SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15807 matches on Performance Comments, 5597 matches on Event Comments, 5297 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Performance Comment: Old Mirabel-Aickin; Young Mirabel-Wroughton; Capt. Duretete-Dodd; Dugard-Whitfield; Petit-Benson; Bravoes-Maddocks, Caulfield, Webb, Phillimore; Page-Master Gregson//Oriana-Mrs Goodall; Bisarre-Miss Farren; Lamoree-Miss Tidswell. Epilogue as17940421.

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940425, but Master Chatterley in place of Miss Menage .
Cast
Role: Lord Alford Actor: Dignum
Role: Girl Actor: Miss Menage. hathi.
Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Thomas Vaughan (see text)]: The Dresses and Scenery are new. Morning Chronicle, 26 Nov. 1794: This Day is published The Wedding Day (1s.). Powell: Wedding Day rehearsed at 10; Siege of Belgrade at 11. Receipts: #295 2s. 6d. (207.7.6; 76.7.0; 11.8.0)

Performances

Mainpiece Title: Emilia Galotti

Cast
Role: Emilia Galotti Actor: Miss Miller

Afterpiece Title: The Wedding Day

Performance Comment: Characters by Barrymore, King, Packer, C. Kemble, Trueman, Evans, Miss Tidswell, Mrs Jordan, Mrs Hopkins, Miss Hopkins, Miss Heard. [Cast from text (G. G. J. and J. Robinson, 1794): Lord Rakeland-Barrymore; Sir Adam Contest-King; Mr Millden-Packer; Mr Contest-C. Kemble; Servant [not in text]-Trueman [see17941108]; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Hopkins; Hannah-Miss Heard; unassigned-Evans; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]
Cast
Role: Lady Autumn Actor: Miss Tidswell
Role: Mrs Hamford Actor: Mrs Hopkins
Role: Hannah Actor: Miss Heard

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Event Comment: Afterpiece [1st time; F 2, by Thomas Hurlstone. Prologue by Robert Houlton (see text)]. Morning Chronicle, 23 Mar. 1795: This Day is published Crotchet Lodge (1s.). Receipts: #179 16s. 6d. (172.14.6; 7.2.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: As17950205, but Chorus of Soldiers and Sailors-_Spofforth.

Afterpiece Title: Crotchet Lodge

Performance Comment: [Principal Characters by Quick, Fawcett, Bernard, Macready, Powel, Farley, Rock, Thompson, Miss Chapman, Mrs Davenport, Miss Stuart, Mrs Henley, Mrs Martyr. Cast from text (T. N. Longman [1795]): Timothy Truncheon-Quick; Nimble-Fawcett; Squire Shinken ap Lloyd-Bernard; Dashley-Macready; Doctor Chronic-Powel; Waiter-Farley; Paddy-Rock; Bootcatcher-Thompson; Florella-Miss Chapman; Miss Crotchet-Mrs Davenport; Maid at the Inn-Miss Stuart; Landlady-Mrs Henley; Thisbe-Mrs Martyr; Prologue-Fawcett [in the character of Nimble, disguised as a Sailor with a Wooden-leg (text). It was spoken, as here assigned, at all subsequent performances]..
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Characters by R. Palmer, King, Kemble, Whitfield, Palmer, C. Kemble, Suett, Waldron, Phillimore, Bland, Maddocks, Banks, Trueman, Webb, Lyons, Evans, Fisher, Mrs Powell, Miss Farren, Mrs Maddocks, Miss Tidswell. [Cast from text (C. Dilly, 1795): Sir David Daw-R. Palmer; Tempest-King; Penruddock-Kemble; Woodville-Whitfield; Sydenham-Palmer; Henry Woodville-C. Kemble; Weazel-Suett; Woodville's Servant-Waldron; Attendant-Phillimore; Jenkins-Bland; Servants of Sir George Penruddock-Maddocks, Banks, Evans, Fisher, Lyons; Livery Servant-Trueman; Servant to Tempest-Webb; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Farren; Dame Dunckley-Mrs Maddocks; Maid of the Lodging-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17950328] .These were spoken, as here assigned, at the 1st 9 performances only (see17950328] .

Afterpiece Title: Alexander the Great

Event Comment: Benefit for Quick. 1st piece [1st time; PREL 1, by John Dent]. 2nd piece: In 3 Acts. 3rd piece: In 2 Acts. Morning Chronicle, 26 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #409 11s. (201.4.6; 5.0.0; tickets: 203.6.6)

Performances

Mainpiece Title: The Telegraph

Performance Comment: ; or, A New Way of Knowing Things. Characters by Quick, Powel, Haymes, Rock, Farley, Thompson, Abbot, Davenport, Fawcett, Miss Hopkins, Miss Stuart, Mrs Davenport. [Cast from text (J. Downes, 1795): Sir Peter Curious-Quick; Deputy Feedwell-Powel; Major O'Donelly-Haymes; Cook-Rock; Drama-Farley; Coachman-Thompson; Servant-Abbot; Butler-Davenport; Fertile-Fawcett; Gardener-Wilde; Hostler-Horton [recte Burton]; Footman-Blurton; Emily-Miss Hopkins; Edging-Miss Stuart; Lady Curious-Mrs Davenport; Housekeeper-Mrs Platt; Maid-Miss Leserve.
Cast
Role: Emily Actor: Miss Hopkins
Role: Edging Actor: Miss Stuart
Role: Maid Actor: Miss Leserve.

Afterpiece Title: The Comedy of Errors

Performance Comment: As17950317but Luciana-Mrs Mountain; added: Lesbia-Miss Morris.

Afterpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson (for that night only)-Hughes (Manager of the Theatre Royal, Weymouth); Sir John Loverule (with Old Towler)-Incledon (1st appearance in that character); Butler-Townsend; Coachman-Rock; Cook-Rees; Lady Loverule-Mrs Fawcett; Lucy-Miss Stuart; Lettice-Miss Leserve; Nell-Mrs Mattocks (1st appearance in that character).
Cast
Role: Lucy Actor: Miss Stuart
Role: Lettice Actor: Miss Leserve

Song: III 2nd piece: song in character-Mrs Clendining

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Performances

Mainpiece Title: The Secret Tribunal

Performance Comment: Principal Characters by Holman, Pope, Harley, Middleton, Hull, Macready, Powel, Claremont, Thompson, Miss Morris, Miss Wallis. Cast from text (T. N. Longman, 1795): Herman-Holman; Ratibor-Pope; Holstein-Harley; Ulric-Middleton; Principal Judge of the Tribunal-Hull; Duke of Wirtemberg-Macready; Badendorff-Powel; Rudolph-Claremont in text: Williamson; Minister of Vengeance-Thompson; Ellen Holstein-Miss Morris; Ida-Miss Wallis; Prologue-Macready; Epilogue-Miss Wallis.
Cast
Role: Ellen Holstein Actor: Miss Morris
Role: Ida Actor: Miss Wallis
Role: Epilogue Actor: Miss Wallis.
Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).

Afterpiece Title: A Masque In Honor of the Nuptials of His Royal Highness the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795

Performance Comment: Principal Musical Characters-Townsend, Linton, Street, Williamson, Miss Kirton, Mrs Castelle, Mrs Arnold, Miss Stuart, Mrs Norton, Miss Leserve, Mrs Masters, Mrs Clendining. [Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]

Afterpiece Title: The Poor Soldier

Performance Comment: As17940919, but Dermot (for that night only)-Mrs Clendining; Fitzroy (with Old Towler)-Incledon.

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: 2nd piece [1st time; MD 3, by Thomas Morton]: With new Scenery, Dresses and Decorations. The Overture, Chorusses, and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. Books of the Songs to be had at the Theatre. Morning Chronicle, 1 July 1795: This Day is published Zorinski (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski

Performance Comment: Characters-Aickin, Barrymore, Bensley, C. Kemble, Caulfield, Cross, Ledger, Johnstone, Suett, Fawcett, Bannister Jun.; Mrs Bland, Miss Leak, Mrs Kemble. Cast from text (T. N. Longman, 1795): Casimir-Aickin; Zorinski-Barrymore; Rodomsko-Bensley; Radzano-C. Kemble; Naclo-Caulfield; O'Curragh-Johnstone; Amalekite-Suett; Witski-Fawcett; Zarno-Bannister Jun.; Winifred-Mrs Bland; Rachel-Miss Leak; Rosolia-Mrs Kemble; Cross, Ledger are unassigned; Vocal Parts-Bland, Cooke, Abbot, Lyons, Aylmer, Boyce, Brown, Dibble, Dorion, Kenrick, Linton, Little, Walker, Mrs Butler, Mrs Gaudry, Mrs Hale, Mrs Norton, Miss Menage, Miss Granger.
Event Comment: Mainpeice: 13th Time [i.e. in continuation of the reckoning for the previous season]. Receipts: #271 11s. 6d. (265.0.6; 6.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters-Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Davenport, Miss Leserve, Mrs Pope. [Cast adjusted from playbill of 16 May 1796: Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Davenport; Betty [not listed on playbill, but in Larpent MS 1077]-Miss Leserve; Lady Ann Mordent-Mrs Pope.

