SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes "/1) | (@(roleclean,performerclean) "Miss Vincent The scenes ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14647 matches on Performance Comments, 4619 matches on Performance Title, 3106 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Knight. Mainpiece: Not acted these 6 years [acted 3 Nov. 1795]. Afterpiece: To conclude with a Grand Sea Fightv. Morning Chronicle, 15 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #433 2s. (185.11.0; 6.14.6; tickets: 240.16.6)

Performances

Mainpiece Title: The Rage

Performance Comment: Gingham-Knight; Darnley-Holman; Flush-Munden; Savage-Fawcett; Sir Paul Perpetual-Emery; Signor Cygnet-Farley; Sir George Gauntlet-Claremont; Ready-Davenport; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Miss Murray; Mrs Darnley-Mrs Pope.
Cast
Role: Clara Sedley Actor: Miss Murray

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performance Comment: Dangle-Farley; Sir Fretful Plagiary-Munden; Puff-Knight; Sneer-Murray (Their 1st appearance in those characters); Signor Pasticcio-Delpini; Interpreter-Klanert; Italian Girls-Mrs Atkins, Miss Wheatley; Mrs Dangle-Mrs Chapman; Tragedians Lord Burleigh-Johnstone (1st appaarance in that character); Governor-Waddy; Earl of Leicester-Whitfield; Sir Walter Raleigh-Claremont; Master of the Horse-Atkins; Sir Christopher Hatton-Simmons; Beef@Eater-Rees; Don Ferolo Whiskerandos-Fawcett (1st appearance in that character); Confidante-Mrs Whitmore; Nieces-Mrs Watts, Miss Leserve; Tilburina-Mrs Mattocks (1st appearance in that character). Edition of 1807 (John Cawthorn) adds: Under Prompter-$Wilde.

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Event Comment: By Command of Their Majesties. Receipts: #432 10s. (369.15; 58.1; 4.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Cast
Role: Emily Tempest Actor: Miss Mellon

Afterpiece Title: Whos the Dupe

Performance Comment: Doiley-Suett; Sandford-Palmer; Granger-Barrymore; Gradus-Bannister Jun.; Elizabeth-Miss Heard; Charlotte-Miss Mellon.
Cast
Role: Elizabeth Actor: Miss Heard
Role: Charlotte Actor: Miss Mellon.
Event Comment: "Mrs Siddons fatigued herself so much with her exertions...that she was unable to speak the Epilogue. An apology was accordingly made for its omission, and very favourably received by a drowsy audience, who were happy to find the Tragedy had reached its conclusion" (Dramatic Censor, II, 134). Receipts: #212 1s. (159.17.6; 51.2.6; 1.1.0)

Performances

Mainpiece Title: De Montfort

Performance Comment: As18000429, but unassigned-_Clarke, _Chippendale, _Ryder; Miss_ Tidswell; Prologue as18000429 Epilogue-_.
Cast
Role: Countess Freberg Actor: Miss Heard
Role: Nuns Actor: Miss DeCamp, Miss Stephens
Role: Maid Actor: Miss Tidswell

Afterpiece Title: Of Age To morrow

Cast
Role: Melissa Actor: Miss Heard
Role: Kitty Pry Actor: Miss Mellon
Role: Sophia Actor: Miss Stephens
Role: Maria Actor: Miss DeCamp

Song: Vocal Parts, as18000429, but _Sawyer, _Aylmer, _Willoughby, _Bardoleau, _Clark, _Mead, _Elliot, Ms _Bristow, Ms _Butler, Ms _Gawdry

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Performance Comment: Old Mirable (1st time)-Dowton; Young Mirable-Talbot; Captain Duretete-Bannister Jun.; Dugard-Trueman; Petit-DeCamp; Oriana-Miss Biggs; Bisarre-Mrs Jordan; Lamorce-Miss Tidswell.
Cast
Role: Oriana Actor: Miss Biggs
Role: Lamorce Actor: Miss Tidswell.

