Event Comment: Benefit for Mrs Bulkley. Afterpiece: Never Perform'd There. Charges #64 5s. Balance to Mrs Bulkley #26 13s. 6d. plus #90 18s. in tickets (Box 252; Pit 186). Receipts: #90 18s. 6d. (Account Book)

Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Event Comment: Oratorio Never performed. Music entirely new. Composed by Mr Arnold. Charges: #35

Event Comment: Oratorio from the Italian of Metastasio. Never Performed. The Music by Sg Jomelli With additional Chorusses by Leo, Graun, and others. Servants permitted to keep places in the Front as well as Side Boxes. Books of the Performance to be sold there. Charges: #35

Event Comment: marly Benefit for Hook. Price 3s. Vocals in Concert by Mas. Cheney, Two Young Ladies who never appeared in public, and Mrs Barthelemon

Event Comment: Mainpiece: By Particular Desire. N.B. The Jubilee after this night will be laid aside for sometime. On Saturday, A New Comedy, never perform'd, call'd 'Tis Well It's No Worse

Event Comment: Ranger, Mr Garrick (Cross Diary). Tomorrow, A New Comedy, never perform'd, call'd 'Tis Well It's No Worse

Event Comment: Afterpiece: A Ballad Farce, never performed there, written by Fielding. New Music by Dr Arne. [This is Fielding's Miss Lucy in Town under a new title (Biographica Dramatica).

Event Comment: Afterpiece [by Colman and Arnold]: A Pantomime never perform'd before. With New Scenes, Machines, Dresses and Decorations. Nothing under Full Price will be taken. [Full prices throughout the run of the pantomime this season.

Event Comment: [A lengthy critique of the West Indian appeared in the St James's Chronicle. The author "never received more pleasure from any theatrical performance." Each character is analysed in terms of the naturalness of the sentiments it speaks.

Event Comment: Mainpiece: A Tragedy [by Hugh Kelly] never perform'd. The performance of Mrs Yates alone could have counteracted, for nine nights, its natural tendency towards damnation....A gentleman being asked, after one of the representations of this play, if he did not hiss it, replied "How could I? A Man can't hiss and yawn at the same time." (Biographia Dramatica.) [The advertisement to the 1771 edition thanks Mrs Yates, Bensley, Wroughton, "for their great good nature in undertaking their respective characters at the short notice of a week, when Mr Ross unexpectedly returned the part of Anselmo, which had been in his possession above a fortnight." This circumstance, continues the advertisement oblig'd Mr Bensley, cast for Palermo to undertake Mr Savigny's part, orginally Granville, Savigny taking Anselmo, and Wroughton Palermo." The play was brought on anonymously to avoid political repercussions associated with the name of the author.

Event Comment: Benefit for Mrs Lessingham. Mainpiece: (Never Perform'd) alter'd from Gay [The Distress'd Wife].Afterpiece: (By Particular desire and for the last time this season). Part of Pit will be laid into Boxes. Ladies send servants by half past 4 o'clock. [See afterpiece again on 6 May.

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: By Particular Desire. Afterpiece [comedy by Samuel Foote]: never perform'd there

Event Comment: Benefit for Evans (sub treasurer) and Mrs Dorman. [Afterpiece, never performed there, The Noble Pedlar; or, The Fortune Hunter, by George Saville Carey. Music Compos'd by Barthelemon.

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Event Comment: Theatrical Review, 8 Jan.: Mr Baddeley's conception of Polonius's character is just and natural, and in every respect apparently agreeable to the author's intention. It is worthy to be remarked, that through the whole, he never sports with propriety, or through wantonness, degrades, this loquacious old Courtier into a buffoon, as some we have seen have done. Receipts: #287 12s. (Treasurer's Book)

Event Comment: Mainpiece: A New Tragedy never performed before. This Tragedy was written by Mr Murphy & has great Merit, it is very carefully got up & well perform'd, & receiv'd uncommon Applause Mrs Barry Display great Tragick powers & receiv'd the vast Applause She merited--She will gain great Reputation in the part (Hopkins Diary). New Scenes, Dresses, Decorations. Theatrical Review, 26 Feb.: Mrs Barry rose beyond herself, if we may be allowed the expression, in the laborious Character of Euphrasia....The scenes and decorations were well adapted to the importance of the piece. The representation of the city of Syracusev, with a view of the sea; and the Temple scene, with the mausoleum, in particular are extremely well executed, and do credit to the theatre, and honor to the artists who designed and painted them. Paid two notes for Mr J. Aickin, per order #12 1s. 8d. (Treasurer's Book). Receipts: #251 7s. 6d. (Treasurer's Book)

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Event Comment: [Mainpiece advertised on this bill as Never Performed" (playbill).] Paid John Doe, John Claridge, and John Smith each #1 12s. 6d. for performing 13 nights in the Ass and the Hog [in Mother Shipton] to the 7th inst. (Account Book). [See account of damning of mainpiece in Town and Country Magazine (Theatre No. XXXV). Halfpennies and apples thrown at chandeliers and one broken.] Receipts: #243 6s. 6d. (Account Book)

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)