Event Comment: [In afterpiece the playbill retains Mrs Goodall as Widow Brady , but as she "was incapable of performing this evening, the Farce should have been changed, for poor Miss Collins was a lamentable Mrs Brady ; before the second act was half over, the greater part of the audience quitted the theatre" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #169 1s. (129.10; 37.19; 1.12)

Event Comment: [The playbill retains Mrs Crouch, but "The indisposition of Mrs Crouch was an abatement, for which, though an apology was made, nothing could atone. Miss Dall was her substitute. Captivity was sung by Incledon, 'being his first appearance in the character of Marie? Antoinette'" (Thespian Magazine, Apr. 1793, p. 247).] MS annotation on BM playbill (cg, Vol. VIII), 2 Mar.: "Rec'd 5 nights Oratorio Rent #262 10s. [i.e. #52 12s. a night].

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Event Comment: Benefit for Mrs Crouch. [Miss Dixon is identified in European Magazine, Apr. 1799, p. 258.] Morning Chronicle, 5 Apr.: Tickets to be had of Mrs Crouch, No. 9, Lisle-street, Leicester-square. Receipts: #673 6s. 6d. (329.16.0; 58.12.6; 2.1.0; 7.0.6; tickets: 275.16.6) (charge: #250 5s. 9d.)