SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15807 matches on Performance Comments, 5597 matches on Event Comments, 5297 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Authority. 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. The little Theatre was at this time enlargening, it being very small before the alteration, and having but one gallery with the way into the pit at each angle of the front boxes (Memoirs of the Life and Writings of Samuel Foote, Esq. [London, 1777]. Printed for J. Brew)

Performances

Mainpiece Title: Patie And Roger

Event Comment: By Authority-being the last time of performing this Season. 7 p.m

Performances

Mainpiece Title: Patie And Roger

Dance: Middlemist

Event Comment: By Authority, and at the desire of several Persons of Distinction. A Scots Musical Pastoral. 6:30 p.m. Being the last time of Performing. [Advance notice 14 Dec. Public Advertiser.

Performances

Mainpiece Title: Patie And Roger

Dance: Middlemist

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: Principal Characters by Holman, Farren, Thompson, Powel, Evatt, Harley, Mrs Rock, Miss Brunton. Cast from text (William Lane, 1791): Young Bramin-Holman; Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief Bramin-Harley; Fatima-Mrs Rock; Indamora-Miss Brunton; Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Indamora Actor: Miss Brunton

Afterpiece Title: The Man of Quality

Performance Comment: Lord Foppington-Bernard; Sir Tunbelly Clumsey-Ryder; Young Fashion-Macready; Nurse-Mrs Pitt; Miss Hoyden-Miss E. Brunton (1st appearance in London).
Cast
Role: Miss Hoyden Actor: Miss E. Brunton

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton

Performance Comment: Preceding 2nd piece: Occasional Address-Miss Brunton.
Event Comment: A new Grand Serious Opera, with Chorusses; the Music by Bianchi, under the direction of Federici. With entirely new Scenes designed by Marinari, Dresses composed and executed by Sestini, and Decorations. "[Banti] I must ever consider as far the most delightful singer I ever heard . . . Her first appearance in this country was in the opera of Semiramide, and all her part in it was of the most beautiful description. In addition to the songs belonging to the opera, she introduced a remarkably fine air by Guglielmi, from the Oratorio of Deborah, with an accompaniment for a violin obligato, originally played by Cramer, afterwards by Viotti and others. This song, though long and one of great exertion, was so prodigious a favourite that it never failed of being encored, not only in its novelty, but in every subsequent revival. Her acting, and recitative were excellent, and in the last scene, where Semiramide dies, was incomparably fine" (Mount-Edgcumbe, pp. 82, 84)

Performances

Mainpiece Title: Semiramide O La Vendetta Di Nino

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Performance Comment: Principal Characters by Morelli, Morigi, Balelli, Calvesi, Fineschi (1st appearance); Sga Sestini, Sga Storace. Cast from libretto (D. Stuart, 1787: Taddeo-Morelli; Acmet-Morigi; Gafforio-Balelli; Teodoro-Calvesi; Sandrino-Fineschi; Belisa-Sga Sestini; Lisetta-Sga Storace.
Cast
Role: Gafforio Actor: Balelli

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Clifford Actor: C. Kemble
Role: Emma Actor: Miss Heard
Role: Epilogue Actor: Miss Mellon.

Afterpiece Title: The First Floor

Cast
Role: Monford Actor: Caulfield
Role: Charlotte Actor: Miss Heard
Role: Nancy Actor: Miss Tidswell.
Event Comment: Benefit Miss Robinson, the Dancer, and Miss Robinson Jr, the Page in The Orphan. At the particular Desire of Persons of Quality. Written by Mr Congreve

Performances

Mainpiece Title: Love For Love

Performance Comment: As17250909, but With a new Prologue , in Boy's Clothes, Epilogue by Mr Welsted;-Miss Robinson Jr.
Cast
Role: ; Actor: Miss Robinson Jr.
Role: Foresight Actor: Johnson
Role: Mrs Foresight Actor: Mrs Horton
Role: Prue Actor: Miss Tynte

Dance: I: Passacaille-Miss Robinson; II: Peirette-Mrs Brett; III: Polonese-Miss Robinson, Rainton; IV: Harlequin-Rainton; V: Spanish Entry-Miss Robinson

