SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible Theatrical "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible Theatrical ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15853 matches on Performance Comments, 6142 matches on Event Comments, 5366 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: DDesdemona-Mrs Davies. $Mrs Havard being ill Mr King play'd Iago (Hopkins). Mrs Yates ill...Mrs Davies Desdemona (Cross Diary). Benefit for Vernon. Tickets for The Roman Father will be taken. Both main and afterpiece, By Particular Desire. Mr King Iago. Mr Havard could not play Mrs Havard being dead (Hopkins Diary-MacMillan). A mistake in the Diary. Mrs Havard died Friday 27th (J. P. Kemble MS Notes-MacMillan). Music A La Mode deferr'd on account of Indisposition of a principal performer. Last time of performing till the Holidays. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Performance Comment: As17640331 but Roderigo-Vernon,, first time; Desdemona-Mrs Davies; Montano-Fox.
Cast
Role: Roderigo Actor: Vernon,, first time

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Cook-Clough; Guttle-Philips; Melissa-Miss Plym, first time; Gayless-Ackman; Kitty-Mrs Bennet.
Cast
Role: Melissa Actor: Miss Plym, first time

Dance: The Faggot Binders, as17640224

Event Comment: Benefit for Miss Macklin. Afterpiece: For the only time this season. Pit and Boxes laid together. Servants are desired to be at the Stage Door by 4 o'clock. Ladies desired to come as early as possible to prevent Confusion in getting to their Seats. [See repetition of afterpiece 27 April.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Clarke; Bassanio-Bensley; Duke-Morris; Gratiano-Dyer; Lorenzo [with songs]-Mattocks; Launcelot-Shuter; Jessica (with a song)-Mrs Baker; Nerissa-Mrs Lessingham; Portia-Miss Macklin.
Cast
Role: Portia Actor: Miss Macklin.

Afterpiece Title: Love a la Mode

Performance Comment: Sir Callaghan-Shuter; Groom-Lewes, first time; Sir Theodore-Dunstall; Mordecai-Quick; Charlotte-Miss Macklin; Sir Archy-Macklin.
Cast
Role: Groom Actor: Lewes, first time
Role: Charlotte Actor: Miss Macklin

Dance: II: A Minuet-Fishar, Miss Macklin; IV: An Allemande-Mr Hamoir, Miss Hamoir

Event Comment: Margaretta 1st time by Mrs Robinson not perfect. very B. & Disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Receipts: #239 17s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Garrick; Duke-J. Aickin; Cacafoggo-Love; Juan-Packer; Sanchio-Hurst; Alonzo-Ackman; Copper Capt.-King; Margaretta-Miss Robinson, first time; Clara-Mrs Jefferson; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Mrs Abington.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Britannia or The Royal Lovers

Performance Comment: Britannia-Mrs Chambers; Germanicus-Miss Jones; Cupid-Miss Roberts, the first time of her appearing on this stage. In it: Harlequin in the City; or, A Wonder: Colombine Turn'd Elephant. Colombine-Mrs Roberts; Harlequin-Lun Jr; Colombine's Husband-Rosco; Clown-Penkethman; Yeoman-Wetherilt; Londoners-Hind, Topham; Yeoman's Wife-Mrs Hamilton; Londoners' Wives-Mrs Woodward, Miss Sandham; Master of the Elephant-Hulett; Gentlemen-Harbin, Jenkins, Morris; Herb Woman-Norris; Egg Woman-Monlass; Guinea Droppers-Ray, Dove; Porters-Pearce, Ayres; Basket Woman-Excell. And a New Prologue address'd to the Town, upon Harlequin's Introduction into the City. With New Musick compos'd by Mr Seedo .
Event Comment: At the particular Desire of several Ladies of Quality. Benefit Mrs Hervey and Miss Pattison. Written by Mr Farquhar

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Constance-Mrs Egerton; Aurelia-Miss Pattison; Mrs Clearaccount-Mrs Hervey; Midwife's Maid-Mrs Westley, the first time of her appearance on the stage. With a new Prologue and Epilogue to be spoke by Miss Pattison (in Boy's Cloaths) and Mrs Hervey .

