorinda-Mrs Martyr; Annette-Mrs Wilson; Angelina-Mrs Bannister; Lasses-Mrs Davenett, Miss Brangin, &c]..

Afterpiece Title: St

Event Comment: Mainpiece: Not acted these 6 years. Afterpiece [1st time: CO 2, by John O'Keeffe; altered by the author from his The Czar. Larpent MS 881; not published]: In which will be introduced a few Scenes and Songs from The Czar, performed last season [on 8 Mar. 1790]. The Music composed and compiled by Shield. Books of the Songs to be had at the Theatre. [Mrs Harlowe was from Sadler's Wells.] Receipts: #194 11s. 6d. (181.18.6; 12.13.0)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Harley (1st appearance in that character); Moneses-Farren; Axalla-Macready; Omar-Hull; Hali-Cubitt; Prince of Tanais-Powel; Dervise-Thompson; Zama-Cross; Stratocles-Davies; Bajazet-Aickin; Selima-Miss Chapman; Arpasia-Mrs Pope; Edition of 1792 (John Bell) adds: Mirvan-Evatt.

Afterpiece Title: The Fugitive

Performance Comment: Principal Characters-Ryder, Blanchard, Wilson, Marshall, Powel, Rock, Farley, Cross, Johnstone, Miss Williams, Mrs Webb, Mrs Harlowe (1st appearance on this stage). [Larpent MS lists the parts: Baron Allstoff (acted by Wilson) (Diary, 5 Nov.), Gentleman, Theodore, Ralpho, Justice Yacobs, Count, Fritz, Slip, Turnkeys, Ballybough, Mme Yacobs, Julia, Ellen.]Larpent MS lists the parts: Baron Allstoff (acted by Wilson) (Diary, 5 Nov.), Gentleman, Theodore, Ralpho, Justice Yacobs, Count, Fritz, Slip, Turnkeys, Ballybough, Mme Yacobs, Julia, Ellen.]
Event Comment: 1st piece: Not acted these 2 years [not acted since 15 June 1791]. With the original Music, Dresses, Scenery, Machinery and Decorations. Receipts: #107 18s. (93/17/6; 14/0/6)

Performances

Mainpiece Title: The Death Of Captain Cook

Performance Comment: Cast not listed. [Thespian Magazine, June 1794, p. 227, refers to the performances of Byrn, Cranfield and Follett, among others. They acted Pareea, Captain Cook and Koah respectively (see playbill of 6 Nov. 1790).] hathi.

Afterpiece Title: THE SCHOOL FOR ARROGANCE

Afterpiece Title: NETLEY ABBEY

Event Comment: Afterpiece: Not acted these 4 years [acted 27 May 1794]. With the original Music, Dresses, Scenery, Machinery and Decorations. Receipts: #203 15s. (200.0; 3.15)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Death of Captain Cook

Performance Comment: [Pareea, Captain Cook and Koah were probably acted by Byrn, Cranfield and Follett respectively. See17940515.]
Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Performance Comment: Lusignan-Murray; Osman-Hargrave; Nerestan-Middleton (Act I only), Davenport (remainder of play); Orasmin-Macready; Chatillon-Hull; Melidor-Thompson; Selima-Miss Chapman; Zara-Mrs Pope.

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.
Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Performance Comment: See16601011 Othello-Burt?; Iago-Clun?; A Prologue to introduce the first Woman that came to act on the Stage, in the tragedy called The Moor of Venice-.
Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: Post Boy, 13-15 Sept.: On Tuesday, the 7th [sic] instant, in Drury-Lane, when the Players were just going to act, but were, by Order from their Superiors, stopp'd from farther Proceeding; so that they were, to their great Mortification, forced to dismiss their publick Auditors. [See also Female Tatler, 12 Sept.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: . Advertised but probably not acted; The announced cast: Kite-Pack; Ballance-Keene; Plume-Powell; Brazen-Bickerstaffe; Worthy-Booth; Pearmain-Norris; Appletree-Carnaby; Bullock-Leigh; Silvia-Mrs Moor; Melinda-Mrs Bradshaw; Rose-Mrs Bicknell.
Event Comment: A new Tragedy. [By Anthony Brown.] A Compleat List (1747), pp. 182-83: With no Success, which the Friends of the Author imputed in a great Measure to Mr Quin's refusing to act a Part in it; whereupon, to shew their Resentment, he did not appear on the Stage for some Nights without being hissed or houted at