Music: II: Serenade on Violin-Roger , to his Mistress in the Character of Pierot

Event Comment: MMiss Plym made her first appearance in the character of Viola--a very pretty figure both in breeches and otherwise,--a thin weak voice, and received a decent reception (Hopkins Diary--$MacMillan). Miss Plym made her first appearance this Night in Viola, a very pretty Figure in both Dresses, a Thin weak Voice. pretty well receiv'd (Hopkins). Viola Miss Plym, first appearance; great applause (Cross Diary). Mainpiece: Not acted these 5 years. [See 5 Feb. 1755.] Receipts: #99 3s. (MacMillan)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates; Sir Andrew Aguecheek-Obrien; Sir Toby Belch-Love; Orsino-Packer; Sebastian-Palmer; Viola-Miss Plym; first appearance there; Olivia-Miss Haughton; Maria-Mrs Lee; Valentine-Castle; Clown-Vernon (with song in character); Antonio-Burton; Fabian-Baddeley; Captain-Moody; Curio-Fox; 1st Officer-Parsons; 2nd Officer-Marr.
Cast
Role: Viola Actor: Miss Plym
Role: Olivia Actor: Miss Haughton

Afterpiece Title: Love at First Sight

Cast
Role: Celia Actor: Miss Young
Related Works
Related Work: Love at First Sight Author(s): David Crauford

Dance: End: The Provancalle, as17631014

Performances

Mainpiece Title: Arlequin Cru Prince Par Magie

Afterpiece Title: Pierot Grand Vizier With The Turkish Ceremony of the Bourgeois Gentilhomme

Dance:

Music: new sonata on violin of Mr Roger's composing-Mr Roger (himself)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17471113, but Sylvia-Mrs Bland; Rose-Miss Hippisley; Lucy-Mrs Dunstall.
Cast
Role: Rose Actor: Miss Hippisley
Role: Melinda Actor: Miss Copen

Afterpiece Title: The Royal Chace

Song: Singing In Italian and English-Miss Faulkner; viz: End II: Ah Se amanti fasti mai, Felice Belve-Miss Faulkner; End IV: O Sleep Why dost thou leave me?, Tis Liberty dear Liberty alone-Miss Faulkner

Performance Comment: , Tis Liberty dear Liberty alone-Miss Faulkner.
Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: [Characters by Palmer, Aickin, R. Palmer, Davis, Egan, Kenny, Bannister Jun., Mrs Cuyler, Mrs Jewell, Mrs Poussin, Miss Hale, Mrs Lefevre, Mrs W. Palmer, Mrs Love, Mrs Webb. Cast from text (T. Cadell [1780]): Bustleton-Palmer; Manager-Aickin; Easy-R. Palmer; Prompter-Davis; Irishman in the Pit-Egan; Servant-Kenny; Gentleman in the Balcony-Bannister Jun.; Actresses-Mrs Cuyler, Mrs Jewell, Mrs Poussin, Miss Hale; Two Ladies in an Upper Box-Mrs Lefevre, Mrs W. Palmer; Caller-Mrs Love; Lady in the Balcony-Mrs Webb.

Afterpiece Title: The Suicide

Performance Comment: Principal Parts-Palmer, Aickin, Edwin, Hitchcock [part read by], Lamash, Gardner, Blissett, Usher, Massey, R. Palmer, Webb, Bannister, Mrs Webb, Miss Hale, Miss Farren. [Cast adjusted from playbill of 28 June 1786: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Catchpenny-read by Hitchcock; Squib-Lamash; Bounce-Gardner; Juggins-Blissett; Dr Truby-Usher; Waiters-Massey, Webb; John-R. Palmer; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy Lovel-Miss Farren.]
Cast
Role: Peggy Actor: Miss Hale
Role: Nancy Lovel Actor: Miss Farren.

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Du-Bellamy (1st appearance in London these 3 years); Sileno-Massey; Jupiter-Simpkinson; Damaetas-Lamash [Public Advertiser: Blissett]; Pan-Bannister; Daphne-Mrs Hitchcock; Juno-Mrs Poussin; Mysis-Mrs Love; Nysa-Miss Twist.
Cast
Role: Nysa Actor: Miss Twist.

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Event Comment: Benefit Turbutt and Neale. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: not acted these 5 years. [See 29 March 1742.] Tickets and places to be had at the Swan in Smithfield; and of Hobson at the stage door. The severe Indisposition of Mr Garrick continuing, we hope our friends will accept of his part being perform'd to the Best Advantage the shortness of time will permit, which we imagine will be more agreable than changing the play

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Tragedy of Tragedies or Tom Thumb the Great

Performance Comment: Tom Thumb-Miss Yates; King-Bridges; Queen-Mrs Bennet.
Cast
Role: Tom Thumb Actor: Miss Yates