Music: I: Handel's Overture of Ariadne. II: Charke's Medley Overture

Dance: II: French Peasant by Shawford. IV: Scot's Dance

Song: III: Cbast Lucretia. V: Roast Beef Song

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Lord Townly-Palmer; Lady Grace-Mrs Willoughby for the first time; Manly-Berry; Basset-Blakes; Squire Richard-Costollo; Lady Wronghead-Mrs James; Miss Jenny-Miss Minors; Sir Francis Wronghead-Yates; Moody-Winstone; Mrs Motherly-Mrs Cross; Trusty-Mrs Yates; Lady Townly-Mrs Pritchard.

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Benefit for Miss Pope

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17620105, but Beatrice-Miss Pope, first time; In Act II, a Minuet in the Masquerade Dance,-Noverre, Miss Pope.

Afterpiece Title: The Musical Lady

Performance Comment: As17620424 but Rosin-Fox; a New Epilogue in Character-Miss Pope.
Event Comment: Benefit for Miss Pope. Mainpiece: By Particular Desire. Part of Pit laid into the Boxes. Paid Mr J. French on acct #5 5s.; Housekeeper's 2 bills #14 16s.; Properties #1 13s. 8d.; Chorus 2 nights (this incl.) #4 7s. (Treasurer's Book). Receipts: #263 10s. Charges: #74 14s. Profit to Miss Pope: #188 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Cast
Role: Belinda Actor: Miss Hopkins
Role: Jenny Private Actor: Miss Platt
Role: Dorcas Zeal Actor: Miss Pope

Afterpiece Title: The Author

Performance Comment: Cadwallader (and, By Desire, the Original Prologue)-King; Vamp-Moody; Governor-Bransby; Young Cape-J. Aickin; Sprightly-Packer; Poet-Waldron; Robert-Keen; Printer's Devil-Burton; Arabella-Mrs Jefferson; Mrs Cadwallader-Miss Pope, first time.
Event Comment: Benefit for Miss Wilde. Charges #72 6d. Profit to Miss Wilde #10 3s., plus #37 8s. from tickets (Box 57; Pit 93; Gallery 92). Receipts: #82 3s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Country Madcap

Performance Comment: As17740405 but Country Madcap-Miss Wilde, first time.

Song: End: The song of Mad Tom [will be sung in character-Reinhold. [See17740408]

Dance: After Song: The Merry Sailors, as17731007

Event Comment: By Desire. Benefit for Miss Abrams (who perform'd the Little Gipsey). Tickets deliver'd for The Maid of the Mill, and by Mr Norris and Mrs Veal will be taken. Rec'd Stopages #11 9s. 6d. Paid salary list #621 16s. 6d.; Mr Gardner (By Order) one night #5 5s. Receipts: #78 16s. Charges: #70 5s. 6d. Profits to Miss Abrahams: #8 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760409 but Hurry-Waldron, first time; Architect-Norris; Maria-Miss P. Hopkins; Shepherdess, with songs incident to the piece-Miss Abrams; Vocal Parts-Mrs Smith, Mrs _Scott.

Afterpiece Title: The Waterman

Performance Comment: As17760412 but Robin (?)-Fawcett for Parsons.

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Performance Comment: [Characters by Kemble, Palmer, C. Kemble, Aickin, Wroughton, Barrymore, Caulfield, Maddocks, Phillimore, Mrs Siddons, Mrs Powell, A Young Lady (who has never appeared on any stage Miss Miller]). [Cast from European Magazine, Nov. 1794, p. 363, and Genest, VII, 180: Duke of Guastalla-Kemble; Marquis Marinelli-Palmer; Count Appiani-C. Kemble; Camilla Rota-Aickin; Odoarto Galotti-Wroughton; Battista-Barrymore; Giuseppe-Caulfield; Pirro-Maddocks; Angelo-Phillimore; Countess Orsina-Mrs Siddons; Claudia Galotti-Mrs Powell; Emilia Galotti-Miss Miller; Prologue-Whitfield; Epilogue-Mrs Siddons.
Cast
Role: Emilia Galotti Actor: Miss Miller

