Event Comment: Benefit Rob. Williams, Mrs Whitherilt [Mrs Wetherilt], Mrs Boman, Miss Davison. Afterpiece: Set to Musick by Mr Eccles

Event Comment: Benefit Berry, Roberts, Miss Brett

Event Comment: Benefit Miss Holliday. By Command of His Royal Highness [who was present]. Mainpiece: Written by Mr Wycherley. Afterpiece: Taken from Moliere

Event Comment: Benefit Turbutt, Topham, Miss Oates. Afterpiece: Written by Mr Cibber. Tickets for Gray taken

Event Comment: Benefit Miss Hollyday

Event Comment: Benefit Master and Miss Norsa. 6:30 P.M. Boxes 3s. Pit 2s

Event Comment: At the particular Desire of several Ladies of Quality. Benefit Mrs Hervey and Miss Pattison. Written by Mr Farquhar

Event Comment: Benefit Winstone and Miss Cole. Mainpiece: Written by Shakespear. [Tickets for Mrs Anderson, Villeneuve, Rainton, and Master Green taken.]

Event Comment: Benefit Turbutt, Mich. Stoppelaer, Miss Oates. All the Songs will be printed, and delivered at the Theatre Gratis. Admission: 5s., 3s., 2s., 1s. 6:30 P.M

Event Comment: Benefit Neale and Miss Hilliard

Event Comment: Benefit Miss Holliday. By Command of their Royal Highnesses the Prince and Princess of Wales

Event Comment: Benefit Marshall, Gray, Peploe, Rainton. Tickets also taken for Evans, Miss Chetwood and Gillibrand

Event Comment: As 22 Dec. 1739. Tickets for Love for Love by A. Ryan, Miss Brunette, Mrs Ozanne taken

Event Comment: Benefit Miss Karver, Miss Cole, Walker, and John George

Event Comment: Benefit Miss Cibber and her sister, daughters of Mr Cibber by the late Mrs Jane Cibber. Mainpiece: At the Particular desire of several Persons of Quality. Tickets to be had of Bradshaw, &c., and of Miss Cibber and her Sister, at Mrs Brett's (their Aunt)in Berwick St., near Soho. Tickets deliver'd out by Mrs Boultby will be taken. Receipts: #78

Event Comment: Benefit Mrs Lampe and Miss Young. Mainpiece: At the Particular desire of several Ladies of Quality. Afterpiece: By Desire. [Margery; or, A Worse Plague than the Dragon, by H. Carey, a sequel to Dragon of Wantley.] Tickets at stage door and at Mrs Lampe's and Miss Young's Lodgings, at the Golden Ball, in Brownlow St. Tickets deliver'd out for She Wou'd and She wou'd not will be taken for this play

Event Comment: Benefit Cross (Prompter), Demaimbray (Machinist), and Ray. Tickets deliver'd out by Green, Miss Thomson, and Miss Minors will be taken. Tickets for the Double Gallant will be taken. Rylands MS.: I had tickets. Receipts: #105

Event Comment: Benefit Verhuyck, Naylor, Duck, Banks (Pit and Gallery Doorkeepers). Tickets deliver'd out by Mlle Fabres. Miss Dodson, Miss Short, and Mr. Bowcher will be taken

Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Event Comment: DDaily Advertiser, 15 Feb.: We hear that Miss Budgell, duaghter of the late Eustace Budgell, Esq. who perform'd the part of Polly on Monday Night in the Beggar's Opera, met with such unusual Applause, that several persons of Quality have desired the same performance tomorrow

Event Comment: Benefit Stede, Hayman, and Richard Neale. Tickets deliver'd out by Miss Ferguson and Miss Morrison will be taken

Event Comment: [Possibly not performed, see 1 April, hay.] Benefit the two Misses Scot. 5s. 6:30 p.m. Having been discharged from Drury Lane Playhouse by the Manager, without being told, or even permitted to ask why he did so; and not being conscious of any offence we ever gave the public, we humbly hope Ladies and Gentlemen will encourage us in this endeavour to entertain them and support ourselves (Daily Advertiser). Tickets at Miss Scott's Lodgings, the Golden Cannister, Katherine St., Strand; Castle Tavern, Paternoster Row; Tilt Yard Coffee House, Whitehall

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.