SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 2nd piece; Never acted here

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Grecian Daughter

Performance Comment: Evander-Bensley; Philotas-Bannister Jun.; Phocion-Aickin; Melanthon-Usher; Calippus-Gardner; Arcas-Davis; Greek Herald-Egan; Greek Soldier-R. Palmer; Officers-Kenny, Painter; Dionysius-Palmer; Erixene-Mrs Poussin; Euphrasia-Mrs Crawford.
Cast
Role: Arcas Actor: Davis

Afterpiece Title: Polly Honeycombe

Event Comment: Mainpiece: Never acted here. Afterpiece: With new Scenes, Dresses, and Decorations. Books of the Masque to be had at the Theatre

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Digges; Lycon-Aickin; Cratander-Gardner; Messenger-Davis; Officers-Kenny, Painter; Hippolitus-Bannister Jun.; Ismene-Mrs Cuyler; Attendant-Mrs Poussin; Phaedra-Mrs Crawford (1st appearance in that character these 6 years).
Cast
Role: Messenger Actor: Davis

Afterpiece Title: Comus

Event Comment: Mainpiece: Never acted here. [Staunton, who was from the Crow Street Theatre, Dublin, is identified in Westminster Magazine, July 1780, p. 397.

Performances

Mainpiece Title: Percy

Performance Comment: Percy-Palmer; Raby-Bensley; Sir Hubert-Aickin; Edric-R. Palmer; Harcourt-Davis; Douglas-A Gentleman (1st appearance in this Kingdom [Staunton]); Birtha-Mrs Poussin; Elwina-Mrs Crawford.
Cast
Role: Harcourt Actor: Davis

Afterpiece Title: Comus

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Event Comment: The Duke's Company. Pepys, Diary: Then to Whitefryars, and there saw part of Rule a wife have a wife, which I never saw before, but do not like it

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The King's Company. Pepys, Diary: To the Theatre, and there saw the latter end of The Mayd's Tragedy, which I never saw before, and me thinks it is too sad and melancholy

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Pepys, Diary: And so home to Sir W. Pen, who with his children and my wife has been at a play to-day and saw D'Ambois, which I never saw

Performances

Mainpiece Title: Bussy D'ambois

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates

Event Comment: Benefit for Digges. Afterpiece: Not acted these 2 years

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: Westmoreland Actor: Davis
Role: Salanio Actor: Davis
Role: Norfolk Actor: Davis

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Event Comment: At 5 went into the Pit to see Mrs Yates' first appearance on that stage....Hastings for the first time by Powell, but I like Barry better in that character....Mrs Bellamy always excelled in the character of Alicia. Jane Shore by Mrs Yates who far surpasses Mrs Dancer in that character...Woodward is the best Fine Gentleman [in the farce] I ever saw. Drunken man very well by Dunstall (Neville MS Diary). Receipts: #189 12s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Powell,1st time; Shore-Bensley,1st time; Catesby-Perry; Ratcliffe-Davis; Gloster-Clarke; Belmour-Gibson; Derby-R. Smith; Alicia-Mrs Bellamy; Jane Shore-Mrs Yates, 1st time on that stage.
Cast
Role: Ratcliffe Actor: Davis

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Old Man, Lord Chalkstone-Shuter; Aesop-Wignel; Mercury-DuBellamy; Charon-Bates; Frenchman-A Gentleman; Drunken Man-Dunstall; Bowman-Davis; Fine Lady-Mrs Green.
Cast
Role: Bowman Actor: Davis

Dance: IV: The Merry Sailors, as17671009; End: A New Pantomime Dance-Fishar, Sga Manesiere

Event Comment: Benefit for Wild. 1st piece: Not acted these 12 years. [acted 23 Feb. 1784]. 2nd piece [1st time; M. INT 1]. Morning Herald, 20 May: Tickets to be had of Wild, No. 34, Long-acre. Receipts: #274 12s. (149.10; 9.7; tickets: 115.15)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Marc Antony (Emperor of Rome)-Holman; Ventidius (the Roman General)-Harley (Their 1st appearance in those characters); Dollabella-Farren; Alexas-Davies; Serapion (Priest of Isis)-Hull; Cleopatra (Queen of Egypt)-Miss Brunton; Octavia (for that night only)-Mrs Pope (Their 1st appearance in those characters).

Afterpiece Title: An Harmonic Festival

Performance Comment: In which the Performers of the Concert of Ancient Music have obligingly offered their Assistance. The Wooden Walls of Old England (composed by Reeve)-Darley; As I saw fair Clora-Johnstone, Bannister; September 13th; or, The Siege of Gibraltar-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; How stands the glass around-Johnstone; Bless the true Church and save the King- (composed by Handel).

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.

