SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Street"/1) | (@(roleclean,performerclean) "Miss Street")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13817 matches on Performance Comments, 4431 matches on Performance Title, 2983 matches on Event Comments, 42 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit for Miss Biggs. Morning Chronicle, 12 May: Tickets to be had of Miss Biggs, No. 17, Charles-street, Covent Garden. Receipts: #247 2s. 6d. (92.4.6; 62.4.0; 5.4.0; tickets: 87.10.0) (charge: #229 10s. 10d.)

Performances

Mainpiece Title: Indiscretion

Cast
Role: Victoria Actor: Miss Pope
Role: Fanny Actor: Miss Biggs
Role: Laura Actor: Miss Heard

Afterpiece Title: Lodoiska

Event Comment: Benefit Turbutt, Este. Tickets for Gray, Rainton, Ward, Miss Bennet also taken. Tickets to be had at Este's Lodgings in Wild Street

Performances

Mainpiece Title: The Orphan

Cast
Role: Serena Actor: Miss Holiday
Role: Page Actor: Miss Cole.

Afterpiece Title: The Intriguing Chambermaid London Daily Post and General Advertiser 20 May or The Devil to Pay Daily Advertiser 21 May

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jenkins-Bannister; Lionel-Wood; Harman-Marshall; Sir John Flowerdale-Aickin; Jessamy-Wilks (From the Theatre Royal, Crow Street, Dublin); Diana-Mrs Cargill; Jenny-Mrs Wells; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.
Cast
Role: Clarissa Actor: Miss Harper.

Afterpiece Title: The Author

Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Jenny Diver Actor: Miss Stuart
Role: Mrs Coaxer Actor: Miss Francis
Role: Dolly Trull Actor: Miss Rowson
Role: Mrs Vixen Actor: Miss Brangin

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope
Role: Maria Actor: Miss Miller.

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Miss Heard
Role: Lettice Actor: Miss Tidswell

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: London Gazette, No 3346, 2-6 Dec. 1697: The Song Composed by Mr Jeremiah Clark, and Sung on St Cecilia's day will be performed on Thursday next, at Mr Hickford's Dancing-School in Panton-street, or in James-street over against the Tennis Court, just by the blue Posts, there being a door out of each street to the Room; and for the benefit of the said Mr Clark and Mr Le Riche, late Stewards of the said Feast, the Musick begins at 8. [See 22 Nov. 1697.

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Mrs Pitt, Booth & L'Estrange. Morning Chronicle, 7 May: Tickets to be had of Mrs Pitt, James-street; of Booth, No. 35, Brownlow-street, Long-acre; of L'Estrange, Bolton-street, Long-acre. Tickets delivered for Elfrida will be taken. Receipts: #161 15s. 6d. (45.8.6; tickets: 116.7.0) (charge: #91 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Cast
Role: Laura Actor: Miss Ambrose

Afterpiece Title: The Country Mad Cap

Dance: End: As17770218

Song: End I: a new air in the Scotch Taste (composed by Dr Arne)-Mrs Farrell

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Silvester and Rae. Mainpiece: Not acted these 6 years.Afterpiece: Never performed here. Tickets delivered for The Earl of Essex will be admitted. Tickets to be had of Silvester at Mrs Hobbe's, Stanhope-street, Clare Market; at Iver's Wine Vaults, No. 384, Oxford-street; of Rae, No. 35, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: All the Worlds a Stage

Song: I: the original Sheep@shearing Song-the Characters

Dance: In I: Country Dance-the Characters; End: Hornpipe-a Gentleman

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood or Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Oswena Actor: Miss Morris
Role: Midge the Miller Actor: Street

Afterpiece Title: The Irish Mimick

Cast
Role: Miss Melcomb Actor: Mrs Davenport
Role: Angelina Actor: Miss Chapman

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Harlequins Treasure or Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Village Fete

Performance Comment: Principal Characters by Quick, Incledon, Munden, Townsend, Bowden, Haymes, Linton, Street, Gray, Mrs Mountain, Mrs Clendining, Mrs Martyr. [Cast from Larpent MS: Sir Martin Marygold-Quick; Fairlove-Incledon; Nicholas-Munden; Peter the Preacher-Townsend [in MS: Fawcett]; Kate-Mrs Mountain [in MS: Mrs Henley]; Peggy-Mrs Clendining; Lady Marygold-Mrs Martyr [in MS: Mrs Gilbert]; unassigned-Bowden, Haymes, Linton, Street, Gray.
Cast
Role: unassigned Actor: Bowden, Haymes, Linton, Street, Gray.