Afterpiece Title: The Prize

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.
Cast
Role: Macbeth Actor: Macklin, first time

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Mattocks; Sailor-DuBellamy; Dorcas-Mrs Thompson; Sally-Miss Brown; first time. With Hornpipe-Miss Twist.
Cast
Role: Sally Actor: Miss Brown
Role: With Hornpipe Actor: Miss Twist.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard III-Delane; Henry VI-Giffard; Buckingham-W. Giffard; Richmond-Bardin; Norfolk-Harbin; Ratcliff-Jenkins; Stanley-Rosco; Catesby-Havard; Tressel-Huddy; Oxford-Moore; Prince Edward-Miss Norris; Duke of York-Miss Haughton, the first time of her appearing on the stage; Mayor-Penkethman; Queen Elizabeth-Mrs Roberts; Lady Anne-Mrs Giffard; Dutchess of York-Mrs Haughton .

Afterpiece Title: The Lottery

Cast
Role: Lovemore Actor: Miss Jones

Dance: La Follette s'cest Ravisee by F. Tench and Mrs Woodward. Pastoral by Vallois and Mrs Bullock. Scots Dance, as17341202

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Dragon of Wantley

Performance Comment: Perform'd by the Lilliputians: More-Master W. Hamilton; Gubbins-Master J. Hamilton; Margerinia-Miss Edward, the first time of her appearance on any stage; Mauxalinda-Miss Cole; Dragon-Master Ferg.

Dance: I: Punch-Master Ferg; III: Polonese-Haughton, Mrs Walter

Song: IV: Beard

Event Comment: Benefit for Scrase, Fawcett and Miss Reed. No Building on Stage. Tickets sold at the Doors not admitted

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Contrivances

Performance Comment: Arethusa-Miss Read, first time; Robin-Moody; Rovewell-Lowe.
Cast
Role: Arethusa Actor: Miss Read, first time

Song: II: A New Song, set by Dr Arne,-Fawcett; End: If o'er the Cruel Tyrant Love, from Artaxerxes,-Fawcett

Event Comment: MMiss Pope. Clarinda. Mrs Yates being ill (Hopkins). I do not think it a character in Miss Pope's was (Hopkins Diary-MacMillan). Receipts: #139 14s. (MacMillan)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17640215, but Clarinda-Miss Pope (first time).
Cast
Role: Clarinda Actor: Miss Pope
Role: Ranger Actor: Obrien, first time
Role: Jacintha Actor: Miss Plym, first time
Event Comment: Benefit for Miss Wright. Part of Pit laid into the boxes. [Prologue and Epilogue to Falstaff's Wedding as spoken by Dodd and Mrs Pritchard printed in the Public Advertiser.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17660121, but Lucy-Mrs Abington (first time); Polly-Miss Wright (first time); Beggar-Burton.
Cast
Role: Polly Actor: Miss Wright
Role: a Hornpipe Actor: Miss Baker

Afterpiece Title: Daphne and Amintor

Dance: End: A Comic Dance -Sg Giorgi, Sga Giorgi, as17660207

Event Comment: Benefit for Mrs and Miss Vincent

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17660404 but Sir George-Smith; Charles-Hull; Miranda-Miss Vincent, first time.
Cast
Role: Miranda Actor: Miss Vincent, first time.

Afterpiece Title: Thomasand Sally

Cast
Role: Dorcas Actor: Miss Poitier
Role: Sally Actor: Miss Brent
Role: Dancing Actor: Miss Twist, Miss Pitt, Miss Daw.

Dance: IV: A Minuet-Fichar, Miss Vincent; End of Play: Rural Love, as17651115

Entertainment: After the Ballet: By Particular Desire, Joe Haines's Epilogue-Shuter riding on an Ass

Event Comment: Benefit for Miss Younge. Tickets deliver'd for The Double Gallant will be taken

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17691111, but Horatio-Bensley, from Covent Garden; Calista-Miss Younge, first time.
Cast
Role: Calista Actor: Miss Younge, first time.
Role: Lothario Actor: Reddish, first time

Afterpiece Title: The Padlock

Cast
Role: Leonora Actor: Miss Radley.

Dance: II: Comic Dance, as17690926

Entertainment: End: Bucks have at ye all-Dodd

Event Comment: Benefit for Miss D'Arcy

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17710123, but Pisanio-Hull; Imogen (that night only)-Miss D'Arcy, first time; Cymbeline-Morris; Guiderius-Wroughton; Cloten-Lewes.
Cast
Role: Imogen Actor: Miss D'Arcy, first time

Afterpiece Title: The Padlock

Cast
Role: Leonora Actor: Mrs Mattocks, first time.

Dance: III: The Tartars, as17701003

Event Comment: Mainpiece: Not acted these 3 years. [See 20 Dec. 1769.] Paid half year's Land Tax for theatre due Mich. last #35; ditto for Widow Lights #6 10s. 6d.; ditto for House in Bow Passage #1 5s., and for its window lights 15s. (Account Book). [The reviewer for The Town and Country Magazine the following month was disappointed with Miss Barsanti as Estifania.] Receipts: #134 7s. 6d

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Gardner; Don Juan-Hull; Cacafogo-Morris; Sanchio-Davis; Alonzo-Perry; Copper Captain-Woodward; Clara-Mrs Helme; Maid-Mrs White; Old Woman-Mrs Pitt; Altea-Mrs Gardner; Margaritta-Mrs Vincent; Estifania-Miss Barsanti, first time, who performed in the PRELUDE.

Afterpiece Title: Mother Shipton

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #20 8s. 6d. N.B. The [authors] charges should have been put #73 10s. [this night] instead of #84, vide. 27 Nov. next; Paid salary list #513 17s. 6d.; Messrs Clinch and Dimon 5 guineas each, #10 10s. as per order; Miss Mansell per order #3 3s.; Mr French on acct #10 (Treasurer's Book). Receipts: #168 19s. Charges: #84. Profits to Author of Irish Widow: #84 19s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Barry; Roderigo-Dodd; Cassio-Palmer; Brabantio-Hurst; Iago-Reddish; Montano-J. Aickin; Emelia-Mrs Hopkins; Desdemona-Miss Younge, first time; Duke-Bransby; Lodovico-Packer.
Cast
Role: Desdemona Actor: Miss Younge, first time

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023

Event Comment: Benefit for Miss Barsanti. The Long Continuance of Miss Barsanti's illness, together with a very recent affliction which has fallen the family, having rendered it impossible for her to appear on the stage, Mrs Bulkley has kindly undertaken to perform's for her; which Miss Barsanti humbly hopes will be agreeable to her friends, and that any little apparent Omission, under such peculiar circumstances, will not be construed into want of respect, but that she shall nevertheless obtain the favour of their accustomed patronage

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17750320 but Strickland-Hull, first time; Clarinda-Mrs Bulkley.
Cast
Role: Strickland Actor: Hull, first time

Afterpiece Title: The Two Misers

Performance Comment: As17750427 but Harriet-Miss Brown.
Cast
Role: Harriet Actor: Miss Brown.

Dance: II: A Dance-Langrish[, as17750421

Event Comment: Benefit for Miss Wilde. Mrs Barry's Indisposition prevents her appearing in the character of Rosalind this evening

Performances

Afterpiece Title: The Country Madcap

Performance Comment: As17741201, but Country Madcap-Miss Wilde, first time.
Cast
Role: Country Madcap Actor: Miss Wilde, first time.
Role: Jenny Actor: Miss Pearce

Dance: I: Comic Dance-Langrish[, as17750429

Song: II: (By Particular Desire) The Shady Blest Retreat-Miss Wilde

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Messenger-Everard; Officer-Norris; Earl of Warwick-Smith; Suffolk-Packer; Pembroke-Aickin; Buckingham-Fawcett; King Edward-Palmer; Lady Elizabeth Gray-Miss P. Hopkins, first time; Lady Clifford-Miss Platt; Margaret of Anjou-Mrs Yates; Original Epilogue-Mrs Yates, By Particular Desire.