SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15807 matches on Performance Comments, 5597 matches on Event Comments, 5297 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Townly-Gibson; Wiseacre-Collins; Doodle-Marten; Dashwell-Arthur; Engine-Miss Haughton; Jane-Miss Young; Roger-Ward; Aunt-Mrs Bambridge; Loveday-Anderson; Eugenia-Mrs Hale; Peggy-Miss Hippisley; Lady No-Mrs Woffington.
Cast
Role: Engine Actor: Miss Haughton
Role: Jane Actor: Miss Young
Role: Peggy Actor: Miss Hippisley

Afterpiece Title: Apollo and Daphne

Cast
Role: Colombine Actor: Miss Haughton
Role: Venus Actor: Miss Young
Role: Diana Actor: Miss Falkner
Role: Frenchwoman Actor: Miss Granier

Performances

Mainpiece Title: The Funeral

Dance: II: Pigmalion, as17501102; IV: Comic Dance, as17501117

Ballet: End: A New Comic Entertainment of Dancing call'd The Bird Catchers. Peasants-Devisse, Mad Auretti; Shepherds-McNeil, Roger, G. Yates; Shepherdesses-Mad Camargo, Mad Mariet, Mrs Addison; Two Peasant Children-the Little Swiss, Miss Poplin; Bird Catchers-Pelling, Harvey, Shawford, Master Shawford, Miss Toogood, Mad Mimi, Mrs Shawford, Miss Shawford; a New Scene-; Decorations-

Performance Comment: Peasants-Devisse, Mad Auretti; Shepherds-McNeil, Roger, G. Yates; Shepherdesses-Mad Camargo, Mad Mariet, Mrs Addison; Two Peasant Children-the Little Swiss, Miss Poplin; Bird Catchers-Pelling, Harvey, Shawford, Master Shawford, Miss Toogood, Mad Mimi, Mrs Shawford, Miss Shawford; a New Scene-; Decorations-.

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Townly-Gibson; Wiseacre-Collins; Doodle-Marten; Dashwell-Arthur; Engine-Miss Haughton; Jane-Mrs Dunstall; Roger-Cushing; Aunt-Miss Pitt; Loveday-Anderson; Eugenia-Mrs Barrington; Peggy-Miss Morrison; Lady No-Mrs Vincent.
Cast
Role: Engine Actor: Miss Haughton
Role: Aunt Actor: Miss Pitt
Role: Peggy Actor: Miss Morrison

Afterpiece Title: Merlins Cave

Cast
Role: Diana Actor: Miss Davis
Role: Colombine Actor: Miss Haughton

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Lord Foppington-Woodward; Loveless-Smith; Young Fashion-Dyer; Lory-Cushing; Worthy-Ross; Sir Tunbelly-Marten; Bull-Lewis; Sir John Friendly-Davis; Taylor-Perry; Varole-Holtom; Coupler-Hayes; Shoemaker-Costollo; Page-Mas. Roger; Syringe-Shuter; Amanda-Mrs Vincent; Nurse-Mrs Pitt; Miss Hoyden-Miss Hallam; Berinthia-Miss Elliot.
Cast
Role: Miss Hoyden Actor: Miss Hallam
Role: Berinthia Actor: Miss Elliot.

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Woodward; Belfond-Smith; Truman-Hull; Lolpoop-Dunstall; Cheatly-White; Shamwel-Cushing; Capt. Hack'em-Marten; Attorney-Anderson; Sir William Belfond-Shuter; Sir Edward Belfond-Gibson; Termagant-Gardener; Roger-Weller; Ruth-Mrs Pitt; Lucia-Miss Miller; Mrs Hack'em-Mrs Copin; Mrs Margery-Mrs White; Teresa-Miss Hallam; Isabella-Miss Vincent; Mrs Termagant-Mrs Vincent.
Cast
Role: Lucia Actor: Miss Miller
Role: Teresa Actor: Miss Hallam
Role: Isabella Actor: Miss Vincent

Afterpiece Title: The Upholsterer

Cast
Role: Harriet Actor: Miss Miller
Role: Maid Actor: Miss Cokayne
Role: Termagant Actor: Miss Elliot.