Afterpiece Title: The Pannel

Cast
Role: Marcella Actor: Miss Mellon
Role: Aurora Actor: Miss Heard

Song: In afterpiece: The Blue Bell of Scotland-Mrs Jordan; accompanied on the Lute-Mrs Jordan

Event Comment: Benefit for Miss Pope. [In afterpiece the playbill assigns Floreski to Kelly, but "Trueman..acted as Kelly's substitute in the Entertainment, in the part of Count Floreski" (Dramatic Censor, II, 194). Morning Chronicle, 30 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #330 14s. (87.4; 60.9; 3.5; tickets: 179.16) (charge: #230 18s. 3d.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope
Role: Maria Actor: Miss Heard.

Song: In III: song-Dignum

Event Comment: Benefit for Miss Biggs. Morning Chronicle, 12 May: Tickets to be had of Miss Biggs, No. 17, Charles-street, Covent Garden. Receipts: #247 2s. 6d. (92.4.6; 62.4.0; 5.4.0; tickets: 87.10.0) (charge: #229 10s. 10d.)

Performances

Mainpiece Title: Indiscretion

Cast
Role: Thomas Actor: Wathen
Role: Victoria Actor: Miss Pope
Role: Fanny Actor: Miss Biggs
Role: Laura Actor: Miss Heard
Event Comment: Benefit for Emery, Mrs T. Dibdin & Mrs Johnson. 1st piece: Not acted these 3 years [acted 11 Apr. 1798]. Receipts: #326 12s. (47.4.6; 7.8.0; tickets: 271.19.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Bronzely-Lewis; Sir George Evelyn-Pope; Sir William Dorillon-Munden; Lord Priory-Emery (1st appearance in that character); Mr Norberry-Waddy; Oliver-Simmons; Miss Dorillon-Mrs Johnson; Lady Mary Raffle-Mrs Dibdin (1st appearance in that character); Lady Priory-Miss Chapman.
Cast
Role: Miss Dorillon Actor: Mrs Johnson
Role: Lady Priory Actor: Miss Chapman.

Afterpiece Title: St

Afterpiece Title: The Hermione

Performance Comment: As18000405, but The Battle of La Hogue-_.

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

Performance Comment: Dibdin=, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton.
Event Comment: Benefit for Trueman. [In mainpiece the playbill retains Mrs Walcot as Mrs Heidelberg, but "An apology was made on behalf of Mrs Walcot, in whose stead the papt of Mrs Heidelberg was ably sustained by Mrs Sparks" (Dramatic Censor, II, 243. As afterpiece the playbill announces Three Weeks after Marriage, but "Mrs Jordan happening, like other great performers, to be taken ill (it is wonderful how much great actors and actresses are subject to sudden indisposition!) Trueman was under the necessity of subsituting The Prize for the afterpiece" (ibid, p. 244).] Morning Chronicle, 30 May: Tickets to be had of Trueman, No. 38, Norfolk-street, Strand. Receipts: #127 8s. (70.6; 55.6; 1.6; tickets: none listed) (charge: #201 2s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As18000220, but Lovewell (1st time)-Trueman; Mrs Heidelberg-Mrs Sparks; Fanny (1st time)-Miss Heard; Trueman-_ [i.e. the character].i.e. the character].
Cast
Role: Fanny Actor: Miss Heard
Role: Miss Sterling Actor: Miss DeCamp
Role: Betty Actor: Miss Mellon
Role: Chambermaid Actor: Miss Stuart

Afterpiece Title: The Prize

Song: End: Strike the Harp-Master Suett, Master Heather, Danby; with an accompaniment of Piano Forte-; [a New Loyal Song Secure within her sea@girt Reign [(Dramatic Censor, II, 243)] (written by Dutton and composed by Moorehead,)-Trueman; End IV: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: As18000118, but Probe-Wewitzer; Lory-Ryder; Mrs Coupler-Mrs Sparks; Nurse-Miss Tidswell; Miss Hoyden-Mrs Jordan; La Varole-_; Countryman-_; Shoemaker-_; Taylor-_.
Cast
Role: Nurse Actor: Miss Tidswell
Role: Miss Hoyden Actor: Mrs Jordan
Role: Berinthia Actor: Miss Mellon
Role: Amanda Actor: Miss Heard

Afterpiece Title: Of Age To morrow

Ballet: End: The Scotch Ghost. As18000612

Event Comment: [Emery was from cg. Mainpiece: Epilogue by the younger George Colman.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. Printed by T. Woodfall, No. 1, Cross Court, Russel Court, Drury Lane