Song: I: Nanny O-Lowe; III: Gentle Shepherd-Mrs Arne; IV: Early Horn-Lowe

Dance: II: Sga Bettini; V: Muilment

Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Tragedy of Tragedies

Cast
Role: Tom Thumb Actor: Miss Yates

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe

Event Comment: Last time of performing this opera

Performances

Mainpiece Title: Orione O Sia Diana Vendicata

Event Comment: Rosetta 1st time Mrs Wrighten very well, great Applause (Hopkins Diary). Benefit for Ackman and Mrs Wrighten. Paid Master Brown 4 nights #1 10s. (16th inst. incl.). Receipts: #207 6s. 6d. Charges: #65. Profits to Ackman and Mrs Wrighten: #142 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17711008, but Sir William-Ackman; Rosetta-Mrs Wrighten (both for 1st time); Eustace-Davies.
Cast
Role: Margery Actor: Miss Pope

Afterpiece Title: The Author

Cast
Role: Arabella Actor: Miss Ambrose

Dance: II: Comic Dance, as17720326

Song: III: By Particular Desire, O What a charming Thing's a Battle-Bannister

Event Comment: Mainpiece: Not acted these 4 years acted 6 Nov. 1775. Prologue by Nicholas Rowe. Afterpiece [ 1st time; f 2, by Frederick Pilon. Prologue by the author (Public Advertiser, 5 Nov.). In speaking a line in the Prologue that won applause Whitfield waved his hat so vehemently tha he "dislocated a Bone in his Arm. He went to the side of the stage, and one of the Scene-men taking him by the Wrist, and giving four or five pretty severe jerks, the Bone recovered its place" (ibid). In all subsequent performances the Prologue was spoken by Lee Lewes.]. Public Advertiser, 18 Nov. 1778: This Day at Noon is published The Invasion (1s.)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-W.? Smith; Moneses-Wroughton; Axalla-Whitfield; Dervise-L'Estrange; Omar-Fearon; Prince of Tanais-Booth; Hali-Robson; Tamerlane-Aickin; Selima-Mrs Jackson; Arpasaa-Mrs Crawford; The usual Prologue-Wroughton.
Cast
Role: Arpasaa Actor: Mrs Crawford

Afterpiece Title: The Invasion or A Trip to Brighthelmstone

Performance Comment: Principal Characters by Quick, Whitfield, Mahon, Wewitzer, Brunsdon, Egan, Lee Lewes, Mrs Pitt, Mrs Morton, Mrs Willems, Mrs Green. Cast from text (G. Kearsly, 1778): Sir John Evergreen-Quick; Charles Evergreen-Whitfield; Beaufort-Mahon; Drill-Wewitzer; Tattoo-Brunsdon; Roger-Egan; Cameleon-Lee Lewes; Brussels-Mrs Pitt; Emily-Mrs Morton; Maid-Mrs Willems; Lady Catherine Rouge-Mrs Green; New Prologue-Whitfield.
Cast
Role: Beaufort Actor: Mahon

Song: In: To thee O gentle sleep!-Mrs Farrell

Event Comment: [Mainpiece: Prologue by Nicholas Rowe.] Afterpiece [1st time; F 2, by Henry Knapp. Larpent MS 535; not published. Author of Prologue unknown]. The audience indulged "in the usual scornful hissing of theatrical displeasure. The Second act [of the afterpiece]...was not suffered to proceed to its conclusion; and the actors, when it was not more than half gone through, were driven from the stage by the clamours of almost all the spectators" (London Chronicle, 6 Nov.). Receipts: #192 5s. (188.14.6; 3.10.6)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Henderson; Moneses-Wroughton; Axalla-Whitfield; Omar-Fearon; Dervise-L'Estrange; Prince of Tanais-Booth; Hali-Robson; Stratocles-Thompson; Zama-J. Wilson; Mirvan-Stevens; Bajazet-Aickin; Selima-Mrs Inchbald; Arpasia-Miss Younge; The usual Prologue-Wroughton.
Cast
Role: Arpasia Actor: Miss Younge

Afterpiece Title: The Excise Man

Performance Comment: Principal Characters-Edwin, Wilson, Whitfield, Fearon, Webb, Jones, Quick, Mrs Morton, Mrs Wilson, Mrs Webb. Cast from Morning Chronicle, 6 Nov.: Plummet-Edwin; Alderman Graves-Wilson; Charles Fairford-Whitfield; Major Rampart-Fearon; Stage@coachman-Webb; George-Jones; Sir Michael Megrim-Quick; Maria-Mrs Morton; Jenny-Mrs Wilson; Mrs Tantrum-Mrs Webb; New Prologue-Lee Lewes.
Cast
Role: Charles Fairford Actor: Whitfield

Dance: As17801027

Song: IV: To thee O gentle sleep!-Mrs Morton

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Henderson; Moneses-Wroughton; Axalla-Whitfield; Omar-Fearon; Dervise-Thompson; Prince of Tanais-Booth; Hali-J. Bates; Stratocles-Davies; Bajazet-Kemble (1st appearance in that character); Selima-Miss Satchell; Arpasia-Mrs Bates. The usual Prologue spoken by Wroughton .
Cast
Role: Selima Actor: Miss Satchell

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett

Event Comment: Benefit for Carleton, Wilson, J. Shade, Gibson. The last Time of the Company's performing this Season. Receipts: #256 13s. (22.8; 9.8; 0.5; tickets: 224.12) (charge: #106 0s. 8d.)

