Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Event Comment: UUniversal Spectator, 11 Jan.: Last Wednesday his Highness the Prince went to...Drury-Lane, to see Mr Cibber's new Pastoral....The Actors were for a while prevented from performing, by the great Disturbance some of the Audience made. But on a Speech from Mr Cibber, with a Promise it should not be acted again, the Catcalls, &c. ceased, and they were suffered to go on and end the same. See also Applebee's, 11 Jan.; Egmont, Diary, III, 325; Whincop, p. 198

Event Comment: EEgmont, Diary, I, 207: Then went to the practice of the revived opera Tamerlan, where I saw the Duke of Lorain sing a part

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Event Comment: See Egmont, Diary, I, 222

Event Comment: [T$Their Majesties, Prince, and Princesses present. See Egmont, Diary, I, 224.

Event Comment: A private performance. For details, see Deutsch, Handel, pp. 285-86, Dean, Handel's Dramatic Oratorios, pp. 203-204, and Egmont, Diary, I, 225

Event Comment: See Egmont, Diary, I, 257. Daily Advertiser, 18 April: Last Night there was a Rehearsal of...Flavius...at which were present a great Number of the Nobility

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Event Comment: EEgmont, Diary, I, 271: The Royal Family was there, and the house crowded

Event Comment: [Q$Queen, Prince and three eldest Princesses present. See also Egmont, Diary, I, 281.

Event Comment: EEgmont, Diary, I, 282: Went with my family, at Lady Dartmouth's desire, to see a play acted by strollers at Blackheath

Event Comment: See Egmont, Diary, I, 296

Event Comment: See Egmont, Diary, I, 297

Event Comment: Benefit the Author. Egmont, Diary, I, 333: to the new play called The Miser, which is well translated from Moliere by Mr Fielding, and well acted

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Event Comment: Egmont, Diary, II, 33: In the evening went to The Island Princess . . . where was shown [in the afterpiece] the tallest man of all that I have seen. He is seven feet ten inches and half in height, a German by birth

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Event Comment: Egmont, Diary, II, 135: Public music at the Crown and Anchor. . . Faranelli, Curona, and Mr Matheis were our singers, and we had 24 performers on instruments

Event Comment: Egmont, Diary, n, 154: I went to the French play, where the farce that followed it . . . was very diverting and well acted

Event Comment: A public concert. [See Egmont, Diary, n, 164.]

Event Comment: At 7 P.M. Egmont, Diary, II, 174: I went to the opera called Iphigenia, composed by Porpora, and I think the town does not justice in condemning it

Event Comment: Receipts: #49 19s. 6d. Egmont, Diary, II, 208: acted indifferently