Performances

Mainpiece Title: The Fatal Retirement

Performance Comment: Parts-Milward, Mill, Wright, Berry, Ridout, Mrs Giffard, Mrs Butler, Mrs Mills; but edition of 1739 lists (As it was Intended to have been Acted): Artamon-Mills; Lanertes-Milward; Ceron-Berry; Pravamor-Wright; Arcano-Ridout; Semandra-Mrs Giffard; Leonora-Mrs Mills; Sabia-Mrs Butler; Prologue-Wright; Epilogue-Mrs Clive.
Event Comment: Benefit Mr Connor, who kept the Key and Garter Tavern in Pall-Mall. Written by the late Mr Addison, and Set to Musick by Mr Arne. Reduced to Two Acts. 6:30 p.m

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Event Comment: Mainpiece: Reviv'd. Not acted these 10 years (see 14 May 1744]. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Palmer; Fainall-Havard; Witwood-Woodward; Sir Wilful-Yates; Petulant-Shuter; Waitwell-Layfield; Mrs Marwood-Mrs Clive; Lady Wishfort-Mrs James; Mrs Fainall-Mrs Willoughby; Foible-Mrs Green; Mincing-Miss Minors; Millamant-Mrs Pritchard; In Act IV, a Comic Dance-McNeil, Mad Cupis Camargo.

Afterpiece Title: Lethe

Performance Comment: As17500918, but no characters listed.

Dance: II: Country Amusements, as17501102; End: Running Footman's Dance, as17501020

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Havard; Leonato-Berry; Don John-Winstone; Claudio-Palmer; Antonio-Simpson; Friar-Burton; Borachio-Blakes; Dogberry-Taswell; Balthazar (with a proper song)-Beard; Verges-Shuter; Conrade-Mozeen; Town Clerk-R. Vaughan; Sexton-Ray; Hero-Mrs Willoughby; Margaret-Mrs Havard; Ursula-Miss Minors; Beatrice-Mrs Pritchard; In Act II, a Masquerade Dance-; To Conclude with a Country Dance-the characters of the play.

Afterpiece Title: The Lottery

Event Comment: Benefit for Dunstall and Usher. Mainpiece: Acted but once these 10 years. [See 13 April 1748, and 4 Feb. 1746.

Performances

Mainpiece Title: Fair Quaker Of Deal; Or,the Humours Of The Navy

Performance Comment: Worthy-Ryan; Rovewell-Gibson; Sir Charles-Ridout; Easy-Richard; Cribbage-Anderson; Purser-Redman; Jilt@up-Mrs Bambridge; Advocate-Miss Ferguson; Bar Maid-Miss Morrison; Commodore Flip-Dunstall; Boatswain-Marten; Jack Rattling-Collins; Tom Bowling-Bencraft; Spritsail-Bennet; Coxen-Paddick; Swabber-Holtham; Mizen-Dyer; Arabella-Mrs Dunstall; Belinda-Miss Haughton; Jenny Private-Miss Pitt; Fair Quaker-Mrs Barrington; In II Singing the Famous Sea Song of Ninety@Two-; In Act III, Hornpipe-Phillips.

Afterpiece Title: The Contrivances

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon, 1st appearance on the English Stage these 5 years; Beggar-Castle; Lockit-Bransby; Player-Mozeen; Lucy-Mrs Clive; Mrs Peachum-Mrs Parsons, 1st appearance; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; Peachum-Moody; Mat@o@Mint-Blakes; Filch-Parsons, 1st time; In Act III,Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: [Farce is two acts from the opera of the same name. Books of the opera to be had at the Theatre. See 28 Nov. 1764.

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Miss Slack, Miss Young, Mrs Clive, Miss Wright; Act I, of the Entertainment, a Dance call'd the Faggot Binders-Aldridge, Miss Baker.
Event Comment: Benefit for Mrs Pritchard. Part of pit laid into boxes. House charges #61 4s. [Profit to Mrs Pritchard #68 8s.] Lent to Mr Johnston, Prompter, by order #2 2s.; Paid to James Aickin on his note #40; Paid Poor's rate (1!2 year for St Martin's) #20 4s.; Salary list #294 2s. 8d. (Treasurer's Book). Receipts: #129 12s. (Treasurer's Book). Went to see Macbeth for Mrs Pritchard's Benefit. Got a good seat in the Pit, which was not full for half an hour after I went, tho part of it was laid into the boxes. Read the Public Advertiser of Today' and part of London Chronicle before the play began...Dance of the Furies in the 4th Act, and end of the Play (Neville MS Diary)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Holland; Duncan-Bransby; MacDuff-Havard; Ross-Aickin; Malcolm-Packer; Banquo-Palmer; Seaton-Ackman; Seyward-Moody; Hecate-Champnes; Witches-Burton, Love, Baddeley; Lady MacDuff-Mrs Bennet; Lady Macbeth-Mrs Pritchard; Vocal Parts-Vernon, Champness, Mrs Vincent, Miss Young; In Act IV, a Dance of Furies-.

Afterpiece Title: The Guardian

Dance: End: The Vintage, as17661011

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: Act I: A Comic Dance, The Wake, as17680929

Event Comment: Benefit for Miss Pope. Part of Pit laid into Boxes. Mainpiece: Not acted in 10 years. [But see 24 April 1760.

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Performance Comment: Capt. Clerimont-Reddish; Humphrey Gubbin-Dodd; Sir Harry-King; Tipkin-Parsons; Clerimont, Sen-Packer; Pounce-Baddeley; Mrs Clerimont-Miss Younge; Mrs Tipkin-Mrs Love; Fainlove-Mrs Jeffries; Jenny-Miss Platt; Biddy Tipkin-Miss Pope; In Act IV: a Song-Master Brown.

Afterpiece Title: A Trip to Scotland

Dance: IV: The Rabbit Sellers, as17691228

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 3 years. [See 2 May 1767.] Charges #64 5s. Deficit to the DuBellamy's #2 4s. covered by #142 7s. from tickets (Box 314; Pit 393; Gallery 49) (Account Book). Receipts: #62 1s

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Gibson; Hearty-Reinhold, first time; Springlove-Hull; Clack-Shuter; Randal-Dunstall; Oliver-Dyer; Hilliard-DuBellamy; Vincent-Mattocks; Patrico-Morris; Amie-Miss Valois, first time; Meriel-Mrs Baker; Rachel-Mrs Pinto; In Act II: The Original Crutch Dance-.

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Old Ground Young, as17700501; with an Allemande, as17700501

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Parsons; Hilliard-Bannister; Vincent-Davies; Beggars-Wright, Waldron, Kear, Booth, Messink, Mrs Bradshaw, Mrs Love; Meriel-Miss Rogers; Rachel-Miss Radley; In Act I, a Crutch Dance-.

Dance: End: A Comic Dance-two children, scholars of Daigville

Event Comment: Afterpiece: Not acted these 2 years. [See 27 April 1770.] Paid Younger #2 2s. for license for Fairy Prince. Paid for 2 fifes 4s. Advanc'd Mr Bulkley as per Note #130 (Account Book). Receipts: #198 13s. (Account Book)

Performances

Mainpiece Title: Timanthes

Performance Comment: Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Morris; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; In Act III: a Procession-; the vocal parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox.

Afterpiece Title: The Apprentice

Monologue: Entertainment True Blue. As 9 Nov