SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes "/1) | (@(roleclean,performerclean) "Miss Vincent The scenes ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14647 matches on Performance Comments, 4619 matches on Performance Title, 3106 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The opening of Covent Garden Theatre.] Written by the late Mr Congreve. The Cloaths, Scenes, and Decorations entirely New. And, on Account of the great Demand for Places, the Pit and Boxes, by Desire, will be laid together at 5s. Gallery 2s. Upper Gallery 1s. And to prevent the Scenes being crowded, the Stage Half a Guinea. All Persons who want Places are desir'd to send to the Stage Door (the Passage from Bow-street leading to it), where Attendance will be given, and Places kept for the following Nights as usual. Receipts: #115

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Britannia or The Royal Lovers

Performance Comment: Prince Germanicus-Mrs Thurmond; Britannia-Mrs Roberts; Royal Attendants on Germanicus-W. Giffard, Rosco, Bardin, West, Moore, Presgrove; Royal Attendants on Britannia-Mrs Haughton, Miss Norman, Mrs M. Giffard, Mrs Wetherilt, Mrs Dove, Miss Tollet; Priests of Hymen-Lyon, Dove, Ayres, Wetherilt Sr, Monlass, Morris; Watermen-Bardin, Stoppelaer, Jenkins, Harbin, Rosco, Sandham, Delagarde, Dove; Grenadiers-Huddy, Excell, Moore, Wetherilt, Evans, West, Monlass, Morris; Serjeant-Hulett; Cupid-Miss Cole; Deities-Vallois, Delagarde, Sandham; Graces-Miss Wherrit, Miss Sandham, Mrs Vallois; First Swain-Thurmond; First Nymph-Mrs Bullock; Followers-Vallois, Delagarde, Sandham; Nymphs-Miss Wherrit, Miss Sandham, Mrs Vallois .

Entertainment: [Author unknown.] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performance Comment: ] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d .
Event Comment: Benefit Miller. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Townly-W. Mills; Lady Townly-Mrs Heron; Manly-Mills; Lady Grace-Mrs Butler; Sir Francis-Griffin; Lady Wronghead-Mrs Grace; Basset-Cibber; Jenny-Mrs Clive; Richard-H. Tench; the Original Scenes of John Moody (by Desire) will be restored; this part by Miller . the Original Scenes of John Moody (by Desire) will be restored; this part by Miller .

Dance: English Maggot by Lally and Mrs Walter. Two Pierrots by Poitier and Nivelon. Revellers, as17340319 Grand Dance in Momus

Performances

Mainpiece Title: Hurlothrumbo

Performance Comment: Lord Flame-Johnson, the author; the rest by comedians from DL. Epilogue by Johnson. And the Stilt-Scene by desire of several Persons of Quality .
Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer Infant Ch1mney sweeper Statue Parrot Skeleton

Performance Comment: Cast not listed, but with the Scene of the Elbow-Chair .

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Performance Comment: Solo on the German Flute by Burk Thumoth .

Dance:

Event Comment: At the particular Desire of several Persons of Quality. At Common Prices

Performances

Mainpiece Title: Aesop

Music: Several Solos on the Violin, the whole composed by Mr Petit, who will perform the first Violin

Dance: II: Grand Dance of Warriors by Castiglione, with Flag Dance by Demar, new from Paris. III: Grand Dance of Moors (with new Dresses). IV: The Pastoral (a new comic dance), with Shepherd-Castiglione; Punch-Le Grange; Harlequin-Le Sac; Pierot-Baudoin; Sailor-Shawford, with a Grand Masquerade Dance after the Venetian Manner. V: By Castiglione, with Italian Nigbt Scenes originally performed twenty-years ago by Sorein and Baxter: With Alterations and Additions: Harlequin-De la Hay; Scaramouch-Shawford

Performance Comment: III: Grand Dance of Moors (with new Dresses). IV: The Pastoral (a new comic dance), with Shepherd-Castiglione; Punch-Le Grange; Harlequin-Le Sac; Pierot-Baudoin; Sailor-Shawford, with a Grand Masquerade Dance after the Venetian Manner. V: By Castiglione, with Italian Nigbt Scenes originally performed twenty-years ago by Sorein and Baxter: With Alterations and Additions: Harlequin-De la Hay; Scaramouch-Shawford .
Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Event Comment: Mainp1ece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Song: CChancon a Boire-Leveridge, Laguerre