Dance: TThe Knife Grinders, as17631012

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy of the separately printed Prologue and Epilogue bears the date 12 Nov. 1683 (item 87, Sotheby's sale, 12 June 1939), and the premiere probably occurred shortly before that date. A revised version of the Epilogue, correcting errors, appeared almost immediately after the one first published; it bears Luttrell's date of 14 Nov. 1683. The Epilogue, in the revised version, bears the note: Written by Mr Dryden. The Prologue and both versions of the Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 183-87. In addition, a song, Awake O Constantine awake, with music by Thomas Farmer, is in The Theater of Music, 1865; it also appeared in A Collection of the Newest and Choicest Songs, 1864 (which bears Luttrell's date, 10 March 1683@4, Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: Constantine The Great

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Edition of 1685: Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 40): Sir Courtly-Mountfort; Hothead-Underhill; Testimony-Gillo; Lord Beaugard-Kynaston; Surly-Griffin; Sir NicholasCallico-Anthony Leigh; Leonora-Mrs Barry.
Cast
Role: Sir Courtly Actor: Mountfort
Event Comment: The United Company. The date of the first performance is not known. The edition of 1687 states on the title page: This may be printed, April 23. 1686. It was entered in the Stationers' Register, 8 May 1686, under the title: The Disappointed Marriage; or, Ye Generous Mistris. It was probably first given before mid-April 1686, with the publication delayed, a delay accounting for the fact that Mrs Percival, who did not marry Mountfort until 2 July 1686, appears in the cast as Mrs Mountford. A song, O love that stronger art than wine, the music by John Blow, the verse by Ousley, and sung by John Bowman, is in The Theater of Music, The Fourth Book, 1687

Performances

Mainpiece Title: The Luckey Chance Or An Aldermans Bargain

Performance Comment: Edition of 1687: Prologue-Mr Jevon; Sir Feeble Fainwou'd-Leigh; Sir Cautious Fulbank-Nokes; Gayman-Batterton; Belmour-Kenestone; Bearjest-Jevon; Noysey-Harris; Bredwell-Bowman; Lady Fulbank-Mrs Barry; Leticia-Mrs Cook; Diana-Mrs Mountford; Gammer Grime-Mrs Powell; Epilogue by a Person of Quality-Mr Betterton.
Cast
Role: Diana Actor: Mrs Mountford
Event Comment: The date of the premiere is not known, but the fact that the opera was advertized in the Post Man, 14-16 Jan. 1696@7, suggests that it was first acted not later than December 1696. As the title page indicates, the work had been intended for presentation before the Court, but the death of Queen Mary prevented its appearance at Court. A Comparison Between the Two Stages (1702), p. 19: Sullen: But to go on, Cynthia and Endymion. Ramble: What a Pox is that? I never heard on't. Sullen: I believe not; 'tis one of Durfey's Toys. Ramble: Durfey's? what again? 'twas just now we parted with him. Sullen: Ay but Sir, you must know this is an Opera--and as he tells us in the Title-page, design'd t be perform'd at court before the late Queen--there's for you; Durfey in his Altitudes--but notwithstanding the vain and conceited Title-page, 'tis good for nothing within: He's the very Antipodes to all the Poets, Antient and Modern: Other Poets treat the Deities civilly, but Mr Durfey makes the Gods Bullies, and Jilts of the chastest Goddesses. Ramble: So, I suppose that was mawl'd, notwithstanding the Honour which he says the Queen intended it. Sullen: 'Twas well for Durfey her late Majesty never saw it; Gad if she had, People wou'd ha' said, it had first been the cause of her Illness, and then of her Death; for 'tis a mortifying Piece o' my Word; Yes, yes,--it was Damn'd

Performances

Mainpiece Title: Cinthia And Endimion Or The Loves Of The Deities

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17960212, but Principal Vocal Performers-Mme Mara, +Burdon, _Nield, _Sale.
Cast
Role: Principal Vocal Performers Actor:

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Grand Dettingen te Deum-, in which; Holy holy Lord-Mme Mara; He was Eyes unto the Blind-Miss Parke [Redemption].Redemption].

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; How willing my paternal love-; Then round about-; My faith and truth (Samson)-; What tho' I trace (Solomon)-; Fallen is the foe (Judas Maccabaeus)-; Total eclipse-; O first created beam-; Let the bright Seraphim-Mme Mara; Fix'd in his everlasting seat (Samson)-.
Cast
Role: O first created beam Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Tyrants would (Athalia)-; Lord to thee (Theodora)-; The smiling dawn (Samson [recte Jephtha])-; When his loud voice (Athalia [recte Jephtha])-; Pleasure my former ways (Time and Truth)-; No more to Ammon's God-; Ye sacred Priests-Mme Mara; Farewell ye limpid springs (Jephtha)-; He gave them hailstones (Israel in Egypt)-.
Cast
Role: Pleasure my former ways Actor:

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0from The Works Of handel Messiah

Performance Comment: [That were Performed at the Pantheon and Westminster-Abbey [on 26 and 27 May 1784. As17900219, but Principal Vocal Parts-_Kelly, Cizo (1st appearance), Miss _Hagley, Miss +Romanzini (1st time [in the oratorios]).in the oratorios]).

