SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A Dramatic Masque not acted these two years. Receipts: #70 (Cross)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: Written by Dryden. Not acted in 20 years. Receipts: #70 (Cross)

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Afterpiece Title: The Double Disappointment

Event Comment: Mainpiece: Not acted these 4 years. [See 10 Feb. 1750.] We have advice that the John (Capt Smith) from Leith, which was supposed to be lost, got into Gottenburgh on the first of this month. The vessel had several passengers on board, among others Mr Gibson belonqing to Covent Garden Theatre

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Sir John Vanbrugh not acted these 6 years. [See 27 Feb. 1748.

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit At the particular desire of several persons of quality for Mr Cibber. Mainpiece: Not acted these 8 years [see 15 Feb. 1746]. N.B. The Boxes not being equal to the demand for places, Servants will be allow'd to keep places on the stage, which for the better accommodation of the Ladies, and to preserve the Decorum of the Play, will be enclosed in the manner of an amphitheatre. Ladies are desired to send servants by 3 o'clock. Tickets to be had at White's Chocolate House, St James's, and at the stage door (playbill). For Th: Cibber a prisoner in ye King's Bench--he did Wolf and ye Epilogue of Nobody. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Non-juror

Afterpiece Title: The Double Disappointment

Dance: II: A Hornpipe-the Little Swiss; V: L'Entree de Flore, as17521122

Event Comment: Mainpiece: Not acted these 5 years. [See 2 May 1750.

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Harlequin Sorcerer

Event Comment: This day publish'd The Gamester, a Tragedy, as it was acted at Drury Lane. Printed for R. Franklin...and sold by R. Dodsley. Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Genii

Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: Benefit for Mrs Clive-She did Zara (Cross). Farce (not acted these 2 years) with Alterations and an Additional Scene. Part of Pit laid into Boxes. [None behind scenes.] Tickets of Mrs Clive in Henrietta St., Covent Garden, and at The Stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Bayes in Petticoats

Event Comment: Benefit for Sparks. Mainpiece: Not acted these 2 years. [See 3 Feb. 1750.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The What D'ye Call It

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Yates. Afterpiece: By Desire. Not acted this season. [Cross lists no Receipts.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance, as17530402 V: L'Entree de Flore, as17530324

Song: III: Beard

Event Comment: The Lord Chamberlain to the Manager of the Theatre in Covent Garden...These are strictly to charge and command you not to act any Plays, Oratorios, or any other Theatrical Performance in Passion Week for the Future on any Pretence whatsoever (Deutsch, Handel, p. 740, from Public Record Office: L.C. 5@162, pp. 2 ff.). [Deutsch cites similar ones for dl, king's and hay.

Performances

Mainpiece Title: Samson

Event Comment: Benefit for Mrs Elmy. [The Public Advertiser included a full-column quotation from Henry VIII, Act V, scene iii, as a "true and lively image of Conscious Virtue' injuriously attacked." Cranmer: I humbly thank your highness...along with a paragraph of praise of Shakespeare.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Flora

Song: IV: Smiling Dawn out of Jeptha-Mrs Chambers

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Blakes and Mrs James. Mainpiece: Acted but once these three years. Tickets to be had of Blakes at his House in Duke's Court, near Broad Court, Bow St. Covent Garden; of Mrs James in Little Wild St., Lincoln's Inn Fields; and at stage door. Receipts: #270 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Devil to Pay

Dance: IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: Benefit for Raftor, G: Burton & Boucher (Cross). Mainpiece: Not acted these four years. [Boucher-Sub-treasurer.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Bayes in Petticoats

Song: II: Beard

Dance: III: A Hornpipe-Morris, the Little Swiss; End of Farce: Scots Dance- (see17530501)

Event Comment: Benefit for Scrase, Mozeen and Hayes. Mainpiece: Acted but twice these two years, and for last time this season. [Hayes was Pit-Office-Keeper]. Receipts: #160 (Cross)

Performances

Mainpiece Title: Comus

Afterpiece Title: A Duke and no Duke

Event Comment: Benefit for Simson Mrs Simson and Master Simson. Afterpiece: Acted there but once. Tickets to be had of Simson, in Wild-Passage, Wild St., near Lincoln's Inn Fields; Grigsby's Coffee House, behind the Exchange; and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Performance Comment: See17530324 but Occasional Prologue-Miss Bellamy; Oberon-Master Simson; Cynthia-Miss Simson; Statue-The Little Swiss; To conclude with a Minuet-the two principal characters of the Farce.

Dance: DDance of Furies-Devisse, others

Song: A Song-Wilder

Event Comment: Benefit for White (Treasurer). Mainpiece: Not acted these 3 years. [See 1 May 1751.

Performances

Mainpiece Title: Julius Caesar; With The Deaths Of Brutus And Cassius

Afterpiece Title: The Lover His Own Rival

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Dunstall and Mrs Dunstall. Mainpiece: Acted but once these 14 years [see 4 May 1748]

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Devil to Pay

Dance: LLes Charboniers, as17521028

Event Comment: Mainpiece: Acted but once these 8 years. [See 24 April 1753, and 15 Feb. 1746.] Receipts: #60 (Cross)

Performances

Mainpiece Title: The Non-juror

Afterpiece Title: The Devil to Pay

Dance: HHornpipe-Mathews, the Little Swiss

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Ranger

Event Comment: Mainpiece: As written by Shakespeare. Not acted in 5 years. [See 11 Nov. 1748.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Event Comment: [Concerning Mrs Elmy's acting of Desdemona, the Gentleman's Magazine (Oct., p. 493) quotes the Monitor: And no part has been better represented in our memory, and indeed we scarce knew what it was before she acted it."

Performances

Mainpiece Title: Othello The Moor Of Venice

Afterpiece Title: Harlequin Sorcerer

Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Lottery

Event Comment: Mainpiece: Not acted these 10 years. Written by the late Mr Farquhar

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Madam Camargo