Afterpiece Title: The Spanish Rivals

Event Comment: Afterpiece: A New Pantomime (never performed). The Music entirely new, by Fisher, New Scenes, Machines, Dresses, and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Nothing under FULL PRICE will be taken. [The note about full prices and availability of books of songs, &c. accompanies each subsequent bill for Sylphs this season. The Westminster Magazine (Jan. 1774) fears the afterpiece may have been composed by Woodward. The reviewer recounts the story in some detail, likes the paintings and scenery, but states categorically: "We do not hesitate to pronounce it the worst Harlequin entertainment we remember to have seen...The music too is very insipid and pilfered from other masters."] Receipts: #237 3s. 2d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Ratcliff Actor: Davis

Afterpiece Title: The Sylphs; or, Harlequin's Gambols

Performance Comment: Harlequin-Lewes; Principal Sylph-Miss Brown; Other characters-Quick, King, Wignell, Fox, Baker, Thompson, Banks, Wild, Harris, Davis, Hollingsworth, Mrs Pitt, Mrs Willems, Mrs Helme, Mrs White; Colombine-Miss Twist; The Dances-Fishar, Miss Valois, Miss Capon; To Conclude with a Capital Scene- never exhibited by Servandoni.
Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Parts by Powell, Clarke, Smith, Hull, Bensley, Mrs Lessingham, Mrs Yates. With a Prologue-; Epilogue-; Cyrus-Powell; Cambyses-Smith; Mithranes-Bensley; Astyages-Clarke; Harpagus-Hull; Mandane-Mrs Yates; Aspasia-Mrs Mattocks (1768 edn. The edn. lists Mirza-Davis, but Davis does not appear on the playbill, which lists Mrs Lessingham, though no part appears for her in the 1768 edn.). Mrs Lessingham played Aspasia according to the listing in Lloyd's Evening Post, 2 thru 5 Dec.

Afterpiece Title: Country Wife

Cast
Role: Dorilant Actor: Davis
Event Comment: Benefit for Davis and Perry. Charges #64 5s. Deficit to actors #25 7s. 6d. covered by income from tickets: Davis #77 7s. (Box 80; Pit 291; Gallery 137); Perry #53 19s. (Box 27; Pit 158; Gallery 235) (Account Book). Receipts: #38 17s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17690405 but Gloster-Clarke; Shore-Perry; Catesby-Fox; Belmour-Davis; Ratcliffe-R. Smith; Derby-Wignell.
Cast
Role: Belmour Actor: Davis
Role: Ratcliff Actor: Davis

Afterpiece Title: Miss in Her Teens

Performance Comment: Flash-Davis; Fribble-a Gentleman (who never appeared on this stage); Rhodophil-Perry; Jasper-Holtom; Puff-Dunstall; Tag-Mrs Green; Miss Biddy-Miss Ogilvie.
Cast
Role: Flash Actor: Davis

Dance: End: The Merry Sailors, as17680920

Event Comment: Morning Chronicle, 7 June: Foote caught cold on Wednesday last...Unwilling to disappoint the public [last night] he determined to play his part in The Devil upon Two Sticks, but, after he had ended the second act, was so much worse that he was obliged to retire...An apology was made to the audience, and Palmer undertook to read the remainder of Foote's part

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: Principal Parts by Foote, Jackson, R. Palmer, Fearon, Griffiths, Egan, Massey. T. Davis, Kenny, Hitchcock, Walker, Parsons, Mrs Jewell, Mrs Gardner. Cast adjusted from text (T. Cadell, 1778), and playbill of 13 Aug. 1779: Devil-Foote (1st two acts; 3rd act read by Palmer); Apozem-Jackson; Invoice-R. Palmer; Camphire-Fearon; Julep-Griffiths; Sligo-Egan; Sir ThomasMaxwell-Massey; Osasafras-T. Davis; Fingerfee-Kenny; Broadbrim-Hitchcock; Macpherson-Walker; Dr Last-Parsons; Harriet-Mrs Jewell; Margaret-Mrs Gardner. Prologue as17770515.
Cast
Role: Osasafras Actor: T. Davis
Role: Molly Actor: Mrs Davies

Afterpiece Title: Lilliput

Event Comment: Afterpiece: A Farce never performed there before

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Sparks; Copper Captain-Smith; Duke-Anderson; Cacafogo-Marten; Sanchio-Davis; Don Juan-Hull; Alonzo-Perry; Lorenzo-Holtom; Old Woman-Collins; Maid-Weller; Clara-Miss Helm; Ladies-Mrs Copin, Mrs Ferguson, Miss Davis; Altea-Mrs Pitt; Margaretta-Mrs Vincent; Estifania-Mrs Ward.
Cast
Role: Sanchio Actor: Davis
Role: Ladies Actor: Mrs Copin, Mrs Ferguson, Miss Davis

Afterpiece Title: Polly Honeycombe

Event Comment: Prologue by Garrick; Epilogue by Cumberland, spoken by Foote and Mrs Jewell. A Comedy Never performed [by Foote]. [Audience included Dr Johnson, Mr Colman, Mr Garrick, Dr Goldsmith, Mr Macpherson, Mr Stevens, Sir Joshua Reynolds, Lord Littleton....So much applause that the audience stopped the play and required one speech repeated (Theatrical Intelligencer).