Event Comment: See Daily Advertiser, 4 Feb., for a letter from Colley Cibber to the Gentlemen of the Inns of Court. Daily Advertiser, 4 Feb.: Whereas it is agreed on between several Gentlemen, to erect a New Theatre for the exhibiting of Plays, Farces, Pantomime, &c. all such Persons as are willing to undertake the said Building, are desir'd to bring their Plans for the same by the 2d of May next ensuing, in order to be laid before the said Gentlemen, the Time and Place of which Meeting will be advertis'd in this Paper on the last of April. Proportions of the Ground: The North Side 120 Feet; the West, square with the North, 130 Feet; the South 110 Feet; and the East on a Bevil, joining the Parallel. Note, There must be a Passage left to go round the Building, and the Stages to be 30 Feet wide at the First Scene; the Distance between Wall and Wall 80 Feet; and the Scene-Rooms, Green and Dressing Rooms, to be on the outside of the last mention'd Measure. The Stage to be either North or South

Performances

Mainpiece Title: The Double Dealer

Performance Comment: (London Daily Post and General Advertiser missing), but Latreille says As17361106.
Cast
Role: Cynthia Actor: Miss Hollyday.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: By Command of There Royal Highnesses the Prince and Princess of Wales. Admission: 5s., 3s., 2s., 1s. 6d. No Latter Account will be taken. The Performance of the above Entertainment depending greatly on the Orchestra and the Stage being kept entirely clear, tis hoped no Persons will take it ill that they are refused Admittance behind the Scenes, it being impossible for the Scene-Men to make their Shifts and proper Changes, if they are interrupted by any Obstructions in the Passages. Receipts: #184 3s. 6d. (Account Book); #220 (Rylands MS.)

Performances

Mainpiece Title: Duke And No Duke

Dance: Desnoyer, Signora Barberini

Event Comment: Bedefit Mr and Mrs Arne. Written by the late Mr Addison, and set to Musick by Mr Arne

Performances

Mainpiece Title: Rosamond

Performance Comment: End Act I will be introduced (by way of Interlude) the Solemn Invocation Scene in Oedipus-; with the Choruses-; After the Opera, the Songs and Choruses in As You Like It written by Shakespear, and by Mr Arne as intended originally to be performed-.
Event Comment: RRylands MS: Old Cibber play'd Brute. [The preceding day's notice started this performance was By Command of his Royal Highness, The Prince of Wales, although no such notice appears in the day's Bill. But the following note is included on the day's bill in the London Daily Post and General Advertiser.] By His Majesty's Command, no persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. [Fleetwood made an earnest attempt this year to clear the stage for action. All notices up to this day contain the prohibition of members of the audience behind scenes as stated on the bill of 15 Oct. Hereafter the prohibition is enforced by His Majesty's Command.] Receipts: #182

Performances

Mainpiece Title: The Provoked Wife

Song: I: Bright Author of my Present Flame-Lowe; IV: Non Ch'amarmi a Song of Farinelli's-Mrs Arne

Dance: II: A Pierrot Dance, as17411114; III: The Drunken Peasant, as17411029; V: A Musette, as17411114

Event Comment: Benefit Galliard. Set to music by Galliard. Pit and Boxes together at 5s., First Gallery 2s. 6d. Upper Gallery 1s. 6d. Tickets at Mr Galliard's in Rathbone Place, near Soho Square. Books of the Opera and Interlude at Mr Theobald's the author's house, in Wyan's Court, Great Russel St. Note, Care will be taken to have the House well air'd. [See 16 April 1741, hay.

Performances

Mainpiece Title: The Happy Captive

Performance Comment: With An Interlude in two Comic Scenes-Signior Capoccio, a Director from the Canary Island, and Signora Dorinna, a Virtuso.
Related Works
Related Work: The Happy Captive Author(s): Lewis Theobald
Event Comment: To begin exactly at Six o'clock. Play Written by Shakespear. The Principal Characters new dress.d, and the Theatre New Decorated. None will be admitted into the Boxes but by Printed tickets, which will be deliver'd at the Office in the Lobby at 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. N.B. For the Better Regulation of the stage, it is desired that no persons will take it ill, that they cannot be admitted behind the scenes. [The notice about time and prices remains constant throughout the season and will not again be noted here. The notice about refusal of admission behind the scenes appears on each bill till the benefits begin. It will not be repeated here.