Afterpiece Title: Sprigs of Laurel

Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Performance Comment: Characters-Barrymore, Palmer, Caulfield, Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Mrs Siddons, Miss Stuart, Miss Heard. Partial cast from European Magazine, May 1797, p. 341: Aeneas-Barrymore; Narbal-Palmer; Iopas-Caulfield; Dido-Mrs Siddons; Characters-Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Miss Stuart, Miss Heard; [Text (Longman [et al], 1808) lists the other parts: Bitias, Achates, Gyas, Cloanthus, Sergestus, Adoam, Barce, Anna Prologue-C. Kemble.

Afterpiece Title: The Spoild Child

Performance Comment: Little Pickle-Mrs Jordan; Old Pickle-Suett; Tag-R. Palmer; Miss Pickle-Miss Tidswell; Maria-Miss Heard; Margery-Mrs Booth; Susan-Mrs Hale.
Cast
Role: Miss Pickle Actor: Miss Tidswell
Role: Maria Actor: Miss Heard

Afterpiece Title: My Nightgown and Slippers

Performance Comment: The Maid of the Moor-Suett; The Newcastle Apothecary-Palmer; Lodgings to Let for Single Gentlemen-Suett.

Ballet: The Scotch Ghost. As17970105

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Knapp, p. 302)]. [Afterpiece in place of Netley Abbey, advertised on playbill of 22 Nov.] Morning Herald, 6 Dec. 1797: To-morrow will be published False Impressions (2s.). Receipts: #165 16s. (161.13; 4.3)

Performances

Mainpiece Title: False Impressions

Performance Comment: Principal Characters by Quick, Holman, Munden, Murray, Whitfield, Davenport, Thompson, Simmons, Follett, Curties, Miss Chapman, Mrs Knight, Mrs Davenport, Mrs Norton, Miss Betterton. [Cast from text (C. Dilly, 1797): Scud-Quick; Algernon-Holman; Simon Single-Munden; Sir Oliver Montrath-Murray; Earling-Whitfield; Farmer Gawdry-Davenport; Frank-Thompson; Jack-Simmons; Isaac-Follett; Peter-Curties [in text: Abbot]; Lady Cypress-Miss Chapman; Jenny Scud-Mrs Knight; Mrs Buckram-Mrs Davenport; Rachel Williams-Mrs Norton; Emily Fitzallan-Miss Betterton; Prologue-Murray; Epilogue-Miss Betterton. [These were spoken, as here assigned, at the 1st 10 performances only (see17971207).]These were spoken, as here assigned, at the 1st 10 performances only (see17971207).]

Afterpiece Title: The Farmer

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Cast
Role: Lady Sneerwell Actor: Miss Chapman
Role: Maria Actor: Miss Mansel

Afterpiece Title: The Orphan

Performance Comment: As17971226, but Monimia-Mrs Pope [i.e. formerly Mrs Spencer]; Ernesto-_.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Principal Vocal Characters Actor: Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine

Afterpiece Title: Harlequins Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: Mr Sturdy-R. Palmer; Bently-Caulfield; Capt. Berry-Palmer Jun.; Frank-Waldron Jun.; Miss Elizabeth Sturdy-Miss Heard; Miss Sukey Sturdy-Miss DeCamp; Tabitha (1st time)-Mrs Davenport; Mrs Sturdy-Mrs Hale; Nanny-Mrs Harlowe.

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Kelly; Peachum-Davenport; Lockit-R. Palmer; Mat o' th' Mint-Palmer Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Polly-Miss Griffiths.
Cast
Role: Lucy Actor: Miss DeCamp
Role: Polly Actor: Miss Griffiths.

Afterpiece Title: Blue Devils

Event Comment: Benefit for Bannister Jun. Mainpiece: Not acted these 2 years. Afterpiece [1st time; F 2, probably based on Die Zwillingsbruder, by Friedrich Ludwig Schroder]: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis]. With Songs [composer unknown. Larpent MS 1245; not published]. Morning Chronicle, 3 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #599 3s. 6d. (315.3.6; 63.4.0; 0.1.0; odd money: 4.2.0; tickets: 216.13.0) (charge: #211 1s. 8d.)

