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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Price"/1) | (@(roleclean,performerclean) "Miss Price")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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15148 results for: Keyword - Miss Price
We found 13803 matches on Performance Comments, 4406 matches on Performance Title, 2429 matches on Event Comments, 73 matches on Roles/Actors, and 0 matches on Author.

5626
07 December 1752 @ Haymarket Theatre

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. 6d. [Prices repeated in subsequent Bills.] The House is well-aired and will be illuminated with Wax-Lights. Jews@Harp-a casuist

Performances

Mainpiece Title: The Old Womans Oratory

5627
11 December 1752 @ Haymarket Theatre

Event Comment: [Gallery prices change to 2s.

Performances

Mainpiece Title: The Old Womans Oratory

Afterpiece Title: Animal Pantomime

5628
26 December 1752 @ Drury Lane Theatre

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii Arabian Nights Entertainment

5629
13 January 1753 @ Covent Garden

Event Comment: Full Prices. Afterpiece with a New Scene of a Fountain introduc'd. [See Cross's note for dl 14 Dec. 1752.] [Harlequin Sorcerer] With the loves of Pluto and Proserpine. The scenes painted by Mr Lambert. As any obstruction in the movements of the Machinery will greatly prejudice the performance, it is hoped no persons will be displeased at their not being admitted behind the scenes (Public Advertiser). [Nonadmittance note repeated.

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Harlequin Sorcerer with Alterations

5630
02 April 1753 @ Haymarket Theatre

Event Comment: Oratorio by Mr Handel. Benefit for Signora Frasi; To begin at 7 p.m. Prices: Pit and Boxes at half a guinea each; Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

5631
01 May 1753 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At the Foundling Hospital. To begin at 12 noon. Price half a guinea each. [Above 800 coaches and chairs and tickets amounted to 925 guineas (London Magazine, May 1753). Tickets brought #706 3s. 10d., Deutsch, Handel, from Minutes of Fondling Hospital.

Performances

Mainpiece Title: The Messiah

5632
26 May 1753 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Nothing under Full prices will be taken during the performance. Being the last time of the company's performing this season

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Minuet Actor: Cooke, Miss Hillyard to the Masquerade Scene.
Role: the vocal parts Actor: Lowe, Howard, Legge, Baker, Mrs Lampe, Miss Young, Mrs Chambers.

Afterpiece Title: Harlequin Sorcerer

5633
03 September 1753 @ Bartholomew Fair

Event Comment: During the short time of Bartholomew Fair, which begins this Day, Mrs Midnight from the Haymarket, will entertain the Town with her Jubilee Concert, after the Venetian Manner at the Large Room, Swan Yard, West Smithfield. Mrs Midnight humbly entreats the Nobility and Gentry not to encore any of her Performers on account of the Shortness of the Fair. The Room to be illuminated with Wax Lights. A Flag will be hoisted, during the Fair, over the Passage leading to my Room. To begin each Day at 12 Noon. Prices 3s., 2s., 1s. Mrs Midnight Entertains, gratis, with La Je Ne Sca Quoi

Performances

Mainpiece Title: La Je Ne Sca Quoi Or Wooden Spoons A La Mode

Dance: LLady Pentweazle's Vagaries-; Hornpipe-Timbertoe; Kettle Drums-Woodbridge

Entertainment: Concert On Salt@Box-Signora Tatteratro

5634
17 December 1753 @ Covent Garden

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: Lamanti Gelosi

Dance: [Unspecified.]

5635
04 March 1754 @ Covent Garden

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

5636
23 May 1754 @ Covent Garden

Event Comment: Benefit for the Lock Hospital. Prices Box and Pit half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. At the Particular Desire of several Persons of Quality

Performances

Mainpiece Title: Lallegro And Il Penseroso

Afterpiece Title: Ode to St Cecelias Day

Afterpiece Title: First Violin Concerto

5637
04 July 1754 @ Haymarket Theatre

Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory Or Mrs Midnights New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

5638
16 July 1754 @ Haymarket Theatre

Event Comment: The Sixth Day. Nothing under the full price will be Taken during the whole performance. [Repeated.

Performances

Mainpiece Title: The British Roratory

Dance: Dancing, as17540711 Entertainment of Music and Dancing, as17540711 Le Nie Jaloux, as17540711 but +Attenino

5639
18 November 1754 @ Covent Garden

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: Larcadia In Brenta

5640
04 January 1755 @ Drury Lane Theatre

Event Comment: Afterpiece went off but Indiff' scenes like'd but not the action (Cross). [Full Prices. Ladies asked to send servants at half past three.] N.B. It is hop'd no Gentleman will take it ill that they cannot possibly be admitted behind the Scenes. The Scenes painted by Mr John Oram. [This note occurs on all subsequent bill for Proteus this season.

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Proteus or Harlequin in China

5641
13 March 1755 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Cast
Role: Lucinda Actor: Miss Macklin.

