Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 20 years [not acted since 12 Mar. 1771]. Afterpiece [1st time; F 2, by Andrew Franklin]. Morning Chronicle, 5 Mar.: Tickets to be had of Mrs Pope at her house, Half-Moon-street, Piccadilly. Receipts: #272 14s. (151.14; 5.3; tickets: 115.17) (charge: #105)

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. Afterpiece: Not acted these 5 years. Oracle, 25 Feb.: Tickets to be had of Mrs Pope at her house in Half Moon-street, Piccadilly. Receipts: #498 5s. (319.2; 8.12; tickets: 170.11)

Event Comment: Benefit for Pope. 1st piece: Altered from Massinger. Not acted these 14 years [acted 12 Oct. 1785]. Oracle, 31 Mar.: Tickets to be had of Pope, No. 5, Half-Moon-street, Piccadilly. Receipts: #214 14s. (106.16; 7.3; tickets: 100.15)

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Event Comment: Benefit for Mrs Pope. 1st piece: Not acted these 7 years [acted 1 Jan. 1795]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #272 4s. 6d. (159.14.0; 2.10.0; tickets: 110.0.6)

Event Comment: Afterpiece: A masque in 3 parts with Music by Dibdin. New Scenes, Machines, Habits, and Decorations. This Entertainment is got up at vast Expence both in Scenery & Dresses very great applause (Hopkins Diary). But I wish it may answer the expence (Hopkins MS Notes). Book of Chorusses & Songs may be had at the Theatre. [The afterpiece thoroughly reviewed and excoriated by Theatrical Review for 28 Oct.] Paid Mr Dorman for coals #45 10s.; Mr Booth over stop'd last season 10s. 6d.; Supernumerary Soldiers #1 11s. (Treasurer's Book). Receipts: #259 12s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Event Comment: Benefit for the Miss Hopkins'. Afterpiece [1st time; CO 2 (?), by Thomas Holcroft. Not in Larpent MS; not published]: The Music [by William Shield (European Magazine, Jan. 1782, p.59)] entirely new. Public Advertiser, 15 Apr. Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street, Covent Garden. Receipts: #129 8s. 6d. (61.15.0; 24.5.6; 0.1.0; tickets: 43.7.0) (charge: #66 11s. 6d.)

Event Comment: Benefit for Mr Hopkins, Mrs Hopkins. The Distressed Mother was oblig'd to be deferred on account of the death of Mr Holland's father (Hopkins Diary-MacMillan). Tickets deliver'd for that play will be taken

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Event Comment: Benefit for Miss Pope. Public Advertiser, II Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #276 13s. (110.10.0; 12.4.6; 0.17.6; tickets: 153.1.0) (charge: #74 14s.)

Event Comment: Benefit for Miss Pope. Public Advertiser, 9 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's Inn Fields. Receipts: #115 8s. (100/15/0; 14/5/6; 0/7/6; tickets: none listed) (charge: #115 0s. 6d.)

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 29 Mar.: Tickets to be had of Miss Pope at her house in Great Queen-street. Receipts: #278 3s. (86/14; 21/9; 0/10; tickets: 169/10) (charge: #106 5s. 10d.)

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 17 Mar.: Tickets to be had of Miss Pope, Great Queen Street, Lincoln's Inn Fields. Receipts: #236 13s. (56/19; 30/9; 0/13; tickets: 148/12) (charge: #113 14s. 10d.)

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 8 Apr.: Tickets to be had of Miss Pope, Great Queenstreet, Lincoln's Inn Fields. Receipts: #254 11s. (82/17/0; 18/7/6; 1/2/6; tickets: 152/4/0) (charge: #114 12s. 2d.)

Event Comment: Benefit for Miss Pope. Public Advertiser, 22 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's Inn fields. Receipts: #259 9s. (90.16; 18.13; 0.11; tickets: 149.9) (charge: #109 18s. 2d.)

Event Comment: Benefit for Miss Pope. [In afterpiece the playbill assigns Floreski to Kelly, but "Trueman..acted as Kelly's substitute in the Entertainment, in the part of Count Floreski" (Dramatic Censor, II, 194). Morning Chronicle, 30 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #330 14s. (87.4; 60.9; 3.5; tickets: 179.16) (charge: #230 18s. 3d.)

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)