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17890123, but Corinna [without a song]-Miss Barnes; Araminta-Miss Collins; Mrs Amlet-Mrs Booth; Clarissa-Mrs Goodall.
Cast
Role: without a song] Actor: Miss Barnes
Role: Araminta Actor: Miss Collins
Role: Flippanta Actor: Miss Pope

Afterpiece Title: The Lyar

Performance Comment: As17880916, but Miss Grantham-Miss Collins.

Dance: End: The Irish Bird@Catchers, as17890519

Song: In the course of the evening: O What a Charming Thing's a Battle-Sedgwick

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Performance Comment: As17950501, but Miss_ Hopkins; Mrs_ Norton. Prologue, Epilogue as17950501.

Afterpiece Title: The Death of Captain Faulknor or British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Event Comment: Benefit for Incledon. 1st piece: Not acted these 2 years. 3rd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Oracle, 31 Mar.: Tickets to be had of Incledon, Charlotte-street, Bloomsbury. Receipts: #485 12s. (211.0; 8.0; tickets: 266.12)

Performances

Mainpiece Title: The Travellers In Switzerland

Performance Comment: Daniel-Quick; Dorimond-Johnstone; Sidney-Munden; Count Friponi-Fawcett; Robin-Townsend; Dalton-Incledon; Nerinda-Mrs Martyr; Miss Somerville-Mrs Mountain; Julia-Mrs Clendining; Lady Philippa Sidney-Mrs Mattocks.
Cast
Role: Miss Somerville Actor: Mrs Mountain

Afterpiece Title: The Follies of a Day

Cast
Role: Countess Actor: Miss Chapman
Role: Agnes Actor: Miss Logan

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Oswena Actor: Miss Morris
Role: The Sheriff and Arthur Actor: o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: o' Actor: Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: Harlequin appears as a Beggar Boy Actor: is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: and appoints Harlequin as his Guide and Protector Actor: the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the Moving Grove Actor: the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the story of Robin Hood and the Tanner Actor: the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: intended Bride Actor: Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: brings on a dead Buck as a present to Arthur Actor: the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Porter enters with Box Actor: Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Marian taken by Arthur is forced into it Actor: the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight

Dance: 1st piece to conclude with: The Savoyard-Byrn, Holland, Mlle St.Amand; In 3rd piece: a New Dance-Byrn, Holland, Mlle St.Amand

Song: End I: The Sea Storm-Incledon; In 3rd piece: We've bade the restless seas adieu-; O why to be happy, as17960314With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-; In course: Old Towler-Incledon; an entire New Song-Incledon

Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Oswena Actor: Miss Morris
Role: The Sheriff and Arthur Actor: o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: o' Actor: Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: Harlequin appears as a Beggar Boy Actor: is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: and appoints Harlequin as his Guide and Protector Actor: the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the Moving Grove Actor: the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the story of Robin Hood and the Tanner Actor: the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: intended Bride Actor: Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: brings on a dead Buck as a present to Arthur Actor: the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Porter enters with Box Actor: Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Marian taken by Arthur is forced into it Actor: the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight

Afterpiece Title: The Irish Mimick

Cast
Role: Clifford Actor: Macready
Role: Miss Melcomb Actor: Mrs Davenport
Role: Angelina Actor: Miss Chapman

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: As17951202, but Miss_ Leserve. [The parts are assigned.]

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.
Cast
Role: Spofforth Actor: Mrs Clendining
Role: composed for Two Choirs by Shield expressly for th Actor: Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus
Role: 960319but Principal Characters Actor: Miss _Wallis, Mrs Knight.
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: Amelia Actor: Miss Mansel
Role: Sir Gregory Forrester Actor: Quick
Role: Peregrine Forrester Actor: Munden
Role: Forrester Actor: Macready

Afterpiece Title: Oscar and Malvina

Performance Comment: As17960416, but Bards-Spofforth, +Abbot, +Holland, Mrs +Castelle, Miss +Leserve, Mrs +Masters, Mrs +Norton, Mrs +Lloyd, Miss +Walcup; Farmer-Rees. [The parts are assigned.]The parts are assigned.]

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain