SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Rose"/1) | (@(roleclean,performerclean) "Mme Rose")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 658 matches on Performance Comments, 302 matches on Performance Title, 148 matches on Event Comments, 127 matches on Author, and 40 matches on Roles/Actors.
Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Cast
Role: Ines Actor: Mme Banti

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Event Comment: Benefit for Mme Rossi. Tickets to be had of Mme Rossi, No. 80, near the Opera-house, Hay-market

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

Event Comment: Benefit for Mme Simonet. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

Event Comment: Alceste is unavoidable postponed on account of the indisposition of Mme Mara. Receipts: #246 11s. 6d. [non-subscription]

Performances

Mainpiece Title: Giannina E Bernardone

Dance: End I: Divertissement, as17870116; End Opera: an allegorical Ballet, composed by Hus, divided into 3 Quadrilles, L'Heureux Evenement-Goyon, Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 16 Dec.] Sga Zuchelli being extremely ill, Mme Simonet has had the Complaisance, that the Public might not be disappointed, to offer to dance in all the Ballets this Evening

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amusemens Champetres-Mme Simonet, Zuchelli, Vallouy@le@cadet; End I: Les Amans Heureux-Vallouy, Mme Simonet, Zuchelli, Vallouy@le@cadet; End Opera: Grand Serious Ballet, as17761130, but Sga _Zuchelli, Vallouy@le@cadet; Passacaile, as17761130;Chaconne, as17761130

Music: As17761214

Event Comment: Benefit for Mons and Mme Simonet. Tickets to be had of Mons and Mme Simonet at Leary's, No. 232, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: L'Amour dans la Vendange, as17780519; End II: The Masquerade Ballet-; in which a Minuet-Mme Simonet en homme, or in man's dress,, Mlle Baccelli; End Opera: La Serenade Interrompuee, as17780224; in which the Minuet Dauphin-Mme Simonet in man's dress, Mlle Banti

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

Performance Comment: [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.] hathi. hathi.
Cast
Role: Campaspe Actor: Mme Simonet.
Event Comment: Benefit for Mme Perignon. Tickets, half a guinea each, to be had of Mme Perignon, in the Court, No. 83, Pall-mall. Receipts: not listed

Performances

Mainpiece Title: Virginia

Performance Comment: See17870417, but Icilius-Rubinelli; Virginia-Mme Mara.
Cast
Role: Virginia Actor: Mme Mara.

Dance: End I: a new Divertissement in the Pastoral Style, La Jardiniere-; in which a new Pas de Trois-Goyon, Mlle Mozon, Mme Perignon; End Opera: an entirely new ballet, composed by Hus, Sylvie-Goyon, Gricourt, Laborie, Mlle Mozon, the two Miss Simonets, Mme Perignon

Event Comment: Benefit for Mme Theodore D'Auberval. Tickets to be had of Mme Theodore D'Auberval, No. 52, Poland-street, Oxford-road. 2nd ballet: With new Decorations painted by Munich [recte Moench], late painter to the Theatre in the Haymarket, and new Machinery by Bernard. The Dresses entirely new, invented and executed by Lupino

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fille Mal Gardee, as17910430; End Opera: a new Pantomime Ballet in 3 acts (composed by D'Auberval) Le Siege de Cythere-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, Mlle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval. [For assignment of parts see17910517.

Event Comment: Benefit for Mme Banti. A Serious Opera, 1st time in this country [1st performed at Naples, 1792]; the Music by Paisiello. Tickets to be had of Mme Banti, No. 3, Hay Market

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]: Adelvolto-Viganoni; Egardo-Benelli; Orgando-Rovedino; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Elfrida Actor: Mme Banti

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Event Comment: Benefit for Vallouis and Mme Vallouis, with two new Dances composed by Mr Vallouis

Performances

Mainpiece Title: La Marchesa Giardiniera

Dance: I: Chaconne-Mlle Baccelli; (by Particular Desire) a Minuet-M and Mme Vallouis; II: Ballet Pastorale et Pantomime-M and Mme Vallouis

Ballet: End Opera: Grand Ballet Tragique called Oreste et Electre. Oreste-Vallouis; Electre-Mme Vallouis; Clytemnestre-Mlle Baccelli

Performance Comment: Oreste-Vallouis; Electre-Mme Vallouis; Clytemnestre-Mlle Baccelli.
Cast
Role: Electre Actor: Mme Vallouis

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

Performance Comment: , Sga Crespi, Mlle Theodore, Mme Simonet .
Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1790]); the music by Anfossi, with 2 additional songs in the 2nd act by Mme Banti, the 1st composed by Piccinni, the last by Naumann. With entire new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Zenobia In Palmira

