SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes "/1) | (@(roleclean,performerclean) "Miss Vincent The scenes ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 14647 matches on Performance Comments, 4619 matches on Performance Title, 3106 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

Event Comment: Benefit for Delpini. [Mrs Delpini's 1st appearance at this theatre was on 28 May 1789.] Public Advertiser, 26 May: Tickets to be had of Delpini, No. 17, Tavistock-street, Covent Garden. Receipts: #285 2s. (153.2.6; 5.9.6; tickets: 126.10.0)

Performances

Mainpiece Title: The Lying Valet

Performance Comment: Sharp-Blanchard; Gayless-Davies; Justice Guttle-Powel; Melissa-Miss Chapman; Kitty Pry-Mrs Delpini (2nd appearance on this stage).
Cast
Role: Melissa Actor: Miss Chapman

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequins Chaplet

Dance: Preceding: As17891113

Event Comment: "Yesterday evening Palmer performed the part of Inkle for the first time to a very full house. He went through the two first acts with much credit, and had he been less imperfect in the last scene it would have proved more interesting" (Diary, 24 Aug.)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: The Deuce is in Him

Cast
Role: Florival Actor: Miss Heard
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Dance: As17900701

Event Comment: The Nobility, Gentry and Public at large are respectfully informed that, in compliance with the wishes of many of the principal Subscribers an supporters of this undertaking, and it being found that, without offence to law, the entertainments advertised for the Hanover-square Rooms may be given at this Place. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. As the Proprietors would not presume, even to save themselves from utter ruin, to offend either the Authority of the King, or of the Laws, they forbear all idea of performing Operas until the hardship and justice of their case shall produce the proper influence upon his Majesty's benevolent mind; and, under the circumstances in which thy stand, with a Company of the most celebrated singers and dances in the world, in their respective departments, engaged at an expense of #18,000, they confide in the liberality to the Public that they will countenance and support such an Entertainment as they are legally warranted to give, until they shall recover their just right of performing Operas under his Majesty's license. "From dinner we all went to the Opera House in the Haymarket, where for the first time they performed for money [see 23 Feb., 10 and 22 Mar.]; the singers, to avoid the [licensing] Act, coming in their own dresses and confining themselves to the airs. It will be seen whether this restriction will be considered sufficient" (Windham Diary, 219). "The action of Orpheus and Eurydice has been seen before at both the rehearsals [see 10 and 22 Mar.], but the scenery could not be then sufficiently displayed. It was very correctly managed on Saturday night...The scene of the Elysian fields deserved the most admiration, where, by means of lights placed behind gauze, a filmy hue is thrown over the stage, and the figures assume the appearance of aerial beings" (Gazetteer, 28 Mar.)

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival; End II: Orpheus and Eurydice-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival

Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East

Performances

Mainpiece Title: Idalide

Dance: End I: Amphion et Thalie, as17910409nd Opera: Telemachus in the Island of Calypso [See17910322

Song: additional Songs-Mme Mara; accompanied by the Pedal Harp-

Event Comment: By Command of Their Majesties. [Opera in place of Idalide, advertised in Morning Post, 20 May.] 2nd ballet: With new Scenes, and considerable additions, since the first representation, by Moench

Performances

Mainpiece Title: La Molinarella

Dance: End I: La Fille Mal Gardee, as17910430

Ballet: End Opera: Le Siege de Cythere. As17910517

Event Comment: 2nd ballet: With new Scenes and Decorations Moench

Performances

Mainpiece Title: Idalide

Dance: End I: Divertisement, as17910217; End Opera: La Fille Mal Gardee-Didelot, Vigano, Fialon, Mlle L. Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer

Performance Comment: Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer.
Event Comment: Benefit for Morelli. A new Comic Opera [1st time; COM 2, by Giovanni Bertati, adapted by Girolamo Tonioli]; the music composed on purpose for this Theatre by Paisiello. With new Scenes and Decorations painted by Moench; the dresses invented and executed by Lupino [from playbill of 28 June]. Under the direction of Mazzinghi. Tickets to be had of Morelli, No. 12, Poland-street. Morelli is happy in having succeeded to bring forward on his Benefit Night (though at a considerable expense) such an excellent new Opera for the entertainment of those who shall honor him with their presence; soliciting the kind patronage of the Nobility, Gentry and Public accordingly on the occasion. Morning Post, 4 June: The Subscribers and the Public are respectfully informed that the new Comic Opera of La Locanda, written expressly for this Theatre, and the only Opera ever composed by this great Master for an English audience, is some time since arrived, and will be brought out shortly