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Waddy; Dick Dowlas-H. Johnston; Doctor Pangloss-Fawcett; Henry Moreland-C. Kemble; Stedfast-Davenport; Zekiel Homespun-Emery (1st appearance on this stage); Kenrick-Johnstone; John-Abbot; Waiters-Ledger, Chippendale; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer-Miss Chapman; Cicely Homespun-Mrs Gibbs; The original Epilogue-the Characters. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Jew and the Doctor

Performance Comment: Abednego-Fawcett; Changeable-Farley; Doctor Specific-Davenport; Old Bromley-Emery; Charles-Klanert; William-J. Palmer; Emily-Miss Gaudry; Mrs Changeable-Miss Chapman.
Cast
Role: Emily Actor: Miss Gaudry
Role: Mrs Changeable Actor: Miss Chapman.
Event Comment: [Mrs Mountain was from cg. "To her claims as a singer she adds (what we rarely find associated in one and the same person) the qualifications requisite to constitute a performer" (Dramatic Censor, III, 5).] Afterpiece [1st time; F 2, by John Till Allingham]

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Emery; Medium-Davenport; Campley-Trueman; Mate-Bannister; Waiter-Atkins; Planters-Klanert, J. Palmer, Abbot; Sailors-Ledger, Linton, Whitmore; Trudge-Fawcett; Narcissa-Miss Gaudry; Wowski-Mrs Bland; Patty-Mrs Gibbs; Yarico-Mrs Mountain (1st appearance on this stage).
Cast
Role: Narcissa Actor: Miss Gaudry
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Tis All a Farce

Performance Comment: Characters by Fawcett, Emery, Farley, J. Palmer, Klanert, Chippendale, Abbot, Atkins, Davenport, Miss Menage, Mrs Whitmore. Cast from text (J. Ridgway, 1800): Numpo-Fawcett; Don Gortez-Emery; Col. Belgardo-Farley; Don Alphonso-J. Palmer; Mirtillo-Klanert; Sticko-Chippendale; Serjeant-Abbot; Servant to Don Gortez-Atkins; Don Testy-Davenport; Carolina-Miss Menage; Ursula-Mrs Whitmore.
Cast
Role: Carolina Actor: Miss Menage
Event Comment: Mainpiece: The Overture, Chorusses and New Musick by Dr Arnold. The Scenery by Rooker, Marinari, &c

Performances

Mainpiece Title: Zorinski

Performance Comment: Zorinski-C. Kemble; Casimir-Davenport; Radsano-J. Palmer; Rodomsko-Caulfield; Naclo-Klanert; Witzki-Fawcett; Amalekite-Waddy; O'Curragh-Johnstone; Zarno-Wathen; Winifred-Mrs Bland; Rachel-Miss DeCamp; Rosolia-Miss Gaudry.
Cast
Role: Zarno Actor: Wathen
Role: Rachel Actor: Miss DeCamp
Role: Rosolia Actor: Miss Gaudry.

Afterpiece Title: Tis All a Farce

Cast
Role: Carolina Actor: Miss Menage

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Caulfield; Harcourt-Abbot; Sir Walter Manny-Whitmore; John de Vienne-Davenport; Ribbemont-Barrymore; Eustache de St. Pierre-C. Kemble; Officer-J. Palmer; John d'Aire-Trueman; Old Man-Waldron; Crier-Ledger; Citizens-Farley, Atkins, Chippendale; O'Carrol-Johnstone; Serjeant-Wathen; La Gloire-Fawcett; Carpenters-Suett, Klanert; Queen-Miss Chapman; Julia-Miss DeCamp; Madelon-Mrs Bland.
Cast
Role: Serjeant Actor: Wathen
Role: Queen Actor: Miss Chapman
Role: Julia Actor: Miss DeCamp
Related Works
Related Work: The Surrender of Calais Author(s): George Colman, the younger

Afterpiece Title: Tis All a Farce

Cast
Role: Carolina Actor: Miss Menage

Performances

Mainpiece Title: The Agreeable Surprise

Cast
Role: James Actor: Wathen

Afterpiece Title: Fortunes Frolick

Performance Comment: As18000621 but Frank-_; Clown-_; Servant-_; Countryman-_; Rattle-_; Margery-_; Miss Nancy-_.
Cast
Role: Carolina Actor: Miss Menage
Role: Miss Nancy Actor: Miss Menage
Event Comment: Mainpiece: The Musick composed by Storace