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Performance Comment: Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray.
Event Comment: By Command of Their Majesties. This Evening the Doors to be opened at 5:30. To begin at 6:30. Account-Book: Paid the Duke of Bedford one years rent for the Theatre, the back of the Theatre, the houses in Bow Street, Hart Street, the Piazza, and Playhouse Passage, as expressed in the Receipt, due Lady Day 1796, #456 4s. Receipts: #459 9s. 6d. (452.5.6; 7.4.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower

Cast
Role: Huntsmen Actor: Gray, Linton, Street
Role: Connor Actor: Miss Sims

Performances

Mainpiece Title: The Ghost

Afterpiece Title: Hes Much to Blame

Afterpiece Title: A Devil of a Lover

Performance Comment: Principal Characters by Munden, Fawcett, Johnstone, Knight, Wilde, Street, Linton, Gray, Mrs Davenport, Mrs Mountain. Cast from Larpent MS: Don Wizardo-Munden; Pedro-Fawcett; Capt. Fitzpatrick-Johnstone; Soaker-Knight; Viletta-Mrs Davenport; Donna Clara-Mrs Mountain; unassigned-Wilde, Street, Linton, Gray; Prologue-Clarke.
Cast
Role: unassigned Actor: Wilde, Street, Linton, Gray

Performances

Mainpiece Title: Lifes Vagaries

Performance Comment: Lord Arthur D'Aimurle-Lewis; Dickins (1st time)-Emery; Timolin-Johnstone; Sir Hans Burges-Munden; George Burges-Fawcett; Lord Torrendale (1st time)-Waddy; Robin-Townsend; Leillet-Farley; Augusta (1st time)-Mrs Chapman; Fanny Dickins (1st time)-Mrs Mills; Miss Clare-Mrs Follett; Poor Woman-Mrs Whitmore; Lady Torrendale (1st time)-Miss Chapman.

Afterpiece Title: Saturday Night at Sea or Tars at Anchor

Performance Comment: With a jolly full Bottle-Incledon, Townsend, Linton, Street; Boxing the Compass-Fawcett; Young William-Incledon; A Song-Johnstone; The Wind blew fresh-Townsend; Great Britain still her charter boasts-Incledon, Chorus.

Afterpiece Title: The Norwood Gipsies

Performance Comment: Harlequin-Bologna Jun.; Squire Breakneck-Farley; Beggar-Townsend; (with) A Beggar I am of low degree-Townsend; Natty Sammy-Simmons; Justice Smallwit-Whitmore; Deputy Paunch-Hawtin; Baker-Blurton; Captain Swagger-Coombs; Highwaymen-Dyke, Blurton [i.e. doubled Baker]; Waiters-Webb, Rees Jun.; Serjeant-Claremont; Corporal-L. Bologna; Countrymen-Abbot, Rees; Pierrot (for that night only)-Laurent (1st appearance on this stage); Hunter and Huntress-Mrs Martyr, Mrs Atkins; (with) Tantara-Mrs Martyr, Mrs Atkins; Gipsies-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; (with) O who has seen the miller's wife-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; Pierrot's Wife-Mrs Watts; Mother to Columbine-Mrs Whitmore; Nurse-Mrs Lloyd; Deputy's Lady-Mrs Gilbert; Columbine-Mrs Mills.

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: Londons Triumph Or The Goldsmiths Jubilee

Event Comment: At 7 p.m. Tickets 2s. 6d. At Queen Street and Frith Street

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Performances

Mainpiece Title: P Ormio

Performance Comment: By the young Gentlemen of Mr Stodherd's Academy in Charles-street, St. James's .

Performances

Mainpiece Title: The Death Of Julius Caesar in French

Afterpiece Title: The Forced Marriage in English

Performance Comment: By the young Gentlemen of Mr L'Herondell's Boarding School in Church-Street, Chelsea .
Event Comment: Benefit Mrs Boultby. Tickets at Mrs Boultby's Lodgings, Corner of Moor's Street in Compton Street

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Miller of Mansfield

Dance: II: Muilment; III: La Provencale-Mlle Chateauneuf; IV: Pierots-Lalauze, Livier; V: Wooden Shoes-Master Ferg

Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard