SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15807 matches on Performance Comments, 5597 matches on Event Comments, 5297 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Sylvia-Mrs Hooper first in that part on this stage; Kite-W. Hallam; An epilogue-Mrs Hooper in the character of a Volunteer.

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Song: Between the Acts: particularly The Noon/Tide Air, Polly Willis-Mrs Hooper

Event Comment: Attendance will be given this and every Day from Ten in the Morning 'till Three in the Afternoon, at the Opera House in the Haymarket, in order to take in Subscriptions for the Second Subscription to Operas; and whereas the number of Representations for the first Subscription has not been compleated; This is to give notice to the Subscribers, that by sending to the Office, they will have the Money for the deficient Number of Representations returned them; or if they please to go on with the Second Subscription, the Deficiency of the first which ends this Night will be made up to them in the Price of the Tickets for the Second Subscription

Performances

Mainpiece Title: Annibale In Capua

Dance:

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Gentleman first appearance on any stage.

Afterpiece Title: Damon and Phillida

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Event Comment: Mainpiece: At the Particular Desire of some Persons of Quality. [The song, apparently by Cibber, upon the victory off Cape Finisterre displeased Cross the night before, but met with sufficient popular appeal to have a run.] Receipts: #82 (Cross); #88 14s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Performance Comment: As17471003, but Albumazar-Sparks; Pandolfo-Macklin; Trincalo-Neale; Cricca-Yates; Lelio-Havard; Antonio-Berry; Eugenio-Mozeen; Ronca-Blakes; Harpax-Arthur; Furbo-Barrington; Supitia-Mrs Woffington; Flavia-Mrs Elmy; Armelina-Mrs Green; Bevilona-Mrs Bennet; The Prologue-_; an Epilogue-_. [This is the first indication of the distribution of parts.]This is the first indication of the distribution of parts.]

Dance: II: The Gardner's Revels-Cooke, Mathews, Mrs Addison

Song: fter the dance, an Entertainment of singing and dancing call'd The Sailors Rendezvous at Portsmouth-. [See17471116]

Performances

Mainpiece Title: Solomon

Performance Comment: Parts were: Zadoch (High Priest)-; a Levite-; Chorus of Priests-; Chorus of Israelite-s; Pharoah's Daughter-; Nicaule (Queen of Sheba)-; 1st Harlot-; 2nd Harlot- (Larpent MS). [Deutsch, Handel, p. 66o, lists cast as: Solomon-Signora Galli; Zadok-Lowe; Levite-Reinhold; Pharoah's Daughter, Nicaule, First Harlot-Signora Frasi; Second Harlot-Signora Sibilla.]
Cast
Role: First Harlot Actor: Signora Frasi

Afterpiece Title: a C Concerto

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-a Citizen; Polly-a young Gentlewoman her first appearance on any stage.

Afterpiece Title: The Tavern Bilkers

Song:

Dance:

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Garrick; Bastard-Palmer; Cordelia-Mrs Ward for first appearance; Gloster-Berry; Edgar-Havard; Kent-Winstone; Albany-Usher; Cornwall-Blakes; Gentleman Usher-Neale; Burgundy-Marr; Goneril-Mrs Bennet; Regan-Mrs Cross.

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Volpone Or The Fox

Performance Comment: Volpone-Quin; Mosca-Ryan; Corbaccio-Collins; Voltore-Ridout; Corvino-Sparkes; Sir Politic-Arthur; Bonario-Gibson; First Avocatori-Marten; Peregrine-Anderson; Caelia-Mrs Vincent; Lady Wou'dbe-Mrs Horton.
Cast
Role: First Avocatori Actor: Marten

Afterpiece Title: Phebe

Cast
Role: Tippet Actor: Miss Young
Event Comment: MMrs Auretti danc'd first since she hurt her leg (Cross). Receipts: #40 (Cross); #47 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: A Duke and no Duke

Cast
Role: First Woman Actor: Miss Pitt
Role: Prudentia Actor: Miss Murgetroyd
Role: Flametta Actor: Miss Cole

Song: Master Mattocks

Event Comment: [Performances] went off better. N.B. Mrs Clive spoke the Epilogue (tho' left out ye bills after ye 6th Night) every Night since ye first except those mark'd X [i.e., Oct. 24, 26, 30] it being call'd for by ye Audience (Cross). We hear M Devisse (the first dancer from the Opera at Paris) will in a few days perform at Drury Lane wiht Mlle Auretti, in a new Comic Dance, and the celebrated Dance of Pigmalion. Receipts: #70 (Cross)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Secular Masque

Cast
Role: Venus Actor: Miss Norris

Dance: New Running Footman's Dance, as17501020

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello By Gentlemen

Event Comment: Benefit for a Tradesman under Confinement. [This benefit had first been advertised on Monday 11 Nov. Tickets were to be had at seven Coffee Houses, at Mr Watkins' Optician, at Charing Cross, Mrs Crokett's, Harberdasher at the Seven Stars, Ludgate St., and at the stage door. On the day of the benefit one Philantropos contributed a letter in support of it which was printed in the first column of the General Advertiser. The Tradesman was a bookseller who was "the immediate instrument of ushering into the world some of the most valuable books that have been publish'd for these 30 years." But he had paid more attention to the advancement of letters than "to the lucrative views that attend the trade in general," so, in the eyes of Philantropos deserved the support of the town at this benefit.] The death of Mr Cooke mentioned in the Papers is a mistake, he being in a fair way of recovery (General Advertiser)

Performances

Mainpiece Title: The Way Of The World

Cast
Role: Lady Wishfort Actor: Mrs Macklin
Role: Mincing Actor: Miss Haughton
Role: Peg Actor: Miss Ferguson

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Old Womans Oratory 1

Performance Comment: Occasional Prologue-a Gentleman; 1. A grandpiece, with Kettle Drums and Trumpets-; first Violoncello-Cupid; 2. The Inauguration Speech-Mrs Midnight; 3. Concerto for two Clarinettes-; 4. Mr Handel's Water@Piece-; with a Preamble on the Kettle@Drums-.

