SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes "/1) | (@(roleclean,performerclean) "Miss Vincent The scenes ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14647 matches on Performance Comments, 4619 matches on Performance Title, 3106 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMr Woodward was taken ill, & Mr Yates his part of Lucio, & Mr Rooker did the Harl: (all well) a Disturbance was design'd by the officers occasion'd by a new Scene (which no Effect) about a Captain being in Leading strings, but we left it out & all was Quiet (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Ranger

Performance Comment: As17571029, but Harlequin-Rooker; others-Beard.
Cast
Role: others Actor: Beard.
Event Comment: A New Opera. Pit and Boxes Half a Guinea. Gallery 5s. To begin half an hour after Six. With new Decorations. No Persons to be admitted without Tickets. By His Majesty's Command, No Person whatsoever to be admitted behind the Scenes. [These notices repeated in subsequent bills.] Attendance will be given at the said Office every Morning to deliver the Subscribers Silver Tickets, and to receive Subscriptions for this Season

Performances

Mainpiece Title: Demetrio

Dance: With new Dances

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmaskd

Dance: JJovial Coopers, as17571107

Performances

Mainpiece Title: New Medley Concert

Performance Comment: With several extraordinary additional Performances on the wire-Miss Wilkinson.

Afterpiece Title: Harlequins Frolic

Performance Comment: See17570902 , but the whole to conclude with an additional Scene representing the Battle of Rosbachv where the combined armies of the Empire and France were totally defeated by that of the Glorious King of Prussia.

Song: Kear

Ballet: LLe Carneval de Venice. Dutchman-Dupuis; Harlequin-T. Hussey; Scotchman-Froment; Pierrot-Rainel; Frenchman-Delascey; Punch-Joly; Dutchwoman-Miss Wilkinson; Harliquinette-Mad Stivaux; Scots Lass-Mad Dulisse; Pierotte-Mad Clary; Mademoiselle-Miss Durham; Mlle Ragonsby-Hussey

Performance Comment: Dutchman-Dupuis; Harlequin-T. Hussey; Scotchman-Froment; Pierrot-Rainel; Frenchman-Delascey; Punch-Joly; Dutchwoman-Miss Wilkinson; Harliquinette-Mad Stivaux; Scots Lass-Mad Dulisse; Pierotte-Mad Clary; Mademoiselle-Miss Durham; Mlle Ragonsby-Hussey.
Cast
Role: Dutchwoman Actor: Miss Wilkinson
Role: Mademoiselle Actor: Miss Durham
Event Comment: A New Opera. The Musick newly composed by Cocchi. No persons whatsoever to be admitted behind the Scenes

Performances

Mainpiece Title: Zenobia

Dance: New Dances and Decorations.Maestri d'Balli-Lescot; Ballerini-Signora Forti, Signora Bonomi, Grimaldi, Madam Lescot

Event Comment: By Authority. With new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Venice Preserved Or A Plot Discovered

Performance Comment: Jaffier-Young Gentleman, first on any stage; Pierre-Davis, second on that stage; Priuli-Marshall; Duke-Clarke; Eliot-Pittard; Spinosa-Blakey; Theodore-Cotshall; Bedamar-Adcock; Renault-Cibber; Belvidera-Mrs Adcock, first time in that part on that stage.
Cast
Role: Theodore Actor: Cotshall

Afterpiece Title: Numpss Courtship

Dance: As17580112

Event Comment: Mainpiece: By Particular Desire. New Scene in Knights; or, Foote's Fresh Tea, published at 6d. Printed for J. Wilkie behind the Chapter House in St Paul's Churchyard. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Cast
Role: Epithalamium Actor: Beard, Miss Young
Role: Arne Actor: Beard, Miss Young.
Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Male Coquette

Dance: IV: The Italian Peasants, as17571004

Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Anniversary Being a Sequel to Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, by Desire, as17571013

Event Comment: Benefit for Holland. [The additions, according to the Larpent MS 146, consist of a Scene between Master and a Beauv , wherein the Master's reflections are sound and moral, whilst the Beau's are frivolous and fatuous.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Toyshop

Dance: The Italian Peasants, as17571004

Event Comment: [T$Theophilus Cibber opened the theatre this one night. Mainpiece, a Mock Tragedy by Joseph Reed. Afterpiece, anonymous.] Tickets to be had at the Swan, Westminster Bridge; Forest's Coffee House and Cannon Tavern, Charing Cross; the Tuns in the Borough, Southwark; the Rainbow Coffee House, near the Royal Exchange; and the Bedford Coffee House, Covent Garden. N.B. Tickets for the Author to be had at Mr Briscall's at Parliament-Street Coffee House; the Bedford Head, Southampton St.; Mr Wells at the Crown and W in Russel Court, Covent Garden; Mr Long's in Little Britain; the Union Coffee House in Cornhill; the White Lion in Talbot Court; and the Sun Tavern, Shadwell

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Characters-Mr Cibber; & Co., with a Prologue-; Epilogue-; an Ode-; a Dirge-; a Funeralv and Processionv; With Proper Habits, Scenes, Machines, and All Heroic Decorations. Larpent MS 148 lists parts: Madrigal-; Buckramo-; Straspada-; Lyric-; Acrostic-; Fustiano-; Epigram-; Goosino-; Bodkinda-; Presboradalio-; Yardwandelli-; Buttonelli-; Thimbletorio-; Truletta-; Sculliona-; Scourella-; Ghosts of Cabbagino and Truletta-; Poets-; Taylors-; Drums-; Trumpets-.

Afterpiece Title: Sir ThomasCallico or The Mock Nabob

Performance Comment: Taken from the Comedy of Sir Courtly Nice.
Event Comment: A new opera. [Edition of 1758: Musick by Signor Galuppi and directed by Gioacchino Cocchi.] Pit and Boxes together at half a guinea. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. 6:30 p.m. [For an additional five guineas, subscribers may secure 15 pit tickets, good on Tuesday.

Performances

Mainpiece Title: Attalo

Dance: With New Dances-; Edition of 1758: Ballerini-Giovanni Gallini, Sga Rosa Carlini, Giuseppe Forti, Sga Giac. Bonomi

Performances

Mainpiece Title: Caligantus

Event Comment: LLa Serva Padrona; or, The Servant Mistress announced but cancelled. [This entertainment was advertised as to be given by particular desire, with the addition of a new act, and a new character, as it was performed originally at the Theatre Royal in Naples. Set to music by Pergolesi. With Dancing. The Scenes and Cloaths entirely new. Boxes 5s. Pit 3s. Gallery 2s. The house to be illuminated with wax candles. The whole to be under the direction of Sg Storace and Mr Oswald. Sga Seratina being recovered from her late indisposition to perform this night. Notice, however, on the proposed day of performance appeared in the Public Advertiser: "La Serva Padrona is stopp'd by a particular order of the Lord Chamberlain, but as a great many of the Nobility and Quality are very desirous to see this entertainment, it will be soon presented at another theatre." See 29 March.

Performances

Event Comment: Benefit Signora Saratina. A new tragicomical Burletta, Musick composed by Pergolesi. Scenes and Cloaths entirely new. Tickets at Mr Oswald's Music Shop. 2s. 6d

Performances

Mainpiece Title: La Strattaggemma Or The Stratagem

Song: Before the Burletta: Singing-; several songs, a duetto-Signora Saratina, Reinhold

Event Comment: At Shuter's New Booth, George Inn Yard, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at Twelve Noon. An Excellent Band of Musick is provided. The Scenes and Habits all entirely new. Public Advertiser, 22 Aug.: Whereas the partnership between Mess Shuter and Yates has been dissolved; and as Mr Shuter intends to carry on the Business in a more extensive manner than has been performed hitherto, he is now at a great Expence erecting a Repository in an entirely new Taste, in the George Inn Yard...prfviding new, nice, and different Assortments of Theatrical Wares, such as Wit, Humour, Incidents, American Interludes, black and white, Duets and Dances, of which the Public will be informed by Catalogue of the whole Stock, which will be delivered Gratis to his Friends and Customers...He flatters himself that no Person will serve them better or cheaper, for ready Money only, and all purchases of Five Pounds worth or upwards, shall be allowed 5 per cent of Discount. That the Publick may not mistake the Shop, over the Door way will be my Picture without a Frame, very indifferently painted, with this Motto beneath it, Shuter. Daily Advertiser, 3 Sept.: On the Great Parade after the Fair is proclaim'd, the Bold Shuter will review his Troop; and the Publick are requested to observe that the full Figure at the Middle of the Platform is the Chief...or Sachem of the Five Nations. He will be attended with Mamamawks, Papapawks, and Tomahawks...The Lords may laugh, the Ladies may laugh, and the Commoners may laugh...and that will make me laugh. Edward Shuter, born Anno Domini

Performances

Mainpiece Title: The French Floggd Or The English Sailors In America

Performance Comment: Together with the Reception of Capt. Briton at the Indian courtv; the Manners, Customs, Peace, and presenting the Wampum Beltv for his Bravery in rescuing the Princess Sachema from the French Banditiv. Interspersed with the Droll Bahaviour and Odd Adventures of MacDermott Geoghaghan Ballingroguev, and the Witch of the Woods; or, a Woman without a Head.

Song: Diet, The Humours of Bartholomew Fair-Alley Croaker, Signora Ciperini; And a Song- on the late glorious success gained over the French by his Serene Highness Prince Ferdinand

Event Comment: By Authority [repeated in each bill]. A new English Burletta. Taken from the Memoirs of Jeffrey Ap Arthur of Monmouth, interspersed with Critical Remarks by Mess Snarler and Hum for Mr Bombast the Author. The Music, Scenes, Cloaths, and other Decorations entirely new. Prices: 4s., 2s. 6d., 1s. 6d. 6:30 p.m. [First announced on 7 Sept. for 10 Sept., and deferred on account of death of Princess Elizabeth. It was adapted from Henry Brooke's Jack the Giant Queller, 1748. Published 1778.

Performances

Mainpiece Title: Galligantus

Event Comment: Receipts: #59 14s. Paid Dall [Scene painter] on acct of his salary, #1 10s.; Paid Austin [Dall's assistant] six days salary 12s.; Paid Besford (porter) a week's salary 12s.; Paid Mr Warring in full for assisting to examine Mr White's acct #10 10s. [Dall and Austin received the amounts recorded here each week. No further records of these payments will be made except for special variations.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: A Duke and no Duke

Event Comment: A New Opera. [Edition of 1759: Music by several composers directed by Gioacchino Cocchi. Simphony by Jomelli.] With new Decorations, Cloaths, and Dances. Pit and Boxes together, and no persons admitted without tickets, which will be delivered this Day at half a Guinea. Gallery 5s. By His Majesty's Command, no Person to be admitted behind the Scenes. To begin at half an hour after Six precisely. [This notice repeated in the bills.

Performances

Mainpiece Title: Vologeso

Dance: DDancesdirected by Gallini,-Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Event Comment: Full Prices. [The Pantomime] revived with Additional Scenes of Action. Receipts: #203 7s

Performances

Mainpiece Title: The Merry Wives Of Indsor

Afterpiece Title: The Fair

Performance Comment: Harlequin-Miles; Pantaloon-Bencraft; Wife to Pantaloon-Mrs Pitt; Colombine-Mrs Dyer; Pierrot-Lalauze; Constable-Redman; Porter-Holtom; Recruiting Serjant-Beard; (with) Song in Character-Beard; Corporal-Barrington; Drummer-Mr Tattoo; Recruits-Mattock, Baker, Legg, Warren, Courtney, Whitaker; Equilibrist on the Wire-Saunders; Andrew to Yates's Parade-Jonathan; Andrew to Puppet Shew-Collins; Tiddee Doll-Dunstall; Butchers-Gibbs, Perry; Slaughter Men-Holtom, Buck; Spectators-The Comedians; The Dances-Poitier Jr, Granier, Leppie, Desse, Gosly, Rochford, Dumai, Terrier, Mrs Granier, Mrs Jansolin, Mrs Leppie, Mrs Viviez, Mrs Terrier.
Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Nottingham Actor: Mrs Vincent

Afterpiece Title: The Fair

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: Receipts: #142 4s. Paid Kemp for 5 nights #8; Mr Dall at work upon scenes of Oratorios, for which his salary is stopp'd from 28 Jan. 60; Paid Meares 6s.; Heaford (plaisterer) #78 10s.; Pearce (bricklayer) #79 18s.; Martin (wardrobe keeper) on acct of his salary #5. [I] was in both the Galleries both before and after the plays, met Mr Ware going into Covent Garden Gallery who said his sisters were there but I did see them (Hailey, "Brietzcke Diary," Vol. 197, p.71)

Performances

Mainpiece Title: Comus

Event Comment: Benefit for Wilkinson. At the Request of several Persons of Quality. Tickets delivered by Fox, Royall, and for The Distress'd Mother will be taken

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Double Disappointment

Performance Comment: As17600429 *uòdl SSpecialty. Foote's Prologue to The Author, spoken in the manner of the Original-Wilkinson; and, By Particular Desire, the Scene between Lady Pentweazel and Mr Carmine , from the Comedy of Taste-; Lady Pentweazle-Wilkinson; Carmine-Packer.
Event Comment: Calculated for the use and entertainment of the town in general, but particularly the admirers of The Minor, and more especially those who have been present at the humorous representations of that piece. 'The plain roast and boiled of the theatres will never do at this table. We must have huge seasoned ragouts, and rich sauces.' Perhaps I may produce something that may hit your palate--What think you of a Mimick? Vide the Introduction of The Minor. Nothing will be taken under full prices. No admittance behind the scenes. Care will be taken to keep the house cool. To begin exactly at Seven

Performances

Mainpiece Title: Comic Lectures

Event Comment: MMr Hartry is oblig'd to postpone his Comic Lecture...being engaged in making many alterations therein. The serious part will be consideredly shortened, some other pieces expunged, and many scenes of humour added, which he hopes will be entertaining. He is extremely troubled that anything in his Lecture on Tuesday should have given offence to any one person present, and is no less concerned that those Ladies and Gentlemen who were desirous to hear him perform (that part which appeared exceptionable to others) were disappointed. He is sorry there was any disaffection either way. He is not conscious of having attempted anything with an intention to offend, or that has not already been allowed of inclusion though more unpardonable. The foibles and peculations of private characters have been brought on the stage by others, those only of public men by him. He hopes it will not appear vain or arrogant to say that after such unequaled peals of applause which he met with for some time while uninterrupted, it would be paying an ill compliment to so crowded and brilliant an audience not to flatter himself will possessing some degree of merit: And if he afterwards failed in any or every particular it was altogether owing (notwithstanding the seeming spirit he assumed) to the confusion he was in at the Party Affair which followed. It was his first appearance in public, and in such a situation it is no wonder he was robb'd of his comic powers; but he hopes when his Lecture is alter'd there will be found in it nothing which can give offense, or deprive him of that generous indulgence to a young performer which characterizes a British audience. [No further performance of the Lecture seems to have been given.

Performances

Event Comment: At Shuter's Great Theatrical Tiled Booth on the Bowling Green. Scenes and Habits entirely new. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at twelve o'clock. An excellent band of music is provided, consisting of Violins, Hautboys, Trumpets, Kettle Drums, &c

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: advertised as "with the tragic adventures of the Knight of the Woeful Countenance, and the Comic humours of his merry Squire Sancho Panca. An Entertainment intirely adapted to the taste of all Ladies, Gentlemen, Bucks, Bloods, and Choice Spirits; but more expecially those who are fond of Liberpy and Roast Beef. In which will be introduced a group of odd, but diverting characters, being the work of a great master in the Creative Faculty. To render the dish more agreeable to every palate, it will be garnished with singing and dancing-; particularly a song on the late Victories obtained by our Fleets and Armies, and a Welcome to Southwark Fair. With a Hornpipe-a British Genius; whose valour was conducive to the reduction of Quebec. The whole to conclude with the View of a magnificent Monument erected to the Memory of the late General Wolfe. And a Monody- to be spoken on the death of that brave and much lamented Hero.".