SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes "/1) | (@(roleclean,performerclean) "Miss Vincent The scenes ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14647 matches on Performance Comments, 4619 matches on Performance Title, 3106 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the first production is not known, but the licensing of the play on 13 Aug. 1677 suggests a production not later than July 1677. Dedication to edition of 1678: But having...suffer'd so much through the defects of setting off, when it came on the Stage, it dares not now reject any Accomdation the Press cane give it. For (with the Theatres good leave to speak Truth,) it cannot receive greater Disadvantage in the Reading, than it met in the Presenting, The chief Parts Acted by Women; and, for their Ease, and somewhat of decorum, as was pretended, whole scenes left out, and scarcely any one Speech unmangled and entire. As for Adornments, in Habit, Musick, and Scene-Work it was Vacation-time, and the Company would not venture the Charge

Performances

Mainpiece Title: The Constant Nymph Or The Rambling Shepheard

Event Comment: The United Company. The date of the first performance is not known, but the Preface states:...the many inconveniences this hasty Peice has been expos'd to, as the Season of the being [sic] so near Christmas. [The Preface also refers to several scenes omitted in the action and expresses gratitude to Mountfort who wrote one scene of the fifth act.] This play was entered in the Term Catalogues, Feb. 1690@1

Performances

Mainpiece Title: The Mistakes

Performance Comment: Edition of 1691: Don Juan de Mendoza-Hodgson; Alberto-Powell; Antonio-Alexander [Verbruggen]; Ricardo-Montford; Lopez-Bowen; Bernardo-Trefusis; Miranda-Mrs Bracegirdle; Astella-Mrs Butler; Maria-Mrs Richardson; Prologue [by Mr Dryden-Bright, Bowen, Williams; Epilogue [by Mr Tate-Mrs Butler [in Mans Cloaths; Another Epilogue-Mr Montfort.
Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Event Comment: Post Boy, 12-15 June 1697: Great Preparations are making for a new Opera [The World in the Moon] in the Play-house in Dorset-Garden, of which there is great Expectation, the Scenes being several new Sets and of a moddel different from all that have been used in any Theatre whatever, being twice as high as any of their former Scenes. And the whole Decoration of the Stage not only infinitely beyond all the Opera's ever yet performed in England, but also by the acknowledgment of several Gentlemen that have travell'd abroad, much exceeding all that has been seen on any of the Foreign Stages

Performances

Event Comment: Benefit Pinkeman. Common Prices. All Persons that come behind the Scenes are desired to pay their Money to none but Mr Pinkeman. [This benefit had originally been advertised for 24 Oct. but deferred, the offerings for that day being a medley of The Death of King Henry VI, a Tragical Interlude of one Act only; Aesop, "several select Scenes" only; and The School-Boy; or, The Comical Rivals.

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Don Cholerick-Pinkeman; Don Dismallo-Cibber; And a new cunning Epilogue to the Town,-Pinkeman.

Entertainment: Several pretty Entertainments-

Event Comment: With an addition of a whole new Scene, consisting of Three Songs, compos'd by Signior Scarlatti, and perform'd by the famous Signior Cavaliero Nicolini Grimaldi. The Scenes, as 2 April. At the Desire of several Persons of Quality. Admission to pit and boxes by Printed tickets only. Stage boxes half a guinea. First Gallery 2s. 6d. Upper Gallery 1s. 6d

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: As it was altered from Shakespear by Sir Wil. D'Avenant, and the late Mr Dryden, Poets Laureat. With new Scenes, Machines, and all the Original Decorations proper to the Play. By her Majesty's Command no Persons are to be admitted behind the Scenes

Performances

Mainpiece Title: The Tempest Or The Inchanted Island

Event Comment: Benefit Valentini. Admission as 10 April

Performances

Mainpiece Title: Ernelinda

Performance Comment: See17140403 With new Additions to the Mad Scene (only for this time, and no more)-Mrs Robinson.
Event Comment: Benefit Nicolino. With New Scenes and Cloaths, particularly the Scene with the Fountain. Pit and Boxes half a guinea. Stage Boxes 15s. Gallery 4s. At 6 p.m. Weekly Packet, 25 June: Signior Nicolini's Quail-Pipe continues to lug the Nobility and Gentry by the Ears, who have gone very far on his last Benefit-Night, towards equipping him for another purchase at Venice, he having already built a stately Edifice there, near the Rialto, upon which is written in Characters of Gold, Villa Britannica, as a Testimony that Scaliger's Saying, that we are Hospitibus Feri, is a downright Untruth, and falsly imputed to our Nation

Performances

Mainpiece Title: Rinaldo

Dance:

Event Comment: By Command. With the Cloaths and several Scenes belonging to Amadis; with The Fountain Scene. Admission as 25 June. The King present

Performances

Mainpiece Title: Hydaspes

Dance: Dutch Skipper-delaGarde, Mrs Bullock

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: Benefit Mrs Robinson. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Amadis

Performance Comment: See17170216, but With the Addition of a New Scene-; the Musick by Mr Hendel-Cavaliero Nicolino Grimaldi, Mrs Robinson.

Dance: deMirail's Scholar, Mlle Cerail

Event Comment: By His Majesty's Command. In which will be seen two New Scenes, one representing a most Magnificent Palace, containing above a Thousand Yards of Painting. The other a Room adorn'd with Tapestry, representing the famous Battles of Alexander by Mons leBrun; both (in their kind) exceeding any Scenes that has been seen in England. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Cleartes

Event Comment: Benefit Cavaliero Nicolini Grimaldi. By Command. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Amadis

Dance: Glover, Mlle Cerail; particularly a Spanish Dance-

Event Comment: At the Desire of the Worthy Inhabitants of Ludgate Street

Performances

Mainpiece Title: Medley

Performance Comment: Best Scenes-Tony Aston.
Cast
Role: Best Scenes Actor: Tony Aston.

Entertainment: Comical Songs-; Drunken Man-

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Performances

Mainpiece Title: King Henry The Vth Or The Conquest Of France By The English

Performance Comment: Edition of 1723 lists: King Henry-Booth; Dauphin-Wilks; King of France-Thurmond; Princess Catherine-Mrs Oldfield; Harriet-Mrs Thurmond; Charlot-Mrs Campbell; Duke of Exeter-Mills; Duke of York-Cory; Lord Scroop-Williams; Duke of Bourbon-Bridgwater; Duke of Orleans-Watson; Earl of Cambridge-Mills Jr; Sir Thomas Grey-Oates; French Officer-Roberts; Prologue-Wilks; Epilogue-Mrs Oldfield.
Event Comment: At the Desire of several Ladies and Gentlemen. @Three, more Diversion can show@Than 20 that do little know;@We shift the Dress, and change the Theme,@We skim the Milk, and take the Cream.

Performances

Mainpiece Title: Medley

Performance Comment: All new Scenes-Tony Aston.
Cast
Role: All new Scenes Actor: Tony Aston.
Event Comment: At the Desire of several Ladies and Gentlemen

Performances

Mainpiece Title: Medley

Performance Comment: All new Scenes of his Medley-Tony Aston.
Event Comment: Afterpiece: A New Night Scene. The Scenes being all painted from tne real Place of Action. [By John Thurmond.] Weekly Journal or Saturday's Post, 5 Dec.: [It] was dismiss'd with a universal hiss.-And, indeed, if Shepherd had been as wretched, and as silly a Rogue in the World, as the ingenious and witty Managers have made him upon the Stage, the lower Gentry, who attended him to Tyburn, wou'd never have pittied him when eh was hang'd

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin Shepard

Event Comment: At the Desire of the Worthy Inhabitants of Farringdon Ward, at the Dog Tavern, in Ludgate Street

Performances

Mainpiece Title: Aesop

Performance Comment: A Scene of The Spanish Fryar-Tony Aston.

Song: New Song-Tony Aston in the Habit of a Fryar

Event Comment: Afterpiece: [By Lewis Theobald.] The Cloaths, Scenes, Machines, Flyings, and otehr Decorations, Being entirely new. N.B. Tis desir'd that no Persons will take it ill, that they are refus'd Admittance behind the Scenes, it being impossible to perform the necessary Decorations, unless the Passages are kept entirely clear. Receipts: #174 8s. Weekly Journal or Saturday's Post, 23 Jan.: In which was shewn the boldest Piece of Machinery that ever yet was seen upon the Stage

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; First Bird Catcher-Nivelon; 2d-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Cerberus-Nivelon; Susiphus-Glover; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Ogden; Lachesis-Mrs Wall; Atropos-Mrs Legar; Furies-DuPre, Lalley, Pelling.
Cast
Role: Prometheus Actor: Newhouse
Related Works
Related Work: Harlequin a Sorcerer: With the Loves of Pluto and Proserpine Author(s): Lewis Theobald
Event Comment: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scotland

Performance Comment: Norfolk-Wilks; Morton-Mills; Cecil-Williams; Davison-Bridgwater; Giffard-Wm. Mills; Queen Elizabeth-Mrs Porter; Mary Queen of Scotland-Mrs Oldfield; Dowglass-Mrs Booth; with the Coronation Scene-.
Cast
Role: with the Coronation Scene Actor: .
Event Comment: At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bays-Cibber; With The Coronation Scene-.
Cast
Role: With The Coronation Scene Actor: .
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17271014, but With The Coronation Scene-.
Cast
Role: With The Coronation Scene Actor: .

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: Loveless-Wilks; Scornful Lady-Mrs Oldfield; Young Loveless-Wm. Mills; Welford-Bridgwater; Sir Roger-Cibber; Savil-Johnson; Morecraft-Shepard; Poet-Norris; Captain-Harper; Martha-Mrs Heron; Widow-Mrs Butler; Abigail-Mrs Willis; With the Coronation Scene-.
Cast
Role: With the Coronation Scene Actor: .