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Ye sons of Israel-Chorus [Joshua]; The Prince unable-Sga Storace [Alexander's Feast]; Concerto violin-Master Bridgtower[, Son of the African Prince; Pleasure my former ways resigning-Cizo [Time and Truth]; For unto us a Child is born-Chorus [The Messiah]; O! had I Jubal's lyre-Miss Romanzini [Joshua]; Softly sweet in Lydian measure-Mrs Crouch; accompanied on the violoncello-Mason; The many rend the skies-Chorus [Alexander's Feast].Alexander's Feast].

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Overture and Dead March (Saul)-; Blest be the man-Chorus [Joseph]; Gentle airs-Cizo [Athalia]; Concerto bassoon-Parkinson; How excellent thy name-Chorus [Saul]; Cease ah! cease thou gentle youth-Miss Romanzini; The flocks shall leave the mountains-Reinhold, Dignum, Miss Romanzini [Acis and Galatea]; Now heaven in all her glory shone-; Lord what is man?-Mrs Crouch [Semele]; Hallelujah! For the Lord God omnipotent reigneth-Grand Chorus [The Messiah].The Messiah].

Performances

Mainpiece Title: Alexanders Feast 0 The Messiah Grand Selection 0

Afterpiece Title: Alexanders Feast 3

Performance Comment: Part III. A Grand Miscellaneous Act. The Water Music-; O beauteous Queen-Dignum; My faith and truth-Miss Tennant, Master Elliot (Samson); Welcome welcome mighty King-Chorus (Saul); Pleasure my former ways-Incledon (Time and Truth); God preserve the Emperor-Chorus (Haydn); Mad Bess-Mrs Second (Purcell); Fixed in his everlasting seat-Grand Chorus (Samson).

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Event Comment: Paid Jacobs for carpenters bill to 8th Inst. #56 16s.; Powell for Advertisements [in newspapers] #112 16s. Receipts: #598 7s. 6d. (570/10/6; tickets: 19/10/0; 8/7/0)

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Event Comment: The Duke's Company. The date of the first production is not known, but the entry of this play in the Term Catalogues for November 1680 suggests a first offering in September or October 1680. The music for the play was composed by Henry Purcell, his first (according to Downes composing for the stage. Downes (Roscius Anglicanus, p. 38) gives a shortened cast and adds: All the Parts in't being perfectly perform'd, with several Entertainments of Singing; Compos'd by the Famous Master Mr Henry Purcell, (being the first he e'er Compos'd for the Stage) made it a living and Gainful Play to the Company: The Court; especially the Ladies, by their daily charming presence, gave it great Encouragement. Dedication, Edition of 1680: The Reputation that this Play received on the Stage, some few Errors excepted, was more than I could well hope from so Censorious an Age....You [the Duchess of Richmond] brought her Royal Highness just at the exigent Time, whose single Presence on the Poet's day is a Subsistence for him all the Years after. A song, Hail to the myrtle shade, is in Choice Ayres and Songs, The Third Book (dated 2 Nov. 1680)

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Event Comment: [By Charles Johnson.] Never acted before. The Whole Play being new dress'd

Performances

Mainpiece Title: The Wifes Relief Or The Husbands Cure

Performance Comment: Edition of 1712 lists: Vilatil-Wilks; Riot-Cibber; Horatio-Booth; Valentine-Rian; Sir Tristram Cash-Dogget; Young Cash-Pack; Spitfire-Norris; Slur-Elrington; Hazard-Bullock Jr; Cynthia-Mrs Rogers; Arabella-Mrs Oldfield; Teraminta-Miss Willis; Aurelia-Miss Sherburn; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Cynthia Actor: Mrs Rogers
Role: Teraminta Actor: Miss Willis
Role: Aurelia Actor: Miss Sherburn

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth With The Humours Of Sir John Falstaffe Henry Iv Part Ii

Performance Comment: With a new Prologue-; Epilogue-; Prince John-Walker; Gloster-Oates; Clarence-Th. Cibber; Westmoreland-Williams; Lord Chief Justice-Boman; Archbishop of Canterbury-Cory; Bishop of Ely-Rogers; Archbishop of York-Thurmond; Norfolk-W. Mills; Hasting-Watson; Poins-W. Wilks; Falstaff-Mills; Shallow-Cibber; Silence-Miller; Bardolph-Shepard; Pistol -Norris; Davy-Wright; Feeble-Penkethman; Shadow-Ray; Wart-Cole; Mouldy- Wilson; Bullcalf-Wetherilt; Falstaff's Boy-Miss Lindar; Hostess-Mrs Willis; Doll Tearsheet-Miss Willis.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Escapes of Harlequin

Performance Comment: Harlequin-Roger; Mlle Harlequin-Mrs Booth; Punches-Thurmond, Boval; Pierrot-Young Rainton; Doctor-Bridgwater; Colombine-Miss Tenoe; Doctor's Wife-Mrs Willis; Punch Women-Mrs Brett, Miss Lindar.
Cast
Role: Colombine Actor: Miss Tenoe
Role: Punch Women Actor: Mrs Brett, Miss Lindar.