Performances

Mainpiece Title: La Locanda

Dance: End I: Divertisement, as17910217; End Opera: Le Siege de Cythere- [see17910517]

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: Oscar and Malvina

Song: As17910926

Music: As17911122

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Blue Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Dance: As17920111

Song: Juliet's Funeral Procession, as17910926; Solemn Dirge, as17910926; Vocal Parts, as17920926, but _Lee, Rowson, Mrs _Davenett

Event Comment: Last Night of the Subscription. "Last night Cipriani personating a Frenchman, appeared with the national cockade in his hat; the audience expressed their disapprobation by violent hissing, and the actor was obliged to cast down his hat, which a gentleman behind the scenes took up, and tearing out the offensive ensign of sedition, threw it away--the audience warmly applauding" (Morning Herald, 16 May)

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fete Villageoise, as17920310

Ballet: End Opera: La Foire de Smirne. As17920417

Cast
Role: Theodora Actor: Mme D'Auberval

Performances

Mainpiece Title: The Governor

Cast
Role: Edward Actor: Miss Grist
Role: Miss Wooburn Actor: Mrs Esten
Role: Miss Spinster Actor: Mrs Webb

Afterpiece Title: Hartford Bridge

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930323but Scene II. A View of the Maese. Vocal Parts-_; omitted: The Temple of Mars, Dances. omitted: The Temple of Mars, Dances.

Afterpiece Title: Harlequins Museum

Event Comment: ["We were sorry to see such an actor as Dodd descend into Buffoonery; in the dying scene of Roderigo he reminded us of the death of the Clown in Harlequin Skeleton" (Thespian Magazine, June 1793, p. 1).] Receipts #164 1s. (156.4; 7. 17)

Performances

Mainpiece Title: At Hay Othello

Cast
Role: Othello Actor: Kemble

Afterpiece Title: The Prize

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.
Event Comment: [In mainpiece the playbill retains Palmer as Woodville , but "The curtain was dropped in the middle of the first act, and after a delay of near half an hour, Barrymore informed the audience Palmer was not come to the theatre...and therefore solicited permission for Benson to [act] Woodville, which he had undertaken at a few minutes' notice. Benson (who had played the two first scenes of Vane) agreeable surprised the audience by his representation of Woodville" (Thespian Magazine, June 1793, p. 2). Who continued in the part of Vane (which cannot be doubled with that of Woodville) is not stated. R. Palmer, who acted it on 14 Feb., was indisposed.] Receipts: #175 4s. (117.16; 52.14; 4.14)

Performances

Mainpiece Title: At Kings The Chapter Of Accidents

Cast
Role: Cecilia Actor: Miss Farren
Role: Miss Mortimer Actor: Mrs Powell

Afterpiece Title: The Prize

Event Comment: Afterpiece [1st time; CO 2, by John O'Keeffe. In 1797 altered by the author as The Rival Soldiers]: With new Music, new Scenes and Dresses. The Music composed and selected [from Handel and Anfossi (BUC, 969)] by Shield. Books of the Songs to be had at the Theatre. Public Advertiser, 25 May 1793: This Day is Published Sprigs of Laurel (1s). Receipts: #210 16s

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Sprigs of Laurel

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Cast
Role: Edward Actor: Miss Grist
Role: Miss Wooburn Actor: Mrs Esten
Role: Miss Spinster Actor: Mrs Webb

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck or French Ingratitude

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: A New Serious Opera [1st time; SER 2, by Teresa Bandettino]; the Music [a pasticcio] by Sarti, Giardanello [i.e. G. Giordani], Tarchi and Federici. Under the direction of Federici. With new Dresses, Scenes, &c. [In 2nd ballet the playbill retains Nivelon as Achilles , but "Favre Gardel took the part of Achilles, vice Nivelon' (Diary, 12 June).

