Event Comment: Benefit for Miss Pope. Afterpiece: Alter'd from Sir John VanBrugh. Not acted in 5 years. [See 24 March 1768.] Miss Jarratt hiss'd in Harriet (Hopkins Diary). Receipts: #162 2s. Charges: #65 2s. Profits to Miss Pope #97 (Treasurer's Book)

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3140, 12-16 Dec. 1695, to be published 17 Dec. 1695, suggests that its first appearance was not later than November 1695. According to the Edition of 1695, the music was set by the late Henry Purcell, Courteville, Samuel? Aykerod, and other composers. For Purcell's music, see Purcell's Works, Purcell Society, XVI (1906), xxix-xxxi. The songs were sung by Miss Cross and Mrs Verbruggen. Preface, Edition of 1696: I must inform the Reader, that this Third Part before it came upon the Stage was acknowledg'd and believ'd by all that saw it, and were concern'd (as well those that heard it read, as those that were Actors, who certainly, every one must own, are in their Affairs skilful enough to know the value of things of this Nature) to be much the best of all the Three Parts;...tho prepar'd by my indefatigable Diligence, Care, Pains, nay, the variety which I thought could not possibly miss the expected Success, yet by some Accidents happening in the Presentment, was disliked and explored; The Songish part which I used to succeed so well in, by the indifferent performance the first day, and the hurrying it on so soon, being streightned in time through ill management--(tho extreamly well set to Musick, and I'm sure the just Critick will say not ill Writ) yet being imperfectly performed, was consequently not pleasing; and the Dances too, for want of some good Performers, also disliked; all which, tho impossible for me to avoid, and not reasonably to be attributed any way to a fault in me, yet the noisy Party endeavour'd to use me as ill as if it were, till the generous Opposition of my Friends gave me as much reason to thank them for their Justice, as to despise the others Malice.... As to the Poppet Shew in the Fourth Act, the Accident of its being plac'd so far from the Audience, which hindred them from hearing what either they or the Prolocutor said, was the main and only reason of its diverting no better. A Comparison Between the Two Stages (1702) p. 17: Sullen: The third Part of Don Quixote. Ramble: Oh the ever-running Streams of Helicon! by all that's Poetical, my Friend Durfey; good lack! I thought I shou'd meet with him before we got half way: Well, in the name of Impudence, what luck? Sullen: Damn'd, Damn'd to all intents and purposes. Ramble: His first and second Part did well

Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Event Comment: [The Gentleman in the mainpiece under the pseudonym of Melmoth was the voluminous writer Samuel Jackson Pratt. Identification by Hopkins MS Notes. He had acted first in Dublin, 1772-73.

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Event Comment: Louisa Dudley first time Miss Hopkins very well receiv'd (Hopkins Diary). Mrs Smith being hoarse, the Wedding Ring deferr'd. Paid Miss Berkley on note 25 Aug. #2 2s.; Mrs Sykes for women's Cloaths #21. Receipts: #163 16s. (Treasurer's Book)

Event Comment: Mainpiece by Command. Mrs Jefferson made her first appearance upon this Stage in Miss Grantham a Small figure not Handsome no Spirit & not at all like the Character. Some applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Masque of Alfred oblig'd to be deferr'd till Saturday next. Paid Mr Nicoll for lines #10 (Treasurer's Book). Receipts: #230 14s. 6d. (Treasurer's Book)

Event Comment: Benefit for Miss Barsanti. Charges #65 4s. 6d. Profit to Miss Barsanti #17 11s., plus #156 16s. from tickets (Box 388; Pit 300; Gallery 148). Receipts: #82 15s. 6d. (Account Book)

Event Comment: Mainpiece: Never performed before. New Scenes and Dresses. This Comedy is a first production of Mrs Cowley--It was receiv'd with very great Applause-Indeed the performers play'd very well and deserv'd it--the Prologue was written by the Author of the Play dull and Mr Gar. wrote a most Excellent Epilogue quite Local--which was received with uncommon Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Mainpiece reviewed in the Westminster Magazine for Feb.: "As we have lately been much afflicted with the melancholy fate of theatrical authors, we have a pleasure more than common in the great sucess of this piece."] Receipts: #256 5s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Event Comment: Benefit for Miss Elliot. Tickets deliver'd out for Thursday the 26th will be taken

Event Comment: Benefit for Weston and Miss Ogilvie. By Authority. Being the Last Night. [Many advance bills noted the continuous deferment of this on account of Weston's bad state of health.] Mr Weston's late and precarious State of Health making it extremely doubtful whether he could go through so long and laborious part as Richard, he humbly recommends to the Public Mr Gentleman's friendly intention of undertaking the Character for that Night, and will for the Capital Entertainment of his Friends, speak a new Occasional Prologue, and appear in the Farce, that the strength he has gained for some Days past may not be impaired by Fatigue

Event Comment: Benefit for Miss Pope. Afterpiece: By Particular Desire. Part of Pit laid into Boxes

Event Comment: Benefit for Miss Hayward. By Desire. Tickets deliver'd for Tancred and Sigismunda will be taken

Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Event Comment: [Lucy identified as Miss Dayes by Kemble note on playbill and by Winston MS 10.] At the opening of this season Justice Sir John Fielding wrote to Garrick not to play the Beggar's Opera fearing it had a bad influence on the minds of the young. But both Garrick and Colman continued to play it (Winston MS 10). Receipts. #183 13s. (Account Book)

Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.

Event Comment: Benefit for Smith. Part of Pit laid into Boxes. To prevent confusion Servants are desired to be at the theatre by 4 o'clock. Charges #73 19s. Balance to Smith #62 3s. plus income from tickets #141 9s. (Box 413; Pit 162; Gallery 139). Paid Miss Potts for walking 12 nights in Man and Wife #1 10s. and Mrs Morris for walking 26 nights in Harlequin's Jubilee #3 5s. (Account Book). Receipts: #136 2s. 6d

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Mrs Lewis, Miss Hale will be admitted. Receipts: #229 13s. (28/12/0; 13/13/6; 1/1/6; tickets: 186/6/0)

Event Comment: [Ryder was from cg. Miss Ryder's 1st appearance on th stage was at cg, 16 Apr. 1790.

Event Comment: MMr Powell's first Appearance in Leonatus. very Wild & Stampt too much with his foot receiv'd much Applause (Hopkins). Mr Powell's first appearance in the character of Leonatus,--he was very wild and uncouth in great part, and stampt with his feet in such a manner, that he appeared like a madman,--but gained much applause (Hopkins Diary-MacMillan). Receipts: #252 9s. 6d. (MacMillan)