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-Barrymore; Fitzharding (1st time)-Davenport; Wilford-C. Kemble; Adam Winterton-Fawcett; Rawbold (1st time)-Emery; Samson Rawbold-Suett; David Rawbold-Master Suett; Armstrong-Trueman; Orson-Palmer; Servants-Abbot, Chippendale, Atkins; Robbers-Caulfield, Bannister, Klanert; Helen (1st time)-Miss Chapman; Blanch-Mrs Gibbs; Barbara-Mrs Mountain; Judith (1st time)-Miss DeCamp.
Cast
Role: Helen Actor: Miss Chapman
Role: Judith Actor: Miss DeCamp.
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: The Village Lawyer

Performance Comment: As18000726 but Sheepface-Wathen.
Event Comment: Benefit for C. Kemble. Mainpiece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 8 Aug.: Tickets to be had of C. Kemble, No. 126, Great Russel-street, Bloomsbury

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King (of the Theatre-Royal, Drury-Lane; for that night only); Sir Oliver Surface-Davenport; Sir Benjamin Backbite-Palmer; Joseph Surface-Barrymore; Charles Surface-C. Kemble; Crabtree-Suett; Careless-J. Palmer; Rowley-Waldron; Moses-Wathen; Snake-Caulfield; Trip-Farley; Lady Teazle-Miss DeCamp; Mrs Candour-Mrs Davenport; Lady Sneerwell-Miss Chapman; Maria-Mrs Mountain.
Cast
Role: of the Theatre Actor: Royal, Drury-Lane
Role: Moses Actor: Wathen
Role: Lady Teazle Actor: Miss DeCamp
Role: Lady Sneerwell Actor: Miss Chapman

Song: III: a song-Trueman

Performances

Afterpiece Title: The Irishman in London

Performance Comment: Capt. Seymour-J. Palmer; Mr Colloony-Palmer; Mr Frost-Suett; Murtock Delany-Johnstone; Edward-Fawcett; Cymon-Wathen; Louisa-Miss DeCamp; Caroline-Miss Gaudry; Cubba-Mrs Whitmore.
Cast
Role: Cymon Actor: Wathen
Role: Louisa Actor: Miss DeCamp
Role: Caroline Actor: Miss Gaudry

Performances

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Dowdle-Suett; Jack Connor-Palmer; Lord Edmund-Trueman; Fripon-Klanert; Trap-Davenport; Frill-J. Palmer; Father Frank-Ledger; Tough-Abbot; Landlord-Atkins; Rachel-Miss Gaudry; Adelaide-Miss Menage; Landlady-Mrs Hale; Mary-Mrs Gibbs.
Cast
Role: Father Frank Actor: Ledger
Role: Rachel Actor: Miss Gaudry
Role: Adelaide Actor: Miss Menage

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Barrymore; Virolet-Trueman; Kilmallock-Johnstone; Roque-Davenport; Lope Tocho-Suett; Goatherds-Ledger, Chippendale; Muleteers-Bannister, Klanert; Bulcazin Muley-Caulfield; Ganem-[J.] Palmer; Sadi-Wathen; Zorayda-Miss Chapman; Floranthe-Miss DeCamp; Agnes-Mrs Bland.
Cast
Role: Goatherds Actor: Ledger, Chippendale
Role: Sadi Actor: Wathen
Role: Zorayda Actor: Miss Chapman
Role: Floranthe Actor: Miss DeCamp
Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: Rosina

Performance Comment: Belville-Trueman; Capt. Belville-Caulfield; Rustic-Chippendale; Irishman-Abbot; William-Miss DeCamp; Phoebe-Mrs Bland; Dorcas-Mrs Davenport; Rosina-Mrs Mountain.
Cast
Role: William Actor: Miss DeCamp

Song: In course evening: Little Taffline; or, The Silken Sash-Mrs Bland

Event Comment: William Blaythwaite to Sir Robert Southwell, 4 Sept. 1679 [describing a visit made on 3 Sept. 1679 by Sir Edward Dering, Mrs Helena Percival, Miss Helena, Miss Betty, and himself]: What we saw was the dancing on the ropes performed first by Jacob Hall and his company, then by a Dutch dancer, who did wonderful feats. From thence we went to the Elephant, who I think was more terrible than pleasant to the young spectators (Morley, Memoirs of Bartholomew Fair, p. 192)