Performances

Mainpiece Title: Odenato And Zenobia

Dance: End I: Le Jaloux Puni, as17930601 but Mlle _Gardel, Master Menage; +The Court Minuet-Favre Gardel, Mlle Millerd; a new Pas Seul-Mlle Hilligsberg

Ballet: End Opera: Iphiginia in Aulide. As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618

Performances

Mainpiece Title: Le Nozze Di Dorina And I Zingari In Fiera

Performance Comment: A Selection, in 2 acts of the most favourite Scenes from these Comic Operas. Principal Characters-Morelli, Rovedino, Kelly, Sga Storace.

Dance: As17930622

Ballet: Iphiginia in Aulide. As17930622

Event Comment: By desire of many of the principal Subscribers to the Opera, the Decorations of the Masquerade will remain this Evening on the Stage. [This Masquerade had taken place the previous evening, 3 Mar.; it had been attended by over 3,000 persons, and had continued from ten o'clock at night until ten the following morning.] The second representation of Don Juan is unavoidably deferred on account of replacing the Machinery after the Masquerade to Saturday next, when it will be given with some alterations. And, on that night, positively no person will be admitted behind the scenes, it being impossible to conduct the machinery, and make the necessary changes whilst the stage is crowded with gentlemen, as was the case last Saturday evening

Performances

Mainpiece Title: I Contadini Bizzarri

Dance: End of Act I Divertisement, as17940111; End of Act II L'Union des Bergeres (performers as in Dances, 1 Mar.]

Performances

Mainpiece Title: The Jew

Afterpiece Title: MY GRANDMOTHER

Event Comment: Powell, 15 Oct.: Chaplet rehearsed at 10 [but this play was not acted this season]; Emilia Galotti at 11; 16 Oct.: Henry VIII rehearsed at 10; Lodoiska at 12 (Floreski's and Ithorak's scenes); Wedding Day read at 12. Receipts: #453 1s. 6d. (335.1.0; 94.0.0; 4.0.6)

Performances

Mainpiece Title: The Jew

Cast
Role: Dorcas Actor: Miss Tidswell.
Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Cast
Role: Lavinia Actor: Miss Chapman
Role: Lucilla Actor: Miss Hopkins
Role: Calista Actor: Miss Wallis.

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: notes that the Principal parts Actor: Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: A new Comic Opera; the music entirely by Paisiello [performed at the Pantheon, 14 May 1791, as La Molinarella]. Bianchi and Martini [i.e. Martin y Soler] are both engaged as composers to this Theatre, and will each preside at the harpsichord the three first nights of every new Opera of their composition. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [see 30 Apr. 1795]. The Nobility are intreated to give directions to their servants to set down and take up at the Theatre, with horses' heads towards Pall Mall. On account of abuses practised in the names of the Subscribers it is become necessary to require the production of the Subscription Tickets both at the doors and the Boxes, At the Chair-door in Market-lane Subscribers only will be admitted. "The Pantomime is too much in the gaudy stile of Italy, and even in this respect the ballet-master is not well seconded by the machinist; the decorations were unfinished, and the scenes clumsily shifted...We were sorry to find that the new and superb room, which the proprietor was encouraged to build, and Which was opened in its unfinished state last year, is now entirely shut up, through the cabal of some few of the subscribers who refuse a miserable guinea for its illumination. The inconvenience of getting away from the Theatre will consequently be severely felt by the Beau Monde" (Morning Chronicle, 8 Dec.)

Performances

Mainpiece Title: Lamore Contrastato Or La Molinarella

Dance: End I: a Divertisement-Mme Hilligsberg, others; End II: [a grand Heroic Pantomime Ballet composed by Onorati Giustino I Imperatore dei Romani [; or, Il Trionfo dell' Amore e dell' Amicizia-D'Egville, Gentili, Aumer, Mme Ferlotti [Rinaldi], Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1790]); the music by Anfossi, with 2 additional songs in the 2nd act by Mme Banti, the 1st composed by Piccinni, the last by Naumann. With entire new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Zenobia In Palmira

Dance: End I: Divertisement-[See17941206]; End II: a new Petit Ballet by Onorati L'Espiegle Soubrette[; ou, Le Tableau Mouvant-Gentili, Lahante, Aumer, Mlle Rosine, Mme DelCaro, Mme Hilligsberg