Performance Comment: Principal Characters-Rovedino, Braghetti, Brida (1st appearance in this country), Neri (1st appearance in this country), Mme Banti, Sga Colombati. Cast from Larpent MS 1049: Oraspe-Rovedino; Licinio-Braghetti; Aureliano-Brida; Arcase-Neri; Zenobia-Mme Banti; Publia-Sga Colombati.
Cast
Role: Zenobia Actor: Mme Banti

Dance: End I: Divertisement-[See17941206]; End II: a new Petit Ballet by Onorati L'Espiegle Soubrette[; ou, Le Tableau Mouvant-Gentili, Lahante, Aumer, Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Rose

Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose
Related Work: The Family Compact Author(s): John Rose
Related Work: The Prisoner Author(s): John Rose
Related Work: Caernarvon Castle; or, The Birth of the Prince of Wales Author(s): John Rose
Related Work: The Fairy Festival Author(s): John Rose
Event Comment: Benefit for Mons and Mme Simonet. Public Advertiser, 28 Mar.: Tickets to be had of Simonet, at Leary's, near the White Bear, Piccadilly

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Les Amans Heureux, as17770104; End II: Divertisement-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: New Ballet (composed by Simonet)-Simonet, Mlle Baccelli, Mlle DeCamp, Sg and Sga Zuchelli; in which, particularly a grand Chaconne in two Parts, habille en homme-Mme Simonet

Event Comment: Benefit for Mons and Mme Vallouy. Public Advertiser, 3 May: Tickets to be had of Vallouy at his house, No. 2, Berkley-square

Performances

Mainpiece Title: Il Geloso In Cimento

Dance: End I: new Comic Dance, Le Culte d'Amour(composed by Vallouy)-Vallouy, Mlle DeCamp, Vallouy@le@cadet; End II: Serious Ballet-Simonet, Mlle Baccelli; , in which the Minuet de la Cour-Mons and Mme Vallouy; End Opera: Les Amans Heureux, as17770104

Event Comment: Benefit for Mme Simonet. Tickets to be had of Mme Simonet, No. 5, Dover-street, Piccadilly

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

Performance Comment: [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.] hathi. hathi.
Cast
Role: Alceste Actor: Mme Simonet
Event Comment: Benefit for Mme Simonet. Tickets, half a guinea each, to be had of Mme Simonet, No. 5, Dover-street, Piccadilly

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Adela of Pontbieu, as17820411, before which, the daughter of Mme Simonet, only 7 years old, will (for her 1st appearance this season) dance the Minuet de la Ville with her Father, and a Gavot Seule to the favourite tune of the Pas Seul danced by Mlle Theodore in Rinaldo and Armida; End of Opera Rinaldo and Armida, as17820223

Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose
Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 24, Henrietta-street, Cavendish-square. Opera: With the last Scene new

Performances

Mainpiece Title: Didone Abbandonata

Cast
Role: Didone Actor: Mme Mara.

Dance: End of Act I New Divertissement, as17860311End of Opera L'Amour Jardinier, as17860401, but added: Miss Hervey, and L'Amour-Miss De Camp

Song: In the beginning of the 2nd act a Bravura Song by Mme Mara

Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East

Performances

Mainpiece Title: Idalide

Performance Comment: Principal Parts by Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni. Cast from libretto (H. Reynell, 1791): Enrico-Pacchierotti; Palmoro-Lazzarini; Ataliba-Benigni; Imaro-Garelli; Idalide-Mme Mara; Aliciloe-Sga Salimbeni.
Cast
Role: Idalide Actor: Mme Mara

Dance: End I: Amphion et Thalie, as17910409nd Opera: Telemachus in the Island of Calypso [See17910322

Song: additional Songs-Mme Mara; accompanied by the Pedal Harp-

Event Comment: Benefit for Mme Mara. Public Advertiser 22 Apr.: Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #216 4s. 6d. (114.17.6; 28.11.0; 2.18.0; tickets: 69.18.0) (charge: #163 17s. 6d.)

Performances

Mainpiece Title: At King's Artaxerxes

Cast
Role: Mandane Actor: Mme Mara

Afterpiece Title: The Pannel

Song: the favourite Harp Song-Mme Mara [Ah che nel petto io sento]; accompanied-Meyer Jun

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Performance Comment: Principal Characters by Mme Morichelli, Mme DelCaro. Cast from libretto (C. Clarke, 1795): Ati-Mme DelCaro; Cibele-Mme Morichelli.
Cast
Role: Ati Actor: Mme DelCaro
Role: Cibele Actor: Mme Morichelli.

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Performance Comment: Principal Vocal Parts-Mme Banti, Miss Leak, Rovedino, Brida, Harrison.

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti