SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Pope Beatrice indifferent Hopkins Diary MacMillan"/1) | (@(roleclean,performerclean) "Miss Pope Beatrice indifferent Hopkins Diary MacMillan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14226 matches on Performance Comments, 4424 matches on Performance Title, 3212 matches on Event Comments, 17 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [This was Parsons's last appearance on the stage. He died on 3 Feb. 1795.] Powell: Miss DeCamp absent [from afterpiece], Miss Stageldoir Italian Girl. Inconstant rehearsed at 11; New Ballet at 12. Receipts: #262 14s. 6d. (185.16.6; 72.2.6; 2.15.6)

Performances

Mainpiece Title: The Cherokee

Performance Comment: As17941223, but Indian Warriors-_Keys, _Nicolini, _Roffey, _Whitmell, _Wells, _Garman, _Banks; Chorusses-_Dorion Jun., _Fisher, _Pilbrow, _Tett, _Walker, _Willoughby, Master _DeCamp, Miss _Granger, Miss _Menage, Miss _Redhead, Miss _Stageldoir, Mrs _Iliff, Miss _Davies.

Afterpiece Title: The Critic

Cast
Role: Mrs Dangle Actor: Mrs Hopkins
Role: Italian Girls Actor: Miss Leak
Role: Nieces Actor: Miss Heard, Miss Collins
Role: Tilburina Actor: Miss Pope.
Event Comment: Benefit for Holtom, Buck, Dibdin and Miss Sledge. Mainpiece: Not acted in 3 years. [See 11 May 1762.] Afterpiece: Music by Dibdin

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Ross; Macduff-Clarke; King-Gibson; Malcolm-Anderson; Donalbain-Bennet; Seyton-Gardiner; Siward-R. Smith; Fleance-Mas. Morgan; Banquo-Sparks; Lenox-Hull; Hecate-Wignell; Murderers-Buck, Holtom; Witches-Dunstall, Costollo; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Ward; With the Original Music. The Vocal parts-Mattocks, Legg, Baker, Dibdin, Miss Poitier, Mrs Lampe, Mrs Jones, Miss Polly Young; Dances-and Decorations incident to the play.

Afterpiece Title: The Shepherds Artifice

Performance Comment: Parts-Mattocks, Dibdin, Fawcett, Miss Miller, Miss Poitier; Alexis-Mattocks; Strephon-Dibdin; Sylvia-Miss Hallam; Caelia-Miss Poitier (Genest, V, 58); Parts-Fawcett, Miss Miller playbill, however, does not list Miss Hallam; Dance incident to the Entertainment,-Duquesney, Miss Valois. Larpent MS 240 lists parts as Palemon, Strephon, Thyrsis, Caelia and Sylvia.
Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Cast
Role: Adelaide Actor: Miss Satchell
Role: Hortensia Actor: Miss Younge.

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Kent and Family. By Desire of Her Serene Highness, the Margravine of Anspach. Kent's most respectful Compliments waits on the Ladies and Gentlemen of Hammersmith, and its Vicinity, informs them that Mr Newman has kindly granted the Assembly Room for one or two Evenings; to accomodate Her Highness the Margravine and principal Inhabitants: Kent has spar'd neither trouble or expence to render it conveniant [sic] as possible, the Room itself being very respectable & the Entrance unexceptionable. He earnestly solicits the company of his Friends in general, assuring them that every endeavour will be exerted for their Entertainment; the Interest of every Lady & Gentleman will be ever most gratefully remember'd, as very highly contributing to Kent's extricating himself from a Situation obvious to all acquainted with the Expence he has been at, and the ill Success he has met with. To begin exactly at 6:30. Admittance 2s. Tickets to be had at the Winsor Castle, of Kent, and Miss Connard in Union Court, and of Miss Kent, at Mrs Bevias

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Kent; Sir Oliver Surface-A Gentleman from London; Joseph Surface-A Gentleman from London; Crabtree-Morphew; Sir Benjamin Backbite-Baker; Rowley-Cooper; Moses-Parsons; Careless (with a song)-Johnson; Charles-Skerrett//Lady Teazle-Mrs Parsons; Maria-Miss Kent; Lady Sneerwell-Mrs Smith; Maid-Miss Connard; Mrs Candour-Mrs Johnson .
Cast
Role: Maria Actor: Miss Kent
Role: Maid Actor: Miss Connard

Afterpiece Title: WHOS THE DUPE

Performance Comment: Granger-A Gentleman from London; Old Doiley-Kent; Grad us-Jo.hnson//Miss Doiley-Mrs Parsons; Charlotte-Miss Kent. VAUDEVILLE. End of mainpiece Garrick's Picture of a Modtrn Fint Lady by Miss Kent; a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent . a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent .
Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The Scenery and Dresses are entirely new. The Musick composed by Storace.The Scenes designed and executed by Greenwood and Capon [the Gothic library was painted by Capon (Oracle, 21 Mar. 1796)]. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. [When Colman published his play he prefaced it with an acrimonious attack on Kemble, in which he accused him of deliberately trying to make the play a failure. But almost without exception the contemporary reviews excused Kemble's performance on the grounds of his obvious indisposition, and agreed that the play itself was unsatisfactory. "The play failed, and we are sorry to say did not merit to succeed...Kemble, who was tormented With an incessant cough, said he could not but be sensible that much of the displeasure of the house proceeded from his deficiency in a principal character...The whole audience with one voice cried out, 'No, no, Kemble-it is not your fault'" (Oracle, 14 Mar.). "The dialogue is extremely heavy, and there is little or no incident to relieve the tedium of more than four hours representation...Sir Edward Mortimer is a being distracted, with no adequate cause; a prey to remorse, which he of all men was the last to feel from the principles that make up his being. This therefore is the radical moral defect of the piece. But there is another which, though not equally strong, is equally fatal: there is no progression of interest, there is no involution of plot, there is no development of character" (Star, 14 Mar.). Other notices of the opening night were much in the same vein. Subsequently Colman revised the play, and it held the stage for many years. "The curtailments which have been made shorten the representation near an hour and a half, and the alterations are many and judicious" (Morning Herald, 21 Mar. 1796). Morning Herald, 23 July 1796: This Day is published The Iron Chest (2s.). Receipts: #471 9s. (468.13; 2.16)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Characters by Kemble, Wroughton, Bannister Jun., Dodd, Barrymore, Suett, Master Welsh, Kelly, R. Palmer, Dignum, Sedgwick, Phillimore, Bannister, Master Webb, Banks, Hollingsworth, Trueman, Webb, Maddocks, Key, Whitmell, Miss Farren, Mrs Gibbs, Miss Tidswell, Sga Storace, Miss Granger, Miss DeCamp. Cast from text (Cadell & Davies, 1796), and London Chronicle, 14 Mar.: Sir Edward Mortimer-Kemble; Fitzharding-Wroughton; Wilford-Bannister Jun.; Adam Winterton-Dodd; Rawbold-Barrymore; Samson-Suett; Boy-Master Welsh; Armstrong-Kelly; Orson-R. Palmer; Robbers-Dignum, Sedgwick, Phillimore, Bannister; Robber's Boy-Master Webb; Peter-Banks; Cook-Hollingsworth; Gregory-Trueman; Simon-Webb; Walter-Maddocks; Helen-Miss Farren; Blanch-Mrs Gibbs; Dame Rawbold-Miss Tidswell; Barbara-Sga Storace; Girl-Miss Granger; Judith-Miss DeCamp; unassigned-Keys, Whitmell.
Cast
Role: Helen Actor: Miss Farren
Role: Dame Rawbold Actor: Miss Tidswell
Role: Girl Actor: Miss Granger
Role: Judith Actor: Miss DeCamp

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Performance Comment: Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson.
Event Comment: Mainpiece [1st time; T 5, by Joanna Baillie. "Adapted to the stage by J. P. Kemble" (note in his hand on Kemble playbill), Text in the author's A Series of Plays (T. Cadell Jun. and W. Davies, 1798). Prologue by the Hon. Francis North; Epilogue by Georgiana Cavendish, Duchess of Devonshire (Larpent MS 1287)]: The Scenery, Musick, Dresses, and Decorations entirely new. The Musick of the Third Act composed by Shaw [and sung by Sedgwick (Dramatic Censor, II, 162)] and of the Second and Fourth Acts by Kelly. The Scenes designed by Greenwood? Jun and Capon, and executed by them, Banks, &c. The Dresses and Decorations designed by Johnston, and executed under his direction by Gay and Underwood. The Female Dresses designed and executed by Miss Rein. Receipts: #308 12s. 6d. (264.3.0; 43.15.6; 0.14.0)

Performances

Mainpiece Title: De Montfort

Performance Comment: Characters by Kemble, Talbot, Barrymore, Cory, Dowton, Powell, Caulfield, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder, Mrs Siddons, Miss Heard, Mrs Crouch, Miss DeCamp, Miss Tidswell. Cast from Dramatic Censor, II, 115: De Montfort-Kemble; Rezenvelt-Talbot; Count Freberg (Albert)-Barrymore; Jerome-Dowton; Manuel-Powell; Grimbald (Conrad)-Caulfield; Jane De Montfort-Mrs Siddons; Countess Freberg-Miss Heard; Abbess-Mrs Crouch; Nuns-Miss DeCamp, Miss Stephens; Maid-Miss Tidswell; unassigned-Cory, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder; Prologue-Mrs Powell; Epilogue-Mrs Siddons.
Cast
Role: Countess Freberg Actor: Miss Heard
Role: Nuns Actor: Miss DeCamp, Miss Stephens
Role: Maid Actor: Miss Tidswell

Afterpiece Title: The Purse

Performance Comment: See17991219, but Will Steady-Wathen; Sally-Miss Leak.
Cast
Role: Sally Actor: Miss Leak.

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Wentworth, Maddocks, Evans, Cook, Danby Jun., Tett, Caulfield Jun., Sawyer, Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Stephens, Ms Leak, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Jacobs, Ms Saunders, Ms Maddocks, Ms Bristow, Ms Butler, Ms Gawdry

Event Comment: Benefit Miss Brett. By a Select Company of Lilliputians

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lady Townly-Miss Brett; Townly-Master Green; Manly-Miss Clark; Lady Grace-Miss Kilby, the first time of her appearing on any stage; Basset-Miss Ferguson; Sir Francis-Master Norsa; Richard-Master Green Jr, the first time of his appearing on any stage; Lady Wronghead-Miss Norsa; Jenny-Little Miss Cole; Myrtilla-Miss Clark Jr .

Dance:

Event Comment: Benefit for Pittard and Miss Midnight. Tickets delivered out by Mr Morris will be taken. The Curtain will rise at 6:15 p.m

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: An Address-Cibber; Comic Oration-Miss Dorothy Midnight; Hooley and Farley, a Scots song-Lauder; Blindman's Buff-; Comic Lectures-Cibber; Lilliputian Taylors-Master Settree, Miss Twist; Wounded Gizzard-Lauder; Grand Concerto for French Horns-; Kitty-Miss Gaudry; Auction-Cibber; Italian Air-Signora Mimicotti as17570902; Italian Peasants-Joly, Madam Dulisse as17570902; The Marine Boys Marching to Portsmouth-as17570617; Handel's Water Musick-Mother Midnight; Dialogue-Mr Gaudry, Miss Gaudry; Speech of Old Time to the People of Great Britain-; Minuet-Master Settree, Miss Twist; Miss Midnight, for this Night only, will give Caudle; Comic Epilogue-Miss Midnight riding on an Ass; Prussians March to Bohemia-; Colin and his Rival Lassies-.

Afterpiece Title: Harlequins Frolic

Event Comment: Benefit for Miss Condill, Miss Sledge, and Miss Vivier [sic]. Tickets deliver'd by Miss Condill, Miss White, Viviez Jr, Miss Sledge, Mrs Jansolien, Guerin, and Mrs Paddick will be taken. Account Book: Receipts: #32 18s. 6d. [Each received half value of the tickets he or she delivered.] @Tickets Box Pit Gallery Value 1!2 Value@Miss Condill 11 80 34 #18 3s. #9 1s. 6d.@Miss White 43 41 74 #24 6s. #12 3s.@Miss Sledge 16 60 68 #19 16s. #9 18s.@Mrs Jansolien 22 61 50 #19 13s. #9 16s. 6d.@Guerin 14 29 17 #9 11s. #4 15s. 6d.@Viviez Jr 25 23 50 #14 14s. #7 7s.@Mrs Paddick 0 28 29 #7 2s. #3 11s.@Total 131 322 322 #113 5s. #56 12s. 6d.

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17571007, but Charry-Miss White; Gipsey-Miss Sledge.
Cast
Role: Charry Actor: Miss White
Role: Gipsey Actor: Miss Sledge.
Role: Lady Bountiful Actor: Miss Ferguson

Afterpiece Title: Merlin Harlequin Skeleton

Dance: The Savoyards-Guerin, Mlle Capdeville; The Provincial Sailors-Guerin, Mlle Capdeville

Event Comment: Ladies send servants by 3 o'clock. A Comic Opera, Never Perform'd [by Isaac Bickerstaffe]. The Scenes, Dresses and Dances entirely new (playbill). [The playbill does not assign parts. Assignment from Genest and Winston who both identify the Young Gentlewoman as Miss Brickler. The Music compiled from Favourite airs of the most celebrated composers." See note for 27 May relative to dances in this opera.] Receipts: #245 14s. (Account Book)

Performances

Mainpiece Title: Love In The City

Performance Comment: Wagg-Shuter; Old Cockney-Gibson; Barnackle-Dunstall; Young Cockney-Dibdin; Sightly-DuBellamy; Spruce-Mattocks; Miss LaBlond-Miss Poitier; Miss Molly Cockney-Mrs Green; Penelope-A Young Gentlewoman [Miss Brickler]; Priscilla-Mrs Mattocks; With Dances [adapted to the opera-Fishar, LaRiviere, Arnauld, Sga Manesiere, Miss Wilford, Miss Valois. (Edition of 1767) .
Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Performance Comment: Characters by Holman, Davies, Fearon, Farren; Miss Stuart, Miss Brunton. [Cast from European Magazine, Mar. 1786, p. 209: Werter-Holman; Sebastian-Davies; Leuthrop-Fearon; Albert-Farren; Laura-Miss Stuart; Charlotte-Miss Brunton.] Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Laura Actor: Miss Stuart
Role: Charlotte Actor: Miss Brunton.

Afterpiece Title: Barataria

Cast
Role: Duchess Actor: Miss Stuart

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Event Comment: [In mainpiece the playbill retains Mrs Bland; in afterpiece the playbill assigns Euphrosyne and 1st Bacchant to Mrs Bland, 2nd Bacchant to Miss DeCamp, Pastoral Nymph to Miss Dall, but "In consequence of the sudden indisposition of Mrs Bland...nearly the whole female cast of Comus was last night altered a short time previous to the performance. Miss Dall was the Euphrosyne, Miss DeCamp the 1st Bacchant, and Mrs Bramwell the Pastoral Nymph. In The Mountaineers Miss DeCamp was Mrs Bland's successor" (Morning Herald, 3 Sept.). Mrs Bramwell's part as a Bacchant was probably omitted.

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17930828, but Characters-Miss DeCamp, Mrs _Bland.

Afterpiece Title: Comus

Performance Comment: Comus-Barrymore; Spirit-Evatt; Brothers-Palmer Jun., Bland; Bacchanals-Bannister, Davies, Cooke, Kenrick, Linton, Dorion, Dorion Jun.; The Lady (with Sweet Echo and a new additional song)-Miss Gopell (1st appearance in that character); Euphrosyne-Miss Dall; Sabrina, 1st Bacchant-Miss DeCamp; Pastoral Nymph-Mrs Bramwell; Bacchants-Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale.
Cast
Role: The Lady Actor: Miss Gopell
Role: Euphrosyne Actor: Miss Dall
Role: 1st Bacchant Actor: Miss DeCamp

Song: As17930823

Event Comment: Tickets delivered for this Evening [Account-Book: by D'Egville Sen., Johnstone, Dale, Miss Arne, Miss Heard] will be admitted. Dancing: The Musick by von Esch, the Dance by D'Egville Sen. Receipts: #604 15s. (192.17.6; 49.4.6; 2.18.6; tickets: 359.14.6)

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: Lord Simper-R. Palmer; Col. Modish-Trueman; Mr Level-Caulfield; Mr Plainwell-Benson; Mrs Level-Miss Heard.
Cast
Role: Mrs Level Actor: Miss Heard.

Afterpiece Title: First Love

Cast
Role: Clara Actor: Miss Leak
Role: Lucy Actor: Miss DeCamp
Role: Jannette Actor: Miss Tidswell

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Performance Comment: and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.
Event Comment: Benefit for Benson, Burton, Caulfield, Phillimore & Miss Tidswell. 2nd piece: Not acted these 30 years [acted 19 Dec. 1774]. Morning Chronicle, 2 June: Tickets to be had of Benson, No. 7, Brydges-street, Covent-Garden; of Caulfield; No. 2, William-street, Adelphi [no others listed]. Receipts: #430 2s. (64.14.6; 31.11.0; 16.8.6; tickets: 317.8.0) (charge: #211 13s. 2d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17950520, but Lucy-Miss Tidswell.
Cast
Role: Lucy Actor: Miss Tidswell.
Role: Alithea Actor: Miss Collins.
Role: Miss Peggy Actor: Mrs Jordan

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Bannister Jun. (1st appearance in that character); Friendly-Dignum; Sir T. Testy-Hollingsworth; Dick-Benson; Old Hob-Suett; Flora-Miss Leak; Betty-Miss DeCamp; Hob's Mother-Mrs Maddocks.
Cast
Role: Flora Actor: Miss Leak
Role: Betty Actor: Miss DeCamp

Afterpiece Title: Britains Glory or A Trip to Portsmouth

Performance Comment: Characters-Sedgwick, Benson, Dignum, Caulfield, Phillimore, Burton, Bland, Trueman, Miss Leak, Miss DeCamp, Miss Heard, Miss Tidswell, Mrs Booth, Mrs Bland. For parts see hay, 20 Aug. 1794.

Song: In 3rd piece: Within a mile of Edinburgh-Mrs Bland; Rule Britannia-

Dance: Piece to conclude: Dance of Sailors-

Entertainment: Monologue End: (by permission of the Author [John Taylor]) Monsieur Tonson-Palmer; [Imitations End II: a Variety of Imitations-Caulfield

Event Comment: Mainpiece: Not acted these 4 years (notice on playbill of 8 Nov.). Afterpiece: The Musick composed by W. Linley. The Scenery by Greenwood. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston and Miss Rein. The Doors to be opened at 5:15. To begin at 6:15 [see 3 Apr. 1797]. Receipts: #318 4s. 6d. (237.14.6; 76.5.6; 4.4.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Wroughton; Prince of Wales-Miss Granger; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Holland; Sir Richard Ratcliff-Phillimore; Sir William Catesby-Caulfield; Tressel-C. Kemble; Earl of Oxford-Denman; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Maddocks; Queen Elizabeth-Mrs Siddons; Lady Anne-Miss Miller; Dutchess of York-Miss Tidswell.

Afterpiece Title: Harlequin Captive or The Magick Fire

Performance Comment: Ormandine-Caulfield; Harlequin-W. Banks; Ariel-Master Welsh; Clown-Dubois; Sailor-Cooke; Ormandine's Servant-Grimaldi; Sir Epicure-Hollingsworth; Landlord-Phillimore; Countrymen-Maddocks, Thompson; Constable-Webb; Prigg-Fisher; Gardener-Whitmell; Furies-Roffey, Wells, Master Gregson; Waiter-Butler; Cheesemonger-Nicolini; Crop-Trueman; Postboy-Master Herron; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Lady-Miss Tidswell; Landlady-Mrs Booth; Countrywomen-Mrs Maddocks, Mrs Heard; Chambermaid-Miss Chatterley; Cook-Mrs Brooker; Gipsies-Garman, Evans, Mrs Butler, Mrs Mills, Miss Granger, Mrs Benson; Chorus of Knights and Ladies-Welsh, Wentworth, Cook, Atkins, Meyers, Caulfield Jun., Denman, Willoughby, Peck, Mrs Arne, Mrs Jackson, Miss Menage, Mrs Wentworth.
Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Performances

Mainpiece Title: What A Blunder

Performance Comment: Characters by Fawcett, Johnstone, Holman (1st appearance here this season), Suett, Farley, Emery, Caulfield, J. Palmer, Atkins, Abbot, Chippendale, Miss DeCamp, Mrs Mountain, Miss Wheatley (1st appearance on this stage), Miss Menage. Cast from text (W. Miller, 1800): Dashington-Fawcett; Sir Sturdy O'Tremor-Johnstone; Count Alphonso d'Esparza-Holman; Don Miguel de Lara-Suett; Lopez-Farley; Juan-Emery; Robbers-Caulfield, J. Palmer; Diego-Atkins; Friar-Abbot; Patrick-Chippendale; Captain of the Banditti-Sawyer; Angelina-Miss DeCamp; Leonora-Mrs Mountain; Jaquelina-Miss Wheatley; Viletta-Miss Menage; Chorusses-Willoughby, Aylmer, Dibble, Little, Kenrick, Caulfield Jun., Fisher, Sawyer, Mrs Castelle, Mrs Hale, Mrs Gaudry, Mrs Butler, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Coates, Mrs Lloyd.

Afterpiece Title: The Deaf Lover

Performance Comment: Capt. Meadows-Palmer; Old Wrongward-Waldron; Young Wrongward-J. Palmer; Groom-Chippendale; William-Klanert; Canteen-Trueman; Sternhold-Atkins; Sophia-Miss Menage; Chambermaid-Miss Leserve; Betsy Blossom (with a song)-Mrs Mountain.
Cast
Role: Sophia Actor: Miss Menage
Role: Chambermaid Actor: Miss Leserve

Performances

Mainpiece Title: The Lancashire Witches

Music: With all the Witches Musick by the late Mr Barret-

Dance: Miss Tenoe, Miss Smith; especially Two Dutch Lasses-Miss Tenoe, Miss Smith

Event Comment: Mainpiece: Never Acted before. [By John Hewitt.] Preface to edition of 1737: This Comedy made it's Appearance under many Disadvantages:...It was read for the first Time to the Performers, Tuesday the 15th, and acted Monday the 21st. Mrs Giffard, who had been Ill the Whole Season, undertook the Character of Lady Betty Manly, but finding herself indisposed, returned the Part on Thursday Evening. It was then given to Mrs Hamilton, who on Saturday about one in the Afternoon declared she could not do it unless it was cut, which the Nature of that Part not admitting, there was a Necessity to ask the Favour of Miss Hughes to undertake it, who with a great deal of good Nature, studied and played it perfect, tho' at so short a Warning

Performances

Mainpiece Title: A Tutor For The Beaus Or Love In A Labyrinth

Performance Comment: Parts by Johnson, Wright, Bardin, W. Giffard, Penkethman, Rosco, Woodward, Lyon, Mrs Roberts, Mrs Marshall, Miss Hughes, Mrs M. Giffard, Miss Tollett, Miss Jones; but edition of 1737 lists: Lord Modely-Bardin; Lord Manly-Rosco; Sir Charles Freelove-Johnson; Belville-Wright; Heartly-W. Giffard; Young Manly-Woodward; Blunt-Lyon; Tom-Penkethman; Lady Betty Manly-Miss Hughes; Lady Worthy-Mrs Marshal; Harriot-Mrs Roberts; Finesse-Miss Tollett; Plaitwell-Miss Jones; Pinup-Mrs M. Giffard; Prologue-; Epilogue-.
Cast
Role: Lady Betty Manly Actor: Miss Hughes
Role: Finesse Actor: Miss Tollett
Role: Plaitwell Actor: Miss Jones
Event Comment: Benefit for Mrs Clive. Afterpiece [written by Mrs Clive]: A new farce partly singing, part speakg. Went off well (Cross). Music by Dr Boyce. Five rows of Pit &c. [Stage arranged as on 10 March. The framework for financial analysis of receipts appears in Treasurer's Book, but the figures are missing. The parts for The Rehearsal, according to the Larpent MS 86, were: Mrs Hazard, Nelly, Tom, Witling, Mr Cross; Miranda-$Miss Norris; Corydon-$Beard; Marcella, Miss Giggle, Sir Albany Odelove, Miss Sidell, Miss Daudle.] Receipts: #240 (Cross); charges, #60 (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Rehearsal or Bayes in Petticoats

Performance Comment: Principal parts-Mrs Clive, Woodward, Beard, Simpson, Cross, Mrs Bennet, Miss Cole, Miss Norris.

Dance: Grandchamps, Mlle Auretti

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Foote; Sir Sampson Legend-Berry; Mrs Frail-Mrs Clive; Miss Prue-Miss Macklin (being their first appearance in those characters); Valentine-Havard; Scandal-Palmer; Foresight-Taswell; Jeremy-Blakes; Tattle-Woodward; Trapland-W. Vaughan; Nurse-Mrs James; Mrs Foresight-Mrs Bennet; Angelica-Miss Haughton.
Cast
Role: Miss Prue Actor: Miss Macklin
Role: Angelica Actor: Miss Haughton.

Afterpiece Title: The Chaplet

Cast
Role: Laura Actor: Miss Thomas

Dance: III: A Hornpipe-Granier

Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: [The words of The Pastoral Dialogue as sung by Beard and Miss Hallam are printed in the Public Advertiser this day.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Performance Comment: As17640116, but concluding with a New Masque-; Colin-Beard; Phillis-Miss Hallam; Thyrsus-Duquesney; Daphne-Sga Manesiere; Cupid-Mas. Rogers; The Graces-Miss Wilford, Miss Valois, Miss Pitt; Hymen-Gallini. [New Cloaths and Scenes. [See17640119 for Pastoral Dialogue.]New Cloaths and Scenes. [See17640119 for Pastoral Dialogue.]
Event Comment: Benefit for Miss Poitier. Afterpiece: Alter'd from Addison. The Music entirely new set by Mr Arnold. [Original three acts reduced to two.] To be performed for this night only. Charges #75 14s. [Profit to Mrs Thompson #59 7s. 6d. plus #48 9s. from tickets (Box 135; Pit 98) (Account Book). As indicated by the name Mrs Thompson in the Account Book, Miss Poitier was already married by this time, although she does not appear in the Bills under the name Mrs Thompson until 16 Sept. 1767. She was first married to Vernon, the singer at Drury Lane.] Receipts: #135 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Cast
Role: Parisatis Actor: Miss Vincent

Afterpiece Title: Rosamond

Performance Comment: Parts-Mattocks, Dibdin, Miss Poitier, Mrs Baker, Miss Potts, Mrs Pinto. King-Mattocks; Sir Trusty-Dibdin; Queen-Miss Poitier; Gridline-Mrs Baker; Rosamond-Mrs Pinto (Genest V, 135); [The Edition of 1767 suggests Sir Trusty-$Morrice;] Page-Miss Potts.
Event Comment: Mainpiece: Not acted these 3 years. [See 27 Nov. 1765. Hogan noted the following additions from the 1770 edn.: Mortimer-Lewes; Glendower-Morris; Prince John-Miss Cockayne; Northumberland-Redman; Gadshill-P. Smith; Peto-Wild.] Receipts: #149 17s. 6d

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Falstaff

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17691228, but Ceres-Miss Valois; Dances-Miss Capon, Miss _Valois.

Dance: II: The Merry Sailors, as17691018