Afterpiece Title: Old Womans Oratory 2

Afterpiece Title: Old Womans Oratory 3

Performance Comment: 1. A new Concerto for several different Instruments-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. An Oration on the Salt Box-a Rationalist; 5. Overture by Dr Boyce-; Epilogue-Master Hallet in the Character of Cupid.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17511106, but first Lady-Mrs Bambridge.
Cast
Role: first Lady Actor: Mrs Bambridge.
Role: Clara Actor: Miss Haughton
Role: 2nd Lady Actor: Miss Ferguson
Role: 3rd Lady Actor: Miss Davis

Afterpiece Title: The Necromancer

Related Works
Related Work: The Life and Death of Doctor Faustus Author(s): William Mountfort
Related Work: The Life and Death of Doctor Faustus, Made into a Farce Author(s): William Mountfort
Event Comment: This day publish'd at 1s. the first number of the Dramatic Censor, being remarks on the tragedy of Venice Preserv'd, with observations on the principal performers, by Mr Derrick. This pamphlet is a specimen of criticism intended to be made on our most celebrated dramatic pieces. By several hands. Wherein, should the publick approve by encouraging this first essay, not the beauties and Inaccuracies of the poet, but of the several performers will be considered...To this number is added Proposals for printing by Subscription a New Tragedy call'd Osman by Mr Gentleman

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17521207, but Demons-_; First Fury-Grandchamps.
Cast
Role: First Fury Actor: Grandchamps.
Role: Hero Actor: Baker, Miss Young
Role: Miller's Wife Actor: Miss Hilliard
Event Comment: Mainpiece: Not acted these 4 years. [See 10 Feb. 1750.] We have advice that the John (Capt Smith) from Leith, which was supposed to be lost, got into Gottenburgh on the first of this month. The vessel had several passengers on board, among others Mr Gibson belonqing to Covent Garden Theatre

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Afterpiece Title: Harlequin Dr Faustus

Cast
Role: First Fury Actor: Grandchamps.
Role: Hero Actor: Baker, Miss Young
Role: Miller's Wife Actor: Miss Hilliard
Event Comment: [Benefit for Joseph Lowe, a Citizen of London, under Misfortunes

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: As17520922, but Richmond-Lowe first appearance on any stage; Stanley-_; Catesby-_; Ratcliff-_; Tressel-_; Lord Mayor-_; Tirrel-_; Lieutenant-_; Prince Edward-_; Duke of York-_.

Afterpiece Title: The Dragon of Wantley

Performance Comment: Moor of Moor Hall-Lowe; Margery-Mrs Lampe; Mauxalinda-Miss Young; Dragon-Stoppelaer; Gubbins-Howard.
Cast
Role: Mauxalinda Actor: Miss Young

Dance: [(BBy Desire )Grand Scots Ballet, as17521216

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17530118, but Richard-Brown his first appearance in London.

Afterpiece Title: The Double Disappointment

Dance: Mlle Auretti

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Performance Comment: Young Mirabel-Smith; Old Mirabel-Shuter; Duretete-Dyer; Dugard-Anderson; Petit Cushing; First Bravo-Dunstall; Second Bravo-Stoppelaer; Oriana-Mrs Baker; Lamorce-Mrs Pitt; Bisarre-Mrs Hamilton.
Cast
Role: First Bravo Actor: Dunstall

Afterpiece Title: The Schoolboy

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Sheridan, first appearance there in 10 years; King-Sparks; Horatio-Ridout; Ghost-Ryan; Rosencraus-Wignel; Guildenstern-White; Marcellus-Anderson; Bernado-Bencraft; Queen-Mrs Elmy; Ostrick-Cushing; Francisco-Holtom; Pl. King-Redman; Pl. Queen-Mrs Bambridge; Laertes-Dyer; Gravediggers-Shuter, Stoppelaer; Polonius-Arthur; Ophelia-Mrs Vincent.
Event Comment: Paid Charlotte Lane for making two Fustian Banjans & Breeches, and materials at 8s. each, 16s. For the Painters (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Griffith, first appearance that stage; Aimwell-Ridout; Sullen-Sparks; Foigard-Barrington; Gibbet-Bencraft; Scrub-Shuter; Bonniface-Marten; Sir Charles-Anderson; Dorinda-Mrs Barrington; Cherry-Mrs Baker; Mrs Sullen-Mrs Woffington.

Afterpiece Title: The Lottery

Performances

Mainpiece Title: La Comediante Fatta Cantatrice

Performance Comment: La Comediante-Sga Nicolina called Spiletta, her first appearance on the stage in two years.
Related Works
Related Work: La Comediante fatta Cantatrice Author(s): Niccolo Conforto

Dance: [But unspecified.

Performances

Mainpiece Title: Macbeth

Performance Comment: As17561006, but First Witch-Costollo.

Afterpiece Title: Harlequin Skeleton