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Quin; Iago-Ryan; Cassio-Hale; Roderigo-Woodward; Brabantio-Gibson; Lodovico-Rosco; Montano-Cashell; Emilia-Mrs Mullart; Desdemona-Mrs Cibber, 1st appearance this stage.
Cast
Role: Othello Actor: Quin
Event Comment: At the particular desire of several persons of Quality

Performances

Mainpiece Title: The Queen Of Spain

Song: As17440119; a new song by Gladwin-Sullivan; Concluding with: a new Hunting piece by Lampe-

Event Comment: [The 1 Feb. note about nonadmission of persons behind the scenes continues to appear on all bills for nights of this afterpiece, as from now on, occurs the note: Nothing under Full Price will be taken during the time of the performance. These will not be copied out further.] We hear the new Pantomime Entertainment that was perform'd last night at Drury Lane, was receiv'd with great applause; the Scenes, Deceptions, and Decorations, all being in an entire new taste

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Amorous Goddess

Cast
Role: the Swiss Actor: Blakes

Performances

Mainpiece Title: Comus

Performance Comment: As17440303 but with a New Grand Scene of the Palace of Comus-.
Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cushing; Brazen-Singleton; Ballance-Furnival; Bullock-Dove; Kite-Paget; Recruits-Chettle, Daniel; Constable-York; Welch Collier-Maxfield; Sylvia-Mrs Daniel; Melinda-Mrs Cushing; Lucy-Mrs Freeman; Rose-Miss Houghton.
Cast
Role: Rose Actor: Miss Houghton.

Afterpiece Title: The Amorous Sportsman or Harlequin Triumphant

Performance Comment: Harlequin-Cushing; Cushing; Colombine-Mrs Dove; Squire-Chettle; Farmer-Vaughan; Farmer's Man-Dove; Huntsman-Johnson; The whole to conclude with the Grand Scene of the Temple of Diana at Ephesus-.
Event Comment: At the desire of Several Persons of Quality
Event Comment: [With the usual synoptic account.] Benefit Paget. Tickets at Paget's, the Tobacco Roll, in Mill Yard, near the bottom of Lemon St., Goodman's Fields. Tickets delivered out for Lee and Smith will be taken. [Prices as 25 Feb.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17451216, but Prince Edward-Gentleman new to the stage; Richard-Lee; his last performance on this stage. his last performance on this stage.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Cushing; Cuttle-Paget. with an additional Scene upon Eating between them never perform'd before.
Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered or French Policy Defeated

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Barry from Dublin, 1st appearance on English Stage; Iago-Macklin; Brabantio-Berry; Cassio-Mills; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Montano-Mozeen; Gratiano-Goodfellow; Emilia-Mrs Macklin; Desdemona-Mrs Ridout.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: Rec'd by sundry charges made to Mr Theophilus? Cibber more than paid him last season...#58 8s. 5d. Paid Mr Finch for Mr Cibber's creditors the moneys stopp'd out of his sallary for their use #58 8s. 5d. Rec'd of Mr Finch a Bill paid to Forest June 1745 for a Habeus &c for Mr Cibber. Receipts: #91 19s. 6d

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Sir Courtly-Woodward; Bellguard-Cashell; Farewell-Havard; Crack-Chapman; Surly-Bridgwater; Hothead-Marten; Testimony-Hippisley; Aunt-Mrs James; Violante-Mrs Horton; Leonora-Mrs Pritchard.
Cast
Role: Hothead Actor: Marten

Afterpiece Title: The Rape of Proserpine

Performance Comment: With an additional Comic Scene-; Harlequin-Lun; the other parts as usual. the other parts as usual.
Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Prospero-Berry; Ferdinand-Lee; Caliban-I. Sparks; Trincalo-Macklin; Stephano-Arthur; Gonzalo-Burton; Antonio-Mozeen; Mustachio-Blakes; Ventoso-Ray; Hippolita-Mrs Woffington; Ariel (with Proper Songs)-Mrs Clive; Dorinda-Mrs Green; Miranda-Mrs Mozeen; Sycorax-Taswell; Alonzo-Winstone; Clerk-Vaughan; Dance of Aerial Spirits-Mlle Janeton Auretti; Dance of Winds-Cooke; Grand Dance of Fantastic Spirits in grotesque characters-Mathews; Concluded with the Masque of Neptune and Amphitrite-; the original Waterman's Dance-with proper Scenes, Machines,.