SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mock"/1) | (@(roleclean,performerclean) "Mock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 602 matches on Performance Title, 157 matches on Roles/Actors, 106 matches on Performance Comments, 35 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Performances

Mainpiece Title: The Secret

Afterpiece Title: High Life below Stairs

Dance: As17980920, but Mock Minuet-Miss Mellon in place of Miss Pope

Performances

Mainpiece Title: The Red cross Knights

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Mock Doctor

Song: As17991114

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Dance: III: a Hornpipe-Garman; II afterpiece: Mock Minuet, as17991001

Ballet: End: The Scotch Ghost. As17991202, but added The Lady of Dunblain-Mlle Privot (1st appearance)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Mock Doctor

Song: As17991213

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Mock Doctor

Song: Vocal Parts, as17991213, but _Willoughby, _Bardoleau, _Clark, _Mead, _Elliot, Ms _Jacobs, Ms _Butler, Ms _Saunders, Ms _Gawdry, Ms _Benson, Ms _Coates

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Diversions of the Morning

Entertainment: S+Specialty.II: An Ode in Honour of the Anti@Gallicans written by Mr Boyce-Beard

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: Positively the last night but one of Mr Foote's company performing this season. By permission of the Lord Chamberlain. A new mock Tragedy of three Acts. Tickets delivered out by Davis and Griffiths will be taken. Twenty box Tickets for the above mock Tragedy being taken out of a lady's pocket at Marybone 27 Aug., those sold at the doors will not be admitted

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: The Busy Body

Event Comment: Afterpiece: By desire. Last time of the company's performing this season. [The Epilogue recites the mock burial of this King of Brentford reviewing certain high points of his management. A mock heroic written by Colman and printed in the Gentleman's Magazine for June 1774 (p. 280). He sold his share for #20,000, which was #5,000 more than he paid for it. (See Page, George Colman, The Elder.) Rec'd half value of ticket returns from 13 servants amounting to #98 3s. 6d. Receipts: #124 8s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Midas

Entertainment: After Opera: the Last New Occasional Epilogue, on the Departure of the Manager,-Miss Barsanti

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: High Life below Stairs

Performance Comment: Duke's Servant (for that night only)-Lewis; Lovell-Munden; Sir Harry's Servant (with a Mock Minuet)-Blanchard; Philip-Wilson; Freeman-Macready; Tom-Cubitt; Robert-Thompson; Coachman-[C.] Powell; Kingston-Cross; Lady Charlotte-Miss Stuart; Cook-Mrs Davenett; Lady Bab-Mrs Rock; Kitty (with a song and mock Minuet, for that night only)-Mrs Pope.

Dance: As17901204

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: High Life below Stairs

Performance Comment: Duke's Servant (for that night only)-Lewis; Lovell-Munden; Sir Harry's Servant (with a Mock Minuet)-Knight; Philip-Davenport; Freeman-Macready; Tom-Rees; Robert-Thompson; Coachman-Powel; Lady Charlotte-Miss Logan; Cook-Mrs Norton; Lady Bab-Mrs Davenport; Kitty (with a song and Mock Minuet, for that night only)-Mrs Pope.

Entertainment: Monologue.End: Collins's Ode on the Passions (1st and only time)-Mrs Pope

Song: After the monologue: My Mother had a Maid called Barbara (words by Shakespeare, music by Shield)-Incledon, Bowden, Townsend, Linton, Mrs Clendining; The Minstrel's Song [Where is that tow'ring spirit fled?] from The Days of Yore-Mrs Clendining; [accompanied on the harp-Weippert; O why to be happy (music by Shield)-Incledon, Linton, Bowden; Ye Gentlemen of England-Incledon, Bowden, Townsend, Linton

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Performance Comment: Lord Duke-Lewis; Lovel-Munden; Sir Harry (with the Mock Minuet)-Betterton; Freeman-Clarke; Phillip-Davenport; Tom-Rees; Robert-Thompson; Coachman-Powel; Lady Charlotte-Mrs Follett; Lady Bab-Mrs Gilbert; Cloe-Mrs Masters; Cook-Mrs Norton; Mrs Kitty (with the Song, and Mock Minuet)-Mrs Abington.

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: Luttrell, A Brief Relation, II, 565, 15 Sept. 1692: Last Tuesday the lord mayor sent his officersito cry downe the faire, the actors of the drolls having presumed to act the earthquake in Jamaica with scenes, and to make a droll of it. Evelyn, Diary, 15 Sept. 1692: This, of Jamaica, being prophanely & Ludicrously represented in a peppet play or some such lewd pass-time in the Faire at Southwarke, caused the Queene to put-downe & abolish that idle & vicious mock-shew

Performances

Event Comment: Rich's Company. There is no certainty as to the date of the first performance, and the play has been sometimes assigned to mid-summer 1697 because the Preface refers to a summer production and the play was printed in 1697. Nevertheless, the presence of Verbruggen in the cast suggests that the summer of 1696 is more likely, as Verbruggen left Drury Lane on 1 Jan. 1696@7 and thereafter appeared at Lincoln's Inn Fields. Preface, Edition of 1697: Amongst a number of New Plays that of late have crowded the Stage.... As it is, it may bear up in the Winter, notwithstanding the little Encouragement it met with at its first Appearance from a thin Town, and the Scarcity of Money. A Comparison Between the Two Stages (1702): Sullen: Unhappy Kindness, the same Author's [as of Mock Marriage], but very word stole. Ramble: The success? Sullen: Damn'd

Performances

Mainpiece Title: The Unhappy Kindness Or A Fruitless Revenge

Event Comment: Benefit Miss Norsa. At the Desire of several Persons of Quality. Written by the late Mr Gay. Receipts: money #55 4s.; tickets #86 19s. [For a discussion of Rich's treatment of The Mock Lawyer, see Grub St. Journal, 26 April.

Performances

Mainpiece Title: The Beggars Opera

Dance:

Performances

Mainpiece Title: The Constant Couple

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Performance Comment: III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025.

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027

Performance Comment: III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027.

Performances

Mainpiece Title: Volpone

Music: Select Pieces

Dance: I: Let Polichinelles by Janno and F. Tench. II: Clown by Nivelon. III: Whim by F. Tench and Miss Mann. IV: Scaramouch by Janno. V: Mock Minuet, as17331027

Performance Comment: Tench. II: Clown by Nivelon. III: Whim by F. Tench and Miss Mann. IV: Scaramouch by Janno. V: Mock Minuet, as17331027.

Performances

Mainpiece Title: The Alchymist

Music: Select Pieces composed by Corelli, Vivaldi, Geminiani, Handel

Dance: I: Le Watteau by Miss Robinson alone. II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: La Bagatell by Essex and Miss La Tour. IV: Mock Minuet, as17331027 V: Les Bergeries, as17331108

Performance Comment: II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: La Bagatell by Essex and Miss La Tour. IV: Mock Minuet, as17331027 V: Les Bergeries, as17331108.