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson Legend-King; Valentine-Kemble; Scandal-Barrymore; Tattle-R. Palmer; Ben-Bannister Jun.; Foresight-Suett; Jeremy-Wathen; Trapland-Hollingsworth; Angelica-Miss Biggs (1st appearance in that character); Mrs Foresight-Mrs Sparks; Mrs Frail-Miss Pope; Miss Prue-Mrs Jordan; Nurse-Miss Tidswell; Jenny-Mrs Jones.
Cast
Role: Foresight Actor: Suett
Role: Angelica Actor: Miss Biggs
Role: Mrs Foresight Actor: Mrs Sparks
Role: Mrs Frail Actor: Miss Pope
Role: Miss Prue Actor: Mrs Jordan
Role: Nurse Actor: Miss Tidswell

Afterpiece Title: The Twins or Is It He or his Brother

Performance Comment: . The Twins (with a Medley Prologue)-Bannister Jun.; the other Characters-Suett, R. Palmer, Dowton, Wewitzer, Wathen, Maddocks, Miss Mellon, Mrs Walcot, Miss DeCamp. [Cast from European Magazine, Apr. 1799, p. 258: Captain Melville-Bannister Jun.; Hezekiah Falkland (his twin)-Bannister Jun.; Tobias-Suett; Simon Sly-R. Palmer; Latitat-Dowton; Buckram-Wewitzer; Sparkle-Wathen; Bailiff-Maddocks; Lucy-Miss Mellon; Mrs Tabitha-Mrs Walcot; Charlotte Belmour-Miss DeCamp.]
Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford

Song: By permission of Dibdin End I: Advice; or, Old Mary and John-Bannister Jun; End II: The Country Club-Bannister Jun; III: Tom Tough-Bannister Jun

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Performance Comment: Characters by Pope (1st appearance on this stage), Swendall (from the Theatre Royal, Edinburgh; 1st appearance on this stage), Palmer, Master Tokely, Davies, Davenport, J. Palmer, Waldron, Abbot, Lyons, H. Johnston, Mrs Davenport, Miss Leserve, Miss Chapman (1st appearance on this stage). Cast from European Magazine, June 1799, p. 404: Robert Maxwell-Pope; Harrington-Swendall; Landlord-Palmer; Harry-Master Tokely; Flood-Davies; John Hartopp-Davenport; Dempster-J. Palmer; Jew-Waldron; Dumfries-Abbot; Servant-Lyons; Walwyn-H. Johnston; Old Blind Lady-Mrs Davenport; Jane-Miss Leserve; Arabella-Miss Chapman.
Cast
Role: Jane Actor: Miss Leserve
Role: Arabella Actor: Miss Chapman.

Afterpiece Title: The Village Lawyer

Event Comment: Afterpiace [1st time; M. ENT 2, by William Linley. Larpent MS 1277; not published; synopsis of plot in Dramatic Censor, I, 124-25]: Altered [by the author] from The Pavilion. With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by [William] Linley. Books of the Songs to be had in the Theatre. [And see 16 Nov. 1799.] Receipts: #270 15s. 6d. (185.2.0; 1.13.0)

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Successful Strangers Author(s): William Mountfort

Afterpiece Title: The Ring or Love Me for Myself

Performance Comment: Characters-Kelly, Caulfield, Maddocks, Suett, Webb, Bannister Jun., Miss Stephens, Miss DeCamp, Mrs Bland. [Larpent MS lists the parts: The Caliph, Giafar, Sadib, Haddadad, acted by Suett (Monthly Visitor, Jan. 1800, p. 69), Hassan, Almeria, acted by Miss Stephens (Dramatic Censor, I, 129), Fetnah, Selima.]Larpent MS lists the parts: The Caliph, Giafar, Sadib, Haddadad, acted by Suett (Monthly Visitor, Jan. 1800, p. 69), Hassan, Almeria, acted by Miss Stephens (Dramatic Censor, I, 129), Fetnah, Selima.]

Music: As17991127

Dance: As17991127

Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Alberto-Murray; Count Valentia-Betterton; Marquis Almanza-Whitfield; Duke Mercia-Davenport; Seville-Whitmore; Granada-Atkins; Marchioness Merida-Mrs Maddocks; Amanthis-Miss Murray.
Cast
Role: Amanthis Actor: Miss Murray.