Song: II: The Cantata of Cimon and Iphigenia-Beard

5642
08 April 1755 @ Covent Garden

Event Comment: Benefit for Arthur. Mainpiece: Not acted in 5 years. [See 1 Dec. 1749.] Printed books of the Entertainment will be sold at the Theatre. Price 6d

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: The Press Gang

Dance: PPantomime Peasant Dance, as17550104

5643
29 October 1755 @ Drury Lane Theatre

Event Comment: The Last New English Opera, Taken from Shakespeare's Midsummer-Night's Dream. The Music compos'd by Mr Smith. Nothing under full prices will be taken during the whole performance. [See Genest, IV, 407.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Opera Of The Fairies

5644
13 November 1755 @ Drury Lane Theatre

Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Belinda Actor: Miss Haughton

Afterpiece Title: The Chinese Festival

Cast
Role: Parts Actor: Mons Delaistre, Sg Baletti, Lauchery, Noverre Jun, Dennison, StLeger, Shawford, Mathews, Pochee, L'Clert, Harrison, Granier, Hust, Sarny, Walker, Mrs Vernon, Miss Noverre, Morris, Rooker, Sturt, Atkins, Ackman, Walker, Sga Pietro, Mrs Addison, Mrs Noverre, Robinson, Mrs Gibbons, Mlle Charon, Mlle Rousselet, Mrs Preston, Mlle Rouend, Mrs Philips, Mrs Lawson, Little Pietro, Master Simson, Master Pope, Master Blagden, Master Hust, Master Spilsbury, Miss Bride, Miss Popling, Miss Simson, Miss Heath, Scrase, Jefferson, Burton, Marr, Vaughan, Chamness, Bullbrick, Clough, Allen, Gray, Mrs Bradshaw, Mrs Hippisley, Mrs Mathews, Mrs Simson, Miss Mills.

5645
14 November 1755 @ Drury Lane Theatre

Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Performances

Mainpiece Title: As You Like It

Cast
Role: Rosalind Actor: Miss Macklin

Afterpiece Title: The Chinese Festival

Cast
Role: Parts Actor: Miss Young, _Lewis, _Robinson.

5646
19 December 1755 @ Drury Lane Theatre

Event Comment: Mainpiece :By Particular Desire. The Orphan of China published. Price 1s. 6d. Dedicated to Garrick. Translated from the French of Voltaire. Acted at Paris with great applause. Published This Day Reflections on Theatrical Expression in Tragedy, with a proper introduction and appendix. For the character of the above see The Monthly Review for July (Public Advertiser). [This must be the second edition of Roger Pickering's pamphlet. See 13 March 1755.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and Miller of Mansfield

Cast
Role: Peggy Actor: Miss Minors.

5647
05 April 1756 @ King's Theatre

Event Comment: Benefit and Increase of a Fund Support of decay'd Musicians, or their Families. To begin at 6 p.m. Prices 10s. 6d. The Fund has dispensed #482 17s. during the past year

Performances

Mainpiece Title: Grand Entertainment Of Vocal And Instrumental Musick

5648
15 December 1756 @ Cibber's Histrionic Academy on the Bowling Green, Richmond Hill

Event Comment: At Cibber's Histrionic Academy on the Bowling Green, A Public Rehearsal, gratis. With out Gain, Hire or Reward. The Rehearsal must begin punctually at 6 p.m. No Money will be taken, nor any Persons admitted without Pass Tickets, which will be given by Mr Cibber to particular Patrons, Friends and Customers. The Cephalick Snuff is to be had at the Above Academy, at the following Prices, viz., First sort 3s., second sort 2s., third sort 1s., none sold under. [Play not given. See Public Advertiser, 14 Dec. "Southwark. Some sudden Disappointments (as unexpected as unforeseen) compel me to defer opening my Histrionic Academy." Advance advertisement had also appeared in the Daily Advertiser, 6 Dec.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

5649
07 February 1757 @ Crown Tavern

Event Comment: At the Crown Tavern, Great Room. To begin at 6:30 p.m. Prices 5s. Wrote by Gay set by Handel. [Notice signed by J. Reynolds.

Performances

Mainpiece Title: Acis And Galatea

5650
15 June 1757 @ Haymarket Theatre

Event Comment: By Cibber and Company. Consisting of a Variety of Entertainments, intermixed with Singing, Dancing, &c. The Scenes, Machines, Habits, and Decorations &c., all new. Boxes 5s. Pit 3s. Gall. 2s. The Doors will be opened at Five; the Concert to begin at Six. To be continued (with Variations) on Mondays, Wednesdays, and Fridays, during the Summer season. Places for the Boxes to be had at the Theatre. The Performances depending very much on the Music, no Persons can be admitted into the Orchestra; and on account of the Variety of Scenery and Machinery, &c., that there may be no Interruptions in the Performances, 'tis hoped no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes. No money to be returned after the Curtain is drawn up; nor anything under the full Price to be taken during the Performance

Performances

Mainpiece Title: A Medley Concert Or An Impromptu Of Whim Novelty And Amusement