SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Not acted these 8 years

Performances

Mainpiece Title: The False Friend

Afterpiece Title: Damon and Phillida

Dance: As17520127

Event Comment: Suppos'd Garrick's Benefit (Cross). This day publish'd at 1s. Every Man in his Humour, a Comedy written by Ben Johnson [sic] with alterations and additions, as it was perform'd at Drury Lane (General Advertiser). [Inspector No 298 comments on a blemish in the performance of Richard III, where the character of the Lord Mayor has Buffoonry in the handling." Taswell frequently acts it thus, but perhaps is not to blame, the decision as to the manner of the part probably having been made by the Manager (Daily Advertiser and Literary Gazette, 13 Feb.)] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Chaplet

Event Comment: Mainpiece: Not acted these 7 years. [See 12 Nov. 1745.] Very Dull Play & No Garrick (Cross). We hear the Comedy of the Comical Lovers will be reviv'd for the benefit of Mrs Clive on Monday, 9 March; to which will be added, Miss in her Teens, the part of Fribble by Garrick, being the only time of his performing it this season. Receipts: #100 (Cross)

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Lying Valet

Dance: GGrand Provincial Dance, as17520204

Performances

Mainpiece Title: The Old Woman's Oratory 1

Performance Comment: As17520204, Castle Tavern, but, Act II, 4. New Occasional Prologueby a Gentleman of the University-; . .

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales. We hear that His Royal Highness the Prince of Wales, with Prince Edward will be this night at Covent Garden, to see the tragedy of Romeo and Juliet, and Harlequin Skeleton. On Tuesday 3 March, will be reviv'd a Tragedy call'd Macbeth (as written by Shakespear) the part of Macbeth by Barry, and Lady Macbeth by Mrs Cibber, being the first time of her appearing in that character. To which will be added the Oracle, a new Dramatic piece (of one act) taken from the French, the Principal Part to be perform'd by Mrs Cibber. Pit and boxes laid together

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Event Comment: Mainpiece: Written by Sir John Vanbrugh. Not acted these seven years. [See 19 Nov. 1746.

Performances

Mainpiece Title: The Mistake; Or, The Lover's Quarrel

Related Works
Related Work: The Perplex’d Couple: or, Mistake upon Mistake Author(s): Chalres Molloy

Afterpiece Title: Harlequin Sorcerer

Event Comment: [If this were the announcement of a bona fide concert, there would be no infraction of the Licensing Act. The singers are not named, as they usually are in advertisements of musical entertainments.] Benefit for Brown. Boxes 3s. Pit 2s. Gallery 1s. No persons to be admitted without tickets

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick, Etc

Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted in seven years [see 7 May 47]. Altered from Dryden by Colley Cibber, Esq. Part of Pit laid into boxes. Amphitheatre on Stage. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: Miss in Her Teens

Song: III: Mattocks

Dance: IV: Mad Auretti

Event Comment: Benefit the Gentleman who acts the part of Glaud

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit for the Gentleman and Gentlewoman who act the Parts of Jenny and Bauldy

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: MMrs Cibber's New Entertainment call'd the Oracle, which was acted last Tuesday for her benefit, met with the most general applause; and she is thought to excel in the character of Cinthia, as much as any she ever performed

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit Mause, Madge. On Tuesday Evening several Performers by an order from the Lord Chamberlain were taken up for acting Plays, or Drolls, at Shepherd's Market, May Fair, and carried before a Magistrate who committed them to Prison on the Vagrant Act (General Advertiser)

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King-Sowdon; Wolsey-Mossop, 1st time; Buckingham-Ross, 1st time; Norfolk-Palmer; Suffolk-Blakes; Surrey-Lee; Cranmer-Havard; Gardiner-Taswell; Sandys-Shuter; Lord Chamberlain-Winstone; Anne Bullen-Mrs Mills; Queen-Mrs Pritchard; Cornwell-Mozeen; Patience (with a proper song)-Miss Norris. Exact representation of the Coronation.