Afterpiece Title: The Dramatist

Performance Comment: As17991018, but Marianne (1st time)-Miss Sims; Letty-Miss Leserve.
Cast
Role: Marianne Actor: Miss Sims
Role: Letty Actor: Miss Leserve.
Role: Lady Waitfor't Actor: Mrs Davenport
Role: Miss Courtney Actor: Miss Chapman.
Role: Caroline Actor: Miss Chapman

Afterpiece Title: The Mouth of the Nile

Cast
Role: Susan Actor: Miss Sims.

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Event Comment: Afterpiece [1st time; MF 2, by the younger George Colman]: To conclude with a View of the Camp near Windsorv. A Military Overture, and the New Musick composed by Dr Arnold. The Scenery painted by S. Whitmore. Books of the Songs to be had at the Theatre. [For Colman's borrowing of the character of Caleb Quotem, see 6 July 1798.

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.
Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Hart?; First Constantia-Rebecca Marshall?.
Event Comment: The King's Company. The date of the first performance is not known; Pepys does not suggest that this day was the premiere. Pepys, Diary: Sir W. Pen...and I by coach to the King's playhouse, and there saw The Mad Couple, which I do not remember that I have seen; it is a pretty pleasant play. Thence home, and my wife and I to walk in the garden, she having been at the same play with Jane, in the 18d. seat, to shew Jane the play

Performances

Mainpiece Title: All Mistaken Or The Mad Couple

Performance Comment: Pepys, 28 Dec. 1667, refers to Philidor-Hart; Mirida-Nell Gwyn. The edition of 1672, the first one known, lists no prologue, no epilogue, no actors' names.
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Performance Comment: Edition of 1685: Prologue written by Mrs Behn-Mrs Cook (the first Day); Prologue to Valentinian-Mrs Cook (the second Day); Prologue intended for Valentinian-Mrs Barry; Epilogue by a Person of Quality-Mrs Barry; Downes (Roscius Anglicanus, p. 40): Valentinian-Goodman; Aecius-Betterton; Maximus-Kynaston; Pontius-Griffin; Lucina-Mrs Barry.
Event Comment: [ByJohn Dennis. Premiere.] Preface: This Play was so unfortunate as to find the Town out of Humour with it, whether it proceeded from the Calamities which attended the Rehearsal, which were so numerous as never before had befal'n any Play in my Memory, or from the Malice, and the strange Prejudices with which many came prepossess'd. The first day it was well Acted in most of its Parts, but was not suffer'd to be heard

Performances

Mainpiece Title: Gibraltar Or The Spanish Adventure

Performance Comment: Edition of 1706 lists no actors' names. Prologue-; First Epilogue written by a Friend-Leonara; Second Epilogue written by the Author-the Serjeant.
Event Comment: [By Philip Frowde.] All the Characters new Dress'd. Receipts: #148 3s. Probable attendance: boxes, 198 paid and 17 orders; balcony, 1 paid; pit, 283 paid and 3 orders; first gallery, 409 paid and 1 orders; slips, 64 paid; second gallery, 82 paid

Performances

Mainpiece Title: The Fall Of Saguntum

Performance Comment: Principal Parts-Boheme, Ryan, Walker, Quin, Hulett, Diggs, Milward, Mrs Berriman, Mrs Bullock, but edition of 1727 lists: Sicoris-Boheme; Murrus-Walker; Eurydamas-Quin; Theron-Hulett; Lycormas-Diggs; Fabius-Ryan; Curtius-Milward; First Saguntine-Ogden; Candace-Mrs Berriman; Timandra-Mrs Bullock; Prologue by Theobald-Quin; Epilogue-Mrs Younger.
Cast
Role: First Saguntine Actor: Ogden
Event Comment: Benefit Wilmer and Redfern, Boxkeepers. Receipts: money #15 12s. 6d.; tickets #94 2s. Probable attendance: boxes, 14 by money and 174 by tickets; stage, 2 by money; pit, 34 by money and 222 by tickets; slips, 2 by money; first gallery, 25 by money and 173 by tickets; second gallery, 28 by money

Performances

Mainpiece Title: The Fall Of Saguntum

Performance Comment: As17270116, but Lycormas-Berriman; Timandra-Mrs Morgan; First Saguntine-_; With the Original Epilogue-Mrs Younger.
Cast
Role: First Saguntine Actor: Ogden

Song: Salway, Mrs Warren

Dance: WWooden Shoe Dance-Nivelon; French Peasant-Poitier, Mrs Bullock; Shepherd and Shepherdess-Salle, Mlle Salle