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Afterpiece Title: Patie and Peggy or The Fair Foundling

Performance Comment: Edition of 1731 lists: Sir William-Corey; Patie-Mrs Roberts; Roger-Cibber Jr; Glaud-Fielding; Symon-A. Hallam; Peggy-Miss Raftor; Jenny-Miss M. Vaughan; Margery-Mrs Shireburn; Prologue-Cibber Jr; Epilogue-Mrs Cibber, Dress'd like a Petit Maitre.
Cast
Role: Peggy Actor: Miss Raftor
Role: Jenny Actor: Miss M. Vaughan

Performances

Mainpiece Title: The Tempest Or The Inchanted Island

Performance Comment: Prospero-Mills; Hypolita-Mrs Cibber; Trincalo-Harper; Mustachio-Cibber Jr; Ventoso-R. Wetherilt; Ferdinand-W. Mills; Miranda-Mrs Mills; Dorinda-Miss Raftor; Caliban-Johnson; Ariel-Miss Robinson; Infernal Spirits-Bowman, Rainton, Tenoe; Grand Spirit-Haughton; Alonzo-Fielding; Gonzalo-Oates; Neptune-Rainton; Antonio-Cory; Sycorax-Hallam; Amphitrite-Mrs Roberts; Watermen-Harper, Bridgwater, Rainton, Houghton, Oates, Wright; Winds-Essex, Lally, Rainton, Haughton.
Cast
Role: Dorinda Actor: Miss Raftor
Role: Ariel Actor: Miss Robinson

Afterpiece Title: Patie and Peggy

Performance Comment: See17301125, but Sir William-Corey; Patie-Mrs Roberts; Roger-Cibber Jr; Glaud-Fielding; Symon-A. Hallam; Peggy-Miss Raftor; Jenny-Miss M. Vaughan; Margery-Mrs Shireburn.
Cast
Role: Peggy Actor: Miss Raftor
Role: Jenny Actor: Miss M. Vaughan

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Perseus and Andromeda

Performance Comment: As17391204, but Perseus-Salway; Mercury-_; Petit Maitre-Laguerre; Amazons-Mrs _Rogers.
Cast
Role: Amazons Actor: Mrs _Rogers.

Dance: As17391226

Ballet: GGrand Dance in Momus. As17391204, but Country Lasses-Mrs _Rogers, Miss Dancy

Performance Comment: As17391204, but Country Lasses-Mrs _Rogers, Miss Dancy.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Incendiary or Colombine Cameron

Performance Comment: Harlequin-Yates; Miser-Collins; Carlos-Blakes; Pope-Bibby; Magistrate-I. Sparks; Beau-Liviez; Colombine (with proper songs)-Mrs Clive; Highlander-Winstone; Scotch Servant-Barrington; Thirsis, a Volunteer-Lowe; Amoret-Miss Edwards; With Proper Dances (Scotch and other)-Muilment, the Mechels, Desse, Roger, Shawford, Miles; Victory-Mrs Arne; Fame-Miss Young.

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Townly-Gibson; Wisacre-Collins; Doodle-Marten; Dashwell-Arthur; Engine-Miss Haughton; Jane-Mrs Dunstall; Roger-Cushing; Aunt-Mrs Bambridge; Loveday-Anderson; Eugenia-Mrs Barrington; Peggy-Miss Hippisley; Lady No-Mrs Woffington.
Cast
Role: Engine Actor: Miss Haughton
Role: Peggy Actor: Miss Hippisley

Afterpiece Title: Apollo and Daphne or The Burgomaster Trickd

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Townley-Giffard; Wiseacre-Collins; Dashwell-Arthur; Doodle-Marten; Engine-Miss Haughton; Jane-Mrs Dunstall; Roger-Cushing; Aunt-Mrs Bambridge; Loveday-Anderson; Eugenia-Mrs Barrington; Peggy-Miss Morrison; Lady No-Mrs Vincent.
Cast
Role: Engine Actor: Miss Haughton
Role: Peggy Actor: Miss Morrison

Afterpiece Title: The Fair