Afterpiece Title: Don Quixote

Event Comment: Benefit for Ridout. Afterpiece: Acted for the last time but one. Tickets deliver'd out by Mr Stephens will be taken

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Oracle

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for Mrs James and Miss Minors. No building on stage. Tickets of Mrs James at her lodgings at Mr Saunder's Carpenter, in Little Wild St., Lincoln's Inn Fields; Miss Minors' at Mr Nicholl, a Baker in Catherine St., and at stage door. An Information was given to Henry Fielding, Esq; that a Set of Barber's apprentices, journeymen staymakers, maid-servants, &c. had taken a large Room at the Black Horse in the Strand, to act the tragedy of The Orphan; the Price of Admittance One Shilling. About eight o'clock the said Justice issued his warrant, directed to Mr Welch, High Constable, who apprehended the said actors, and brought them before the said Justice, who, out of compassion to their youth, only bound them over to their good behavior. They were all conducted through the streets in their Tragedy Dresses, to the no small Diversion of the Populace. (General Advertiser). Receipts: #138 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Event Comment: Benefit for Stede, Cushing, Redman and Bennet. Mainpiece: Not acted these seven years. [See 21 April 1748.

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Contrivances

Dance: II: Two Pierrots, as17520415 III: Grand Comic Ballet, as17511216; V: Drunken Peasant-Phillips; with Clown-Bennet

Song: IV: If Love's a Sweet Passion-Mrs Chambers

Event Comment: Mainpiece: Not acted these 2 years. [See 8 May 1751.

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Contrivances

Event Comment: Mainpiece: Not acted these 4 years [see 5 Oct. 1748]. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. [A customary note for the remainder of the season.

Performances

Mainpiece Title: The True And Ancient History Of King Lear, And His Three Daughters

Afterpiece Title: Perseus and Andromeda

Event Comment: Mainpiece: Not acted this season. On Monday Next, Hamlet, On Tuesday will be reviv'd The Silent Woman-dress'd in the Habits of the time. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Queen Mab

Dance: LLes Bucherons, as17521017; Les Tonneliers de Stratsburgh, as17521017

Event Comment: Mainpiece: Not acted these 15 years. Written by Ben Johnson. The characters New Dress'd after the Manner of the Times. Receipts: #14O (Cross)

Performances

Mainpiece Title: Epicaene; Or, The Silent Woman

Dance: Devisse, Mlle Auretti, Ferrere, Piettro, Miss Rayner

Event Comment: Mainpiece: Not acted these three years. Receipts: #160 (Cross)

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discovered

Afterpiece Title: Lethe

Event Comment: Afterpiece: Not acted these 4 years. Full prices. [See 10 March 1750.] Mr Maddox ye Ballance Master perform'd [on the rope] in it. Great Expectations not answer'd (Cross). [See ridicule of this afterpiece at dl 6 Nov. and the summary account of the disturbance it produced, as recorded in the Gentleman's Magazine (Nov. 1752, p. 535): The Town had been allured to Covent Garden by a wire dancer and some strange animals, which the manager brought together from Sadler's Wells and the Fair. Mr Garrick ridiculed this perversion of theatrical entertainment, by exhibiting a mock entertainment of the same kind. At this the town was offened, and a party went one evening determind to damn it; a person of some distinction [Fitzpatrick] who was very busy in this laudable attempt threw an apple at Woodward and hit him. Woodward resented the blow by some words, which, by the gentleman's account, implied a challenge, but by Woodward's no such thing. Woodward's account is confirm'd by the affidavits of many; that of the gentleman only by his own, though the box in which he sat was full. The Inspector espoused the cause of the Gentleman; and the Covent Garden Journalist of the comedian.'

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Fair

Performance Comment: Principal characters-Lunn, LaLauze, Bencraft, Mrs Dunstall, Miss Haughton; The Dances-Cooke, Grandchamps, Mlle Camargo.
Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: Not acted these 4 years [see 16 Feb. 1750]

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Fair

Dance: As17521028