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: Parts-Foote, Aickin, Fearon, Vandermere, Weston, Davis, Didier, Castle, Woodward, Mrs Fearon, first appearance; Mrs Collett, Mrs White, Mrs Jewell. Prologue and Epilogue. Flint-Foote; Billy Button-Weston; Sir Christopher Cripple-Woodward; Major Racket-J. Aikin; Jersey-Didier; Peter Poultice-Fearon; Jack-Vandermere; Philip-Davis; Sourgrouts-Castle; Lady Catherine-Mrs Fearon; Miss Linnet-Mrs Jewell; Mrs Linnet-Mrs Collet; Maid-Mrs White; Prologue-Foote; Epilogue-Mrs Jewell (Genest, V, 312).

Afterpiece Title: Miss in Her Teens

Dance: II: Double Hornpipe-Master West, Miss West

Event Comment: Mainpiece: A New Comedy (never performed) [by George Colman]. Paid Miller for performing 11 nights in The Sylphs #2 15s. Paid Mr Anderson for 2 suits of women's cloaths #21 (Account Book). [The mainpiece received a scourging review in the Westminster Magazine for Feb. 1774. Gibbon attended, "We dined at the Shakespeare and went in a body to support it....Though we got a verdict for our client his cause was but a bad one. It is a very confused miscellany of several plays and tales" (John Hampden@Journal, p. 18).] Receipts: #258 3s. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Performance Comment: Principal parts by Woodward, Shuter, Lewis, Kniveton, Davis, Owenson, Fox, Bensley, Lewes, Dyer, Quick, Cushing, Gardner, Thompson, Hamilton, Mrs Bulkley, Mrs Pitt, Miss Helme, and Mrs Green. With a Prologue and an Epilogue. Tropic-Woodward; Golding-Shuter; Beverly-Lewis; Capias-Kniveton; Lord Riot-Davis; Col. Rakish-Owenson; Sir Helter Skelter-Fox; Fable-Bensley; Denier-Lewes; Handy-Dyer; Check-Quick; Hazard-Cushing; Scanty-Gardner; Snap-Thompson; Cash-Hamilton; Lydia-Mrs Bulkley; Mrs Carlton-Mrs Pitt; Mrs Flounce-Mrs Helme; Mrs Golding-Mrs Green; With a Prologue-Woodward; Epilogue-Mrs Bulkley (Edition of 1774).
Cast
Role: Lord Riot Actor: Davis

Afterpiece Title: The Chaplet

Event Comment: [Mainpiece: new comedy in three acts by Bickerstaffe; but Act I, ii, written by Foote. Afterpiece: new musical farce by Bickerstaffe; music by Dibdin and others. An alteration from Dryden's Don Sebastian.

Performances

Mainpiece Title: The Doctor Last In His Chariot

Performance Comment: Parts-Foote, Arthur, Bannister, Sharpless, Weston, Sparks, Davis, Lings, Sowdon, Mrs Jeffries, Miss Ogilvie, Miss Rose, Mrs Gardner. Ailwou'd-Foote; Dr Last-Weston; Friendly-Sowdon; Hargrave-Davis; Wag-Bannister; Mrs Ailwou'd-Mrs Jefferies; Nancy-Miss Ogilvie; Polly-Miss Rose; Prudence-Mrs Gardiner; Prologue written by Garrick-Foote; Epilogue by the author-a five year old girl (Edition of 1769).

Afterpiece Title: The Captive

Dance: As17690515

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Usher, Gardner, Lamash, R. Palmer, Parsons, Massey, Davis, Griffin, Egan, Stevens, Kenny, Painter, Master Edwin, Palmer, Miss Sherry, Mrs Greville, Mrs Massey. [Cast from text (T. Cadell, 1778): Caratach-Digges; Penius-Aickin; Nennius-Usher; Suetonius-Gardner; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Macer-Massey; Decius-Davis; Drusius-Griffin; Curius-Egan; Soldiers-Stevens, Kenny, Painter; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; Daughters-Mrs Greville, Mrs Massey; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Decius Actor: Davis

Afterpiece Title: The Portrait

Event Comment: Benefit for Holland. [Farce is the first act of Taste (Foote) connected with a New additional act (never perform'd before) call'd Modern Tragedy written by Mr Foote, with a new character (Genest, IV, 661.] Holland's Bt. deferred till this date so that Mr Garrick may have time to be prepared in the Character of Mercutio" (Folger Bill). The new last act to Taste--great hissed--and almost d-d (Hopkins MS Notes)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Taste

Performance Comment: Lady Pentweazle-Foote; New Characters-Foote, King, Packer, Baddeley, Burton, Philips, Ackman, Three Performers who never appeared on any stage (pasteboard figures) (Genest, IV, 611). Parts listed in Larpent MS 194 are; Townly-; Manly-; Carmine-; Fustian-; Project-; Prompter-; Alderman Pentweazle-; Caleb-; Servant to Townly-; Boy to Carmine-.
Event Comment: The Duke's Company. Evelyn, Diary: I saw acted the 2d? part of the Siege of Rhodes: In this acted the faire & famous Comoedian call'd Roxalana for that part she acted, & I think it was the last; then taken to be the E. of Oxfords Misse (as at this time they began to call lew'd women) it was in Recitativa Musique

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.