Performances

Mainpiece Title: Entertainments

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Rolo. See also Nicoll, Restoration Drama, p. 350. Although it is certain that the cast in this edition is that for this performance, there are no actors' names on the list which can not pertain to this time

Performances

Mainpiece Title: Rollo

Performance Comment: Edition of 1686 (licensed 27 Nov. 1685): Rollo-Kynnaston; Otto-Williams; Aubrey-Gillo; Gisbert-Saunders; Baldwin-Cartwright; Grandpree-Baker; Verdon-Lowe; Trevice-Percival; Duprete-Harris; Latorch-Griffin; Hamond-Perin; Allan-Baker; Norbret-Powel; La Fisk-Bowman; Rufee-Lowe; De Bube-Saunders; Pipeau-Miss Cockye, the little Girl; Cook-Underhil; Yeoman of the Seller-Harris; Butler-Lowe; Pantler-Powel; Sophia-Mrs Corey; Matilda-Mrs Percival; Edith-Mrs Cooke.
Event Comment: The United Company. The date of the first performance is not precisely known, but a broadside copy of the Epilogue, in the Bodleian Library, has a licensing date of 20 Aug. 1685, a MS date of 24 Aug. 1685. The play was licensed on 11 Sept. 1685. These dates suggest a premiere in mid-to late-August 1685. For Anne Bracegirdle as Clita and speaker of the Epilogue, see Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 135. The Prologue and Epilogue, separately printed, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 239-41. The broadside Prologue has a more detailed heading than that in the edition of 1686: Prologue To A Commonwealth of Women, Spoke by Mr Haynes, Habited like a Whig, Captain of the Scyth-men in the West, a Scythe in his Hand. Two songs, set by Samuel Ackroyde, are in The Theater of Musick, The Third Book, 1686

Performances

Mainpiece Title: A Commonwealth Of Women

Performance Comment: Edition of 1686: Captain Marine-Williams; Du Pier-Griffin; Boldsprite-Percival; Franvil-Jevan; Frugal-Leigh; Hazard-Hains; Surgeon-Saunders; Don Sebastian-Gillow; Nicusa-Bowman; La Mure-Norris; Bourcher-Harris; Boatswain-Low; Chaplain-Farr; Roselia-Mrs Cory; Clarinda-Lady Slingsby; Aminta-Mrs Cook; Menalippe-Mrs Twiford; Julietta-Mrs Percival; Hippolita-Mrs Price; Ariadne-Mrs Osborn; Aglaura-Mrs Knight; Clita-Miss Nanny [Anne Bracegirdle?]; Prologue-Mr Hains [with a Western Scythe in his Hand; Epilogue-.
Cast
Role: Clita Actor: Miss Nanny
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3177, 20-23 April 1696, suggests that it was first performed not later than March 1696. Preface, Edition of 1696: This Comedy by the little success it met with in the Acting, has not at all deceived my Expectations....Give me leave to thank the Well-natur'd Town for Damning me so suddenly; They would not suffer me to linger in suspence, nor allow me any degrees of Mortification; neither my Sex, Dress, Musick and Dancing, cou'd allow it a three Days Reprieve. A Comparison Between the Two Stages (1702), p. 17: Ramble: I never heard of that. Sullen: Oh this is a Lady's

Performances

Mainpiece Title: The Lost Lover Or The Jealous Husband

Performance Comment: Edition of 1696: Prologue-Mr Horden; Epilogue-Miss Cross; Sir Rustick Good Heart-Johnson; Wilmore-Verbrugen; Wildman-Horden; Sir Amorous Courtall-Powell; Smyrna-Cibber; Pulse-Penkethman; Knowlittle-Haynes; Lady Young Love-Mrs Kent; Marina-Mrs Rogers; Belira-Mrs Knight; Orinda-Mrs Cibber; Olivia-Mrs Verbrugen; Isabella-Mrs Cole; Phoebe-Mrs Mills.
Cast
Role: Epilogue Actor: Miss Cross