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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Banti"/1) | (@(roleclean,performerclean) "Mme Banti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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637 results for: Keyword - Mme Banti
We found 376 matches on Performance Comments, 252 matches on Performance Title, 180 matches on Roles/Actors, 102 matches on Event Comments, and 0 matches on Author.

151
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

Performance Comment: ], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon .

152
14 June 1797 @ Covent Garden

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Performance Comment: Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg.

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

153
14 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17840207, but Henry in place of Mme Simonet, and omitted: Cossack; End of Opera L'Amitie conduite a L'Amour by Vestris [Jun.], Mme Rossi, Mme Theodore [and see17831206]

Performance Comment: ], Mme Rossi, Mme Theodore [and see17831206] .

154
24 April 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II an entirely New Divertissement in the Serious and Demi Character, composed by D'Auberval, by Lepicq, Mme Rossi, Vestris [Jun.], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415

Performance Comment: ], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415.

155
06 March 1789 @ Drury Lane Theatre

Event Comment: [Mme Krumpholtz's 1st appearance in London was at the Hanover Square Rooms, 2 June 1788.

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: A Miscellaneous Concert

Performance Comment: Air on the Recovery of the King-, by Handel Reinhold; Concerto Bassoon-Parkinson; Sweet Bird-[L'Allegro] Mrs Ambrose; accompanied on the violin-Shaw; Sound an Alarm [Judas Maccabaeus]-Kelly; concerto hautboy-W. Parke; Se non avate O Dio![, by Sacchini-Mrs Crouch; Lungi del caro bene [Giulio Sabino, by Sarti-Mrs Ambrose; accompanied on the harp-Mme Krumpholtz; God save Great George our King-; 1st Violin-Shaw.
Cast
Role: accompanied on the harp Actor: Mme Krumpholtz

Music: End I: serenata solo on harp-Mme Krumpholtz (2nd appearance in this Kingdom)

156
23 June 1794 @ King's Theatre

Performances

Mainpiece Title: La Serva Padrona

Cast
Role: Mitrane Actor: GarelliSemiramide-Sga Brig. Banti
Role: GarelliSemiramide Actor: Sga Brig. Banti

Dance: End of opera concerto, as17940603 after which La Vittoria (a Grand Cantata, composed by Paisiello, and performed by Mme Banti at Naples, adapted [by Da Ponte] to the glorious occasion of the triumph of the British flag [on 1 June 1794]), The Goddess of Victory-Mme Banti, accompanied by Chorusses, and a grand Allegorical Ballet, composed by Noverre; to conclude with Rule Britannia by Mme Banti

157
16 June 1795 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide (Act II only)

Dance: End 1st piece: L'Amant Retrouve, as17950124; End 2nd piece: L'Odio vinto dall' Eroismo, as17950613

Music: End I 2nd piece: Preserving the favourite trio-; and with an additional new song here for the occasion by Bianchi-Mme Banti; accompanied by the English horn-Ferlendis; violoncello-Lindley; French Horns-the Leanders; bassoon obligato-Holmes

158
23 May 1797 @ King's Theatre

Performances

Mainpiece Title: Alceste

Song: In opera: the favourite song with the violin obligato-Mme Banti

Ballet: End Opera: Sapho et Phaon. As17970406

Cast
Role: Sapho Actor: Mme Rose
Role: Damophile Actor: Mme Hilligsberg

159
09 January 1798 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Dance: As17980102

Music: In opera: the favourite air of Guglielmi-Mme Banti; accompanied on the violin-Viotti

160
30 July 1796 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azor

Cast
Role: Principal Characters Actor: Rovedino, Morelli, Viganoni, Mme Banti.

Dance: As17960723

161
27 February 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Cast
Role: Principal Characters Actor: Rovedino, Viganoni, Mme Banti.

Dance: As17971230

162
03 March 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Cast
Role: Principal Characters Actor: Rovedino, Viganoni, Mme Banti.

Dance: As17971230

163
17 March 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Cast
Role: Principal Characters Actor: Rovedino, Viganoni, Mme Banti.

Dance: As17980313

164
27 March 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Cast
Role: Principal Characters Actor: Rovedino, Viganoni, Mme Banti.

Dance: As17980306

165
02 June 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Cast
Role: Principal Characters Actor: Rovedino, Viganoni, Mme Banti.

Dance: As17980313

166
25 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 31, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .

167
11 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Simonet. There being a few Boxes to be disposed of, those who would wish to be accomodated are requested to direct their commands as above, as soon as possible. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .

168
28 May 1778 @ King's Theatre

Event Comment: Benefit for Mons and Mme Simonet. Tickets to be had of Mons and Mme Simonet at Leary's, No. 232, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: L'Amour dans la Vendange, as17780519; End II: The Masquerade Ballet-; in which a Minuet-Mme Simonet en homme, or in man's dress,, Mlle Baccelli; End Opera: La Serenade Interrompuee, as17780224; in which the Minuet Dauphin-Mme Simonet in man's dress, Mlle Banti

169
30 March 1756 @ King's Theatre

Event Comment: Benefit for Signora Banti

Performances

Mainpiece Title: Ricimero

Dance: End I: New Dance-Signora Banti, Lucas (first time of appearing on this Stage); II: Dancing-Signora Banti, Poitier Jun; III: Minuet-Signora Banti, Bugiani

170
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

Performance Comment: Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti.
Cast
Role: Cephise Actor: Mlle Banti.

171
07 July 1796 @ King's Theatre

Performances

Mainpiece Title: Antigona

Cast
Role: Antigona Actor: Mme Brigida Banti

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Cast
Role: Principal Performers in both dances Actor: Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.

172
21 April 1796 @ King's Theatre

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 10, St. Alban's-street

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

173
11 January 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performance Comment: Hilligsberg, Mrs D'Egville, Mme Rose Didelot.

174
10 April 1783 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets to be had of Mme Rossi, No. 80, near the Opera-house, Hay-market

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

175
01 May 1783 @ King's Theatre

Event Comment: Benefit for Mme Simonet. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi