Event Comment: Benefit for Miss Younge. Mainpiece: Never performed there. [Miss Orme, who made her 1st appearance on 5 Feb., is identified in Morning Chronicle, 9 Mar.]

Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Event Comment: Benefit Milward. For the Entertainment of the Grand Master and the Antient and Honourable Society of Free and Accepted Masons. At the Desire of the Brethren, four Rows of the Pit will be railed, at the Price of the Boxes, and kept for Masons only. Those Brethren who design to attend the Grand Master, are desired to meet by 5 o'clock, at farthest, at the Bear and Harrow in the Butcher-Row, and to come Cloath'd. Receipts: money #39 3s. 6d.; tickets #95 19s. [The Epilogue (spoken by Mrs Younger) is in Daily Post, 29 April.

Event Comment: Afterpiece Intermixed with a pantomime in Grotesque Characters. [The Young Gentlewoman presumably Miss Faulkner; see 20 March 1746. Yet there may be some question about the identification; see 5 April 1746.

Event Comment: Paid to young Cross for 61 nights at 2s. 6d. per night #7 12s. 6d.; Paid Blandford (Tallow Chandler) #22 5s. (Treasurer's Book). [Four extra French Horns were used in the performances of Acis & Galatea, according to the Treasurer's Book.] Receipts: #50 (Cross); #61 17s. (Treasurer's Book)

Event Comment: A new Woman (one Gregory) did Hermione , -Great Applause (Cross). [See Gray's Inn Journal (folio) No 16 for Murphy's praise of her, and Public Advertiser 19 Jan.: Verses on the Young Lady who acted Hermione.'

Event Comment: Benefit for Mattocks. The Young Gentleman who was to have performed the part of Lysimachus in the tragedy of Alexander...for the benefit of Mr Mattocks, being much indisposed, cannot appear in that character as was intended, it will therefore be performed as usual by Mr Hull (Winston, MS 10, newsclipping inserted). Charges #74 7s. Profit to Mattocks #108 10s., plus #38 10s. from tickets (Boxes 121; Pit 55) (Account Book). Receipts: #182 17s. (Account Book)