Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Event Comment: Mainpiece [1st time; T 5, by William Shirley. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 19 Dec. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Richard Cumberland (Collection...of English Prologues and Epilogues, IV, 194]: With New Scenes and Dresses. "I have been at another new play, The Roman Sacrifice. It is the old story of Junius Brutus, without a tolerable line. I went to see it, as I had never seen Henderson, and thought I could Judge him better in a new part; but either the part was so bad, or he wants to copy, that I should not have found out he was at all superior to all other actors" (Walpole [23 Dec. 1777], X 170). Receipts: #2223s. 6d. (207.8.0; 13.13.6; 1.2.0)

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and M'Donald. Mainpiece: With new Dresses and Decorations. Afterpiece: With several new additions and two new characters. [Authors of Prologues unknown.] The Doors to be opened at 5:00. To begin at 6:00. No Person whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Books of the Farce to be had at the Theatre

Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Event Comment: In Act I of mainpiece a Masquerade Scene. [This was included in all subsequent performances.] Afterpiece: Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1786]. Receipts: #326 9s. 6d. (324/0/6; 2/9/0)

Event Comment: Benefit for Mrs Siddons. Part of the Pit [6 rows (Public Advertiser, 6 Mar.)] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [In mainpiece the playbill assigns Orestes to Smith, but he "was indisposed . . . Throughout the whole [of his part] Kemble's skill was apparent. In the last scene he displayed as fine a picture of horror as was ever given from the stage" (Morning Chronicle, 6 Mar.).] Morning Herald, 24 Feb.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #293 11s. (122/17/0; 10/1/6; 1/2/6; tickets: 159/10/0) (charge: free)

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)

Event Comment: "Mrs Abington's reconciliation scene was particularly fine-no declamation-no attempt at tragedizing-it...carried the full proof of conviction and repentance" (Public Advertiser, 27 Jan.). Receipts: #238 5s. 6d. (235.4.0; 3.1.6)

Event Comment: Mainpiece: With new Scenes, Dresses and Decorations. Receipts: #201 12s. (150.8.0; 51.1.6; 0.2.6)

Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Event Comment: Mainpiece: 15th [recte 14th] Time [i.e. in continuation of the reckoning for the previous season]. With new Dresses, Scenes, Machinery and Decorations. The Music partly from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne. The rest by Shield. The Chorusses selected from Handel, to be sung by the Performers from the Concert of Ancient Music. [Miss Williams was from the Exeter theatre.] Receipts: #137 1s. 6d. (133.7.0; 3.14.6)

Event Comment: Oscar and Malvina is unavoidably deferred. [Public Advertiser, 31 Oct.: On Friday night Byrne, exerting himself in one of the last scenes in the Pantomimical Ballet, missing his guard, received a dreadful wound on his arm. (And see 2 Nov.)] Receipts: #146 14s. (142.7.6; 4.6.6)

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Event Comment: Benefit for Incledon. 2nd piece [1st time; M. INT 1]: Scene, A View of the British Fleet. Morning Chronicle, 14 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #467 12s. 6d. (191.7.0; 3.19.0; tickets: 272.6.6)

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Event Comment: Afterpiece: Never [previously] performed at this Theatre [1st acted by the dl Company at king's, 18 Oct. 1792]. The new Scenes by Greenwood. The Musick composed principally by Attwood; rest from Mozart and Sarti. Receipts: #363 9s. (262.10; 99.2; 1.17)

Event Comment: Ballet [1st time; by Giacomo Gentili; music by Vittorio Trento]: With new Scenes and Decorations. In the course of the Ballet will be introduced Groups of Flying Cupids. Receipts: #598 2s. (511.7.6; 83.0.0; 3.14.6)

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Event Comment: Benefit for Barrymore. Mainpiece: In IV a Masquerade Scene. Afterpiece: To conclude with a Superb Prospect of the Infernal Regions and a Rain of Fire. True Briton, 12 May: Tickets to be had of Barrymore, No. 59, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #337 11s. (62.18; 72.12; 5.17; tickets: 196.4) (charge: #216 1s. 5d.)

Event Comment: 2nd piece [1st time; CO 3, by Thomas Holcroft. Larpent MS 1242; not published]: With new Music, Scenes, and Dresse". The Music composed by Attwood; the Overture by W. Parke. Books of the Songs to be had at the Theatre. Receipts: #234 2s. (230.19; 3.3)

Event Comment: Afterpiece: The Scenery re-painted, and the Dresses and Decorations entirely new. The Musick composed by Kelly. The Scenes designed and executed by Greenwood, Chalmers, and others. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Dresses by Johnston, Gay and Miss Rein. Account-Book: Paid Hatton, sword cutler, #5 10s; Chorus #11 16s. 6d. Receipts: #370 2s. (254.6.6; 114.3.0; 1.12.6)

Event Comment: Afterpiece [1st time; M. ENT 2, by William Linley. Larpent MS 1246; not published]: With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by William? Linley. Books of the Songs to be had in the Theatre. [Notice on playbill of 20 Nov.: The Author of The Pavilion, submitting with deference to the decision of the Public, has withdrawn it for the present to make such alterations as he hopes may render it an Entertainment better entitled to their approbation. (On 21 Jan. 1800, altered, it was acted as The Ring.)] "Miss DeCamp need never wish to have a better foil to her exquisite style of acting, than the puny efforts of Kelly and Mrs Crouch. They may be singers, but never should attempt to perform" (Dramatic Censor, I, 9). Receipts: #291 4s. 6d. (157.3.0; 131.8.6; 2.13.0)

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)